WordServe Water Cooler

September 16, 2012September 12, 2012

What a Good Book!

As a writer, I find the Bible such an inspiring book. Truly it is The Book, which is, incidentally, the actual meaning of the word Bible. Not just the Good Book, as many call it, but the Best Book: an anthology of diverse writings by diverse authors, each unique, yet all identical in their devotion to the Book’s Author and Subject.

Okay. I’m done capitalizing.

All this to say I consider the Good Book a model for all good books.

First off, it’s always interesting. Because, as I preach to the would-be writers who are my students, it’s always concrete.

Manna, for example, is not just some vague nourishment left to our imagination. Rather, it looked like “thin flakes like frost on the ground” (Exodus 16:15), “like resin” (Numbers 11:7), and “tasted like wafers made with honey” (Exodus 16:31) and “like coriander seed” and “like something made with olive oil” (Numbers 11:7-8). I get hungry whenever I read these passages.

Gathered the next day—in disobedience to God’s instruction—these delicious-sounding coriander honey wafers got “full of maggots and began to smell” (Exodus 16:20).

Ew! It’s no wonder that, prone as the Israelites were (as we all are) to disobedience, they disdained the gift of manna, yearning instead for the “fish…cucumbers, melons, leeks, onions and garlic” they had eaten “in Egypt at no cost” (Numbers 11:5). They preferred, that is, the foods they’d enjoyed back when they were slaves and likely had to content themselves with refuse leftover from such culinary delights enjoyed by their masters, as slaves have had to do throughout history. Old fish. Yellow overripe cucumbers. Melons and onions and other vegetables long past their prime. Given such details, the story of those Israelites’ appetites and hungers is so convincing and real, so relevant millennia later.

Unlike many lesser books, the Bible constrains itself neither to one genre— its generous pages embrace poetry, fiction, and nonfiction—nor even to one approach to any genre. Take my own field of nonfiction, for example, which appears throughout both Testaments as histories, arguments, reflections, topical essays, genealogies, lists. The Bible blends these nonfiction subgenres and others, weaving them in and out of prose into poetry, in and out of actuality into invention. In addition to the Bible’s many strictly factual chronicles of otherwise forgotten times, it offers gripping retellings of the same events from new, startlingly intimate perspectives, a narrative strategy (called fictionalization) that effectively topples even the most fact-addicted readers’ unwillingness to suspend disbelief. The only people I know who question the Bible’s trustworthiness are those who’ve never actually read it. Read it, cover to cover, and you’re a goner.

And the Bible never sanitizes. In its pages, women have their periods, men spill their semen on the dirt, matters openly discussed only rarely, even in the least particular public venues, all but never among Christians. A woman sneaks up on Jesus hoping to steal his power to cure her embarrassing bloody flux, and Jesus talks about it before the whole town.

When my daughter Charlotte got her first “real Bible”—the ICB, written at a third grade reading-level but with chapters and verses so she could follow along in church—she was so engrossed she read far past the passages the preacher cited, which I confess I’m prone to do as well, and soon turned to the beginning to read it as one would any other book. By mid-service, she was so shocked by what she found there—the story of Noah, sprawled drunk and naked in front of his sons—that she thrust it across the pew at me and, forgetting her church voice, announced to me and the whole congregation, “I can’t believe they put that in a children’s Bible!”

I know of no book that sucks in a reader—and such a vast assortment of readers, young, old, devout, dismissive—so immediately, so completely, so irrevocably. I never read long in it without thinking, I wish I’d written that!

September 15, 2012September 14, 2012

Whose Fault Is It If Your Book Doesn’t Sell?

Pop Quiz: When your book doesn’t sell to your expectations, who is to blame?

Those picky sales folks in publishing houses. They only want to sell bestsellers and big name authors anyway.
The marketing folks at publishers who never seem to pick me or my book for that infamous 80/20 principle (80% of the money going to 20% of the books).
My agent who takes their 15% and then runs for the hills (with no Internet access).
Stupid consumers who wouldn’t know a good book from, well, a bad book.
Me, the author, who sweats great drops of blood in writing the Great American book, but can’t market and PR my way out of a paper bag.
God, of course. I’m not worthy of His blessings anyway.
None of the above
All of the above

After representing a couple of thousand books, the answer is “8” (minus “3” & “6,” of course). In my last 22 years in publishing, I’ve seen average books go through the roof, and great books struggle to find readers. I won’t name names or titles, but we’ve all scratched our heads after reading a current bestseller, thinking Really? Naturally, I’ve seen hundreds of books sell just “okay.” And on rare occasions, I’ve even seen great books do very well. Imagine that?

So why are some books unable to find a foothold in retail and with consumers? The reasons are legion.

No one has heard of the author, so they’re not looking for their book.
A world event happened–war/disaster/crime/election–so the book and author who could have been talked about on media (and was booked on media), is no longer big news. (I’ve seen this happen more than once.)
Bad cover. While you can’t “judge a book by its cover,” you certainly may not buy it if it’s awful.
A less than scintillating title. I’m hearing that consumers are buying books based on Search Engine Optimization (SEO), especially felt-need nonfiction.
Bad spine. A consumer takes .8 seconds to look at your book spine as they walk down the aisles in bookstores, and if they can’t read the font/script/type, they won’t work hard enough to pick it up to see your great title, subtitle, endorsements and back cover copy. Sale denied. (So always make sure you are sent the spine to make sure it’s readable.)
Interior type is too small or squished together. I’ve had several great books die because the publisher wanted to save paper so they put it in 9 pt. type. Even a great cover and big author name can’t save a book from people saying, “My eyes got tired of reading so I didn’t finish it.”
Many bad reviews and too few good reviews to counteract them.
Retail doesn’t reorder. While a publisher will often get at least one book of yours on the shelf at most stores, they can’t put a gun to a retailer’s head and make them reorder. Complaining that “my book is not on the shelf” is rarely the fault of the publisher. Believe me; they ARE trying to sell books.
No e-book marketing/sales strategy.
No buzz. The publisher must create some buzz through TV/radio/blog reviews and all the rest. But it’s not only their job. The author must (MUST) be about the business of creating their own buzz, as well, which is why there are advantages to a bigger agency like WordServe that has a Facebook Fan page, Pinterest page, WaterCooler, and Twitter accounts. We’re doing what we can to help create a little synergistic buzz. Of the 100% of buzz needed/wanted, this is likely 5% of the overall puzzle of how books start getting buzz. (Look for my article next month on “Creating Buzz.”)

I tell my authors that a publisher can sell about 15,000 copies of almost anything if they really want to. (I only wish they really wanted to on every book.) But the book won’t sell more than 15,000 if it doesn’t get word of mouth. Good, bad or mediocre books sell well because groups of people start talking about them and telling their friends and neighbors. Think about how many times you’ve said, “You’ve got to go see this movie,” or “You’ve got to read this book.” That’s what sells tickets and books the most.

So what causes a book to sell through the roof? (Tongue firmly in cheek…)

“We must personally thank the literary agent. She obviously hand-sold 50,000 copies.”

“I think a bookstore owner in the Southeast region is what helped put it on the list.”

“The author’s Facebook fan page made all the difference…”

You get the picture, individuals outside the creation and sales process likely would only get a very small portion of the credit (or blame).

Bottom line: They heard about it, saw it, bought it, loved it, and then told others.

Do you agree with this conclusion? Are there other reasons you’ve seen or heard about why books sell or don’t sell (yours or others)?

September 14, 2012September 12, 2012

A Brief History of E-publishing, Part 4: Logjam!

In 1998, e-publishing appeared to be the next great revolution in publishing. Within two years the “revolution” went bust.

So what happened?

The crash began with a logjam.

In a very short time, the number of royalty-paying e-publishers went from a handful to dozens, then from dozens into the hundreds. Why such an explosion in growth?

Because it was easy for people to set themselves up as e-publishers.

Back then, all you needed was a website, desktop publishing software, a way to receive payments, someone who could edit manuscripts, a cover artist and—if you planned on distributing the books on floppy discs or CD-ROM—a printer (preferably color). Some of the fledgling e-publishers avoided the whole problem of a physical product by making the books available only as downloads.

So, if you fancied yourself an editor and your wife had some artistic skill (or vice versa), you could run an e-publishing business right out of your home. Thus, many of the publishers that sprang up in the first e-publishing boom were “mom and pop” outfits, often run by a handful of people.

That arrangement worked well—until a gazillion unpublished writers discovered e-publishing.

Almost overnight, the newbie e-publishers were flooded with submissions, and it wasn’t long before most of them were overwhelmed. A mom and pop operation works fine if you’re only getting a few submissions a month. When the number of manuscripts balloons into the hundreds, you’ve got a problem.

What happened?

Quality went out the window.

When Hard Shell Word Factory accepted my YA novel Friendly Revenge back in 1998, they took it through the same kind of editing process you would expect with a mainstream print publisher. An editor reviewed my manuscript and suggested changes. I did rewrites and submitted them for approval. They proofread the book and sent me a proof copy to review. We haggled over the book’s title. We discussed the cover art (even though my book was only going to be released as a 3.25” floppy). I was very pleased with the final product.

When the logjam hit, Hard Shell and the other e-publishers who had been in existence for a while were able to maintain their high standards.

Many of the others were not.

Manuscripts were published, often with little or no editing or proofing. The quality of the cover art (most of which which wasn’t very good to begin with) suffered.

Basically, many of the fledgling e-publishers couldn’t keep up.

Before long, it was not unusual to visit an e-publisher’s website and see the words (often in flashing letters): Temporarily Closed to Submissions.

Some of the publishers folded. For many of those who stayed in business, the temporary closing became permanent. (Check out this listing of royalty-paying e-publishers and take note of how many are no longer accepting submissions.)

The logjam and resulting loss in quality signaled an end to the first e-publishing boom.

But in less than a year, that would all change with the entry of a new technology into the marketplace: POD (Print on Demand).

*****

(Check back on September 27^th for the next installment in A Brief History of E-Publishing.)

September 13, 2012September 13, 2012

Ten Thoughts About the Book Endorsement Process

As a first-time author, I had no way of foreseeing each step along the way. If you’re a soon-to-be-published author, I hope some of my experiences will help you know what to expect when the time comes.

One question of particular interest for me was,

What will the endorsement process be like?

Endorsements show up on the back or front cover of your book, as a blurb from a well-known author or celebrity. Here’s what I can tell you now that I’ve moved into this part of having a book published:

You should start making a list of who you would like to endorse your book way ahead of time. Begin collecting email addresses and mailing addresses. Your publisher will most likely want both. They’ll probably prefer sending out a digital copy of your book, but a few of my endorsers specifically requested a hard copy, and the publisher made accommodations for them.
Don’t ask for names of people you admire. That’s not enough. You have to find well-known names that lots of people know and admire.
Make sure the names you are hoping to get as endorsers share something in common with your book. e.g. You probably would not ask a self-help guru to endorse your fiction book.
Consider local and international names. Don’t be afraid to reach big! I was surprised by the people who said yes to my request.
Don’t be surprised if this is the scariest part of your book-publishing journey. There is something very humbling about asking famous people to read your book.
Realize every publisher does things differently. My publisher wanted me to contact the potential endorsers first. Once I had the go ahead from the potential endorser, the book went out from the publisher, along with a letter. The letter contained instructions as well as a deadline.
The most important piece of advice I learned was from Michael Hyatt in his book, Platform. Ask your “sure things” first. These are the one or two people with whom you’ve built a relationship, the ones you feel will most likely offer an endorsement. Once you have a yes from them, you can insert their names in the email to your next potential endorsers. No one wants to be the first to say yes to endorsing, but they’ll probably get excited once they recognize other potential endorsers’ names.
Don’t ask for the endorsement. Ask if they’ll read your book and consider an endorsement.
Don’t get discouraged by the no’s. Trust God knows who should and shouldn’t endorse your book.
Pray for your potential endorsers. Pray they’ll have time in their schedules and that God would bless them for their generosity.

*Below I’ve posted an example of the letter I sent to my potential endorsers:

Hi So and So,

(Explain how you know them or their name)

The reason for this email is that I finally got my book written and it’s about to be published with Abingdon Press.

I’m tippy toeing in here, knowing how busy you are. I am wondering if you would consider reading and potentially endorsing my book?

Here are three people who have already said yes to reading and hopefully endorsing my work:

(List the people along with a short bio or web link)

My book is about self care and includes all the ideas that helped me when I struggled emotionally while moving toward a degree in a counseling psychology program. I have chapters on the importance of solitude, boundaries, play, psychological counseling, authenticity, etc. My book is based on research but written to the lay person. Even though I researched and reworked it for seven years, it’s a quick easy read. Here is a link: http://www.lucillezimmerman.com/book/

Obviously, if you say yes to reading, you are not committing to an endorsement. I would only want that if you found something redemptive in the book.

Thank you for taking a moment to consider. If you do say yes, I just need your mailing address and the best email to send to my editor.

Warmly,

Lucille Zimmerman

September 12, 2012September 11, 2012

Extravagant Subsistence: Restocking the Writer’s Shelves (and Soul)

Our freezer is nearly empty. We’ve eaten all of last year’s fish and meat, which constitutes a near emergency. Tomorrow I’ll close my computer, ignore my writing deadlines and head back out by bush plane and boat to an island in the Gulf of Alaska where I’ve worked in commercial fishing with my family for 35 years. We were so busy with the commercial season this summer we didn’t have time to put up our own fish for the winter, the wild salmon that will feed us luscious Omega-3 saturated flesh weekly through a long season of dark. We also harvest berries, venison, halibut and sometimes caribou. Putting up our own food stores, which goes by the shorthand term “subsistence,” is a normal and necessary part of most people’s lives in rural Alaska.

“Subsistence” is defined as “The action or fact of maintaining or supporting oneself at a minimum level.” In Alaska, however, where a subsistence lifestyle is as common as wool socks, it’s evolved into almost the opposite concept. We don’t hunt and fish and grow and harvest simply to live—we engage in subsistence to live well. We have access to cellophane-wrapped factory-farmed meat like everyone else—but it is expensive, saturated with antibiotics and hormones, and has been shipped a very long way to get here. We prefer to harvest wild-grown meat from our own piece of the land and sea. It’s one of the reasons we live here.

This last week I began another kind of subsistence: I started re-reading Gilead, Marilynne Robinson’s wise and extraordinary novel. Her profound musings on the worth of life, as spoken through John Ames, an elderly pastor, remind me how empty my writer’s pantry has become. The authors who have sustained me through the decades—Frederick Beuchner, Annie Dillard, Richard Wilbur, Eugene Peterson, Walter Brueggeman, Gerard Manly Hopkins, Emily Dickinson—have become strangers of late supplanted by blogs, social media, and research for other writing projects. These are all quick, short reads full of good information, but I’ve been achingly hungry without knowing it.

I realize that my writing life is little different than my food life. I’m often so busy on the commercial end of the work—the marketing, creating the next book proposal, the social media—that I forget to do the real subsistence work. While I’m as tempted as anyone else to spend my time feeding on strategies to garner audiences and master social media, ultimately, I’ll starve on such a diet. Fifty-seven Ways to Grow Your Platform, while helpful, will do little to awaken mystery, stir my imagination, provoke paradox, unearth wisdom, deepen my humanness, all of which is why I began to write in the first place. I realize if I maintain a steady diet of techniques, I’ll soon be setting an impoverished table for not only myself, but also for my readers, who come themselves needing sustenance.

Subsistence work is not easy. Rather than grabbing cellophane packages of meat and fish from the meat counter, I have to go out into boats, I have to use knives and muscles, I have to cut off heads, pull out guts, spill real blood.

It’s a physical engagement with the material world. Reading the best writers is not unlike this. It takes more effort to read longer works. Blood will be spilled there as well as we wrestle with the deepest, hardest and most profound stories of dying and living. But this is how we will subsist and be sustained as writers for a very long time.

When I sit down to my first meal of grilled salmon this winter, I will remember where it came from, how it felt in my hands. I will be so well-fed, I will want to write about it, and will set the table for others to join me in the feast. I hope my work will feed others as well as I have been fed myself. With some labor, and yes, some blood, it can happen.

What kind of reading are you returning to for “extravagant subsistence”? How can we make more time for this kind of reading (and for sustaining physical labor)?

September 11, 2012September 4, 2012

10 Tips for Converting Website Visitors to Customers

“The thing I still grapple with is turning website visits into sales – any advice on that piece?”

This question to my post, Drive Traffic to Your Website or Social Media Sites? (7 Things a Writer Should Know), inspired today’s topic. Driving paying customers to your website is only a matter of outlining and implementing the steps to take. Here are some things to consider.

Make it professional and appealing. If your website is garish, disorganized, or amateurish, revamp it before inviting company over.
Blog for your target audience. Not everyone should blog, but if the idea appeals to you, ask yourself who will come to your site. What would draw them and make them come back? To reach more people, you might want to consider other blogging formats like photo-blogging, vlogging (videos), and podcasts in addition to text.
Keep an email list and notify it of new blog posts. You can include a purchase offer with a call to action at the end of each of your posts. This is especially effective because research suggests people most often respond to a product with a purchase after seven offers.
Offer an email newsletter. This is one of the best ways to keep in touch with customers on an ongoing basis. Each time your newsletter shows up in their email inboxes, you and your product(s) will come to mind. This makes you part of the fabric of their everyday lives.
Engage readers. Answer their questions, host a forum, offer samples of your writing. Anything goes, just so long as you entertain readers while remaining consistent with your brand. If you’re stuck for ideas, get together with a friend or friends and brainstorm.
Host a contest to draw readers. Give away something of value and require email signup for entry. When your site gains page rank, you’ll likely receive offers of free products in exchange for promoting them. You can also sign up for affiliations that allow you to distribute sample products. As an example, during a blog parade I gave away a complimentary copy of scrapbooking software.
Launch an ongoing giveaway in exchange for email list sign up. Giving away products when you’re trying to make money may seem counterintuitive, but offering something of value for free can more readily put you in the position of a trusted mentor to visitors. Remember that people buy from those they like and trust and who care about them. False motives stand out and won’t earn you sales. Be genuine and speak from your passions. Giveaways don’t have to be published books. Use your creativity to come up with ideas. Lists and reports have a high perceived value. Whatever you give away, let it come from you. On my Live Write Breathe site for writers, I give away free letterhead stationery and a query letter template that I designed. Since photography is one of my hobbies, at Novel Books, where I inform readers about wholesome books and authors, I offer free computer wallpaper and an additional chance to win book giveaways for email sign up. I’m currently revamping my Janalyn Voigt site, so I don’t have a giveaway going right now, but I plan to offer a free novella to familiarize potential customers with my writing.
Offer a quality product or products. This should go without saying. If you want the best results for your efforts, be generous.
Include a landing page with value for the reader and a single call to action. Resist the urge to bore visitors by making your landing page a site directory. That’s what your navigation menu is for. Instead, determine what you want to gain and ask for it in a clear appeal. What if you want more than one thing? Combine them. (Purchase an autographed copy of my latest book, How Penguins Waddle, and receive a free copy of my in-depth report on water birds. As a special bonus, you’ll also receive the monthly Antarctic Adventure newsletter.) It’s all about presentation.
Promote. Drive traffic to your site by making informed comments (but not blatant self-promotion) on forums and sites with an audience similar to your own. Cross-promoting with another writer or business can also be effective. You should update your social networks with links to your sites and a catchy blurb or excerpt.

Most writers, being artists, can feel a little challenged when it comes to setting up shop. Converting website traffic to sales is what we have to do, though, to reach and retain readers.

September 10, 2012September 4, 2012

The Warp and Woof of Weaving Stories

When I was in college, I went on a retreat. One of the skills I learned during the weekend was basket weaving. It was a lovely art, both in what I ended up with, and how I got there. In other words, the process led to a product I was proud of: a tightly woven basket with an intricate design of my own creation.

Writing a novel, I find, parallels that experience. The warp of my story is the primary structure, and the woof is the way I hold it together by weaving in and out of the structure with the scenes and details that make it distinctly my own design. Sometimes, I make an impulsive change in the course of the weaving of my tale, which then affects the entire design, and I end up with a different – but even better – story than I had anticipated; sometimes, I find the change is a mistake, which means I have to unravel back to that point and make corrections.

Unlike crafting a basket, however, the task of weaving a story gives me a dimension of creativity the basket doesn’t allow: I can add in even more layers – more woof – after my initial story is complete. When I finish a basket, the weaving is of one piece – I can’t cut out a section of threads and replace it, or expand it, and expect the basket to hold together.

With writing, though, I find the extra woof is what gives the story its defining success. In revision, I can add a new character to further complicate the plot or add comic relief. While the main structure of the work doesn’t change, that new character can help breathe more interest into interactions with, and between, other characters. In the case of my mysteries, I often create a character in the revision process who can help move my story through spots that are weak or slow, especially when I need some red herrings thrown in to mislead my readers. I created one such character in my first book as a last-minute thought to complement one of the subplots, only to have readers so enjoy the character, that they repeatedly asked me to bring him back in a later book!

Adding in subplots that reflect the primary plot is another trick to elaborating on my initial story design. When revising, I try to give almost every character some personal issue that can tie into another character’s. Doing so not only makes the characters more real – who, in real life, doesn’t have problems to deal with? – but it affords me more opportunities to weave in conflict, which adds to the story’s pacing. My solution to keeping track of the characters and subplots is the creation of a master flow chart that follows each element of the story from beginning to end. That way, I accomplish every weaver’s goal: no loose ends.

Happy weaving!

What are your favorite threads to add to the warp and woof of your writing?

September 9, 2012September 4, 2012

God-Given, Weird, Unexplainable–Joy!

For the last decade, I’ve prayed for God to give me a word to meditate and think on throughout the year. In 2010, the word was “peace,” and God used the word to convict and heal me of a tendency to worry.

In January 2011, I felt impressed to begin concentrating on the word “joy.” And like a pig-tailed toddler with a sweet tooth, I had pictures of God giving me presents. Maybe He would overwhelm me with material blessings (I entered the HGTV Dream Home giveaway several times, just in case). Perhaps He was going to provide a huge advance check for a writing project…or send me on a national television show to gain much-needed exposure for my blog.

As you can see, my thoughts leaned toward the selfish, temporary, and trivial. I’m so glad He knows what we REALLY need.

I won’t bore you with all the circumstances that hit our family in 2011. Suffice it to say, we were shaken and stretched in ways we never imagined. But in the midst of stressful moments–such as when my father underwent emergency triple bypass surgery–I felt peace, instead of fear. Not that I didn’t have moments of panic, mind you. But when worry showed up like a scorned lover, I took a deep breath and told him: “Get lost. I’ve got a new beau, and He’s not going anywhere.”

Mostly, it worked. 🙂

Just like the arteries near my dad’s ticker were bypassed by a skillful surgeon, my heart had been strengthened the previous year by God’s gentle scalpel of truth. I’m so thankful He tirelessly fought the stronghold of anxiety that had crept into my life.

Want to know something else? During 2011 and into 2012, God DID give me a present, wrapped in a great big, blood-red bow: weird, unexplainable joy.

It is a spiritual gift, after all–just not one we talk about very much. My friend Megan says, “Joy’s not sexy, like wealth or prosperity. But it’s longer-lasting.”

I like that.

Joy means counting our blessings, both tiny and immense, while the world moans and heaves and believes all is lost.

Joy overcomes me when my eight-year-old cuddles with me and shows me his cursive practice. Joy warms my heart when my hubby texts me–because he misses me. And joy bubbles up when my teenager says, “I love you Mom!” out of the blue (it doesn’t happen often, believe me).

JOY is simply this: Jesus, at work in us, to do what we can’t do on our own.

There are many verses about joy, but one of my favorites is Psalm 28:7–“The LORD is my strength and my shield; my heart trusts in him, and he helps me. My heart leaps for joy, and with my song I praise him.”

My heart has leaped as I’ve spent time with Him. And as I’ve learned to take joy in His presence, He has given me a few answers to the desires of my heart, as well. Those “hugs” from my Father have satisfied my desire to know He’s listening, while whetting my appetite for more of Him–not just His blessings.

As Neh. 8:10 says, “The joy of the Lord is my strength.”

It has been, and it will continue to be. I am praying the same for you.

Photo credit: hotblack from morguefile.com

September 8, 2012September 6, 2012

Back to School

When I was a kid, summer was my favorite season: 4^th of July, family barbeques and reunions, my birthday, catching fireflies, and participating in our county’s fair through various 4-H activities.

However, as I got older, and especially now that I am out of school, I appreciate fall more and more. About a month ago, lured in by the back to school displays at King Soopers, I made my husband buy me new pens and pencils, explaining that I would be more motivated to complete my to-do list if it were written in purple and green as compared to black and blue. Ultimately, I feel motivated by that fall feel—Pumpkin Spice Lattes, working at Starbucks with bright-eyed college students, and hunkering down in my house with manuscripts stored up on my Kindle.

Since many of you are probably parents and are, therefore, enjoying some extra writing time now that the kids are in school, I thought I would share some specific motivational tips that inspire me during the fall.

Enjoy a hot beverage. Coffee, black, is my drink of choice, but I also like the occasional cup of tea or the more-than-occasional cup of hot chocolate. I also read somewhere that if you put the cup on your face, the warmth does something to your endorphins to make you happy. No idea if that is true or not, but it feels like a mood booster when I do it. Plus, it pulls me out of email or editing for ten minutes or so and just lets me be creative or pray or review my list of things to do.
Going to Starbucks or a local college. Usually, I see several college students reading or writing or studying, and I think, if they can push forward, so can I. And then I will see someone working on calculus or chemistry or some other god-awful subject, and I send up a prayer of thanks that the most stressful thing that I encounter throughout the work day are rejections or a particular difficult edit. Seriously, calculus? Who willingly takes a class like that?
Talking walks. It was HOT in Colorado this summer, and I’ve heard we have more ninety degree days ahead of us, but I have really enjoyed the past few days where the temperature has dipped into the seventies. I like working outside on my balcony and taking walks to observe the changing leaves. I feel energized and like change is happening in me both physically (baby boy is growing!) and spiritually. God and I have had some wonderful conversations these past few days, and I have felt my relationship with Him maturing and becoming clearer in a lot of ways.

So what motivates you during the fall? Have you had your Pumpkin Spice Latte yet?

September 7, 2012September 6, 2012

Christian Fiction ~ Oxymoron?

Woman with a book — Image courtesy of freedigitalphotos.net/

We were on our way to The Duck Pond restaurant in Warsaw, Indiana. Our husbands visited in the front, and we ladies sat together on the bucket seats of our friend’s new Honda mini-van. And that’s another story. . .

But on this day, my friend turned to me and said, “I promised I wouldn’t read anything that wasn’t true for the rest of the year.”

She shook her head and looked down at the boot on her foot. “And then my ankle gave out.” She grinned then. “I could just see God looking down with a chuckle wondering what I was going to do now. But I’ve used this time to really get into the Word.”

I shared with her how I’d learned to get more out the Scriptures in my own daily devotions. I was sure the things I had learned were nothing new to her. And I was ashamed that I had to be this old before I learned.

“It’s good to take a break from reading other writing,” I said. “But you’ve made a big commitment to go for half a year.” I half-way admired her for it.

“Oh, I hope by the end of the year I can make it permanent. My mother always told me fiction is just a bunch of lies.” My friend looked at me expectantly. We belong to the same denomination and she knew I was a writer. “Reading got me through the hard times when my children were growing up,” she continued. “But I’ve leaned on fiction too much.”

“I know you need to keep your promise, but what about the stories Jesus taught?”

“And you think those weren’t real stories?”

“I know the parables were based on true principles,” I told her. “That’s what novel writers are taught. Any properly written novel will be based on a true principle.”

We changed the subject after that. But I can’t quit thinking about it.

Is Christian fiction an oxymoron?

By definition, Christian fiction is a story that illustrates a Christian world view in its plot, its characters, or both, or which deals with Christian themes in a positive way.

The novels of Francine Rivers have touched hearts and changed lives. Christian fiction is not written to replace the Bible, but to turn hurting, seeking people to the Word, to Jesus, and to God.

The combined efforts of many Christian writers have enriched our world. For some of us, it is our mission field. Our way of blooming where we are planted.

The Apostle Paul used the whole chapter of I Corinthians 14 to show that worship should not just be for my own benefit. That I should desire gifts that benefit the whole church. #1 In ways that they can understand. And #2 in ways that build up the church. Then, the apostle tells us, God will bring the sinners and they will also be convinced.