Amazon Book Sales Rankings Explained

The following guest post comes from Rob Eager of WildFire Marketing. It first appeared on his blog

Have you ever suffered from a bout of Amazon fever? It’s a strange condition that can take over an author’s brain and compel him or her to peek at the Amazon sales ranking for their book 10 – 20 times per day. Each time you look, you pray that the ranking will improve before you check it again in another hour. Authors who catch this fever might even get up in the middle of the night to see how their rankings fared after the sun went down. Going cold turkey and avoiding the rankings altogether is an option. But, freedom from the fever sometimes requires an intervention, which is why I wrote this article.

I’ve battled the fever myself, and many of my consulting clients struggle with the problem as well. It can be addictive to see how your books are performing on Amazon, where the vast majority of books are purchased. Besides, it’s easy to reason that authors need a quick way to gauge sales without having to call the publisher, check BookScan, or wait for a royalty check.

However, most people know that Amazon sales rankings must be taken with a grain of salt. The company guards their algorithm like gold in Fort Knox. No one knows how accurate the numbers really are. In fact, even the staff at Amazon has admitted their system isn’t completely precise. Thus, why even bother?

Actually, Amazon sales rankings can provide helpful clues about the performance of a book during a campaign. Plus, the rankings can help compare how similar titles are faring against each other. Since Amazon practically owns the book retail market, it’s easier for authors to judge immediate response to specific marketing activities by checking one website. In addition, the rankings give self-published authors a way to prove that their sales can be every bit as good as an established writer.

Yet, what do Amazon sales rankings really mean for a book and should you care? My answer is yes and no. I don’t mean to sound hypocritical, but the reality is that the rankings can only provide a ballpark idea on actual sales. Amazon updates the rankings every 60 – 90 minutes, so the numbers constantly fluctuate throughout the day. A book could have a good ranking in the morning and a worse ranking that same evening. Therefore, you never get numbers that are solid enough to make big decisions on its own. At best, the rankings can show real-time sales momentum or a lack of consumer interest. If you want to draw any real conclusions, it’s always best to include actual sales data from more reliable sources, such as BookScan. But, is it possible for Amazon rankings to give any reasonable insights? Here’s an example.

Earlier this year, I helped a New York Times bestselling author launch a new book. During the pre-order campaign, we found that the Amazon sales rankings provided a decent indication of sales momentum. That’s because my author client offered a series of special gifts to encourage pre-orders. In order for people to receive the pre-order gifts, they had to go to the author’s website, provide their retailer receipt number, and tell how many copies they purchased. I captured this customer information each day in a database, and then compared the data to the book’s daily Amazon ranking over time.

Before I discuss the results, let me emphasize that everything you see is purely a guess. There are no hard and fast rules. Do NOT quote these numbers or assume they will directly match your specific book sales. I simply conducted this exercise to prove a series of other important points, which I’ll mention in a minute. Here’s how the Amazon sales rankings translated into customer purchases according to one book that I tracked:

Amazon Sales Ranking = Copies Sold on Amazon:
2,500 = 30 – 75 per day
5,000 = 15 – 30 per day
7,500 = 5 – 15 per day

10,000 = 25 – 40 per week
100,000 = 5 – 10 per week
150,000 = 1 – 5 per week

300,000 = 5 per month
500,000 = 1 per month or less

Note: Numbers ONLY reflect book sales at Amazon. Other retailers are not included.

Why would I show you this information when it’s just a guess that cannot be trusted? For several important reasons:

1. As you can see, a good sales ranking of 7,500 or less doesn’t mean you’re actually selling that many books. Those numbers mean anywhere from 5 – 75 copies per day. That’s quite a wide range and doesn’t mean you’ll get rich anytime soon. Even if you maintained sales of 75 copies per day for a really long period of 30 consecutive days, you would only sell 2,250 total units.

Therefore, there is NO reason to brag to anyone about your Amazon sales ranking. In contrast, there is no reason to get depressed if your sales ranking is worse than other authors or books you see. The only authors selling a ton of books on Amazon are those with rankings less than 500 who maintain that level for multiple months. Those are the icons of the industry with major publishers and massive resources behind their campaigns.

As another example, I consulted on a backlist book that consistently maintained an Amazon sales ranking of less than 500, which is amazingly rare. But, it typically sold only 2,500 – 3,500 copies per week. Yes, that’s way above average, but no one is retiring to a private island on those numbers.

2. More importantly, if you tell people that your book is a #1 bestseller on Amazon, it means absolutely nothing. Any author who makes such a claim smacks of desperation and a lack of ethics. Here’s why:

a. First, any author can mount a marketing campaign that spikes their book to #1 for a brief period of time – maybe one day or two. But, that spike is a fleeting moment, which quickly drops off. If a book gets to #1, you could use my chart above and guess that it sold 100, 250, or even 1,000 copies in one day. That’s good, but it’s still not that many copies.

Then, what about the next day when the ranking quickly falls off to 500, 2,500, or 5,000? Sales are back to modest amounts of 50 – 100 per day. Therefore, a brief spike to #1 doesn’t mean a lot of books were actually sold. In order to hit the legitimate bestseller lists, such as the New York Times, USA Today, Wall Street Journal, or Publishers Weekly, you’ve got to sell around 5,000 copies or more in a week. (Amazon now has their own official bestseller list called Amazon Charts.)

Telling people your book made it to #1 on Amazon is like telling someone you’re the fastest runner in your neighborhood. It’s doesn’t mean you actually sold many books, and it doesn’t mean you’re actually a fast runner. Your neighborhood could be full of slow people. Or, a faster neighbor might have been out of town the day you decided to race. You get my point. No one really knows if it’s true, and no one really cares. Authors who make ridiculous claims about being #1 on Amazon look foolish, because they take an unverifiable number and make a big deal out of it. However, the public doesn’t look very smart either when no one challenges these preposterous claims.

b. Second, there is an even more bizarre issue. Some authors now claim to be #1 on Amazon in a specific category, such as women’s issues, advertising books, or even “children’s pig books” (yes, that category actually exists). These arbitrary categories are a distant cousin of the main Amazon sales ranking list. And, if you know anything about distant cousins in real life, they’re usually out of touch with the main family.

I’m shocked by how many authors and publishers will go out of their way to display “#1 Amazon bestseller” on their websites, press releases, blogs, Facebook pages, and even back cover copy. Are we so desperate for accolades that we resort to making up random awards with no basis in fact or actual sales data?!

Just because a book is temporarily #1 in an arbitrary category on Amazon means nothing. For instance, at the time of writing this article, below are rankings for three book categories that I randomly selected:

  • The #1 book in “Mortgages and Real Estate” is #3,353 overall on Amazon.
  • The #1 book in “Advertising Graphic Design” is #13,771 overall on Amazon.
  • The #1 book in “Mice, Hamsters & Guinea Pigs” is #34,444 overall on Amazon.

As you can see, being #1 in a specific category is a far cry from being #1 on Amazon overall. Not many books are actually being sold. Plus, the rankings fluctuate by the hour. So, claiming to be top dog in a random Amazon category is like claiming to be the biggest Chihuahua at a dog park. It doesn’t make sense.

Here’s the real issue. When authors make unsubstantiated claims about their Amazon rankings, they tend to ignore solid principles that could actually help sell more books. If you want to be considered a real bestseller, earn it through legitimate marketing efforts that create results:

  • Learn to master the pre-order sales process
  • Build a large email list
  • Create joint partnerships with other successful authors
  • Secure more speaking engagements and media interviews
  • Spend more money on advertising

For instance, what if I touted myself as the “#1 Book Marketing Consultant in the World”? Who sets the standard and how would anyone know the difference? I could display that title on my website, but you’d probably think I was a little over the top and question your ability to trust me.

Writing and marketing a book requires hard work that can already make an author seem a little crazy. Why make things worse by creating silly claims about a book’s Amazon ranking? Being an author with a book on Amazon is a rare achievement by itself. We get the unique opportunity to educate, inspire, and entertain the world. There’s no need to work ourselves into a frenzy and manufacture false accolades. Take this article and use it as my prescription to forever avoid getting Amazon fever.

—–

Rob Eagar is one of the most accomplished book marketing experts in America and a leading specialist in the field of direct-to-consumer sales. Rob’s consulting firm, Wildfire Marketing, has attracted numerous bestselling authors, including Dr. Gary Chapman, DeVon Franklin, Lysa TerKeurst, Wanda Brunstetter, and Dr. John Townsend. As an expert in direct-to-consumer marketing, Rob also helps companies and non-profits build Million Dollar Email Lists that create seven-figure revenue and donations. Rob is the author of Sell Your Book Like Wildfire (published by Writers Digest), which is considered the bible of book marketing.

“Fever” image courtesy of David Dominici Castillo via FreeDigitalPhotos.net

 

Advertisements

Six Hurdles to Becoming an Author

When I attended my first writer’s conference in 2006, I thought I’d pitch an agent or editor and sell my book on the spot. After all, my college professor used my papers as good examples for her class, so these writing professionals were sure to read my work and sing the Hallelujah Chorus, right? Interviews on Good Morning America, Oprah’s Book Club, and a Pulitzer Prize would be sure to follow. Money would rain from the heavens. I was 28.

I’ll be 40 this year. I’m older, wiser, more experienced, and yet I’ve never met Oprah.

So let me step in as your coach and tell you how this really works.

  1. You have to write a book. I started many books before I finished one. And I probably only finished because I’d paid for a conference and needed something to sell to all those editors who I thought would come knocking. Editors or not, this is probably the hardest hurdle to clear. You don’t know you can leap over it until you do. So set that deadline for yourself, make the time, and feel free to write crap. Because this manuscript will likely be considered a false start anyway.I Got Nothin'
  2. Find a critique partner. Now because I’m the kind of person who takes off before the pistol is fired, I did have an editor request my manuscript after this conference and an agent sign me on the basis that I had an editor interested. This story didn’t get published though (thank goodness), and the most valuable thing that came out of my first conference was my critique partner. She got me back on track and trained with me. We moved at about the same pace and agreed to read each other’s manuscript. I not only learned a lot from her, but she ended up starting a publishing company which eventually published my Fun4Hire series. This is one of the coolest things about the writing community. Meeting all those famous authors is exciting, but it’s even more exciting to help your friends succeed.

    20170824_154228

    I named characters Christina and Dave after my first critique partner and her husband.

  3. Enter contests. Christina and I both finaled in contests. This is great encouragement to keep going when it feels like your words will never see the ink of a printing press. It also looks good in a cover letter and can include great feedback. Often these contests are judged by your dream editor. You’ll be scored on exactly what they like or don’t like about your work. And sometimes, if they like your work enough, as in the case of the Harlequin contest I entered, they’ll give you a contract and publish it.

    Book Signing

    Almost all of Team Love on the Run sold manuscripts through a Harlequin contest!

  4. Submit. Now I didn’t include “reading” as one of the six hurdles because normally if you want to be a writer, reading is no hurdle. It’s more like cheering from the stands. That being said, READ and research your favorite books to find out who sold and edited them. That’s probably who you should to submit your work to. Agents and editors know what they want, and you are wasting time if you send them something outside their interests.

    Angela and Editor

    My editor Miralee Ferrell is hard to keep up with.

  5. Get rejected. This is like shin splints. You don’t feel the pain unless you push yourself. Now you can commiserate with the rest of us. Feel free to keep count of your rejection letters or recycle them so your next rejection letter can possibly be written on the same fibers. Whatever you do, be proud. You’re writing isn’t perfect, but that’s okay. It’ll never be perfect. What matters is you’re working hard to beat your last time. Get up and keep going.

    Me and Mark Twain

    Even Mark Twain’s WAR PRAYER was rejected. He said, “I don’t think the prayer will be published in my time. None but the dead are permitted to tell the truth.”

  6. Network. To some of you, this hurdle might be even harder than getting rejected. It’s like being interviewed after you lost a race on television. But you have to get in front of an audience to build what editors like to call a platform. It can be through social media, blogs, websites, radio, magazines, or newspaper. You are your own front man. You exude the the passion that pours into each of your stories. People want to read what you have to say because you inspire them.

    Why Christian romance- (2)

    People who know me know I’m passionate about healthy relationships and that I believe love can change lives. Also, it’s fun.

If you continue to improve your performance and don’t give up, you increase your chance of crossing the finish line into publication. All I’m going to say here is that selling your first manuscript won’t be anything like you imagine it to be. It will be better.

There you have it. Though you should also know that on average it takes seven years to win a book contract. And then you face a whole new set of hurdles.

Is it worth it? Only if you can relate to Eric Liddell in Chariots of Fire when he says, “I feel God’s pleasure when I run.”

He never met Oprah either.

Oprah

Photoshop is probably the closest I’ll ever get.

Making Connections as a Writer

Business People Meeting Corporate Digital Device Connection Concept

In my previous post, Connecting with People at Conventions, I discussed how writers can connect with people at various convention events such as exhibit hall displays, main sessions, workshops, luncheons, and receptions. While meeting people in person provides great opportunities for a writer to reconnect with key individuals as well as make new friends, most of the time writers need to communicate with people at a distance. Here are some ideas for connecting with people through technology.

  1. Magazine and Journal Editors – Even after you have written a book, keep writing articles for magazines and journals. You will find that writing these shorter pieces helps you pursue fresh ideas as a writer and keeps your name in front of readers. If you have met editors at writer’s events or conventions, send them an email to follow up on potential writing opportunities. If you discussed potential topics with an editor in person, send a query for an article that fits the publication’s current needs. If you have not already done so, connect with the publication through social media, liking the page on Facebook or following the account on Instagram, Twitter, or other social media sites. These social media connections will assist you in determining what articles are most suited to the publication and how a finished article will appear online.
  2. Agents and Publishing House Editors – If you are seeking to publish your first book through a traditional publisher, you most likely will need to communicate with a publishing house through a literary agent. During the publication process, your literary agent will give you suggestions as you hone your book proposal (nonfiction) or manuscript (fiction), so you want to find an agent who understands and enjoys books in your genre. If you have met a potential agent in person, follow up with a letter sent through email introducing your background (education, professional interests, previous writing experience) and a one-paragraph description of your potential book. If the agent is interested, the next step will be a scheduled telephone conversation to verify that the agent’s interests align with yours. After you sign a contract with your literary agent, he or she will communicate with publishing house editors until you sign a publishing house contract.
  3. Bloggers and Readers – If you have connected with bloggers and readers at conventions or speaking engagements, use social media to maintain the connection. Comment on blogs, guest post, and interact with readers through your social media accounts. Make sure you end each presentation at a workshop or speaking engagement with a slide providing your social media contact information. Focus on maintaining the social media connections with individuals and organizations whose values and focus match your readers. However, welcome connections that expand your reader base. Be aware that articles on the Internet can be taken out of context, especially with the passage of time, so use caution when deciding whether or not to write a guest post for a particular blog or agree to an interview.

How do you use technology to connect with people as a writer?

What authors need to know: a view from the reviewer’s desk

© Royalty-Free/Corbis

I’ve recently been reviewing books on Netgalley. To my surprise, it’s been an educational experience for me as an author; by putting myself on the reader’s/critic’s side of the equation, I’ve learned a few truths that every author should know about 1) writing books, and 2) receiving book reviews.

Truth #1: Not every book is for every person. No matter how important your message or story, it’s not going to appeal to everyone. I keep thinking of the key question every writer gets when pitching a book for publication: who will want to read this book? Many of us (myself included when I began writing) believe that EVERYONE should read our books, that there is value in our work for every reader. But the truth is that people have different interests, and not everyone will want to read your book; that’s why the precise identification of those readers most likely to read your book is so critical to publishing your work. Authors MUST know their specific audience.

As a reviewer, I can choose from a multitude of topics, which means there are many excellent books I don’t choose to review for the simple reason that I’m not interested in the topic. Don’t take it personally when reviewers don’t rave about your book – it may be that your topic just didn’t hit a home run with that individual. Remember always that reading and reviewing is subjective, so while authors want and need reviews, you’re at the mercy of individual preference.

Truth #2: Not every writing style will appeal to every reader. Part of the joy of writing is to find your own voice, and when it resonates with your readers, it’s like winning the lottery. From a reviewer’s perspective, however, some writing styles are irritating, which then often result in poor reviews. (Case in point: as a former teacher of English composition, I can’t get through a book filled with incomplete sentences. When I find that in a book I want to review, I return the book rather than penalize the writer for her own voice. I’ve made that my rule based on my experience of receiving a poor review for one of my books wherein the reviewer said he didn’t read the book because he didn’t like my style in the first chapter! Again, it’s subjective, so don’t panic when you receive a review like that; if you know your audience, you can let that bad review roll off your shoulders, because you know something your reviewer doesn’t: your audience likes your style.)

Truth #3:  Your writing will improve by reading and reviewing other books. As a writer, every learning opportunity you take – even reviewing others’ books – will contribute to your store of ideas, craft, and understanding. Besides reminding me of the importance of audience, reviewing has reassured me that there is room in the publishing and reading world for many voices and many topics. As long as you continue to polish your craft and write engaging books, there’s room for you, too!

Seven Steps to Guaranteed Success as a Writer

Every author seems to have a different idea of what “success” in their field means to him or her. For some, selling at least five thousand (in Canada) or ten thousand (in the States) books, thereby qualifying them to claim the lofty title of “Bestselling Author” is the goal on which they set their sights. For others, maybe it’s a hundred thousand copies, or a million.

For some, it isn’t about the numbers, but about awards. But which award is the one that will make them feel as though they have finally arrived? Is it the Carol? The Christie? The Pulitzer? I’ve noticed several big-name authors who have won awards in the past entering the contests again, so maybe one award isn’t enough. What, then, is the magic number?

Or maybe it’s a certain amount of positive feedback, a sufficient number of glowing reviews on Amazon or Goodreads, recognition at conferences or even on the streets, enough followers on social media.

You see the problem. Success is a wildly ambiguous and deeply personal concept. Chasing that elusive label can be and, I suspect, is in most cases, a discouraging, disheartening, and depressing endeavor. The intended audience for our work can be mind-numbingly uncooperative when it comes to providing us with the accolades, reviews, purchases, and general awestruck-ness in our presence that would finally push us up to that mountain peak we are continually scrambling to reach. So too, for that matter, can agents, publishers, editors, and judges of contests.

Success1

A month ago I posted on this site about my love-hate relationship with Christian writing awards. I have to admit I am coming down a little harder on the side of love these days as my books are currently finalists for five awards. Am I encouraged? Definitely. Am I grateful, honored, and excited? Absolutely. Am I able to bring myself to claim that I am now a successful author as a result of these affirmations? Not even close.

So what is the solution? To continue to blindly stumble along, attempting to achieve some random number of readers or books sold or reviews in order to feel that I am now a success? Or is it possible that I, as a Christian author, need to look at the whole success thing from an entirely different perspective? If so, the perspective that is inevitably the best one to try to view things from is that of Jesus. During his time on earth, Jesus said some radical, countercultural things about success. He suggested that “making it to the top” in the eyes of the world was not only a poor measure of success, but could, in fact, be considered spiritually detrimental because it is those who are the least in the eyes of the world who are the greatest in the Kingdom of God.

Not that we should refuse to work hard or strive for excellence. Quite the contrary. Working diligently and doing our best honors God. The difference is in the motivation. The Bible teachers that everything we do should be done as to the Lord, and not unto man. By that standard, our success cannot truly be measured by sales, awards, or accolades bestowed on us by other human beings.

For an author who believes, then, success can only be defined by whether or not our work accomplishes the purpose God has for it. So here, in my humble opinion, are seven steps to follow in order to be guaranteed success in your writing:

1)      Listen for and receive the words God has for you to write

2)      Study the craft so that you can write those words in a way that honors the one who gave them to you

3)      Humbly accept feedback and editing that makes the work better and stronger

4)      Pray about the best platform for your work to appear on

5)      When the story or teaching God has given you does come out in written form and become available to others, seek His guidance as to the best way to use the resources of time, money, and connections he has gifted you with in order to market and promote that work

6)      Pray that God’s will may be done through the words you have written

7)      Leave the results to him

If I follow the above steps and don’t find success in the eyes of the world—however I or other people may define that—I can still trust that the plans God has for my work have been or will be fulfilled, whether or not he ever reveals those plans to me. And I can let go of all my strivings, and rest in the sure and certain knowledge that my work is a resounding success.

Perfect Pitch

Last month, I spent a day at the Colorado Christian Writers Conference in Estes Park. It was a beautiful setting, and I got to hear a wide range of pitches from new and accomplished authors. Some of them really impressed me, leaving me eager to hear more. Some of them… weren’t quite as successful.

What accounts for the difference between a good pitch and a bad pitch? Well, some of it simply depends on the project, but I found that I was willing to listen to a pitch for just about any kind of book if it was done well. The difference between pitches really came down to a few things: preparation; knowledge; engagement with the agent; enthusiasm for your project; and avoiding a few simple mistakes. Let me elaborate.

1. Preparation

When you’ve only got 15 minutes to pitch your book to an agent and convince them they need to know more, preparation is king. You have to know what you want to say, how you’re going to say it, and have all the necessary materials at hand. Now, I’m not saying you won’t forget some of it or flub a few things because you’re nervous—everyone is!—but preparing beforehand what you want to say and how will really help ensure that your pitch is smooth, organized, and leaves the agent with a clear idea of the project.

This doesn’t mean that you have to memorize a script, but write down a few bullet points. Do you want to lead with the book’s hook? Do you want to establish your credentials? The conversation may take a different path once you and the agent start chatting, but having some points in the back of your mind that you know you want to cover will help you to steer the conversation if it flags.

I’d also recommend having a one-sheet to hand to the agent at the beginning of the pitch. This includes information such as the book’s one-line hook, a brief synopsis, word count,  intended audience, and a brief biography of your writing credentials. Having a full proposal is great, but by starting with a one-sheet you can give the agent a quick overview of the project without losing too much time. I’d rather hear you talk about the project and then review the proposal on my own time than spend the whole 15 minutes wading through a 50-page proposal.

2. Knowledge

It may seem obvious, but you’ve got to know what you’re talking about. You need to know your project back to front. If it’s fiction, be able to explain the plot in a few sentences. Have a ready answer for the important themes and what you want the reader to take away. And be able to demonstrate knowledge about the world of the book—if it’s a medical thriller, have you researched the medical topics involved, interviewed a nurse, done background reading? If it’s a non-fiction book, be able to demonstrate your expertise on the topic. Point to the research you’ve done, experts you’ve consulted with. Be prepared for the kinds of questions a novice might ask about the topic. And don’t be afraid to show your smarts—that’s what we want to see.

3. Engagement with the Agent

You need to be able to set yourself apart from the tens or even hundreds of other pitches, and one way of doing that is by making a connection with the agent. Know who you’re pitching to before you approach them. Explain why you wanted to pitch to them—“I know you’re interested in historical fiction” or “I see that your agency represents So-and-So, and I’m writing in the same field.” By demonstrating that you’ve put in the time to prepare for this meeting and that you respect the agent’s time, you’ll make a great impression and start things off on the right note. That personal connection may make them more likely to remember your project among the many others they heard, and increases the chance that they’ll see you as someone they’d like to work with.

4. Enthusiasm for Your Project

I’m not saying go over the top here—you can be too enthusiastic about your work—but it’s important to show that you care deeply about your book. Agents want to see commitment: someone who believes in what they’re doing and who is willing to work really hard to get their message out there. Emphasize why you’re so passionate about this project, and explain to the agent what you’re willing to do in order to see it in print. Enthusiasm is infectious. If an agent can see how dedicated you are to a topic—that you eat, breathe, and sleep it—they’ll realize that you’re an author worth getting behind. We want high-energy, motivated, excited people who won’t let the difficulties of the publishing industry dissuade them from seeing their project all the way through.

5. Mistakes to Avoid

I’d rather focus on dos than don’ts, but there are a few tips that I’d recommend avoiding when you’re pitching your work.

  • Don’t give an overly lengthy, extremely descriptive synopsis of your novel that includes every event that occurs in every chapter. You’ve got 15 minutes; at the most, five of those should be spent talking about the plot.
  • Don’t begin by asking the agent what they want to hear about. Take control of the meeting, deliver your opening line, and be active in steering the conversation.
  • Don’t show up without materials. You’ve got to have at least a one-sheet to hand over, if not a full proposal.
  • Don’t take it personally if the agent expresses that they’re not interested. You are not your work, and each agent is looking for something different. It’s a better use of both of your time if agents are upfront about projects that simply aren’t a fit for them.
  • Don’t forget to thank the agent for their consideration, leave your business card, and if they’ve asked you to, follow up with them afterwards. The onus may be on you to get in touch; make sure you do so within the week if they express interest!

There are a lot of things that go into a good pitch, but perhaps the most important is this: don’t be afraid. Agents are excited to hear about new projects, and they want you to succeed as much as you do. We wouldn’t be in this industry if we didn’t love authors and books, and we really are on your side. Our greatest hope is that these pitches turn into lasting client relationships, exciting new projects, and great book deals. So keep ‘em coming!

How to make your publisher happy!

Hurray! You’ve got a publisher for your book! Congratulations! Cross another task off your writing to-do list!

And add another one: Make your publisher happy.

Turning in your manuscript is just the beginning of your relationship with your publisher, and if you hope to make it a long and happy connection, you need to nurture and nourish it, just as you would with any important relationship in your life. Here are a few tips I’ve gleaned from my experience with regional, national, and international publishers:

  1. Give your publisher priority. If she says she needs you to come up with back cover copy, send it to her by the end of the day. If she needs a revision, put everything else on hold to meet her deadline. Your prompt response to her requests makes her job easier, and she will appreciate you as a team player she can count on.
  2. Keep your publisher informed about what you’re doing to market your book in real time. Yes, in your book proposal, you listed marketing tasks you would do, but be sure to let your publisher know as you complete them. Keeping your publisher updated assures him that you are holding up your end of the project (and it reminds you to be accountable for your marketing responsibility). If you add marketing opportunities to your original plan, be sure to share those with your publisher, too, as they occur. The fact that you’re investing more time and effort than you initially proposed will impress your publisher and maybe even encourage him to extend additional marketing support/resources.
  3. Send a thank-you note, flowers, or small gift to express your gratitude for your publisher’s confidence in you. Everyone likes to feel appreciated, even your publisher. (Maybe ESPECIALLY your publisher!)
  4. Ask yourself how you can help your publisher be successful. Of course, you want your book to become an overnight bestseller, which would go a long way towards making your publisher both successful and happy, but chances are slim that’s going to happen. Instead, consider other ways you can contribute to your publisher’s success, like promoting the company’s other authors’ books on your social networks, posting your reviews of those books, and sharing promotion strategies that have worked for you.
  5. Ask your publisher how you can help her meet her goals. Offer to contact bookstores and set up your own signings and events. Many small or regional publishers don’t have the staff to manage marketing projects, so whatever you can do will be appreciated. Offer to share your publisher’s book list with shops you frequent either as a customer or an author and encourage the store buyer to review the list for ‘finds’ of books they might want to add to inventory.
  6. Always include the name of your publisher in any press release or promotional pieces you produce. You’re giving your publisher free publicity they might not otherwise get.

Do you have any tips for making your publisher happy?