Pitching an agent? Read these query letter tips…

student-849825_960_720In my work at WordServe, I read a lot of query letters and book proposals (sometimes more than 100 in a week!) that come into our agency. And in my work as a freelance editor, I often help clients develop their proposals and queries before they submit them. After reading hundreds of pitches across every conceivable genre and topic, I’ve come to notice a few significant Do’s and Don’ts that can make or break whether an agent is going to read any further. If you’re newer to the world of publishing and hoping to get your book noticed, perhaps a few of these will be helpful to you the next time you’re putting together your pitch to an agent or editor.

When sending a query to a literary agency…

  1. Don’t claim that your book is going to be a huge bestseller. The fact of the matter is that only a teeny, tiny percentage of books end up at the top of the New York Times bestsellers list—and much of it depends on things outside of an author’s control. If you claim that you’ve written the next Harry Potter, the agent reading your pitch is probably going to assume that you don’t understand the publishing industry very well; have unrealistic expectations; and/or haven’t done your homework. A better way to emphasize your book’s potential is to try something a little less grand that focuses instead on who is realistically going to buy your book: “I’ve written a book about women in the workplace that will resonate with young working mothers across the country.”
  2. Do your homework on the agents and agency you’re submitting to. If you can find out the name of a specific agent at the firm who represents books in your genre, send the proposal to their attention. Mention why you’ve chosen them. Perhaps comment on another author they’ve represented whose work has similarities to your own. If you can’t submit the proposal to a specific agent, send it to the general agency, but make sure you’ve read up on what kinds of books the agency represents. WordServe represents primarily faith-based books; when I get submissions for romance books with risqué content or nonfiction books that argue against our values, I delete without reading any further.
  3. Don’t claim that your book will make a great feature film. Even fewer books end up as movies than end up on the bestseller list (see #1, above) – and agents who see this in your pitch will know your expectations are overblown and be far less likely to work with you.
  4. Do write your pitch in polished prose that reflects your writing style. You’ve got 30 seconds to get an agent’s attention, so represent your writing well. If your book is humorous, inject some levity in your query. If it’s a thriller, create tension with your first line. If it’s literary fiction, elegant sentences that mirror the book’s style are a must. In every circumstance, ensure that there are absolutely no typos; this is your first impression, and it needs to be 100 percent perfect. Seriously: a few typos in a pitch letter is enough to get an immediate rejection.
  5. Do highlight why you are the right person to write this book; but don’t claim that nothing like this has ever been done before. Chances are, it has—and the agent has already seen it. Instead, focus on what sets your project apart, what new angle or new research or new understanding you bring to a topic—and why you’re the best person to tell readers about it. Focusing on your prior experience, personal connection to the topic, research you’ve conducted, or a dedicated audience you’ve built up are all great ways to convince an agent that you’re worth taking a chance on—and that doesn’t require the claim that no one else has ever thought of anything like this. It just requires you to show me why you’re the best person for the job.
  6. Do read the requirements for submission for every agency you send to. Different agencies have different submission requirements, and it’s essential that you provide them with exactly what they want—or your query will likely be deleted without even being read. If an agent doesn’t want attachments, make sure you include everything in the body of the email. Do they want to see five pages of sample material or fifty—or none at all? Do you need to include a full proposal, or just send a query and wait for a response? Following the specific instructions for each agency, while tedious, will result in a much better response rate, as agents will see that you’ve done your research, are taking this process seriously, and have respect for an agent’s time and wishes.
  7. Last, but not least, do show courtesy and respect to the agents you’re submitting to. Thank them for their time (they really are busy), and don’t pester them if you don’t hear back immediately. While it’s appropriate to follow up with an agent if you don’t hear from them within the time frame they list on their website, do not write to them before this window has elapsed. If they say that they aren’t able to respond to every query, accept that you simply may not hear back. With so many queries coming in, agents aren’t always able to give a personal response to each project they see. It’s unfortunate, but a reality of the industry. And finally, if you do receive a rejection, don’t pester an agent to explain themselves or try to argue for reconsideration. Graciously accept the response, and move on. There are many good agents out there, and you want to find one who connects with your work and is excited to partner with you.

Pitching agents is a difficult process—trust me, I get it! But by spending time polishing your query and making sure to send it to just the right places, you’ll increase your chance of finding the perfect person to represent your work. Above all, don’t be discouraged! It takes time, and often lots of rejections, before you find the right agent—but it does happen. For the most part, agents are in this business because we love books as much as you do; and we’re always hoping that the next query letter we open is going to be the perfect one for us.

Overachieving Your Platform: Best of the Water Cooler Series Book #2!

overachieving-your-platform-coverMany years ago, a good friend went into a coma after giving birth. She was on life support for nearly four months. We all prayed and wondered if she would pull through to see her baby girl and live a full life.

By her side was her husband. Every day he was at the hospital talking with doctors and nurses, making sure medication was properly being administered, asking questions . . . basically, being every doctor’s worst nightmare when it came to patient care. But you know, on several occasions, he insisted on something that actually saved his wife’s life. The third leading cause of death in America is medical care accidents and misdiagnoses. He needed to care for his wife because if he didn’t, the worst could happen.

I mention this story because I think it can be illustrative of some of the realities of book publishing today. Sometimes, your book is the one on life support, often from the moment of publication. Standing by are publishers and PR folks who are tasked and paid to keep your book alive. They’re busy, they have other patients (authors), and are generally overworked and understaffed.

The point is you cannot leave your book’s marketing and PR ONLY in the hands of publishers. They’ll do their best (usually), but they’re not perfect. And sadly, they have the 80/20 principle that is always screaming at them from the higher-ups. In publishing, it’s true: 80 percent of the money goes to 20 percent of the books. It’s a reality that won’t change, so we have to learn to deal with it.

So what should you do, then, as the author standing by your baby, trying to keep it alive?

You’ve got to tend to it diligently.

With your publisher: ask questions, say thank you a lot (gift cards and flowers are nice) when they do a job well done, give them ideas, don’t mention a problem unless you have a solution, tell them what you’ll do to help, keep track of everyone who helps (radio stations, bloggers, author friends). Work WITH them as much as they will let you.

What else can you do?

Well, we at the Water Cooler have just released a book that will help answer that question. Overachieving Your Platform: 95 Ideas to Embrace Your Inner Sales Marketing Genius is now available from FaithHappenings Publishers, and it offers the tools you need to break out and connect with large audiences. Adapted from the best writing of the WordServe Water Cooler, these doable, practical and affordable ideas will transform your platform and expand your audience if you put them into practice. No, you can’t do them all. But you can certainly go through this book with your highlighter and mark everything you actually could do. Then make a plan. What will you do during your first month from publication, second month, third? Write the plan out . . . and then work it.

Publishers, agents, and retailers agree: you’re only as good as your last book. So if your last book flops in the marketplace, it may very well indeed be your last book!

Don’t let that happen. Stay on guard by your book for the first six months to a year after launch, and you’re far more likely to get that second book contract. You may even get a royalty check.

I’m so proud of all of the authors who contributed to Overachieving Your Platform. They’ve done the hard work in the trenches and have learned from their successes and failures. All they know they’ve shared with you.

Grab a copy today—and take that first step toward creating a platform and brand that will serve you for the rest of your writing career.

Excelling-at-the-Craft-of-Writing-CoverAnd if you haven’t checked out the first book in the series, Excelling at the Craft of Writing: 101 Ways to Move Your Prose to the Next Level, make sure to do that as well. Craft and marketing go hand in hand when it comes to a writing career—you won’t find success unless you’ve got both!

This post was adapted from the Introduction of Overachieving Your Platform: 95 Ideas to Embrace Your Inner Sales Marketing Genius (available now!).

Excelling at the Craft of Writing… A New Book!

Here at the Water Cooler, writers are dedicated to helping each other grow in their craft. The community that has grown over the past five-plus years is both practical and essential: it enables writers to make connections with others on similar writing journeys; it encourages creativity, collaboration, and growth; and, perhaps most significantly, it pushes each of you to become better writers.

Who couldn’t do with a little more of that?

Excelling-at-the-Craft-of-Writing-Cover

In order to bring the ideas and content of the Water Cooler to the widest audience, we’ve embarked upon an exciting project: a three-part series of published books, The Best of the WordServe Water Cooler. We’re thrilled to announce that the first book, Excelling at the Craft of Writing: 101 Ways to Move Your Prose to the Next Level, is now available in print and ebook! This collection of 101 easy-to-read, engaging essays covers a range of topics that include organizing and outlining your work; creating vivid characters and dialogue; and fine-tuning your language, style, and voice. With proven advice from more than thirty WordServe authors, Excelling at the Craft of Writing moves from the first seeds of starting your writing project up to the last steps of creating a proposal and pitching your work to agents. It’s going to be a must-have resource for writers at every stage!

Many of you are already familiar with this book, having generously allowed us to include one or more of your posts in the manuscript; many more of you will be contacted for inclusion in the upcoming two books, on marketing and the writer’s life respectively. We hope that you’ll all want to participate in helping to promote the books, which should bring the work of the Water Cooler—and all of you—to a wider audience.

That’s why we’re offering a special promotion for Water Cooler readers. If you’re willing to promote Excelling at the Craft of Writing by advertising it on your site with a widget or dedicated post; tweeting it out to your followers; or posting on Facebook, we’ll send you a FREE digital version of the book to read on your e-reader device.

If you’re willing to help promote, please contact keely@wordserveliterary.com to tell us how and to receive your free book.

We’d also like to take this opportunity to thank all of the writers who allowed us to include their work in Excelling at the Craft of Writing, as well as all of you who have written and continue to write for the Water Cooler each month. We couldn’t do it without the dedicated involvement of so many great writers, and the blog’s success is a testament to your thoughtful, incisive, and intelligent posts each week. Thank you for being a part of this community!

–The WordServe Team

Trends in Book Discovery

infographic-v2

What is publishing all about these days?

  • Writing?
  • Editing?
  • Packaging?
  • Posting an ebook?

Nope. None of the above.

It’s about FINDING READERS!

The loss of retail, magazines, religion sections in newspapers… the discoverability factor has greatly decreased. Which is why publishers are so dependent on authors to find readers (through author tribes) and on their ability to social network their way to a best seller. Which, in case you haven’t already experienced, happens about .01% of the time.

So when I saw some data about my favorite topic—FINDING READERS—I thought you ought to see it.

The following is based on data compiled by the Penguin Random House consumer insights team, which polled more than 40,000 readers about their reading and buying choices.

  • When asked what is most influential to readers when deciding what book to read next, 81% said recommendations from friends and family. Word of mouth, whether about movies, agents, or book sales, is always the key deal.
  • How do readers discover books? 70% said they use Goodreads; 49% said newspaper/magazine reviews; 46% said Facebook; 38% said author interviews/appearances; 37% said blog reviews; 23% said print ads; 15% said Twitter; and 14% said another form of social media. I’m wondering if the 40,000 readers they polled were from Goodreads. Still, this was more eye-opening than I would have guessed.
  • The survey found that as readers age, blogs and social media become less relevant as a way to discover books. Among survey participants under the age of 40, more than 80% use Goodreads and more than 60% read blog or web reviews. This steadily decreases with age; for readers in their 50s, 75% use Goodreads and 40% read blog and web reviews; for those in their 70s, the numbers drop to under 60% for Goodreads and only 20% for blog and web reviews. I guess we realize with age that there isn’t much time to read all of those books we bought but haven’t read, so we don’t need anyone else telling us what to read.
  • Conversely, print reviews and advertisements become more relevant with age. For readers under 40, 40% read newspaper and magazine reviews; for those in their 50s, the number is closer to 60%, and for those over 70, the number who read newspaper and magazine reviews is 70%. Print advertising follows a similar trajectory, with 20% of those under 40 relying on print ads to discover books, as opposed to 30% of those in their 50s and nearly 50% of those in their 70s. It must be the fact that there are pictures and not very many words. Easier on the eyes.
  • When it comes to gender, women are more likely than men to trust recommendations from friends and family (79% of women trust the recommendations, while only 66% of men do). The same is true of recommendations from Goodreads, 70% of which women trust, compared to only 57% of men. Men don’t gravitate toward asking for directions when driving, and evidently on book buying. What’s wrong with us?
  • Men are, however, more likely to read newspaper and magazine reviews; 54% of men trust such reviews, as compared to 49% of women. When it comes to print advertising, 26% of men trust it compared to 23% of women.
  • When asked what most influences them to pick up a book if they are not familiar with the author or series, readers said that they are likely to do so if they like the subject (88%), read a good book review (87%), or get a friend’s recommendation (86%). Slightly less influential are reading an excerpt (76%) or an online review (76%). Least influential are the recommendations of a salesperson (38%); the publisher’s reputation (34%); seeing an ad (30%), recommendation by media/personality (26%); and needing a book for school or work (25%).

As Mark Twain once lamented, “There are lies, damn lies, and statistics.” While I applaud Penguin Random House for spending the money on this survey, some of which was eye-opening, I’m not sure what it all means for authors except they will be even more encouraged to do their own marketing than ever.

Here is the one truth that everyone agrees with when it comes to author marketing: email addresses.

If you have them, you’re golden. How many? 5,000 is nice, 10,000 is better. Time to check out MailChimp, time to offer free stuff, time to really focus your brand and what felt need you’re meeting, and time to become an expert in direct mail to your audience.

Build Your Platform and Expand Your Reach… with FaithHappenings.com

Business card back

Building a platform is essential for writers today. Publishers are busier than ever, and they have less resources to devote to helping authors spread the word about their books, speaking events, and tours. Even more difficult, agents and publishers are often unwilling to take on new writers who don’t already have an established platform, social media presence, and dedicated followers. So what’s a writer to do?

FaithHappenings.com has the answer.

FaithHappenings.com is an online Christian resource with 454 local websites serving more than 31,000 cities and towns. It offers tailored, faith-enriching content for members. Along with a few dozen other benefits—both locally and nationally—it connects people of faith to information about books, blogs, speaking events, and other resources that interest them most. As a writer or speaker, it will allow you to connect with people specifically interested in your genre, subject, or brand!

Just what can FaithHappenings.com offer you?

On FaithHappenings.com You Can…

  1. List yourself as a speaker both locally and regionally, for free! FaithHappenings allows you to highlight your speaking in the local areas where you have upcoming events, targeting people who live there through requested emails. We also link to your author website, driving people back to your site.
  2. Announce upcoming book signings in your local area for free! Information about book signings and other author events are emailed out to members who have requested to be notified of new book releases and book signings near them. Emails go out weekly, and members will also find your events by going to their local FaithHappenings page and checking out the Events Calendar.
  3. List your books—both traditionally and self-published—in up to five genre categories. These book listings will then be promoted to members across the country who have requested to hear about new books in your genre.
  4. Announce special e-book promotions the day they happen. E-book promos are sent out to our members via email and listed on the site daily! The more people who hear about your e-book deal, the more sales you’re likely to see.
  5. Build your blog traffic by posting your blog on FaithHappenings.com. You can then be listed as a “Featured Blogger” on our Home Page.
  6. Post a Top-10 List from your book! If you can create it, FH Daily—our page of daily inspiration, humor, encouragement, and current events—will post the content and link to your book (and it stays on our site forever). Content is king when it comes to generating buzz for your book, and posts on FH Daily are easily shareable via Facebook, Twitter, Pinterest, and more.
  7. Be a highlighted “Author Interview.” FH Daily runs author interviews several times a week. Readers can learn more about you, and links will connect them to your website and your book’s buy page. Just email fhdaily@faithhappenings.com to see if you qualify.
  8. Create more awareness for your book with advertising! An ad on the global site or on FH Daily is affordable for any author.
  9. As a free member yourself, you can receive e-mail announcements for any book in more than 70 genres.

What are you waiting for? Get started today by signing up in your local area to become a member at www.faithhappenings.com.

For more information about the benefits of FaithHappenings.com for writers and speakers, click here.

 

How to Know ForSureForSureForSure You’re Ready for an Agent

coffee-1128140_960_720

Do you have that first novel completed? Have you been staying up late and getting up early to study and write about a topic you’re passionate about telling the world?

Then it might be time to query a few agents to see if you have what it takes to get their attention. But keep your expectations realistic. New authors are harder to break out than they’ve ever been. And please, don’t blame the agent. We’re just the messenger of what publishers keep telling us.

You’ll need some criteria to go by to determine if you’re ready. Here are a few dozen hints.

First: Know who you truly are…

  1. Someone who has always wanted to write
  2. Someone with a message you feel God is asking you to put to paper
  3. Someone with a message that others have said needs to be put to paper
  4. Someone who can’t wait to get to your computer to create the stories in your head
  5. Someone who reads a lot, both within the genre they write as well as others.

Second: Understand what the book publishing industry is looking for…

  1. The 80/20 principle is alive and well in publishing. Publishers must have the big sellers to stay in business. So 80% of their advance and marketing money will always go to 20% of the authors and books. And if you’re a new author, unless you’re a pastor of a mega-church or you can write like Hemmingway (or better), you’re likely not going to be amongst the 20%.
  2. Because of the loss of browsing retail, publishers can’t find readers, so they expect authors to find them. They want authors with built-in audiences ready to buy. That’s why they are less willing to take risks on unknown/debut authors, preferring known quantities instead of new voices. If I had 200 new authors to speak to, there would be perhaps 5% who will ever get published traditionally. Not because they can’t write. Not because they don’t have a compelling message. It’s because they still have an information gap about what it takes to get published and be successful at it.
  3. Great writing. They want authors who are sold out to getting honest critique. They want a book with a clear vision/message, and an obvious audience (felt need). They hope authors are willing to study the craft of writing, attend conferences, willing to join and participate in critique groups or have a critique partner. Most of all, they want authors who have “come to play.” They’re working on building audiences; they’re invested in their own marketing and they have a plan to grow. Publishers and agents want more than one book. They want to grow with you and your career.

Third, what motivates you…

  1. Money. Okay, that’s not terrible. Would C.S. Lewis have written The Chronicles of Narnia for free? Provision—whether it’s today’s manna or retirement’s manna–motivates us, and it’s not evil. However, if this is your ONLY motivation, you have to ponder whether God will bless it. You also have to recognize that it’s harder than ever to make a living as a writer today, and that the days of six and seven-figure advances (with a few exceptions) are largely gone.
  2. Legacy. Publishers don’t care about this unless you’re already famous. Legacy projects get self-published, and that is perfectly fine.
  3. This does not include “ax to grind” books. Please, self-publish those. We can’t sell them.
  4. “I can’t help myself.” Obsession is a good place to be, but not if you’re sacrificing your health, family, bank account and soul to do it. Your obsession should pass the “sniff test” by those who know you best. Just because you feel “God has told me” to do this, doesn’t make that statement true. Obsessions MUST be confirmed by several people in your life before you give them wings in a big way.

So, with all of this in mind, here’s how to know “forsure-forsure-forsure” you’re ready for an agent.

For sure…

  • You have something inside of you that must get out. A novel, a message, a memoir, a brand. When I started FaithHappenings.com two years ago, I was like a dog with a bone. My excitement did border on obsession.
  • You’ve put at least half of the book on paper–the whole book if you’re a novelist. (With novels, it’s not how you start, it’s how you finish.)
  • You understand that traditional publishing is a business and you won’t question their motives if they reject your work. People DO know more than you.
  • You feel God’s pleasure in your efforts to communicate what you want to share.
  • You can’t wait to get to your computer.

For sure, for sure…

  • You know your motivation. It doesn’t have to be pristine, you just have to know what it is.
  • You know your book will get published no matter what. You are going to do this! Start traditionally if that is a goal, but not let that stop you from doing what’s needed to publish independently, if you have to.
  • Someone has said that your message, life story or writing is above the curve. But even so, remember this: Perhaps one person per state ever makes it to the major leagues in each year. The pyramid is very small at the top in any professional endeavor.
  • You are patient with the process and want to trust an industry professional to help guide your book/career. Once you think you know more than they do, turn off the tap on traditional publishing. And this is fine. Some are wired to be control freaks. Go with it. Don’t drive yourself and an agent/publisher crazy if you want to control every step in the process.

For sure, for sure, for sure…

  • You have 5,000 to 10,000 “followers” (blog, Facebook, Twitter, Instagram, Pinterest, etc.) Further, you are convinced—and you hereby solemnly swear to not complain—that you must help any publisher you go with—traditional or your own efforts—FIND READERS.
  • Twenty people who don’t know you well have seen your book/writing and they’re not adding much more to it. You hear the term “great writer” from several different people.
  • You know your genre, your audience, your message—you have FOCUS!!!
  • You have a great proposal that answers the publisher/agent questions. If you don’t, get the agent’s proposal template. We all have one. Work hard on it. Don’t have typos, and follow directions! There are too many other people vying for an agent or editor’s attention for them to waste time on a proposal that doesn’t meet the basic requirements listed.
  • Read three book marketing books. And then in your proposal, give the agent five pages of marketing ideas you KNOW you can do.
  • You have counted the cost:
    • Family/Time
    • Money
    • Inevitable rejection and bad reviews, perhaps even the “ten mean church ladies” who write scathing letters and reviews on nearly every book they see.
  • You know you have “come to play.”
  • You know what five agents/agencies you want to be with. Get to know what they have represented. (You aren’t sending your proposal out en masse to every agent whose email address you can find.) Of these five, take the first one who says yes. Realize that you may not get the top guy, but the reputation of the agency is what you’re after.

If you can check off nearly all of these criteria, you’re forsure, forsure, forsure ready.

Take Heed!

This month marks the eighth anniversary of my writer’s blog: A Writer’s Way of Seeing. At this time last year, I offered writers advice for the coming year. I was going to offer a new list for 2016, but in reading what I wrote last year, I really think the same advice applies. Also, now that I’m an agent with WordServe Literary, I’ve picked up numerous new readers. So for new readers, and as a refresher for my regular readers, here’s a slightly edited version of last year’s blog called “Take Charge!” Maybe for this year the title should be “Take Heed!” because we’re all a year closer to our real deadline when we no longer will be writing.

new-years-eve-1036513_960_720

As we’re in the opening weeks of 2016 I want to offer my yearly exhortation for the new year. We’re all getting older and time’s a’ wasting, folks. If we want to succeed as writers, we need to take charge of our writing career. In fact, that will be my rally cry for you in 2016: “Take charge of your writing career!”

Here are seven suggestions on how to do that.

  1. Stay prayed up. Presumably by now you’ve confirmed in your own mind that God has called you to be a writer. Part of that calling is, of course, to write. But for a Christian, that’s only half the calling. The other half is knowing what to write. Mostly we find that out through prayer and discerning the needs of readers and our ability to write to those needs. As you pray, ask God to guide you in your writing pursuits. Make that a year-long (life-long, actually) commitment to yourself. If you stay prayed up about your writing, you’ll stay pumped up too.
  2. Improve your craft. Each year I urge all of us who write to find a way to keep improving our craft. Take classes, read magazines such as The Writer, Writer’s Digest, and The Christian Communicator.  Join a critique group. Read the blogs of other successful writers, agents, and editors. Write, write, write. Commit to writing at least three (and probably more) drafts of each project, with each draft an improvement from the preceding draft.  Always have a good writing book on hand. I recommend any of James Scott Bell’s books on the writing craft, particularly How to Make a Living As a Writer.
  3. writerWrite out specific goals for each month. Make each goal realistic, but then stick to them. Daily, weekly, and monthly goals are good, but also write out in some detail what you hope to have accomplished by December 31. To stay on track, consider finding a writing accountability partner. Share your writing goals with each other and meet in person or by internet every week or two to encourage one another.
  4. If possible, have two or three projects/proposals/manuscripts in some stage of progress. Perhaps you’re working on just a one-sheet for Project A, while on Project B, you’re at the full proposal stage. Project C might be your work-in-progress—the actual manuscript you’re working on. For a successful writing career, you must always be thinking ahead.
  5. Pick one or two writer’s conferences and plan to attend. If money is a problem start saving now. Come up with creative fund-raising ideas. Perhaps ask your church to chip in with the fees. Most conferences have some scholarship money. See if you qualify or if you can do some conference work in exchange for part of your tuition.
  6. Stay up to date with the publishing world—including self-publishing. Know what the bestsellers are. Know which authors are writing successfully in the same genre in which you write. Read Publisher’s Weekly or Publisher’s Marketplace online. More and more writers are finding their entry into publishing through self-publishing. Sadly, many are making very serious mistakes. Although I encourage self-publishing as an option, I do not recommend it if you’re going to do a poor job of it. Last year at one writer’s conference I picked up a self-published book and found three major errors on the first page, including the misspelling of the name of a famous world leader. Who would buy such a book? Not me.
  7. Work on your platform. I know very few authors who like platform-building. I don’t like it either. I’d much rather just write. But a platform is important. Starting small is fine. Just do what small thing you can do now and build from there. Eat the elephant one bite at a time.

The crucial thing in all this is to keep your commitment red-hot. Rest assured, there will be discouragements, distractions, and even rejections in 2016. That’s life. It’s also another reason to plan ahead and to indeed “take charge of your writing career” in 2016. Start planning now!