It’s an Honour Not to be Nominated

I have a love-hate relationship with Christian writing awards. On the one hand, I can definitely see the value, particularly for newer writers attempting to become more well-known. Winning an award, even being a finalist, offers great exposure for the author and no doubt increases sales. Finding your name on a shortlist can also provide much-needed encouragement to keep pressing on in a business that is notoriously discouraging, even soul-crushing at times, for those trying to break in.

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But there’s a flip side, as always. What about authors who enter contests year after year without ever seeing their names on a shortlist? That can only add to the soul crushing I mentioned earlier, perhaps even drive a new writer to give up entirely and seek another career. I know that personally I have often contemplated the merits of quitting writing and taking up burger flipping or cab driving, or any job, really, that doesn’t involve putting myself out there and subjecting myself on a daily basis to criticism and rejection.

I wonder, too, about the big-name authors, the ones who appear to have “made it” in the business, whose books are well-known and widely read and whose sales and fan base is firmly established, who continue to enter these contests. Not being in this position myself (yet smiley-163510__340) I wonder what it is that motivates them. At what point do awards stop losing their meaning? Do they ever? If you no longer need the exposure or the affirmation that your work is good and has an audience, what do you get from winning an award, especially when it means a lesser-known author will miss out on the honour? I’m a little afraid to ask any of them, in case the answer is that you never get over the feeling that your work isn’t good enough, that even if fans have been loyal so far, you may lose them on your next book, that your agent may drop you, or your publisher fail to offer you another contract, as they seek out newer authors and you get left behind. Is there ever a point where, despite what others think, you yourself feel that you have “made it” and that your position in the publishing world is now secure?

I suspect that, for most writers, the answer is no. And so continuing to win awards must ease that trepidation a little, at least for another year.

As I write this, we are in the throes of another awards season for Christian writing. I love that the names of friends and colleagues, not to mention well-known authors whose work I admire (and even mine, occasionally) are showing up on shortlists and that many are going on to win awards. I hate that so many others are, right now, feeling more discouraged than ever about their efforts. It is difficult, some days, not to envy those whose work is being affirmed with numerous public accolades. In this season, it is more important than ever for us to remember that, in the world of Christian writing, we are not in competition with each other. We have all been gifted and called to write by God, and he has a plan and purpose for each of us and our work. Whether or not that involves human recognition in the form of awards is, from a divine, eternal perspective, not really all that important.

As long as we are obedient to the call to write (or flip burgers, or drive a cab, or whatever work is put in front of us to do), and we do it with all our hearts, as unto the Lord and not unto man, we can look forward to receiving the greatest and most meaningful award of all one day, in the form of the words, “Well done, good and faithful servant.”

How Much Wrong Teaching is Too Much?

There is an ongoing debate in Christian circles about whether non-fiction or fiction books are best. Proponents of each, particularly those firmly planted in their perspective camp, tend to be slightly (sometimes more than slightly) disdainful of the other. I have always maintained, however, that this is not an either/or proposition. As every good preacher (including Jesus) will tell you, it’s vitally important to spend time expounding on the Word, but when you launch into a story to illustrate that Word, that’s when everyone suddenly straightens in their seats and becomes even more engaged. Both are needed. The same is true with fiction. In my opinion, if classified as Christian, a story must be firmly rooted in good theology if it is going to have a powerful, lasting impact on the reader.

But is my opinion the right one? If not, it wouldn’t be the first time. And lately I have had ample opportunity to consider how strongly I feel about the stand I have chosen to take on this.

Not for the first time, a massively best-selling book and subsequent movie, classified as Christian, has generated much discussion–even, sadly, heated, public debate–among the body of Christ. One review, posted by a pastor, casually mentioned that, yes, some of the teaching might be, strictly (and biblically) speaking, wrong, but that overall the message was so powerful that it wasn’t really enough to worry about.

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That got me thinking. If a book calls itself Christian, how much wrong teaching is acceptable, and how much is too much? Now, I’m not talking about passages of the Bible open to interpretation, or the differences in beliefs between various denominations. I am talking about teaching that is clear in Scripture and that has been affirmed by two thousand years of church doctrine, teaching that in many, if not all, cases, is actually a salvation issue. Wrong teaching, then, for the purposes of this post, is defined as teaching that can be shown in Scripture to be misleading, inaccurate, or just plain not true. Is there room for a small amount of that in a book that calls itself Christian, if the story is good? Can the story ever be good enough or powerful enough to overcome it? Or is a small amount of bad teaching more like what the Bible describes as “a little leaven that leavens the entire loaf?”

In three of the gospels, Jesus tells his followers to “Watch and beware of the leaven of the Pharisees and Sadducees.” (Matt. 6:6) Now, the teaching of the religious leaders of the day sounded good. It certainly sounded like it came from Scripture, and in fact had its roots in Scripture. But somewhere along the way, truths had been twisted to suit the ends of the teachers. In the case of the Pharisees and the Sadducees, that end was to control and oppress the people and to maintain their own elevated status in society.

Jesus didn’t have a whole lot of good to say about that. In fact, he was far harder on those who professed to follow God, yet whose teachings had veered away from the clear truths of Scripture, than he was on thieves and drunkards, prostitutes and adulterers. Can we then conclude that Jesus took wrong teaching, even—or especially—by those calling themselves his followers, fairly seriously? Possibly to the point that any good and right teaching they did present was undermined or even negated?

If you are an author of Christian fiction, how important is it to you to weave good, solid biblical theology throughout your writing? As readers, are you willing to overlook some wrong teaching if the prevailing message of the story is strong enough to overshadow it?

Should Christians Read Romance?

After my first novel released in 2010, an employee at a Christian bookstore told me, “Christians shouldn’t read romance.” I actually quit writing romance for a while. But then love changed my life, and now there’s nothing else I’d rather write about. So when the subject came up again on facebook, I thought I’d explore the topic more.

Should Christians read/write romance? And why?

My debut novel has been rereleased as the first in the Resort to Love series.

First of all, I can’t answer this for everyone. All things are permissible to us, but not all things are beneficial. That means our relationship with God isn’t about a formula. It’s about what God lays on our hearts and what He knows is best for us. For example, author Deeanne Gist admits that at one point in her life, God asked her to stop reading romance. I would suggest that as a result of her obedience, God has been able to work through her to touch many lives with her award-winning historical romances.

Second, God is love. When the above question was posed to various social media groups, many respond with Biblical examples of romance: Song of Solomon, Ruth, Jacob and Rebecca. Jesus’s first miracle was performed at a wedding. God describes the church as the bride of Christ. Marriage is a Biblical institution. This is important stuff.

Third, in a world where Fifty Shades of Grey has replaced The Bible in at least one hotel chain, it is our moral responsibility to give a healthy example of real love. In the documentary Love Between the Covers, an author is quoted as saying that if a romance novel isn’t inspirational, it has to have sex in it. Love is being confused for lust, codependency, and even abuse. Real love lasts forever, and books about it are going to be a light in the dark. I know at least one woman found the courage to end a dead-end dating relationship after reading the Ashley Stockingdale series by Kristin Billerbeck.

As for my choice to read romance, there have been books that have both empowered me or broken me down in a way that I knew God was using them in my life. I’ve also had fun listening to romance audiobooks with my husband. It’s not something he would normally read, so I get a kick out of his perspective on the story line. Once he was even inspired to take me on a date after listening to a Becky Wade novel. “Let’s go ride the Harley to a pastry shop the way Ty does.” Okay. ❤

We are the rider and the writer. “He rides a Harley, she writes for Harlequin.” I really think we need our own reality show.

If you want another man’s perspective, listen to what literary agent Donald Maass says about the importance of adding a thread of romance to various genres. Love stories create “a heart delight that can warm any story.” He adds, “They cause us to hope. There is a future beyond the final page.”

Personally, I believe hope is what sets apart Christian fiction from secular literature. I even named our local writer’s group IDAhope Writers. This fits nicely with my mission statement for life: To inspire, create, and encourage hope in myself and others.

Part of my writing group.

Of course I’m going to write romance. I’m going to write it because I love it, but even more, I’m going to write it because I love the people reading it.

I incorporated some things I’ve learned (the hard way) about love into my latest suspense novel.

So should Christians read Christian romance? I’d love to say YES and give you a link for my website, but only you can answer that for yourself. Is reading Christian romance beneficial to your life? Does it draw you closer to God? Does it improve your relationships? And does it offer hope? If not, find something else that does.

Has a romance novel ever touched your life?

5 Things Aspiring Writers Might Be Surprised to Know

Your DreamsI remember when my pulse quickened and my heart thumped at the thought of “making it” as a writer. The first time I gingerly brushed the soft cover of my first book, flicked through its pristine pages, I felt awed. The young girl inside of me, who’d always dreamed of seeing her name on a book, shed a happy tear.

Now that I’ve succeeded in publishing multiple books, with more on the way, I’ve found myself in a reflective mood. Recently, I pondered some of the more surprising things publishing success has taught me — boiling them down to my top five.

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5. Your need to learn will never diminish. Culture shifts, technology advances, headline focuses, and global changes necessitate a writer’s dedication to ongoing education. Solid research and investigation are bedrock pieces in the foundation of any great written work. New information equals fresh content. 

4. Fear will not subside — although fear can change as your writing career progresses. Early on, many aspiring writers fall prey to the paralysis of fear, while professionals know that fear can prove a driving motivator. When you consider the greater loss of missing potential success, the emotion of fear propels you to action. If you fail to try, your failure is guaranteed. 

best thing you don't write3. The writing life is not a solitary endeavor. It takes a team to successfully publish. Critique groups, writing peers, or advance readers help us delve deeper into our subject matter, and pick up on flaws we often miss. Agents, publishers, and editors polish our projects and help promote them to reach a bigger audience. Readers become fans who sometimes become friends — if we are so blessed.

A wise writer intentionally and consistently builds their audience. When much in the world changes, one thing does not: word of mouth is still the most powerful marketing machine.

2. Story, whether written in the entirety of a book, or a short paragraph to example a point, draws readers deeper into your world. Few people appreciate being talked at, while most love being drawn into a good story. Whether they author novels or non-fiction, the skillful writer paints pictures with their words.

1. Human curiosity is king. Write cliff-hangers, page-turners, and chapter-leads to keep your reader wanting more. As you resolve or answer each inquisitive sentence you craft, replace it with another, until ultimately, you tie it all together at the end. A satisfying conclusion after creating ongoing curiosity makes a reader say, “I wish this book hadn’t ended.”

Motivational MantraI’m still working on all of these areas in my own writing, and anticipate the need to keep them in mind until the day I type my very last word. I don’t simply want to write, I want to use my words well.

Most writers I know would agree — we start out writing for ourselves — until we discover the real gift is in writing for others. The dream we live is the dream we share.

Seven Essential Tips Every Successful Writer Must Apply

Fresh StartsI think every published author wishes they could go back in time to whisper in their younger self’s ear. Doing so would certainly save volumes of time and energy. I’m sure five years from now, I’d wish for the opportunity to tell today’s me something I need to know right now.

These are the thoughts rolling through my mind this new year, clean with the possibility of fresh starts. I think it’s important to slow down sometimes.

We need to reflect on the past in order to improve on the future. So I’m reminding myself of the tips I’d give my younger self, knowing I’ve let some slack, and resolving to begin again. I believe the seven following tips are essential, things every writer must know.

  1. Ray BradburyRead as much as you can. Phrases such as, “Great writers are great readers,” hold a wealth of truth. The more we study, the more prepared we are to succeed. Reading teaches us the subliminal art of sentence flow, heart tugs, and scene staging. It also shows us what to avoid, as we learn from the mistakes of others. It’s the best motivator I know.
  2. Eavesdrop. Most of my best dialogue came from listening in on someone else’s conversation in restaurants, conferences, stores, airplanes, etc. I write non-fiction, and I tell true stories or compilations based on real people, but even if I wrote fiction, I would use this technique for writing believable and fascinating statements.
  3. Listen to outsiders. The more detached someone is from you, the more objective their writing feedback is going to be. Family and friends tend to fall into two camps: they either gush over everything you write, even your sloppy first drafts, or they nitpick, make digs, or outright blast anything you pen. Make it your mission to interact with people on social media, critique groups, or professional advance readers who are willing to respond honestly.
  4. Pull on your thick skin. You might want to consider whale shark skin for this one, (estimated at 6″ thick). Just like “there’s no crying in baseball,” professional writers soon learn, no one’s handing out Kleenex around here either. When rejection stings, stiffen your spine, and pitch again.
  5. Douse distractions. It’s going to happen. Ten people want five different things from you at once. You’re working on one project, when the siren call of another beckons. But professionals know the power of tenacity — grinding your behind into the seat, tuning out the voices trying to break your focus, and writing through to the finish line.
  6. motivational quotesSet time-stamped writing goals. I’ve really let this one slip lately, and my work is showing it. But my One Word is Reset, so I am resetting my goals. The difference between a dream and a goal is a measurement. So my refreshed writing goals include a minimum of 5,000 words per week. This reasonable number allows for flexibility, while pushing me beyond a normal comfort zone. It’s doable.
  7. Touch your own heart. If I’m not passionate about what I’m writing on, why would anyone else be interested? If I’m bored, my readers will feel boredom. If I’m thrilled, my readers will feel a flutter of excitement driving them to turn the page.

The more I write, the more I question myself at times, and yet, when I go back to the basics, I find the truth, the way, and a successful writer’s life. Which brings me to a bonus secret.

Pages in a Thousand BooksI can write until my fingers are numb. I can start writing at dawn’s break, pushing until the wee hours of the next morn, but if I am not inspired, it’s all for nothing. My personal inspiration come from prayer, provision, and praise for my Maker. He’s the one who gifted and called me. This is my most powerful secret.

What inspires you to write? Do you have any tips you would whisper to your younger self?

Why you should write backstory you won’t use

cross-out-wordsA few years ago, I got the oddest suggestion I’d ever heard from an editor: write a few scenes between my novel’s characters that I wasn’t going to include in my final manuscript.

Say what?

I should deliberately spend time crafting scenes I was NOT going to use? How was that going to improve my book, writing scenes I wasn’t going to include in the final version?

Being the people-pleaser/non-confrontational  soul that I am, I didn’t question the editor’s wisdom, even though I thought it was nuts and a clear waste of time.  She was the editor, after all. She had to know what she was doing. So I sighed a great sigh of resignation and set to work writing scenes I wasn’t going to use in my book.

And lo! Before I even finished writing the first ‘unnecessary’ scene, I understood the point of the exercise: by creating more interactions between my characters, I was getting deeper into their heads and personalities. I was basically giving them a more complete personal history and backstory that would more accurately inform and motivate their actions on the pages of my novel. In other words, I was giving them life beyond the book, which would, in turn, make them very real within the book.

Crazy, huh?

Let me give you an example.

“This late-night conversation between Rafe and his mother doesn’t sound natural,” the editor said about a scene in my book. “Try writing another conversation between them that focuses on a different aspect of their relationship. Something from their past.”

So I did. I wrote a scene from Rafe’s high school football years, some 20 years prior to my book’s time frame. As I wrote, I imagined what this man might have been like before he matured, and how his relationship with his mother evolved. He was a headstrong teen then, and while he dutifully respected his mother, he couldn’t appreciate her wisdom at the time; that insight alone helped me revise the dialogue my editor had questioned in my book. It also changed the way I described the interaction between those two characters, and it influenced how I then changed Rafe’s interactions with his female colleague to better reflect his attitude towards women as learned from his mother.

Writing that little piece of personal history for Rafe was like shading in another part of a portrait or adding important information to a personality profile; because I knew his backstory better, I was then able to strengthen another scene in which he confronts a female assassin with conflicted respect, rather than brute force. My ‘unnecessary’ scene that I knew I wasn’t going to use actually helped me produce a more realistic hero.

What can I say? If ‘crazy’ works, I’ll take it. Especially when it improves my writing.

How about you? Have you found some crazy ways to improve what you write?

How to survive the book review blues

roses I have a love-hate relationship with book reviews.

Every time I get a good review, I’m happy. When I get a stellar review, I’m ecstatic. I feel like I’ve done what I hoped to do: I’ve connected with a reader and given them a journey they wouldn’t have experienced otherwise. When dog-lovers tell me they laughed, cried, and were inspired by my memoir Saved by Gracie: How a rough-and-tumble rescue dog dragged me back to health, happiness, and God, I feel blessed that my story reached and touched them. When reviewers rave that my supernatural thriller Heaven’s Gate: Archangels Book I made them want to stand up and cheer, I get goosebumps of joy.

All those multi-starred reviews on my books’ pages at amazon.com, Goodreads, or barnesandnoble.com reassure me that the hours I pour into my writing are worth it: my books entertain, educate, and illuminate, and, gosh darn, people like them.

wilted-roseAnd then there is the flip side of my love-hate relationship with book reviews.

When I get a review that says “this book wasn’t what I thought it would be about, so I stopped reading it after the first two chapters,” and therefore receives the lowest rating possible, I want to bang my head against a wall. “Then why did you bother to post a review?” I want to ask the disappointed reader, and then explain that because she mistook the book for something it wasn’t, my overall rating has plummeted, which will dissuade some readers from even reading the synopsis, let alone buying and reading the whole book.

I’ve also seen reviews that rate books poorly because the author’s basic premise contradicts what a particular reader-reviewer believes. Again, those low ratings may prevent the book from reaching the hands of readers who would appreciate and greatly benefit from it; because many people (and I’m one of them!) choose books based on others’ reviews, authors are at the mercy of those published reviews, even when they make no sense at all, or are based on the personal bias of the reviewer.

So what’s an author to do about that oh-so-necessary-but-can-be-disastrous need for reviews?

My answer can be summed up in one word: relax.

Then remind yourself of these three things:

  1. You wrote a book! So many people say they want to write a book, but you actually did it! AND it got published. Congratulations! Celebrate your accomplishment!
  2. You can’t please all the people all the time, and that’s especially true of readers. Some people just won’t ‘get’ it; others won’t like your writing style or your treatment of plot or subject. Some readers might be experiencing difficult life situations while they were reading your book and some of that negativity gets transferred to their reviewing. Bottom line: reviews are subjective, even when they intend to be objective.
  3. Your words will reach at least some of the people who need to read them, and they will bless you for it, whether or not you ever know it.

What do you do when you get the review blues?