Spruce Up Your Spring Blogging Wardrobe

Tired of the same old blogging drudgery? Ready to don something light and new? Want to increase the traffic on your site? Here are a few different outfits for you to try on your blog.

VLOGGING

Everyone’s got a blog, but how do you get yours to stand out? Try vlogging. A vlog is simply a video log. Instead of writing the same old, same old blog entry, you simply speak it into a camera.

Before you freak out, read my lips: this doesn’t have to be fancy. In fact, I wouldn’t know how to edit if you paid me. I use Photo Booth and do a vlog entry all in one shot. If you want to get fancier, though, you can use things like Microsoft Movie Maker or Apple iMovie to add all kinds of fun effects to your video.

Why should you vlog?

It’s a great way to spice up your usual blog posts. It adds variety. Personally, I choose to post humorous vlogs, but you could make them “how to’s” or even use them for interviews.

Vlogging is a great way to show your readers the human side of you. Your facial expressions, your inflections and intonations, are seen instead of imagined.

The other benefit I’ve noticed is that vlogging bumps up hits. If you’re looking for a way to increase traffic, give this technique a whirl.

It’s not as scary as it seems.

I’m not going to lie. The first time your knees will probably knock a fair amount, but after that, no more noodle legs. If it creeps you out to see your mug up on the screen, then here’s a little tip…just post it. Don’t watch it.

Even if you decide not to continue with vlogging on a regular basis, it’s a great way to perk up your blog once and awhile.

TUMBLR

No, that’s not a typo. Tumblr is a trendy way of shortening the words tumble and log. What gets tumbled? Thoughts, mostly. Think of it as a stream of consciousness, where nothing is lengthy, and randomness rules the day. On Tumblr, you’ll see posts that are as simple as a link, a photo, a quote, sometimes even just a phrase.

Why use Tumblr?

This site facilitates quick and easy posting of single items. If the thought of writing blog entry after blog entry is overwhelming, this might be just the site for you. It’s not a replacement for Blogger or WordPress, but an alternative for less in-depth, editorial pieces.

Plus, it’s super easy to use. Setting up your own page takes about 2 minutes. Literally. Plus you can post from a computer, a smart phone, or yes…drum roll please…even from a text.

How to use Tumblr.

1. Sign up. Go directly to Tumblr.com and follow the directions.

2. Learn the dashboard. Your account will have a private dashboard that only you will see. This is also where you’ll find the different kinds of posts that are available for you to utilize.

3. Customize your page. Make it your own. You can upload background images or use some of the free templates.

4. Start posting. The best way to figure out Tumblr is simply by putting your hands on the steering wheel and hitting the gas pedal. It’s a creative place, so go ahead and run free. Try out new things you’ve maybe never done before, like a vlog, or post a stanza of poetry, or maybe a photo you shot recently.

5. Follow other users, kind of like Twitter. It will get your name out there in Tumblville, and eventually you’ll be pulling in followers of your own.

Even if you’re not quite ready to take the Tumblr plunge by setting up your own page, go ahead and check it out. It’s a fun place to hang around.

Vlogging and Tumblr are just a few ways to zest up your blog. Share the love…what’s one way you’ve discovered to update your spring blogging wardrobe?

Do You Hear The Voices?

Dialogue should be short, snappy, and punchy. Image: photostock / FreeDigitalPhotos.net

Dialogue that is short, snappy, and punchy, engages other characters as well as the reader. Dialogue is meant to be experienced, not studied. Halting over a line of dialogue can interrupt the reader’s experience.” ~~ Sol Stein

At a recent writer’s conference, an agent said dialogue could make the difference in making a request for more of a writer’s work. She takes the first five pages of a manuscript and looks for the white space created by dialogue. Then she puts the manuscript aside and picks up the next one.

From that conversation, I gathered dialogue is an important part of novel writing. Internal monologue is not dialogue. So, even if no one else is in the room, the character should talk aloud to himself, or to his pet.

Conversations in real life often have little or no purpose. In fiction, that’s a killer. What do you hear as the characters meet and greet? Is it meaningless chitchat? Or are they talking about anything and everything to avoid the deeper subject they know they should discuss? That’s great. Avoidance dialogue is called subtext.

Who’s talking? Do the characters sound alike? Are they predictable? Do they always say what you’d expect them to say?

If so, the writer’s in trouble. You see, dialogue has to sound natural, but it also has to be more condensed and much more interesting than everyday language.

Info dumps are boring. Just as you don’t enjoy listening to a person who talks on and on without giving others a chance to get a word in edgewise, neither do your readers. Most exchanges in dialogue should be brief. Consider using five word exchanges or less in your dialogue. Avoid using more than three sentences without a break or at least an action tag on the part of the speaker.

Can the reader visualize the characters? Characters don’t talk in a vacuum. To avoid the talking heads syndrome show us what they’re doing. Is Mary cooking dinner? Is LeRoy chopping wood? And by the way, is the ax dull?

Speaking of what’s happening, in your own writing, don’t mix the actions of one character with the dialogue of another. Be sure each speaker gets his own paragraph. Even if the character only uses one word. Make it easy for your reader to know who is talking.

And while we’re on the subject of give and take between characters, teach them to give another character a chance to react. Short dialogue paragraphs leave that coveted white space and increase pacing.

Last but not least, dialogue should move the story along. Do the characters have an agenda? Does dialogue reveal the different sides of an issue?

For dialogue to do its job, it needs to create an emotional effect in the reader. How much of the dialogue reveals disagreements and misunderstandings that affect the other characters’ goals? Does it increase suspense and uncertainty?

Q4U: Would you care to share a tip for stronger dialogue?

Social Media and Your Book Release

Often, authors ask me what they can do to put their book in the social media limelight. While it is not difficult to accomplish, as we have discussed before, there are a few important steps that you can take to ensure that your book receives the attention it deserves. Here are a few ideas that scratch the surface…

1. Start Immediately I had a client named Dan (all names have been changed to protect the innocent).  Dan had a wonderful book coming out in about six months.  He was so excited, I am sure he felt like he was going to give birth to a baby, or as close as guys get to this feeling (besides kidney stones).  Dan wanted to wait until his book came out to get all social media going.  Although waiting can still be effective, I don’t advise this or think it is best. Make sure you are lined up with all of your social media accounts now. Do you have Twitter, Facebook, Pintrest, and maybe even Google Plus?  Make them look pretty. Get your friends and family on board and let them know what you are doing, so they can be your biggest cheerleaders.  Don’t wait. Start today.
2. Start Blogging and Guest Blogging  Here are my three simple rules for having a successful blog:

* Be consistent. Same time, same day.

* Don’t be too wordy or too simple.  500 -700 words is a good mark. Don’t over blog. Sadly, I just unsubscribed to one of my favorite blogs because I would receive two or three updates from that person a day. Save the poetry you like for your Facebook page.

* Be consistent. Oh, I said that? But it is valuable. I want my blogs in my inbox the same time every week.

Guest blogs need to be done strategically.  Pair up with friends who blog as well. Showcase yourself.  It can be a win – win for both of you. Promote it well,  and you both will end the day with a bigger audience.

3. Create A Data Base. Compile an email list and blast it out to all your friends and family.  I use Mail Chimp: it’s easy, it’s free and it does a great job managing a database.  There are some other ones that people have told me about,  author Lucille Zimmerman said that AWeber is great.  Celebrate great reviews, talk about new projects, and keep people on the inside of your circle, making them feel valuable.
4. Give Away Books. When your book is going to come out, encourage your friends and family to buy a copy.  Sure if you are REALLY close to them, you can give them a copy for free, but still get them to buy one and give it to a friend.  (Ever heard of Guerilla Marketing?) If your publisher gives you books to give to your friends and family, tell them they can only have one if they agree to write a review on Amazon after reading it. If your book is about the church, give it to church leaders ask them to help promote your masterpiece.

Get your books in the hands of “tastemakers.”  What is a tastemaker, you ask? Acoording to Urban Dictionary, “Tastemaker: An individual who’s determination of what’s stylish influences a significant quantity or quality of people resulting in a supportive trend.”  A tastemaker is someone who is savvy and all-knowing. It could be your best friend or your coffee shop barista. You want your tastemaker friends to talk about your book; people listen to tastemakers.
What is your best tip to be socially media savvy? 

Ingrid Schneider is WordServe’s resident Marketing Maven. With a specialty in social media, Ingrid loves helping authors find and manage an online tribe of readers. After spending the last 15 years managing and marketing restaurants, people, and businesses, Ingrid knew that helping people market themselves via social media and online platforms was a passion and something at which she excelled. Now doing social media marketing for some great-named authors, Ingrid also loves to imagine that she is a secret agent, because she can’t disclose with whom she is working. (Believe us when we tell you that Ingrid handles some big names, but for anonymity’s sake, we can’t disclose this TOP SECRET information.)  Imagination and creativity is something Ingrid is serious about and loves to incorporate into her work with her clients.

Amazon.com’s ‘Vine Program’ Can Either Help Or Hurt You

Not all marketing tools are created equal. Some will move books; some will bite you where the sun doesn’t shine. Today, allow me to tell how the use of one book marketing tool could have sunk my book.

“The Amazon.com Vine Program” is a service offered by Amazon.com to book publishers. Basically, publishers contract with Amazon.com to send out a certain number of books to reviewers in exchange for their unbiased ratings. Theoretically, it’s a way to jump-start ratings on an author’s page immediately after a book is released.

But there can be problems with this system. In at least one case that I know of (MINE!), the publisher failed to communicate with the Vine Program that the book in question had a Christian viewpoint. And since nothing noticeably Christian appeared in the title, subtitle, cover art, or even in the book’s description, it was a cauldron of trouble. The book ended up being inadvertently sent to people unsympathetic to faith issues who rated the book poorly and then slammed the publisher for being deceptive about its religious agenda.

You could argue that this was really the publisher’s mistake and not the Vine Program’s. But it still highlights the fact that the Vine Program can be utilized ineffectively and, hence, end up hurting your efforts more than helping.

How can you avoid this situation? Ask your PR and/or marketing folks if they intend to utilize the Vine Program. If so, work with your agent to make sure your publisher adequately broadcasts your book’s content through its title, subtitle, description, and cover art. Otherwise, your book won’t get to its intended readers, and your reviews may be less than stellar.

Even if this Vine problem doesn’t happen to you, expect some unfair ratings to come your way in the Amazon.com rating system. People are imperfect; therefore, readers (and publishers and authors) are imperfect. Some readers aren’t capable of understanding what you say, and others read too hastily or misunderstand your message for other reasons.

The good news is, eventually, justice tends to prevail. Unfair and/or misleading reviews tend to fall off the map. Once enough people rate the unfair reviews as “unhelpful,” the Amazon.com rating system automatically deletes them.

In addition, reviewers have the option to “comment” on each other’s reviews and clear up any confusion. (Only, sometimes, their comments make things worse rather than better. You should see the caustic verbiage that flew back and forth between two reviewers of my book, The Eden Diet. I have an overall five-star rating, but I got a two-star review that apparently ticked off one of my supporters. The comments that followed were so mean that they were actually funny–in a “Pulp Fiction” kind of shocking-human-nature way. It was like a psychology experiment went wrong, right on my Amazon.com review page. Thanks a lot, people!)

The point is, online review systems are fraught with inherent inaccuracy and bias, and they sometimes hurt more than help. But if you want to be a writer, you have to get used to this and other imperfections in the system as a whole. That’s why book writing (and the reading of book reviews on said writing) is not for the faint of heart!

Care to share some of your review experiences?

Nuke the Slush Pile

Photo Credit: 02-11-04 © Maartje van Caspel / istockphoto.com

What is a slush pile?

Have you ever read a market listing for a book publisher that reads something like, “Receives 2,000 submissions a year; publishes 20?”

The 1,980 manuscripts that didn’t get published are the slush pile. They are the mountain of unsolicited—and largely unpublishable—manuscripts that land on editors’ desks every day.

The slush pile also represents your competition.

I’ve spoken to more than a few writers who became discouraged at the sheer numbers of manuscripts out there and gave up on ever getting published. That’s unfortunate because it’s possible to move that slush pile out of the way.

Here are three simple practices that will help you stand out from the competition.

1. Learn Your Craft.

Believe it or not, most wannabe writers never take the time to learn how to write well. If you will take the time to study, learn, and develop your craft, you will stand head and shoulders over 90% of the people out there who say they want to be writers. Thus, when you submit a query or manuscript, your writing will stand out as superior.

Trust me. Good writing gets noticed.

2. Be Professional.

It doesn’t matter whether you’re trying to make a living at writing or if you just see writing as something to do on the side. If you want to be taken seriously, then you have to approach your craft as a professional. That means properly formatting your manuscript, proofreading it carefully, and following the publisher’s guidelines to the letter. It also means being courteous, not missing deadlines, accepting editing and critique. It means committing yourself to turning out the best product you can–every time you sit down at the keyboard.

If you adopt a professional approach, you will distinguish yourself from many writers who do not take the time to learn (or practice) the etiquette of the publishing industry.

Do this and you will move more of that slush pile out of the way.

3. Network, Network, Network!

Over the years, I’ve learned that personal networking with editors, agents, and other writers can greatly accelerate your journey to publication (assuming you’ve learned your craft and are acting like a professional). And the best place to network is at a writers conference.  Consider this: If you had the choice between sending a query to an agent or editor (who will probably have a stack of them piled on her desk) or sitting down with her for fifteen minutes and pitching your idea in person, which would you prefer? At a writers conference you can meet that agent or editor face to face. You might not be able to attend a conference every year, but try to make at least one. It’s an investment, but it’s one you won’t regret making.

Learn your craft. Adopt a professional approach. And network, network, network. Keep these three principles in focus—and persevere—and sooner or later you’ll find yourself in print.

Because you’ll not only move the slush pile out of the way, you’ll nuke it.

A Gracious “No” and a Greater Glory

Do you have difficulty telling people “no” and setting good, healthy boundaries in order to stick to your writing schedule? I have to admit, sometimes I do. But in order to meet my current writing deadline, I have to be more diligent about protecting my time. I am a morning person, so my designated writing time is from eight in the morning to noon, four days a week.

Just after determining my weekly word count for the year and setting goals to meet my December deadline, some friends I hadn’t seen in awhile invited me to join them for a long lunch at one of our favorite restaurants.  I needed to say no. I stammered. I paused . . .  I caved. I went to lunch and thoroughly enjoyed catching up. However, as a result, I got behind and ended up spending Saturday at the office, missing family time, in order to stay on schedule.

I would venture to say, most Christian writers do what we do from a deep sense of mission. We feel “called” to write, and we want to glorify God with our work.  Jesus glorified God on earth by completing the work He was given to do (John 17:4). In order to complete His mission, Jesus had to stay focused, and there were times He had to say “no” to what appeared to be great opportunities.

One time, after teaching and performing miracles in the synagogue at Capernaum, word spread, and by evening the entire town gathered at Simon Peter’s house where Jesus “healed many” and “drove out many demons” (Mark 1:34). What happened next serves as a great example for those of us who need to stay focused and struggle to say “no.”

“Very early in the morning, while it was still dark, Jesus got up, left the house and went off to a solitary place, where he prayed. Simon and his companions went to look for him, and when they found him, they exclaimed: ‘Everyone is looking for you!’  Jesus replied, ‘Let us go somewhere else—to the nearby villages—so I can preach there also. That is why I have come” (Mark 1:35-38 NIV).

Jesus said “no” because he needed to remain focused on his mission. If we want to complete the work God has given us to do, we also have to be willing to say “no” to wonderful, yet distracting opportunities.

So, I’d like to share a few tips I’ve found helpful in my effort to graciously say “no” and remain focused on my writing mission:

  1. Pray. Spend focused time in a solitary place, talking with your Father. Prayerfully plan your schedule; seek His guidance for your writing and the way you spend your time.  It is easier to say “no” without feeling guilty when you’ve prayed over your writing schedule.
  2. Protect your writing time. Set aside a specific time to write and schedule it in your calendar (or your phone) just as you would record a doctor’s appointment. When someone asks you about your availability, you can avoid facing a perplexed stare or wrinkled brow as you apologetically explain why you need to spend the time writing. Instead, you can simply say you are booked at that time.
  3. Present alternatives.  When an invitation interferes with your writing schedule, offer alternative times when you are available, or make an effort to arrange something at a later date. It’s easier to say “no” now when you are offering to say “yes” later.
  4. Plan some flexibility. Some interruptions are inevitable and necessary. There will be days when the urgent gains our attention. So, prepare for interruptions when you set your writing goals. For instance, my daughter graduates this May, and she will be going off to college in the fall. I’ve incorporated gaps in my writing calendar during the months of May and August. Plan some flexibility. Get ahead when you can. Catch up when you get behind.

What additional tips can you offer to help all of us graciously say “no” so we can stay focused and complete the great works God has placed upon our hearts to write for His glory?

Stealth Marketing

Like many writers, I have issues with shameless self-promotion: I really hate blowing my own horn because isn’t that exactly what Christian humility tells us NOT to do?  Like every writer, though, I have to get myself into the marketplace to not only make sales and gain a readership, but also to spread the word that God has given me to share.

What’s a humble Christian to do?

One answer I’ve found is what I call ‘Stealth Marketing’ – marketing that doesn’t feel or look like traditional book selling yet still puts my name and book in front of new audiences I might not otherwise reach. Basically, I do non-profit events.

In particular, I donate books to silent auctions or hold a book signing to benefit a local charity. I’ve found that what I forfeit in cash revenue, I get back many times over in free publicity, good will, new readers, and a personal sense of contribution.

In the past year, I’ve donated books to local, regional, and national silent auction fundraisers. I started with the annual dinner auction at my children’s school, which is usually attended by some 300 people. I wrote up a brief sketch of the book and submitted it along with a photo to be used on the display card at the auction, as well as in the auction booklet. After the event, I had a call from another school parent who told me that she thought the books were such a great item idea, that she was going to buy a set of my books to donate to another group’s auction. I estimated that would double the exposure I’d just gotten from the first auction. Out of curiosity, I checked my website tracking to find that the number of hits clearly rose after the dinner. Good intentions and a book donation can go a long way, I realized.

Deciding I’d found a productive way to publicize my books and generate sales without the self-promotion I dreaded, I began to look for non-profit groups that corresponded with my target market – birdwatchers and mystery readers – to reach new audiences. In the past year, my books were listed in  programs for a variety of fundraisers, including the Raptor Research Foundation’s annual (international) meeting, the national conference of MIA/POW families, a Savannah (GA) Rotary Club, and the International Festival of Owls. After each event, I’ve seen increased traffic to my website.

Closer to home, I really enjoyed the book signing hosted by my favorite local eatery. It was a success for all of us involved: I asked customers to bring items for the local food shelf, and I discounted each book they bought. We collected bags of food to restock the shelves just before the winter holidays, the diner had increased business that morning, and I got free publicity in the bulletins of area churches that support the food shelf, not to mention that warm feeling of doing something good for my community!

Do you practice stealth marketing?

Memoir Makes It Better

5 ways practicing memoir will improve both writer and writing.

There is fiction, and there is nonfiction; then somewhere in between lies memoir, their mutant spawn.

The last decade or so has been a heyday of sorts for memoir. Much of what makes the genre appealing to readers is that it combines the artfulness of fiction with the real-life validity of non-fiction. It’s the refined, literary version of reality TV.

But what appeals to memoir readers is often the same thing that confounds memoir writers. To piece together a good memoir, the tenets of fiction must be employed within the constraints of non-fiction. Likewise, the aims of non-fiction must be achieved through elements of fiction.

Still, this blurring of lines is precisely what makes memoir a worthy and worthwhile effort for any writer. Here are a few of the lessons you might find yourself picking up in the practice:

1. You Aren’t So Wonderful

In a world of bad characters and good ones, most of us would seat ourselves in the “good” group. But memoir might suggest we are being too generous in this. Try turning yourself into a protagonist: take a recent conflict in your life and record what your thoughts, actions, and interactions were in it. Leave out your motives and intentions, and instead write what actually happened. How did you respond when given a backhanded compliment, when annoyed in the check-out lane, when cut off in traffic, when insulted or demoted or hurt? Write it honestly.

I thought of myself as a capable and accomplished person, more or less—a kind one too, until I had to become a character in my memoir. The character-me was not nearly so magnanimous as the “me” that I had perceived myself to be. Seeing my unedited self on paper was startling. There was far more sin and selfishness than I would’ve been willing to admit. But that awareness made me better: more repentant, less proud, more forgiving, less afraid of making mistakes. I became newly grateful for what I have been given because I could see like never before that I don’t deserve it. And grateful is a great place from which any writer can start.

2. Characters are Complicated

Walk a mile in somebody’s shoes, as the saying goes. Real people have real complexities; this is impossible to ignore when writing memoir because the subjects you’re writing about are displaying their complexities all the time, from head to toe. Let this be a lesson. The people in your stories will be stronger subjects if you’re willing to appreciate nuance and even paradox in them. That means creating/presenting subjects who have dimension: likeable and unlikeable qualities, consistencies and inconsistencies, weaknesses and strengths alike.

3. Story Is Good

Setting, plot, characters, conflict, rising action, falling action, dialogue. Fiction writers tend to be experienced in weaving together these elements in their writing, while many non-fiction writers spend little time developing their story muscle. The result is often a non-fiction writer with a profound writing weakness: four parts tell for every one part show. Take a crack at memoir, and you’ll see that story can make a point on its own. Events and truths don’t necessarily require further explanation from an omniscient author voice. When the story you’re telling is complete, resolution is already there.

4. Reality is Simple

To keep things fair, here’s one for the fiction folks. You have zero limitations on the creativity you can bring to your story lines, which is likely why the rest of us so thoroughly enjoy your work. But memoir can remind you that most happenings in life are not extraordinary, at least not at first glance. While it can be tempting to rely on spectacular details to move your story along, often that’s an easy way out. It might take more effort and more practice in writing to instead craft a more plausible storyline that has every bit as much resonance.

5. “Interesting” is Necessary

But it should also be said that spectacular things resonate spectacularly. Few people will want to read your work if nothing in it drums up any interest. Far too often we let ourselves settle for an existence that is boring and wimpy. Ask yourself: In the last year, have I changed? Have I pursued something? Have I discovered something? Have I been part of something that matters?

We are creatures made in the image of a bold, reckless, zealous God, the One whose story grips people and sets their lives on an entirely new course. If there is nothing in your life that seems worth writing about, let memoir be an alarm that wakes you up to live bravely. Chase after something. Commit to something. Let go of something. Be moved to action. Give generously. Receive graciously. Love with tenacity. Or write some memoir, if you dare.

My Day in Prison

I went to prison not long ago to visit an inmate and to hear her story. I needed to know first-hand if she was who my client said she was. My client, her best friend on the outside, is writing a story of forgiveness between two women. I spent two hours in a small room listening as she spoke more words than my male ears could possibly take in. But I was riveted.

Outside in the main visiting area, dozens of inmates visited with parents, friends, children. Eating vending machine food, playing cards, laughing and trying to find a bit of normal in their season of isolation from the world for their public sins.

Her words filled the air for about 95 percent of our time together. She radiated the Lord like few I’ve come in contact with on the outside. Twenty-two years behind bars for a cold-blooded murder that she readily admits to committing. Many more years lie ahead. She killed the best friend of her best friend, the woman I mentioned in the first paragraph. Tears of regret come easy for the life she took, the lives of children she altered (including her own, one of whom was only 18 months old at the time and whom she has not seen since), even a city she threw into turmoil.

The good part of the story is that she’s now had 22 years of learning what it means to know, love, serve and wrestle with the Lord.

“Though I have the privilege of keeping a small TV in my cell, I have few distractions. I get up at 6:00, make coffee in my little coffee maker, and spend time with God in the Word.” She prays…a lot. She writes songs, words and lyrics, which are truly inspired. She’s an advocate for other prisoners trying to navigate a system that, by its nature, has to be more concerned with incarceration than care, with towing the line instead of grace. She understands. “It’s just the way it is.”

“There are 1,000 women here,” she says, “about 600 I would say know the Lord, probably 400 attend one of the four ‘church’ services offered once a week. Three of the services are the fire and brimstone variety, only one of the pastors of one church talks about the grace of God.”

“As if people here need more shame,” I say, attempting to understand a bit of what prisoners feel when they’re locked up for years at a time. She agrees that most of the women are so full of shame they don’t need the heaping coals of judgment to go along with it.

Before I can ask the question, she says, “That’s why books get passed around here so often. Books communicate, through story, God’s grace and the love of Jesus in a form that women can grasp. A woman can get swept away into the love of God through a story, well told. Jerry Jenkins’ book, Riven, is a favorite here, we have four copies. Francine Rivers is passed around a lot, and of course Karen Kingsbury.” Ted Dekker is mentioned, Gary Chapman, John Eldredge, as are several other familiar novelists and nonfiction authors.

You and I both know writers can’t invest their precious time writing solely to prisoners incarcerated for not playing by life’s rules. But in a bigger sense, that’s exactly what you’re doing every time you get behind your computer to tell the story God’s given you to write. We’re all prisoners to our own story in ways unseen, locked-up to our own daily grind. We all hear too much condemnation and not enough grace and love, and we all need those continual reminders that God is involved in the details but also looking out for the big picture.

And we all need to hear that He is constantly trying to inspire us to move closer to Him, His Kingdom, and communicating the true love He has to those who can’t readily touch it.

Books do that. Perhaps the book you’re writing right now does that.

So in the truest sense, you do what you do for the prisoners. You labor long hours in research, in writing and rewriting, in obeying the editorial instructions of your agent and editors. And most of the time you do it for a pretty low hourly paycheck. You hone your craft to tell the story better. You endure bad reviews and confusing royalty reports. It’s often hard and thankless and lonely.

But you do it for the prisoners.

Thank you.

Greg Johnson is president of WordServe Literary Group and has been a literary agent for 18 years serving Christian authors.

Well Read

It seems as though being well read doesn’t mean what it used to mean.

Well read used to imply that a person had read their fair share of the classics. It meant that they could probably discuss the writings of Hemingway, Fitzgerald, Twain, Hawthorne, Salinger, Steinbeck, Rand, et al. It also could imply their familiarity with great poets like Shakespeare, Cummings, Eliot, Browning, Shelley, Donne, Alighieri and Yeats.

We are well read in the classics during school since the books are selected by our teachers. These works are part of the literary canon and are, therefore, ‘required reading.’ But what happens when we start to select for ourselves and make our own choices?

For a while when I was traveling a lot, it seemed like every book I purchased came from an airport gift shop. The books offered in the airport are hardly a random sampling. They don’t have a vast selection, so, of course, they are pushing bestsellers.

Well read seems to be taking on another form in the last thirty years. One of my friends is a doctor and incredibly well read when it comes to medical journals. She is a prolific academic and has committed at least 10% of the Bible to memory. However, she can’t tell A Midsummer Night’s Dream from Hamlet. Another friend has a commanding knowledge of history, cooking, psychology, politics, current events, biology, business, exercise and nutrition. She hasn’t read a work of fiction since high school.

In the last few years, movie watching has become an intellectual activity (no complaints here), and that’s another form of being well read. Many movies at one point were books. One of my friends can pass any movie trivia test you put in front of him, even if it spans back to the 20’s. However, he can’t be bothered to read anything more intensive than a magazine.

Before television, before radio, before movies, before the internet, people found their entertainment in books and plays. We now have many more media portals for entertainment. It’s not just about reading literature and fiction; it’s about reading anything. Someone’s interest and education might be highly specialized, or it may be extremely broad and varied.

Although there have been a lot of changes to what constitutes well read, one thing remains constant. Being well read in today’s world may just mean educating oneself well – and frequently.

If you were to create a list of books that you consider required reading, what titles would you include?