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Finding a Publisher – 10 Steps to Success – Part 2

I’m returning to discuss those ever important steps in finding a publisher. You can find Part I that covered steps one through five here.

Step 6 – You may have ten or maybe even twenty publishing companies still on your list. Now take a look at their websites to see for yourself what kind of books they publish. Pick out one or two books similar to your own story and discover where the publisher actually sells them. For instance are they available in book stores or only on internet sites like Amazon. Browsing the books for sale can also tell you if the books are best-sellers. Read the readers’ reviews etc. Spending time in this area can help build up a picture of the publisher, and this kind of research is always fruitful for new writers. Are the publishers small or big, successful or not, new or well established, respected or not? On this last point the internet often has blogs and comments about bad publishers. Read them but be discerning because sometimes the comments may come from an embittered author whose books were repeatedly turned down.

Step 7 – So you have now made a shortlist and want to decide where to send your precious MS. Remember you can send copies of the MS to several publishers at the same time. Better to fire off several barrels rather than just one bullet, scattered guns normally hit something; whereas, the single shot usually misses the target.

Make sure you really read the details of their submission guidelines. Each company will have a different slant as to how you contact them. Some want the whole MS; others don’t. Some want the first three chapters only; whereas, some publishers just want to see a synopsis of the book. Remember to keep strictly to the guidelines, or your MS may end up in the waste paper basket. And always send a stamped addressed envelope so that the copy can be mailed back to you. That way you are more likely to get a reply even if it’s not the one you wanted.

Step 8 – A warning! The ‘sharks’ out there often disguise themselves as bona fide publishers. They might look safe, but all they want is to chew on your money. This is not saying that ‘self-publishing’ companies are predatory. Most often they’re not because in the case of self-publishers you get what you pay for.

I am sorry to say that there are Christian companies out there in the big ocean that act like sharks. One such company contacted me and said they wanted to publish my book, but it wasn’t until the third or fourth email that they told me it would cost $18,000 up front. The contract also tied me into buying a hundred books at $10 a book. If however, you are serious about your writing, find a reputable publisher and use your best judgement to pick the right one. If it doesn’t feel right, then it probably isn’t!

Step 9 – So you’ve sent your MS off; do not despair if after a short while you don’t hear back. Just be patient, and resist contacting the publisher to find out what’s the score. Most often it takes at least three months to get even an acknowledgement or even longer. I know that you are on tenterhooks, but the best way to stay sane is to ‘forget’ about the submission and get on with the next project. If you get rejections, don’t lose heart. Some of the most famous authors had hundreds of rejections before someone smart bought the book. Remember a lot of publishers make errors in their choices. The Harry Potter series was turned down by loads of agents and publishers. Have faith and keep knocking on doors; you’ll win in the end. The writers who found success are those who never gave up believing.

Step 10 – If you are a Christian writer, here’s a Ready auto transport service you can use. In short, what it does is post three chapters of your book and a brief author bio with your contact details on their website. The website is known to many Christian publishers who take a peek on a regular basis to see if there’s anything worthwhile posted there. It’s inexpensive, and your submission stays on the website for six months. One last piece of invaluable advice for Christian writers is this: remember the Lord is keenly interested in you and your work. Pray every day for success. I found success with an agent and a publisher who were five thousand miles away from where I live.

Care to share some of your publishing experiences?

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Beyond Instinct: (Not) Writing Like Weasels

In her much-anthologized essay “Living Like Weasels” Annie Dillard locks eyes and brains with a weasel, launching an essay on calling. Weasels teach us how to live, Dillard writes, embodying an instinctive mindlessness, all energies pointed toward their “one necessity.” One weasel latched onto the throat of an eagle and never let go, even in death, its skeleton attached to the eagle’s chest. The essay ends here:

“I think it would be well, and proper, and obedient, and pure, to grasp your one necessity and not let it go, to dangle from it limp wherever it takes you. Then even death, where you’re going no matter how you live, cannot tear you part. Seize it and let it seize you up aloft even, till your eyes burn out and drop; let your musky flesh fall off in shreds, and let your very bones unhinge and scatter, loosened over fields, over fields and woods, lightly, thoughtless, from any height at all, from as high as eagles.”  

It’s a stunning close to an inspiring essay. But the beauty of the language disguises the horror of the scene. The weasel latched onto the wrong bird. His actual death was not likely very poetic. As writers and as people of faith, we’re not as horrified as we might be: death is not our final fear, and we understand the larger metaphor of death. But we needn’t seek it out. There are so many ways to die as a writer already; I’d like to save us from an unnecessary demise or two with a few simple words:

Choose the right bird. When you discover you’ve chosen wrongly, let go.

This is a simple way of saying that as writers we labor under more than one calling, more than “one necessity.”  There is the calling to write, the sense of being appointed a wrestler with words, a storyteller, even a prophet at times. But there are callings as well to particular projects and subjects. When we don’t distinguish between the two, we’ll find trouble, maybe even death.

In the last twenty years I have let go of a number of essays-in-progress, articles, even book manuscripts. Despite seeking God’s direction—and feeling that I had found it, two book projects I felt very “called” to pursue, ended up withering. As each  atrophied, I latched on yet harder, spending costly attention and effort trying to revive them—to no avail.

I did not expect success to meet every writing endeavor, but some losses hit hard. We question our worth as writers; we question our very calling. But we often ask the wrong question. Rather than asking, “Am I really called to write this novel (this essay, this book) right now?” we often ask, “Am I really called to be a writer?”  In these moments, we’re not so much rising on the wings of eagles as we are devoured by our own insecurities and disappointments. We may even stop writing altogether. This is the second death—and the least necessary.

The weasel operates by instinct alone. We can do better. We can’t see into the future to know whether a project will ultimately succeed, but we can follow our given passions, testing them thoroughly with research, prayer, and rough drafts. If a project falters, as all seem to do at some point, we persevere until—-we cannot. Then, we pry ourselves loose and let it go.  Not easily, and never prematurely, but our bones will stay hinged, and our musky flesh will live to choose another subject, another day, one that may indeed send us soaring.

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Market Your Fiction with Non-Fiction

I often hear fiction authors struggling with ways to market their novels. Non-fiction authors seem to have an easier time with marketing, due to their expertise on their subject.

But fiction authors actually have quite a bit of nonfiction in their novels. Remember all that research you’ve done?

As Christian writers, our characters and story lines have a built-in message of faith. Writing articles on your own faith struggles and how they relate to your character’s journey is one way to use non-fiction.

Think about your character’s occupation. Is your heroine a landscaper? Write some posts on the best plants in your region. Or tie it in with the setting of your novel. A post on the best plants in the region of your book is even better. You could also spin it and list which plants are best transplanted in any region.

My heroine is a cook on a cattle drive. The pioneers only used cast iron, so I wrote a post on how to care and use cast iron.

How to clean cast iron

Did you find cool facts when you were researching that didn’t make it in to your novel? Then consider writing some articles on these.

These make great blog posts, but try taking it a step further. I pitched the idea to my local newspaper about a monthly column, Pioneering Today, which highlights the best of the pioneer lifestyle and how it relates to us today. The editor gave me permission to re-publish the articles on my blog after the current issue has run. I can offer links or pictures, so readers of the newspaper have a reason to visit my website for more information.

Consider magazines or ezines to submit these articles to as well.

What are some of your favorite non-writing blogs and magazines? How could you tie in an aspect of your writing or book to these? What ways have you used non-fiction to market your fiction?

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The Awesome Power of Humor in Writing

“Lord, please don’t let me die in a CVS bathroom,” a young friend of mine, Kelli, posted on her Facebook status during the Texas Tornadoes of Tuesday, the day when semi-trucks flew like box kites.

I thought, What a great way to handle a crisis: with a prayer on your lips, your sense of humor intact.  Not only that, but I knew that keeping a sense of humor in spite of the stress and danger, would be calming both to Kelli and the frightened folks with her — because it is hard to think of something funny and be terrified at the same time.

Just moments before Kelly’s post, I had been talking to my daughter Rachel, who lives in small town Forney, Texas, and with whom I’m writing a humor food blog and book by the same name (We Laugh, We Cry, We Cook). Tornadoes are so commonplace in Texas that when Rachel answered the phone with, “Hi, Mom. I’m in the bathtub with the baby and a mattress pulled over our heads,”   I almost asked, “Again?”

This would be our third cell phone conversation this year with my daughter scrunched in the tub with her baby, her phone, her lap top, a mattress overhead. This is simply “Life in Texas” during tornado season; but  in my fifty-three years of doing the Bathtub Tornado Preparedness routine, I’ve never seen one funnel cloud.  Hard to take those TV tornado warnings seriously when they seem to happen every little whip-stitch in the Springtime.

But then Rach said, “Mom, the weatherman just shouted that a tornado has hit a Forney school.” Rachel lives only a half-mile from a Forney high school and elementary school.

All the blood drained from my face.

“Honey, stay on the phone with me…” I said, and then heard nothing from her end of the cell phone but snap, crackle, pop, followed by  … silence.  I called back, but cell phone service had ceased in her area.

I grabbed the remote, flipped on the TV only to see the words “Forney,Texas” flashing, with scenes of the menacing tornado playing across the screen.

Sick with fear, it was ten, long, excruciating minutes before Rachel called back to report she was fine, not even a drop of rain. She sounded calm, but then she’d not yet seen what had just miraculously missed her home.

I cried, my husband Greg (who is not only CEO of WordServe, but a stellar comforter) hugged me. My legs now Jell-o, I sat down, glanced at my computer and my eyes landed on Kelly’s brave/funny status post (from somewhere near Greenville, Texas) and somehow… I managed a laugh.  And with that first laugh, calm began to flow through my veins, and my traumatized brain began the process of soothing itself.

I fell in love with President Reagan the day he calmed an entire country with the words, “Who’s minding the store?” soon after he and several others had been shot.  If Reagan could still joke, and we could still laugh, everything would be okay. America breathed a collective sigh of relief, thanks to the President’s cool head and sharp wit.

I’ve written three books with brain specialists, and I’m proud that I could gather enough middle-aged brain cells to write something serious and science-based.   But what flows from my soul and my pen most naturally is humor.  I used to feel that writing humor was somehow less important, not terribly “literary.”  I know many serious writers who still believe that writing humor takes less intelligence, less skill, and not much depth of thought.  To those writers, I say, “Try it. Then, let’s talk.”  I once heard an interview in which Barbara Mandrell’s little sister (“the blond ditzy one”) said, with a wise wink, “It takes a lot of smarts to play dumb.”  It also takes a tremendous amount of skill to be self-deprecatingly funny on paper, without being corny, or forced, or silly.

Over my writing career, I’ve received hundreds of letters or emails that read something like,  “Someone gave me a copy of your book while I sat with my dying mother in the hospital, and we both laughed until we cried. Thank you for giving us that happy memory together.”  Or, “I lost my husband last year and could not read anything serious or heavy.  But your stories, and the laughter… oh, how healing it was to laugh again!”  And on and on.

My time with the brain doctors taught me that laughter is a gift to every cell in our body. If you can write stories that bring a grin or a chuckle, you share a priceless gift with your readers. You give them a short mental vacation from their worries and those common looping, overly-serious thoughts.  Laughter helps re-set the brain from negativity to lightheartedness in a short amount of time.

Whether you write books of humor, or just sprinkle some well-placed wit into your prose, there is no genre that cannot be improved, or heart that cannot be lifted, or worried brow that cannot be soothed by a touch of the clown, now and then, from your pen.

“Laughter through tears is my favorite emotion.”  Steel Magnolias

Question:  As a reader or a writer, can you recall a time when humor helped you through a dark time, a frightening experience or even a season of grief?  What authors do you admire who consistently help you laugh and perhaps gain some fresh perspective?

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What Does Easter Mean to You?

Here it is– midnight MST. I’ve survived twelve+ hours in the ER on a Friday night, full moon (it must be!), holiday weekend. For those of you familiar with emergency departments you know I listed those out because it meant we got our tushes kicked a little bit. Not enough staff. Too many sick kids.

I am tired. I get home…

And. There. Is. No. Post.

Which means there is no happy new post for you… our trusted friends, our fabulous readers. I’m thinking– no one is going to notice. It’s Easter! Anne’s post was amazing and can hang out all weekend. This will be unedited and full of typos (can I wake Sarah up to have her proofread?)

But then, something stops me from shirking my responsibility. I start thinking I really should step in and write something– substitute for the person who was supposed to post. And I really don’t want to right at this moment in time. My warm bed is sweetly calling my name.

However, the thought of substitution comes to the forefront. Now, I’m not one to clearly hear God’s calling. I would possibly dare say I’m tone-deaf. I’ve prayed for God’s Will to be left as a gold note card on my pillow for me in the morning. For me, God’s voice is more like a subtle whisper in a hurricane that I have a hard time tuning in. What I have learned though is sometimes these instances (like no blog post) are orchestrated by God to create opportunities for other things, and I’m wondering if this forgotten post was left open for me to write to bring the thought of subbing for someone else to mind.

This is what Easter means to me. Christ as substitution. His death as a covering for my sin so that if I believe in what He did as He hung on a cross, nails through his hands and feet, a crown of thorns on his head– one of the most painful deaths a human can suffer– I can have the glory of heaven.

Grace. Mercy. Innocence hung for me…

So, maybe my foray into writing my novel, which led me to an appointment with Greg Johnson, which led him to take me on as a client, which (for some strange reason!) led him to ask me to help run this blog was meant to culminate in this one moment in time where the Easter weekend post was empty (like the tomb was in a few short days) so I could write about the thought of substitution and what it meant for me…

And what it means for you…

May you have a blessed Easter.

 

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Success and Spiritual Warfare

"Christ in Gethsemane" by Michael O'Brien

Today, Good Friday, we remember the great cost paid for our lives.

And [Jesus] said, “Abba, Father, all things are possible for You. Take this cup away from Me; nevertheless, not what I will, but what You will.”
~ Mark 14:36 (NKJV)

When our Savior pleads with His Father in Gethsemane, exactly what does “the cup” contain? Jesus has already given His word that He will accept the contempt and degradation, scourging and crucifixion, and the death required by bearing sin, horrific as these all are. The cup evidently contains something far worse, so terrible that Jesus Himself wishes to avoid it.

I believe “the cup” contains sin’s monstrous, consummate penalty—isolation from God as He turns away from the one bearing sin (Matthew 27:46).

We who are Christ’s will never taste of that cup. The veil is torn asunder, and we have sweet fellowship with God, to our everlasting gratitude and praise.

I shall not die, but live,
And declare the works of the LORD.
~ Psalms 118:17 (NKJV)

Christian authors declare faith in penning everything from theological resources to respectable entertainment, inspirational devotion to suspenseful adventure, history to romance. Our works usually combine such elements, for we use all possible means to connect with readers and build up their faith.

Would we expect success to go unnoticed by our enemy?

Whatever else is shared and learned about writing, publishing, marketing, etc., the substantial spiritual warfare that many authors experience should also be noted. The wider our sphere of influence becomes, the more important it is to prepare ourselves for spiritual attack.

The devil will use anything he can to diminish our spiritual vitality and fruit. Among his weapons are:
• deceit or distortion of truth
• distractions
• conflicts or division / separation among believers
• strong temptation to fall into immorality
• inflated feelings of success and pride
• discouragement or overwhelming feeling of failure
• depression, confusion, or other mental impairment
• contempt from impersonal critics
• betrayal by personal friends
• attacks on reputation or unfounded accusations
• unusual stress in health, finances, and relationships
• terrifying demonic presence, perhaps via nightmares

I unhappily confess that although I’d waged and won smaller spiritual battles, my strength faltered when the fight became fierce. I had lost top fitness, gradually spending more time serving the Lord and less time in simple fellowship with Him. I was then blind sided by the intensity of an all out spiritual attack, which occurred on the heels of publishing successes.

Just as we acquaint and train ourselves with the publishing resources made available to us in order to succeed, we do well to acquaint and train ourselves with the spiritual armor made available to us through the price paid at Calvary.

I write to you, young people, because you are strong, and the word of God abides in you, and you have victory over the evil one.
~ 1 John 2:14

Today we remember the great cost paid for our lives—and we may think of our lives as the goal for which Christ died.

Our lives, rather, are the means for a greater end—fellowship with God. And fellowship with God is what drives our spiritual fervor, empowers our spiritual gifts, and wins our spiritual battles.

Q4U: Have you experienced spiritual attack, concurrent to your successes? How have you overcome?

© 2012, Anne Lang Bundy

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In Praise of Small Publishers

Like every writer, I dream of signing a contract with a big publishing house that will bring all its resources to launch my book onto the bestseller lists.

So far, it’s still a dream.

The reality I’m enjoying, however, is being published by a small regional press, which is giving me many of the satisfactions of being a published author without the pressure of big-time publishing. In fact, I regard my association with my current publisher as not only a great way to continue to develop as a writer, but also as a hands-on business apprenticeship which is preparing me for that future leap into the big leagues. Yes, working as a small press author means the royalties are slim, but for me, the benefits are huge.

If you haven’t considered finding a small press for your work, here are some things I’ve learned that you might find interesting and appealing about working with a smaller publisher:

  1. Small presses have very specific audiences and categories. That means you have to really define your own audience as you write your book. The benefit to this task is that your writing will be tighter and more focused, which will do three things for you: 1) improve your book; 2) target a publisher who wants this kind of book (thereby improving your chances of landing a contract!); and 3) give you a clear idea of who the readers are to whom you’ll be marketing the book upon publication.
  2. Small presses have limited resources to help you market. While this was initially a negative for me, I am now grateful that I assume primary responsibility for this very important piece of the publishing journey. I’ve learned to develop publicity contact lists, explore marketing opportunities, and pursue networking to land speaking engagements, which is a key to success for authors. Another plus here is that as a one-person marketing machine, I can react quickly to opportunities with an immediate ‘yes!’
  3. Timelines can be shorter with a small press. I can phone my publisher and talk directly to her, getting the answers I need or the extension of a deadline. I get the editing comments back, make revisions as needed, and see a final proof shortly thereafter; I can finish my book in June and have the launch party in September (not that I recommend such a tight schedule, but it has happened!). That means no long waits to see my books in print and get reader response.
  4. I work closely with the book designer, so I’m always happy with my book’s front and back covers. I’ve heard from many authors with big publishers that they have little to no input on what their book will look like; I love having a voice in those decisions!

The bottom line is that publishing with a small house can keep you closer to the publishing process in each of its stages, providing you with an education and experience that can only benefit your future career success.

Are any of you working with small presses? Care to share the joys of doing so?

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My Top Five Writing Retreats

Cedar Key, Florida
A Breath of Fresh Inspiration

The great outdoors inspires me as a writer, especially in a setting by a river or lake. Water trickling over rocks, breeze-swayed evergreens, birds serenading from treetops, and rainbow-hued flowers. The scent of earth perfuming the air.

My muse comes alive in God’s created paradise. Especially for a cave-dweller like me.

Coming from a resort management background, I’m blessed with insider information about great getaways. There are affordable places around the country, to fuel a writer’s creative juices. Where magical meets practical.

So lean in close, and I’ll whisper a few secrets about my top five writing retreats.

5) Mohican Adventures — Loudonville, Ohio
Amenities & Attractions: Cabins, RV campsites, small lake, Miniature Golf, Go-Karts, Canoe Trips, Horseback riding, wooded area and hiking trails, Wi-Fi (extra fees)
Special Notes: The rolling hills around Loudonville bear the mark of Amish influence. I feel like I’m in a by-gone era when I drive through centuries-old quaint towns. And yet, the resort offers modern convenience.

4) Ozark Outdoors Riverfront Resort — Leasburg, Missouri
Amenities & Attractions: Cabins, motels, condos, RV sites, wooded hiking trails, canoe, raft, kayak, and tube trips, Wi-Fi in designated areas.
Selling Points: I love the choice of three different rivers to roam. This immaculate resort is tucked into lush Ozark hills, twenty minutes from the closest town. Bald eagles often fly overhead, nesting atop trees and massive bluffs in the area.

3) Adventures Unlimited — Milton, Florida
Amenities & Attractions: Historic rental homes, riverside cabins, zip-line, canoe, kayak, and tube trips. Wi-Fi in designated areas.
Writer’s Attraction: How can I resist rooms with names like The American Poet’s, John James Audubon, William Faulkner, Dr. Seuss. Ernest Hemingway, Margaret Mitchell, and Mark Twain? Each unit in the Schoolhouse Inn boasts books and memorabilia for the author it represents. The rocking chairs and swing, on the southern wrap-around porch, allow me to write in a setting fit for the masters.

2) River & Trail Outfitters — Knoxville, Maryland
Amenities & Attractions: White-water rafting, kayaks, tubes, near the landmark village of Harper’s Ferry, WV and the C&O Canal trail, perfect for bikes or an energizing walk.
Creative Triggers: This place feeds my hunger for history and love for America. Located near the confluence of Maryland, Virginia, and West Virginia, rich stories of our nation’s heritage wait around every corner. Access to the Potomac and Shenandoah Rivers, puts me on the same hallowed waterways our forefathers traveled.

1) Voyageur Canoe Outfitters — Boundary Waters Canoe Wilderness Area, Minnesota
Amenities & Attractions: Rustic cabins, tent camping, outfitted lake trips by canoe or kayak. Secluded areas to make you feel like you have the whole territory to yourself. A distant moose or bear sighting thickens your plots.
Magnetic Draw: Leave no trace — more than a tag-line, here it’s a way of life. I feel like Lewis or Clark, pioneering new frontiers, while watching water trickle off my paddle. Challenging portages cause blood and oxygen to pump to my brain, spurring new imaginations. I call this place Boundary Energy.

Quieter Times & Lower Prices for all resorts: April, Early May, Late September, October, Tuesday through Thursday in summer.

Writers often need quiet space, and outdoor writing retreats offer a breath of fresh inspiration. No matter where you live, there’s probably an economical resort close by. Take advantage of off-peak periods to sweeten the price. But then again, you could pitch a tent in your own backyard.

Where do you retreat to sharpen your focus? How do you concentrate on projects?

Leasburg, Missouri
Meeting the Muse in God's Creation
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The Tale of Two Book Covers

One of the most exciting things you’ll get to do as a published author is decide on your book cover. For a long time, your novel may have just been black words on a white page, but a book cover is the pretty packaging that is used to attract readers and get them to purchase your novel. Several thoughts on marketing/branding become important during this process.

Most publishers will allow you to provide input into the book cover. Before my cover was designed, they asked me for some directions. This is what I provided for instructions.

1. Different from what is normally seen in CBA fiction. Who doesn’t want to stand out?
2. Dark imagery/suspenseful/intriguing: dark colors, creepy feel, etc…
3. Not overtly medical. Above all else– this was most important to me. This may be confusing to some as it is a medical thriller (of which I am very proud!), but the reason behind that direction was that I’m not sure I will always write medical thrillers, and I wanted to reach the wider suspense/thriller audience.

Here were the two choices I had:

When I got these from the marketing director I was stunned! I loved both for different reasons.

Here were some of my thoughts.

I loved the cover with the menacing killer, and he actually looked just like the villain in my own mind. How could they possibly have done that? I’m a risk taker, and that cover definitely appealed to that side of my personality. My first thought was: Even Ted Dekker hasn’t done anything this scary. Can I pull it off? Is it wise to have something this risky as a debut cover?

Why was it risky? Well, this is where some marketing comes into play. The largest segment of book buyers (even for suspense) is women. Is a woman going to pick up the book with the evil, scary dude on the front? If she does, would she keep it in her hands or plop it right back on the shelf. Was it safer– maybe smarter would be the better term– to use a cover that will accomplish what I wanted but still attract those who are most likely to buy the novel?

I was fortunate because I got these draft covers just before I left for the ACFW conference last September and was able to get the opinion of lots of people on which one they liked the most.

There was one clear winner.

Another interesting thing that happened was a couple of people commented on the size of my name on the front cover. I got the sense that maybe they thought I might be “too big for my britches” as they say. I found that sentiment a little fascinating as it certainly wasn’t something I had insisted on but wondered if there was an unspoken code of name size that once you sold a certain volume of books– then your name could be in large print.

Which cover do you think I picked and why? Do you think an author needs to “earn” their name being in large print?

Click here for the answer and leave a comment here and at Redwood’s Medical Edge. I’ll be drawing a winner from the comments section of both blogs for a copy of Proof!  Drawing will be Saturday at midnight, April 7th. Winner announced at Redwood’s Medical Edge April 8th.

Cover Art by the amazing Nick Richardson.

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Writing is a Muscle, Flex it

    Sometimes I have to remind myself I’m not Ernest Hemingway, allowed to take hours at a time sipping aperitifs and people watching in Paris before I muster the requisite inspiration to sit down and write something. My goodness, if I did that and my husband subsequently found out, he’d feverishly protest the abundance of chicken nugget nights that seem to bottleneck when I get close to a deadline.

On the first manuscript I completed, however, I remember only writing when I felt like it. It took me two years to finish. And when it was summarily dubbed “Good, but not quite there,” I responded in a few ways. First, there was the shaking of my fists in the air. Second, there was the stint of self-loathing. (Which as a writer, I feel I have a natural right to exhibit, prancing back and forth, moaning, as if I’m original in my pain.) And third, an issuance of a new battle cry: I will never waste that much time again.

Two years of my life back then was the difference between a head of my own black hair, and a bottle of L’oreal Black Midnight to cover the greys that had suddenly popped up. When I began working on my next manuscript, I forced myself to work every day, for a set amount of time, or a set amount of words.

In my day job as an attorney, I have no problem writing piles and piles of drivel . . . I mean, well thought, and well-argued points of law . . . in a quick, methodic manner. Shouldn’t I be applying the same work ethic to a manuscript? And when I did, I wrote 120,000 words in just over two months. Of course, I have to give some credit to the story being an easy tell, but I give more credit to the fact I determined to make it a work task rather than a pipe dream.

I wanted to develop a rhythm with my writing, a habit if you will, that would self-execute even when—get this—I didn’t feel like it. And sure, sometimes I had whole pages that looked as presentable and appetizing as the floor of a gas station bathroom, but that has happened on occasion when I was trying my best.

When you train a muscle to work, when you exercise it daily and watch it tone and tighten, there’s this mental assurance that the next big set of weights—the next writing task ahead—is within your range. Further, if you work those muscles hard enough, they’ll keep working for you, burning for you, long after you put the weights down. They’ll even keep you going on days when you don’t feel like working at all.

Bottom line is that writing doesn’t come and go in these magical, muse-driven spurts, as if some wayfaring pixie is sprinkling special dust and making you transcend. It’s a muscle begging its owner to use and improve upon it. Getting it to its optimum is going to take you gritting your teeth. You may even have to pop out a neck vein here and there.

And once that’s done, you can pull out the Hemingway routine during your next vacation or when you’re trying to be aloof for your friends. That’s always a fun gig.