When the phone rang, I grabbed it with eager anticipation. A good friend had just finished reading the manuscripts of my two-book romantic suspense series. She claimed to love them both and wanted to discuss them further.
Nothing thrills me more than discussing my work with someone who admits to loving it, so I looked forward to the conversation.
She didn’t let me down. At first. She gave me thirty seconds to revel (read: let my guard down) as she gushed about how much she loved the story-lines, the characters, the dialogue, the suspense and the romance.
There was a slight pause when she finished. I don’t think she actually said the word “but” out loud, but she might as well have. It crackled along the wire separating us like an electric current, raising the hairs on the back of my neck.
Here it comes.
It actually occurred to me to start breaking up my words like I was traveling in and out of long tunnels and was losing the connection. I could tell her we’d have to continue the conversation sometime in the future. Like after the books had become massive best-sellers and her criticisms had become moot.
Problem was, she’d called me at home.
Short of lighting a match under the smoke detector (and don’t think I didn’t consider it), I was stuck.
For what seemed like hours, she pointed out every little hole in the plot, every weak storyline, and the periodic stretching of credulity.
As a rule, I avoid clichés like the plague. Still, during that conversation I went through a roller-coaster of emotions.
The initial euphoria wore off alarmingly fast. Trepidation rose to take its place, soon supplanted by an actual, physical pain in my chest (which frightened me even as I grasped hold of the slim hope that I might be having a heart attack and would have to end the call so I could dial 911). Once I managed to get over myself, however, I sloughed off the self-pity and straightened in my chair.
Actually, this was pretty good stuff.
I reached for a pen and paper. Several scribbled pages later (both sides, single-spaced and running up and down in the margins), my friend ran out of suggestions. Or possibly oxygen. Either way, I admit to a sense of relief, coupled with a growing excitement.
She’d made some great points. Even addressed some issues that, deep down, I’d known were problematic, but had really, really hoped no one else would notice. The changes she suggested would definitely make the story stronger, more believable, more suspenseful and maybe even a little more romantic, never a bad thing.
The relief and excitement were soon overtaken by another emotion: gratitude.
Giving her honest opinion of my work hadn’t been easy for my friend. Several times throughout the conversation she had apologized, and gone out of her way to assure me that she really did love the books. Still, she cared enough about the stories—and me—to want them to be even better if possible (and trust me, it’s always possible).
I returned to the top of the first page of notes I’d taken, firmly scratched out Note to self: slash her tires, and settled in to contemplate her recommendations.
When I finished with the edits, I was ecstatic. If I’d ignored my friend’s advice, or set my own house on fire in an effort to avoid it, the books might still have been okay. Now, though, the humiliation humbleness with which I received her constructive criticism and applied it to my manuscripts had borne fruit.
(Brutally) honest feedback on our work is difficult—to take and to give. But if it comes from a genuine desire to help make that work more excellent, and if it is received with a thick skin and an open mind (a powerful combination for a writer to cultivate), it is also a priceless gift.
*This post originally appeared at http://wordalivepress.ca/blogs.
One Reply to “I Want You to be Honest. Honest.”
Great stuff, Sara. I could totally relate.
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