Fall brings not only great weather (autumn is my favorite season!) but also several big-name writers conferences. The American Christian Fiction Writers (ACFW) gather every September to celebrate great inspirational fiction (in the culmination of the Carol Awards) but also to inspire and teach the craft of fiction writing.
Here are a few of the things I took away . . .
1. Indie is IN! It used to be the scourge of writing to even breathe that you might publish your own book either through a vanity press (paying a company to process your book) or indie publishing (or self-publishing) where you become your own publisher and own all aspects of book production while fronting the costs yourself. This can take several forms. Established authors indie publishing their backlist once rights revert back to them. Traditional authors using indie publishing to supplement their income. I even heard one indie author say her traditional publishing contracts offer her a “bonus” but she mostly depends on her indie books to meet living expenses. Then there are those going solely indie because they enjoy the process, the control, and/or may be using it to catch the eye of a traditional publisher if they can hit a certain number of sales. The only cautionary note was, if you have a traditional contract, to ensure that your publisher is okay with the content of the indie book and that release dates don’t compete.
2. Effective marketing campaigns may not be realized until later. Last year, my third novel Peril was a newborn. To ACFW, I brought full-size Hershey bars with a sticker attached to each one that had photos of all my books together and a link to my newsletter. I definitely got some additional newsletter subscribers but this year, several people commented to me about those chocolate bars. I think a good marketing campaign is something memorable that lasts long after the item is gone. Trust me, bookmarks get lost in a sea of other bookmarks and postcards. Take the time and maybe spend a little extra money for something unique. Honestly, this year, there weren’t a lot of interesting giveaways.
3. Networking is important. Even if you’re not pitching, you need a network of other writing peeps to help keep you sane. They understand that it’s normal to talk out loud while arguing with a character. They’ll help you in the writing valleys and celebrate those writing highs. Always go into a conversation open to the possibilities of new friendships. Sit with people you’ve never met before. Introduce yourself to those of the other gender (men might feel a little lost in a sea of mostly women they don’t know!). Make face-to-face contact with an editor who rejected you and say a sincere thanks for any feedback they offered.
4. Professionalism is key. Everything you put out there speaks about you as a writing professional. It’s probably not too far-fetched to say that you’re in one long job interview. The way you dress. The way you treat others waiting for appointments. Are you on time for your appointment? If you yell at an appointment coordinator over some perceived slight, it’s not going to come back to you in a positive way. When you submit your work for a paid critique, format it correctly with no typos. Always be helpful to someone else first; this reaps large rewards in the end.
What have you learned recently from a writers conference?