planning – WordServe Water Cooler

December 1, 2016November 22, 2016

How to Write a Book in 3 Months

The following post comes from WordServe author Cassandra Soars.

The first book I wrote (Love Like Fire: The Story of Heidi Baker) was a ten-year process, from the day I started my research to the day it was published in April 2016. But I’ve recently discovered that writing a book doesn’t have to take that long. When a filmmaker hired me to write a book for him, I discovered some helpful tips for writing a book in draft-form in three months.

Write what you know. If your project involves a lot of research, do your research first, then put it away. There will always be more to learn, and you will never feel like an expert. At some point, you need to put away the research and write from what you have learned and what you do know. Writing what you know is always easier than writing what you don’t know.

Don’t try to write and edit at the same time. I have one friend who constantly studies plot and form while she’s writing, and needless to say, her process takes much longer and is much more complicated since she’s always analyzing and second-guessing her first draft. I’ve found that writing and editing are two completely different processes that use different parts of the brain, and it’s best to keep them separate. If you try to edit while you’re writing that first draft, your process will take much longer.

Don’t be afraid of a bad first draft. A first draft is not going to be your best work. It probably won’t even be good. Don’t worry. Give yourself the freedom and permission to get the story down on the page, no matter how bad you think it is. After you have an entire first draft, then you can start editing. This is where you can make it shine.

Give yourself deadlines. If you want to write a book in three months, give yourself a daily word count. For a longer book of around 90,000 words, set yourself a daily goal of writing 1500 words a day, 5 days a week. This will give you 30,000 words a month, and within 3 months, you’ll have written your book. For a shorter book of 60,000 words, your daily deadline is a word count of 1,000 words a day, 5 days a week.

Be consistent. You don’t need to wait until inspiration strikes. If you make it a routine to sit down at your desk daily, even it’s only for an hour, you will find that there is always something that you will feel like writing about. Go with that—and give yourself permission to not follow your writing outline. Write about what you can connect with emotionally that day. Your emotion is transferred through your writing; if you feel it, so will your reader.

The best writing advice I ever got was from a college writing professor who told me that he writes a book by writing one chapter at a time. He showed me his file folders, individually marked by chapters. When he finishes writing one chapter, he puts it away in a file folder, and then starts the next chapter. Take it a chapter at a time. Don’t overwhelm yourself by thinking about the entire book at once.

Cassandra Soars has published various national magazine articles on a wide range of topics, including life in Mozambique, Africa, where she lived for five years. She has a master of fine arts in creative writing from the University of Pittsburgh. She also earned a master’s degree in international development from the University of London’s prestigious School of Oriental and African Studies. Cassandra and her husband Steve recently founded a social media site for couples called iheartus.com.

April 7, 2016April 5, 2016

Planning for Pansters: Writing a Novel without an Outline

I envy those writers who outline their whole novel before they even begin chapter one. They sit down at their computer, begin typing and already know what they’re going to type. A little expansion here, a little fleshing out there. There’s no fretting as they try to pick out their story’s path one step at a time.

O boy, do I wish ….

But no, I’m a panster (as in I write by the seat of my pants). I’ve tried outlining, but except for a handful of scenes, I simply cannot tell what needs to happen in a story until I start writing in my characters’ voices. One scene leads to the next.

But as J.R.R. Tolkien famously said, “All those who wander are not lost.” If you’re a panster, trust yourself to discover your novel’s path as you write it. A little wandering is likely to give the story a few surprise twists. There are, however, a few tips that will shine a light on your path though, so you don’t get so far off the track that you have a mess on your hands when you’re done.

Keep your premise firmly in mind as you write each scene. It may take you a hundred pages to truly discover where your story is going, but you should have a strong premise from page one, and each scene should build and deepen that premise in some way. Follow tangents as you wish, as long as you keep this in mind, and you’ll still have a coherent story in the end.

Before you write, choose two or three comparable novels to the one you intend to write as loose guides. That is, select novels you’ve read that have the type of structure and audience you’re aiming for. The goal isn’t to copy other plots, but to give you solid ideas for your story’s structure as you go.

Know what your characters’ goals are and put obstacles in their way. In every scene. Don’t be shy. Stir up the waters and create lots of trouble for your characters. Ultimately, if you write most scenes to make your reader worry, you’ll end up with a story that stays on track.

End each scene with a hook. This may simply mean that you’ve moved your character and his or her goal further apart. But anything that makes your reader want to read on will do (i.e., a mystery that is laid out in the last paragraph). Incidentally, ending on a hook may make it easier for you to know where to start when you come back to the computer as well.

Aim for the finale. Although I don’t outline, I generally have a fairly strong image of the catastrophe at the end, that great battle that makes it seem all is lost, but ultimately brings the character to his or her reward. If you know the finale, you’ll faithfully build to it.

If you follow these guidelines, you don’t need an outline to make sure your story stays on route. But what about coming up with the story itself when you have no outline to refer to?

Last but not least, leave time for your story to stew. If you’re not following an outline, you must give your muse time to dream up new scenes. For me, that means taking long walks or doing mindless activities (dishes or laundry) alone, while my mind drifts. When I let my unconscious mind free, I usually find images or snatches of dialogue that will take me through the next scene or two.

January 12, 2016December 30, 2015

Take Heed!

This month marks the eighth anniversary of my writer’s blog: A Writer’s Way of Seeing. At this time last year, I offered writers advice for the coming year. I was going to offer a new list for 2016, but in reading what I wrote last year, I really think the same advice applies. Also, now that I’m an agent with WordServe Literary, I’ve picked up numerous new readers. So for new readers, and as a refresher for my regular readers, here’s a slightly edited version of last year’s blog called “Take Charge!” Maybe for this year the title should be “Take Heed!” because we’re all a year closer to our real deadline when we no longer will be writing.

As we’re in the opening weeks of 2016 I want to offer my yearly exhortation for the new year. We’re all getting older and time’s a’ wasting, folks. If we want to succeed as writers, we need to take charge of our writing career. In fact, that will be my rally cry for you in 2016: “Take charge of your writing career!”

Here are seven suggestions on how to do that.

Stay prayed up. Presumably by now you’ve confirmed in your own mind that God has called you to be a writer. Part of that calling is, of course, to write. But for a Christian, that’s only half the calling. The other half is knowing what to write. Mostly we find that out through prayer and discerning the needs of readers and our ability to write to those needs. As you pray, ask God to guide you in your writing pursuits. Make that a year-long (life-long, actually) commitment to yourself. If you stay prayed up about your writing, you’ll stay pumped up too.
Improve your craft. Each year I urge all of us who write to find a way to keep improving our craft. Take classes, read magazines such as The Writer, Writer’s Digest, and The Christian Communicator. Join a critique group. Read the blogs of other successful writers, agents, and editors. Write, write, write. Commit to writing at least three (and probably more) drafts of each project, with each draft an improvement from the preceding draft. Always have a good writing book on hand. I recommend any of James Scott Bell’s books on the writing craft, particularly How to Make a Living As a Writer.
Write out specific goals for each month. Make each goal realistic, but then stick to them. Daily, weekly, and monthly goals are good, but also write out in some detail what you hope to have accomplished by December 31. To stay on track, consider finding a writing accountability partner. Share your writing goals with each other and meet in person or by internet every week or two to encourage one another.
If possible, have two or three projects/proposals/manuscripts in some stage of progress. Perhaps you’re working on just a one-sheet for Project A, while on Project B, you’re at the full proposal stage. Project C might be your work-in-progress—the actual manuscript you’re working on. For a successful writing career, you must always be thinking ahead.
Pick one or two writer’s conferences and plan to attend. If money is a problem start saving now. Come up with creative fund-raising ideas. Perhaps ask your church to chip in with the fees. Most conferences have some scholarship money. See if you qualify or if you can do some conference work in exchange for part of your tuition.
Stay up to date with the publishing world—including self-publishing. Know what the bestsellers are. Know which authors are writing successfully in the same genre in which you write. Read Publisher’s Weekly or Publisher’s Marketplace online. More and more writers are finding their entry into publishing through self-publishing. Sadly, many are making very serious mistakes. Although I encourage self-publishing as an option, I do not recommend it if you’re going to do a poor job of it. Last year at one writer’s conference I picked up a self-published book and found three major errors on the first page, including the misspelling of the name of a famous world leader. Who would buy such a book? Not me.
Work on your platform. I know very few authors who like platform-building. I don’t like it either. I’d much rather just write. But a platform is important. Starting small is fine. Just do what small thing you can do now and build from there. Eat the elephant one bite at a time.

The crucial thing in all this is to keep your commitment red-hot. Rest assured, there will be discouragements, distractions, and even rejections in 2016. That’s life. It’s also another reason to plan ahead and to indeed “take charge of your writing career” in 2016. Start planning now!

November 3, 2015October 26, 2015

Creating a Vision for Your Writing Career

No doubt you have a vision for your writing career, but have you ever put it down in black and white? Taking some time to sort through and pray over your writing objectives can provide focus and direction for a solid future. If you do create a vision, here are a few pointers to help you brainstorm. map

Why Do You Write?

Make a list of all of the reasons you write. Write about the joys that come with writing – the way your senses sing when you’re in writing mode, the enchantment of building a story world, and the satisfaction of carving away the dross as you edit.

What does writing do for you as a person? Has it strengthened your work ethic or made you a better communicator, for example?

What does writing do for your loved ones? For a long time, I struggled with whether I should write when I had a family to take care of. But I finally accepted that though I have more time when I don’t write, I’m a more satisfied and centered mother when I do. Likewise, how does your writing impact your spouse, your siblings and your parents?

What does writing do for your readers? Even if you’re not published, maybe you’ve touched others through a blog entry or devotional. If you are published, think of some of the reviews and reader emails you’ve received.

Writing about your motivation might not seem essential, but it gives you something to come back to when you’re feeling discouraged, especially if you tend to second guess yourself. And it’s a good way to count your blessings.

What Holds You Back?

List everything that gets in the way of writing – other priorities, fear of failure, dry creative well, etc. Evaluate the obstacles and work out ways to overcome them, whether with self-talk to overcome doubt or jump-starts for writer’s block. Also, think about how you can honor your other God-given priorities, such as family and health, while being true to your calling as a writer.

What Is Your Writing Style?

Set out some basics, such as genre and style. List authors you admire and would like to emulate. Do you want to write spare or with a literary bent? Are you writing to the masses or to a niche? What kind of topics do you want to engage?

But don’t simply stick to the descriptions that define your writing for the market. In your heart of hearts, what do you want your writing to be about? Think of the nerve you want to touch in your readers. Bringing beauty alive, illustrating aspects of God’s character, or simply entertaining people in their harried lives can all be things that could go on your list.

What Are Your Goals?

Think of goals that are measurable and within your power, goals you can clearly illustrate that you’ve met. For example, finish a novel in a year or submit a proposal to twenty agents by March.

This is also the place to plan over time. How much writing will you do in a given period? If you’re not published, what are you going to do to move toward that end? If you are published, what actions are you going to take to develop your career in the next year, over the next five years, the next decade? This is where plans for your future get laid out, so the more specific you can be about writing, marketing and networking, the better.

What Are Your Hopes?

In the writing world there is so much beyond our control. As long as you realize that there are no guarantees for some things, it’s okay to set your hopes out too.

So write out the dream agency and publisher you want for your career. Talk about the kind of sales numbers you’d like to see and whether you’d like to write full time as your only career. Write about how you’d like your books to be remembered. Then plan out ways you can encourage those things to happen.

July 14, 2014July 12, 2014

Concrete Tips on Book Writing: It’s Like Working a Puzzle

Just how does one go about writing a book?

Have you ever had that thought?

I am a published author and most days, I still struggle with that question. There’s so much involved in writing a book: craft, connections, moxie, perseverance.

And then there’s this, too: writing is vulnerable. Edna St. Vincent Millay said “a person who publishes a book willfully appears before the populace with his pants down.”

But what else can we do? We must write. And sometimes our efforts turn into a book.

I am in the process of writing my second book, which has pretty much eclipsed everything else in my life. With my first book, I took years writing the whole manuscript before finding an agent and a publishing house. This time, my agent sold the book on proposal with a deadline. I was given eleven months to write and submit it. Yikes.

But how do you actually do it?

I’ve decided that, either way, whether you are on deadline or on your own agenda, writing a book is like doing a puzzle.

I write creative nonfiction. My puzzle pieces are anecdotes and stories from my life. I lurch around in the darkness of my writing cove, type words, peel back memories and scenes from the past, and try to find something salvageable to get down on paper. I try pieces in different places, and attempt to trust that the piece has a place, and that at some point the puzzle will be complete.

Yeah, but, can you answer the question?

Oh, right, I’m supposed to give you a few concrete tips on writing a book.

Let’s assume you are a writer. Here are skills you already possess: you read a lot, you write, you have taken classes or participated in a writing workshop that critiqued your work. Let’s assume you are ready to write a book, and you are looking for a few quick, concrete tips regarding the process.

OK, I can help with that.

-I prepare. I read a chapter from a book I love. I pray about my writing. I block common distractions (i.e. if the kids are home, it is off to the coffee shop I go). I look at my calendar on Google and plan writing time. It is as official as doctor appointments and school functions.

-I write. I can’t tell you how many people have talked to me about writing. “How much of the story do you have down?” I ask. “Oh, I haven’t started writing yet. It’s all up here.” (points to head). Yeah, no, that’s not going to work. I try to find several hours to write. I shoot for 1000 words or two hours editing. I spend time looking off into space, though, too.

-I realize that it takes a lot of work. It took me years to write the first draft of Sun Shine Down. And just so you know, nobody writes wonderful first drafts (if they do, I am going to avoid them and refuse to read their work on principle). Rewriting is key. I hired a professional editor, printed out her suggestions, sat down to the blank page, and re-typed the whole thing.

-I look for tools that will help. I purchased Scrivener, a word processing program specifically for writers. I can pop in and out of chapters easily and I love the cork board feature that helps me see the big picture of my book. I also found an app in Google Chrome based on the Pomodoro Technique. It blocks social media for 25 minutes and then gives me 5 minutes to check email or get up before returning to work. Keep your eye out for tips and tools that will help you and then go a step farther, and utilize them.

-I try to ignore negativity. Beware. Throughout the process you will assume you can’t do it. After, God willing, your book publishes, you still won’t believe you did it or that you could do it again. One of the best ways I know to ignore negativity is to keep writing. I also talk to other writers and attend a monthly writing group.

The second half of Millay’s quote is “If it is a good book nothing can hurt him. If it is a bad book nothing can help him.”

So, here’s to good books! Here’s to puzzle pieces in place, and here’s to us in our writing pursuits!

February 25, 2013December 18, 2015

Writing a Trilogy

For those of you starting on your writing journey—there are two realms of publishing. The ABA (the American Booksellers Association) and the CBA (the Christian Booksellers Association.) The ABA publishes what would be considered secular novels and the CBA publishes Christian or “inspirational” books. Publishers generally fall under one of these two categories.

CBA publishers like trilogies. And there is good reason for this. If you can hook a reader on one, they’ll likely buy the rest. There is an inherent marketing value to producing a series. I’ve not quite seen this trilogy trend in the ABA though there are beloved characters (James Patterson’s Alex Cross, Lee Child’s Jack Reacher, and Sue Grafton’s Kinsey Millhone to name a few) that monopolize more than a few books but are not quite designed as self-enclosed three-book sets.

When Proof was first contracted, it was proposed as a trilogy. The publisher didn’t like the first proposed sequels and asked for different plot lines in the subsequent titles, which I provided. Even after that, they still contracted only the first. In a twist and turn of God fingerprinted events, they ended up contracting the trilogy a few months after the initial offer.

However, having not ever written a trilogy, there are a few things I would do now when planning a series that I thought could benefit future trilogy authors.

Each book stands alone but should be connected to the others: It’s nice for readers if they don’t have to read one book to understand the others but is also nice if certain characters/themes carry through all the books for those sticking with you. This can be challenging because a little information will have to be given (in a creative way) to readers to both clue them in to the previous story(ies) and also serve as a nice reminder to those picking up the next book who may have read the others—considering books release six to twelve months apart.
Book #3 Bloodline Trilogy

Timelines are important: I know—this should have been uber-obvious to me, right? But consider some things that can seriously mess up your timeline—like characters getting pregnant. You have to then backtrack to the time of conception and make sure all story plots support it. Add to that a hostage story (Poison) that deals with younger children that then need to be aged seven years, and a teen pregnancy (yes, I did all of this!) and it can be challenging to make sure all events line up. Graphing out the timeline is a seriously good idea. And then keep it to refer back to until the book is actually in print.
Avoid absolute characterizations: In Proof, one character commented that another one never sweats (and it was a blazing hot day and he was in SWAT gear.) It was more to relay how calm the man was under pressure. Well, in Poison, my editor reminded me how often this character was now sweating and how I said in book #1 that he never did. It’s just like a test—never, all, and always are not good picks or preludes to character traits.
Provide a circular moment for the reader: What is a circular moment? It’s something (an event, an emotion) that happens in the beginning that is revisited at the end of the novel that shows how the character has changed. For instance, in Proof, the lead detective, Nathan Long, carries a list of “unforgivables”—acts that he literally writes out that he can’t get over emotionally. There is some forgiveness for Nathan at the end of the first book but it ultimately doesn’t fully happen until the end of Peril, the third book in the series. So each book needs a moment like this as well as the series.

What about you? Do you have tips for planning a trilogy?

February 23, 2012February 22, 2012

Tomorrow is Another Day (for Publishing)

Southern-belle-civil-war — Cover illustration, Harper's Weekly September 7, 1861

The one constant in the print and digital publishing business these days is change, and change isn’t easy. Isn’t that the crux of most novels—thrusting your protagonist into unprecedented circumstances to change their world forever? I relate to strong heroines in those novels—Scarlett O’Hara being a favorite. While I don’t think the publishing landscape is doomed to resemble post-war Atlanta anytime soon, I can imagine when all is said and done, there will be those sitting around shell-shocked, sipping mint tea among burning embers, and those who will thrive with the flurry of a lumber mill during reconstruction.

One thing I’ve learned for seizing opportunity amidst upheaval is to apply basic principles of change management.

“I can’t think of it now…I’ll think of it later.”¹

As much as I enjoy Scarlett’s character, indulging in such thinking could be dangerous. The publishing business is changing, whether you take notice or not. If you don’t want the road to Tara to be riddled with potholes, it’s important to arm yourself with information. Fortunately, lots of people are talking about what publishing changes are in store, and you can follow any number of blogs for an understanding of the essentials or simply pose a question to a trusted writer’s loop and see what personal experiences you stir up. Do anything but ignore change. It’s not going away.

“It’s better to know the worst, than to wonder.” ¹

Expect to grieve a little. Change has a life cycle that passes through phases, including ‘loss’. Think about why you want to be published. This doesn’t have to be the answer you’d give anyone else, but be honest. Is it for the recognition? Because you have a compelling message to tell? Whatever the reason, with that need for being published in mind, ask yourself what you would lose if your choices no longer made sense.

Through the traditional print publishing route…would you lose time waiting for publication? Could your genre be overdone by the time you hit the shelves? Could the physical shelves be long gone by then? Could you lose out on the higher author cuts from e-publishing? And what about the e-publishing route…would you lose big name industry reviews? The satisfaction of seeing your book in print? Store placement to drive sales? Ask yourself if your expectations around what you have to gain or lose are realistic to begin with. What good is a higher e-publishing royalty if you can’t figure out how to move the books? Do you need ‘big name’ reviews if hundreds of GoodReads fans are singing your praises?

When you figure out what you really stand to lose, start brainstorming replacements. Can you hire PR to promote your book or join a group where authors help each other market? Can you fill down time waiting on publication by working on a new novel or building a platform? There is no easy answer here. Loss is painful, but coming to grips with it sooner than later frees you to move through the cycle and gets you thinking about moving forward.

“Now you are beginning to think for yourself instead of letting others think for you. That’s the beginning of wisdom.” ¹

Success still resides at the crossroads of opportunity and preparedness. Recognize you have choices. You can go down the traditional publishing route today and find success, and you can go down an e-publishing route and find success. Or both. The choices mean you have some control over your fate. Treat your career decisions with as much careful planning as your circumstances will allow. Once you know where you want to go in the changing landscape, set milestones to mark your progress to keep alert to progress and risks along the way.

“In the end what will happen will be what has happened whenever a civilization breaks up. The people who have brains and courage come through and the ones who haven’t are winnowed out.” ¹

¹Margaret Mitchell, Gone with the Wind

What about you? How are you coping with the changing publishing landscape?