WordServe Water Cooler

June 9, 2014June 4, 2014

Six Subtle Ways to Increase Tension in Your Writing

If you’ve studied the craft of writing for long, you know about tension. I’m assuming you’ve got adequate conflict in your story, that your characters have inner and outer stakes that are deeply personal, and that your story keeps the resolution out of reach until the last chapter.

But there are more subtle ways to keep tension in your work as well. Sometimes all it takes is an added word or a deleted sentence.

What to Put into Your Story:

1) Increase the volume. This is a term from agent and writer Donald Maass. With a single motion, word, or metaphor, you can make your scene more dramatic. Even a mundane task like packing becomes more important when the character does it with a slow hand or a furtive glance out the window. The reader experiences the character’s conflict over leaving right along with her. Linda Nichols in At the Scent of Water describes her character’s old grief as a wild animal prowling in its cage. That one metaphor revises ordinary grief into perilous grief.

2) Break a victory into several steps. Suzanne Collins is a master at this. Katniss in The Hunger Games doesn’t destroy the careers’ food stash in one quick movement. She works out that it must be done, she distracts the guards from the food, she puzzles out how to destroy it, and then does it not with one arrow, but with three separate shots. The reader is left breathless as she tries to solve the dilemma with Katniss and as the dangerous action is drawn out, page by page, step by step.

3) Write a scene that underscores the character’s arc. After you’ve written your first draft and have done some editing, you now have a richer understanding of what drives your character and what holds him back. Write a fresh scene that encapsulates this as no other scene has. It may just be one of your most powerful scenes, because it will demonstrate your deeper understanding of the tension between your stakes and your conflict.

What to Leave out of Your Story:

1) Don’t use inner dialogue that hints at what your character will do next. My critique partner, Christine Lindsay, in her upcoming novel Veiled at Midnight, wrote a scene in which her character realizes that what happens next is up to her and God alone, so when she changes course it’s no surprise to the reader. When Christine rewrote it, she dropped the inner dialogue. The character without any preamble looks at the man pointing a rifle at the stranger, places her hand on the gun, and lowers it. Because all of the drama is concentrated in the action, it’s startling to the reader and the scene has more impact.

2) Don’t repeat yourself. It’s so tempting. You want the reader to understand your character’s predicament, so you put clues into their dialogue, their actions, their inner thoughts, maybe even in other characters’ thoughts about them. Don’t do it. It slows the story down and reduces the tension. Trust your reader to get it the first time.

3) Don’t always have characters say what they mean. Have your characters intentionally misdirect dialogue, respond to an unspoken question rather than the spoken one, or let physical cues do the talking for them. It’s called subtexting. When the reader sees that the character has something to hide or that something deeper is going on than the actual words convey, their attention perks up.

June 8, 2014July 20, 2014

I Wish I Could Google God

If only I could “google” God for answers to life’s problems. Then, I could just type a question and get one right answer—the Truth.

As a writer, I don’t always come up with the best questions to ask to find the solutions I need. And at times, I don’t know what to pray when I’m burdened by life challenges.

So, I wish I could enter a word or phrase into my Internet search engine, trusting that God would grant me the exact direction I needed.

As I share in my family’s struggle with their painful issues, I don’t even pretend to know how to help them manage their lives. How can I intercede for someone else, when I don’t know how to pray about my own problems?

Many days, I can’t even express the concerns of my heart. But I’ve discovered some powerful promises in the Bible that help me navigate through the turbulent waters of my worry life.

How can we find rest from our stressful lives?

… Jesus said, “Come to me, all of you who are weary and carry heavy burdens, and I will give you rest. Take my yoke upon you. Let me teach you, because I am humble and gentle at heart, and you will find rest for your souls. For my yoke is easy to bear, and the burden I give you is light.” (Matt. 11:28-30 NLT)

How can we know that God hears our prayers?

And we are confident that he hears us whenever we ask for anything that pleases him. And since we know he hears us when we make our requests, we also know that he will give us what we ask for. (1 John 5:15)

What if we don’t know what to pray?

… the Holy Spirit helps us in our weakness. For example, we don’t know what God wants us to pray for. But the Holy Spirit prays for us with groanings that cannot be expressed in words. And the Father who knows all hearts knows what the Spirit is saying, for the Spirit pleads for us believers in harmony with God’s own will. (Rom. 8:26-27)

What if you don’t believe that you can hear from God? God’s Word answers, “My sheep listen to my voice; I know them, and they follow me … ” (John 10:25 NIV).

What are you worried about today? Philippians 4:6 encourages us, “Don’t fret or worry. Instead of worrying, pray. Let petitions and praises shape your worries into prayers, letting God know your concerns” (MSG).

I still wrestle with how and what to pray at times. I am thankful for the recorded Word of God. It serves as a lifeboat that I can rely on when unexpected storms roll in, or when I need to pray for others who are drowning in their ocean of worries.

Father, we need you, but we don’t know what to say.
Thank You for Your Spirit, Who guides us when we pray.
Holy Spirit, intercede—You alone know our needs. Amen.

Will you share a promise from God’s Word that has helped you find direction?

June 6, 2014May 31, 2014

Training Your Writing Life

A new puppy joined our family a year ago.

Yes, he was that cute. All puppy smells and fuzzy bums and soft little pads on his feet.

Such a baby! He could hardly run in a straight line back then. He kind of hopped and flailed with his feet, and somehow he made progress.

There were a lot of other things he had to learn.

Like going outside to do his business.

And how to get along with the big dog.

And how to play with the cat.

But he learned all of those things (although he still makes mistakes).

As he reached the ripe old age of ten months, things got interesting. That’s the adolescent age for dogs. He lost all brain power and forgot everything he had ever learned.

The rest of the family was ready to give up on him.

But patience and consistency are the keys.

My writing life is much like training a new puppy. Is yours?

Do you sometimes feel like you can’t do the basic things like write a sentence, or come up with a verb other than “was”?

And then there are the “big dogs.” Those multi-published authors can be pretty intimidating sometimes, no matter how nice they are. And whose heart doesn’t start beating faster when you see your agent’s name in your email inbox? Or when the phone rings and you don’t recognize the number?

Have you learned to play with the “cats” in your writing life? You know – your peers who are traveling this same trail with you. Have you made friends, or are you friendly rivals? We’re all in this together, and it’s good when a friend has your back.

Or have you passed that beginning learning stage, and are now in the throes of your writing adolescence? Sometimes I feel like my brain has forgotten how to write.

But I keep telling myself, just like with the dogs, and with my children as they were growing, my writing life is growing, too. It needs patient training and consistent discipline.

Without it, I’ll never get past the flailing puppy legs stage!

Here are the steps I’m taking:

1) A dedicated writing time every day. It’s like punching a time clock. I write from 10:00 to noon, and then from 12:30 to 3:00.

2) A dedicated writing place. My desk is in a corner of the family room, with a view of the creek that runs behind our house. This time of year, birdsong accompanies my writing music.

3) I stay in contact with friends who are ahead of me on the trail, and can encourage me along the way. I also stay in contact with friends who are just starting out on their own writing journey, encouraging them and sharing with them what I’ve learned.

4) I take chances. I try to market myself, even though I dread talking to strangers. I try to write stories that stretch me as a writer and as a person.

What steps are you taking to help yourself grow beyond the puppy stage of your writing?

June 4, 2014June 4, 2014

Marketing Lessons From My Dog

Although my dog knows nothing about online social media, she is a rich inspiration for me when it comes to marketing. Here are the lessons I’m learning from her as I spend this season promoting my humorous memoir, Saved by Gracie, about my life with a four-pawed family member.

1. Persistence pays off. Gracie gets a fresh whiff of ground squirrel in one of the numerous holes in the hillside we walk every day, and for the next three days, she smashes her big nose into that same hole when we pass by. By the fourth day, she tries another approach and begins digging furiously to find the critter she knows is somewhere down there. So far, no squirrel, but she’s produced a mound of fresh dirt to play with. My take-away: keep working a lead until you get what you’re after, or until your work yields other opportunities. It worked for me last week: after a month of trying to get some events press from the alumni office of my alma mater, I tried another approach – I contacted the university’s social media manager, who offered to post and share my events. I knew there was help somewhere, and I found it! And now I have a productive contact in my resource file for future reference. 2. Instead of dancing around an idea, grab it and run with it. Gracie finds an opossum on the edge of our backyard and circles, unsure what to do with it. I try to get her away from the furry ball, but we continue to dance around it until she finally snatches it up in her mouth and tears off for the front yard. She drops it along the way, I snag her collar, and take her into the house. Gracie is unharmed, and the opossum wanders back into the woods. My take-away: be bold and see what develops. I always wondered if there was value in an author book tour, so I decided to put one together myself for Saved by Gracie. It forced me to reach out to new venues and contacts in places I’d never approached, expanding my network of resources and readers. And since I traveled to places where I have family, I got free housing and a chance to visit, too. More importantly, I’ve learned the details that go into a book tour, creating a template for the next time around. (And the book tour didn’t bite me, either.) 3. Take a break. Gracie takes a nap after our morning jog, but by afternoon, she’s eager to go back outside and do it again. My take-away: recharging is just as important as working hard. Like many authors, my to-do lists are long and ever-growing. I have to make myself take breaks, but when I find myself away from my lists, my mind runs free, generating fresh ideas and perspectives. By the time I’m back at work, I’ve got new creative energy to pour into my projects. Which leads me to conclude that whoever said “you can’t teach an old dog new tricks” clearly wasn’t an author. Or at least, not one who sold books…

June 2, 2014May 31, 2014

5 Things the Theater Taught Me About Writing

The smell of popcorn takes me back…backstage, that is. From 1998 to 2007, my husband and I, along with several other talented individuals, performed thousands of shows to enthusiastic crowds in two small-town Texas theaters. The experience taught me enduring lessons about creativity, professionalism, and making a living through the arts. These tenets apply to your writing life and other creative endeavors, as well. Here are five things the theater taught me about writing, in no particular order:

1. Word of mouth is the best publicity

Our audiences, though small, were passionate. We provided quality entertainment and our most ardent supporters talked about us…a lot. They brought groups, gave their friends tickets, and sometimes drove hours to see us. Though we bought print ads, paid a few publicists, and had a large email newsletter, the theater’s best advertisement was—without a doubt—word of mouth.

It’s the same with promoting your writing. Today’s readers are consumers, just as our season ticket holders were. They long for quality and consistency. They’re busy, and they need a reason to keep reading past the first few lines. And when they are delighted by what they’ve read? They’re the most loyal, vocal folks around. Because we live in an instant-communication society, bad word-of-mouth spreads fast. Make sure your writing product is stellar, and great publicity will follow.

2. Give the audience what they want

One of the owners of the first theater in which I performed often said, “Give ‘em hamburgers!” He meant that we shouldn’t mess with success. If tickets sold quickly for a 1950s music revue, we wrote another similar show. Of course, we also experimented and pushed boundaries (otherwise, all of us would have grown bored). However, we changed our product in small increments. We also created special experiences—behind-the-scenes tours, holiday packages, giveaways—for avid supporters. Cast members even called our VIPs (those folks who came to the theater over and over) on their birthdays and anniversaries, which the VIPs greatly appreciated.

In your writing, think about creating a memorable experience for the reader. How can you provide extra value (giveaways, incentives, free resources) in a professional, winsome file3691295046962 manner? In what ways could you creatively and tangibly thank those who willingly support you and talk about your books?

3. Leave your ego at home

Most of the performers I worked with over the years have been gracious, humble, and diligent. A few, however, turned me off with their arrogance, over-the-top demands, or lack of discretion. The most successful artists, long term, are those who go out of their way to thank people and who treat the sound technician as well as the venue’s owner. Those are the performers who are offered more opportunities.

Ask yourself: am I approachable, warm, and thankful for the opportunities life has given me? Or I am on a mission to impress everyone I meet, in order to “build my brand”?

4. There are no small parts, only small actors

So said Constantin Stanislavski. When you perform a small role with professionalism and excellence, the people in charge notice–and they’ll eventually give you more responsibility.

The same goes for becoming a better writer. If an editor asks for a 400-word piece, I’ve learned to take it seriously and do my best work. In this age of instant access, anyone can read your work at any time, from anywhere. Who knows what small beginnings might lead to larger opportunities?

And, finally, in related wisdom…

5. Know when to stop

On stage and in writing, creatives need to develop an important skill: how to bring a something to a close. In the theater, we say that last line, spin on our heels, and exit, stage left. In writing, we find the right moment, the right phrase, the right word, and that’s it. The end.

This post is a reprint from Tweetspeak Poetry.

June 1, 2014December 18, 2015

Is God Talking to Me?

As Christian authors, we often view our books as a way to get God’s Word out in a non-threatening manner. Novels are easier to hand to someone than a Bible and generally an easier way to start a conversation.

However, two recent events are causing me to change my view on that a little. Recently, my minister said that when he’s working on a sermon series, the subject matter is usually something he’s struggling with—something God is trying to teach him.

I had the good fortune to hear Ted Dekker speak during his Outlaw Tour down in Colorado Springs. A big theme of his talk was that his struggles as a Christian come out in his books. His questions about faith. Those uneasy issues that we all contemplate. Is God real? Is He who He says He is? Is there really a Heaven? Is my belief in Christ truly enough?

Perhaps we as authors are actually working through our own issues and the collateral benefit is that we’re frequently able to help other people.

But surely my writing isn’t just about me. It can’t be because my spiritual life is all figured out . . .

I began to think through the books I’d written and the ones I was planning on writing. There were some consistent themes. Truly believing in God’s sacrificial love. Letting God take control. Being submissive to His will for our lives.

If I look honestly at these themes, they are what I struggle with the most. A God . . . people . . . the Lord of the Universe dying one of the most painful deaths ever . . . for me. My heart usually reconciles this easily but my intellectual side waivers occasionally. This is what I believe?

And sometimes with a big gulp . . . I whisper yes.

I’m a control freak by nature. It lends to the job I do every day. As an ER nurse it is expected of me to bring control to chaos. I am stubborn and independent—which is the nature of two out of three of my heroines. They’d rather fix it themselves than reach out for help and yet, when circumstances become insurmountable, they must reach out to survive.

Isn’t this how it is with us? Maybe it is just me and all of you are very good at relinquishing control. If so, please let me in on your tips.

As we write these stories, maybe what we need to do first is read our stories with ourselves in mind and hear what God is trying to say to that person we see in the mirror.

This post first appeared at the ACFW blog. Hope you’ll check it out.

May 31, 2014May 24, 2014

WordServe News: May 2014

Exciting things have been happening at WordServe Literary!

On the final post of each month you’ll find a list of Water Cooler contributors’ books releasing in the upcoming month along with a recap of WordServe client news from the current month.

New Releases

Rebecca DeMarino released her debut novel A Place in His Heart with Revell publishers.

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Doug Fields released 7 Ways to Be Her Hero with Thomas Nelson publishers.

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Kathi Lipp released I Need Some Help Here! with Revell publishers.

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Jonathan McKee released Get Your Teenager Talking with Bethany House Publishers.

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Spencer Moses released his suspense thriller with Revell publishers, Network of Deception.

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Gilbert Morris released the third book in his Western Justice series with Barbour books, Raina’s Choice.

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Dr. Arnie Cole and Michael Ross released Worry Free Living with Authentic.

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Karen Witemeyer released Full Steam Ahead with Bethany House Publishers.

New WordServe Clients

Mark Atteberry, pastor and multi-published author, signed with agent Alice Crider.

Larry Dugger, pastor and Christian counselor, signed with agent Alice Crider

John Merritt, founding pastor of CrossWinds Church in Dublin, California, signed with Alice Crider

Bill Sanders, award-winning journalist, signed an agency agreement to be represented by Alice Crider.

New Contracts

Jan Drexler signed with Love Inspired to release A Home in Deadwood. Sarah Freese, agent of record.

Anita Agers-Brooks signed with Barbour for her non-fiction book, Getting Over What You Can’t Get Through. Alice Crider, agent of record.

Angela Strong signed with Ashberry Lane for her YA novel, The Water Fight Professional. Alice Crider, agent of record.

What We’re Celebrating!!

Jennie Atkins is a semi-finalist in the Romance category of the ACFW Genesis contest for unpublished authors!

Carol Barnier made the awards list in both humor and evangelism for two of her articles for the 2014 EPA Higher Goal Awards!

Debora Coty (Fear, Faith and a Fistful of Chocolate), Jo Ann Fore (When a Woman Finds Her Voice) and Jordyn Redwood (Poison) all made the shortlist for the 2014 Selah Awards!

Wounded Women of the Bible by Dena Dyer and Tina Samples is a finalist in the AWSA Golden Scroll Awards!

Leslie Leyland Fields was featured on Christianity Today as the cover story. You can read it here!

Adam Makos’ A Higher Call hit the New York Times, Publisher’s Weekly, and Washington Post bestseller lists!

Jordyn Redwood’s Poison and Julie Cantrell’s When Mountains Move are on the short list of Inspy finalists!!

Kimberly Smith wrote an article for Time magazine. Read the full story here!

What can we help you celebrate?

May 30, 2014May 24, 2014

When Your Muse Takes a Vacation

It’s that time of year to start reserving your campsite or cabin or airline seats. Yay for summer vacation! But who’s got time for that?

Your week is slammed—chock full of appointments and meetings and paperwork that you don’t want to fill out in the first place. And, dutiful writer that you are, you realize you must make time amidst the chaos to write or it’s not going to happen. So, you whip out a crowbar and pry open a block of precious hours to work on your bestseller. It’s hopeful. It’s a handhold on your rockslide of a schedule and you’re looking forward to it.

Fast forward. The blessed time has arrived for you to lose yourself in the muse and surge ahead in your WIP. Java in one hand, laptop in the other, you cozy up in your favorite chair, ready to write and—

Apparently your muse didn’t get the memo. Your mind is blank and you are exhausted. Panic sets in. This is your only chance to write for the week and you don’t want to blow it. So you sit there with a crazed look on your face, whimpering.

Yeah. I hear you. I’ve been there. Frequently. Take a deep breath and read on because I’ve got a few tricks in my writerly bag that often are helpful.

Say What?

Close your eyes for a moment and listen to your characters. Just listen. Then open your eyes and write down what they’re saying. That’s right…I’m giving you permission to simply write dialogue. Don’t worry about attributes. You can go back and do that later. Simply start typing in a conversation between two of your characters (any two) and something magical will happen. You’ll get lost in the dialogue and pretty soon your word count will sky rocket.

Show & Tell

Open up to your collection of pictures that inspire your particular story. And if you don’t have any, then use this time to get some. What am I talking about? Well, I now keep pictures of each of my stories on Pinterest (here is an example). You don’t have to use that site, but you can look at my board and it will give you an idea of what I’m talking about. Pre-Pinterest days I simply opened a Word file and kept them there. Pre-laptop days I cut out pictures and tossed them into a file folder. Sometimes all it takes to get you writing is to physically look into your hero or heroine’s eyes.

Slash & Burn

Go back to a previous chapter and edit. Even if your muse doesn’t happen to show up during that entire block of time, at least you’ll be making some kind of headway on your WIP and you’ll feel a lot better about it.

Mind Game

Release the pressure by telling yourself it’s quality not quantity. Focus on writing a single paragraph of description, either describing a character, a setting, an object…whatever. Make it a game by throwing out convention and using prose that’s crazy and you’ll find that one of two things will happen. It will either spur you into a creative new bent for the scene and you’ll move on in your story, or you’ll wonder what kind of drugs you’re on and snap out of it.

Chocolate

Honestly, is there any situation that chocolate doesn’t make better? Go for the biggest brownie in the batch and see if that doesn’t put you in a better frame of mind

There you have it. Try one. Try all. Or go ahead and share with us other surefire ways you’ve tried to plead with your muse to pack up the suntan lotion and get home.

May 28, 2014May 24, 2014

How To Create An Author Press Kit

One of the most effective strategies for book marketing is to create a press kit. This costs no money, but it’s a worthwhile investment of time because the kit will be used from pre-launch throughout the full life of the book.

WHAT IS AN AUTHOR PRESS KIT?

A well-designed author press kit serves as an easy-to-read source of information about a particular book. The goal is to convince folks to read this book and to share it with others.

Of course, the author’s unique skills should be highlighted as well, because media outlets need a reason to interview an author OTHER THAN the fact that their book is for sale. In other words, what makes THIS particular author worthy of air time/ink/review/shelf space?

WHO READS THE PRESS KIT?

The kit should be designed to reach:

Bookclubs
Booksellers
Print and online editors (magazines, newspapers, review sites, etc.)
Media outlets and journalists (print, radio, web, podcast, etc.)
Librarians
Readers (as far reaching as possible but target specific readership)
Reviewers (both professional and arm chair)
And anyone interested in the work

With millions of books on shelves/cybershelves, the kit must convince people to choose THIS ONE.

HOW TO CREATE AN AUTHOR PRESS KIT:

An author press kit consists of five components.

Cover Art: A high resolution jpg of the book’s cover.
Sell Sheet: A quick list of the book’s publishing information. Include back-cover copy, the specific editions of the book and availability; date of publication; name of publisher; and a general scope of the marketing/promotion plan (regional vs. national tour, blog tour, media interviews, advertising campaign, publicist, etc.). Give folks an idea of how much effort is being put into this campaign and be sure to include contact information for author and/or publicist.
Press Release: This serves as the official press release for the book. Follow the traditional format and exhibit professional know-how.
Interview Q&A: Provide a sample interview. Let this show the author’s personality, interesting background, or special skills. Offer something unique that would engage listeners/readers.
Sample Chapters: Link to a free chapter or two on Scribd. Offer a sneak peek that showcases the author’s talent and the tone of the book.

HOW TO SHARE THE PRESS KIT?

Once the kit is complete, convert it to PDFs and organize a PRESS KIT folder.

Upload pdfs to an author website for easy download.

Before launch, research bloggers, media outlets, libraries, booksellers, bookclubs, etc. and create spreadsheets for each. Send email or postcards to these targets inviting them to download a free author presskit with sample chapters of the soon-to-be-released book.
Also share links via social media and other sites geared toward reaching readers.

With a little effort, a proper press kit can impress and intrigue. If done right, the kit will lead folks to a new book before it ever hits shelves.

Julie Cantrell is the New York Times and USA TODAY bestselling author of Into the Free and its sequel, When Mountains Move. Learn more: www.juliecantrell.com

May 26, 2014May 24, 2014

Organizing Ideas into an Outline

The bridge between brainstorming great ideas to fill the blank pages of your book and coherent writing that communicates your message to readers is a detailed chapter-by-chapter outline.

But how do you begin to organize all the puzzle pieces of ideas?

Write down your random ideas

Like someone preparing to solve a jigsaw puzzle, you need to gather your ideas without worrying how they fit together. Collect your thoughts on a piece of paper or type them down the page of a Word document. If you must, scribble on a napkin as creativity strikes. Decorate your desk with post-it notes. Just capture the ideas and spread them out like puzzle pieces on a table.

When writing my first book, Questioning Your Doubts: A Harvard PhD Explores Challenges to Faith, I thought of illustrations and concepts that helped to communicate the main concepts in a certain chapter. I knew those ideas would shape the paragraphs yet to be written, but I needed more time to figure out how to make those ideas flow together. My first step was to capture those ideas and polish them into gemstones in their own isolated and random paragraphs. The process of stringing the gemstones together to make jewelry would come later.

Look for relationships between ideas

How do you begin to work a section of a jigsaw puzzle? I usually start by grouping together the pieces with similar colors or the pieces that have complementary shapes. Like a jeweler preparing to make a bracelet out of polished gemstones, I think about patterns. Before writing an outline for a book, I consider the relationships between the ideas in the chapter. Do I need to present the ideas in a chronological order? Should I arrange concepts next to each other in a way that creates contrast between different ideas? Should I build reader interest by adding a little suspense into the chapter, carefully delineating the problem before sharing the solution?

This grouping process helps me begin to write sections of an outline and start to order the sections of the chapter. If I have created paragraphs in the chapter itself, I cut and paste my ideas and write a few transitional sentences. I am on my way to filling those blank pages.

Make the central idea the focal point

The key to ordering the puzzle pieces correctly often involves finding that one central piece that helps you place all the others in the right place. In making jewelry, a jeweler will often select one gemstone as the focal point. When I write an outline, I ask myself what idea is the most important for the message I want to convey? Depending on my organizational pattern, that idea may need to come first, last, or even in the middle of the chapter. Placement of that idea is not about position so much as focus. Every other idea in my chapter will drive attention to that one main concept. Once I choose my central idea, the chapter outline falls into place. Writing the chapter is now as easy as filling in the blanks underneath each section of the outline with supporting details.

For non-fiction writers, a chapter-by-chapter outline is an essential component of the book proposal you will send to publishers. Deep into the publishing process, that outline may help you make structural changes to your book in order to sharpen your message. However important the outline may be to editors, think of that outline as a gift to you. It is your map through the thick forest of your ideas, keeping you from wandering off the path, and safely leading you to your destination. It will help you meet your deadlines on time and keep the ink flowing onto those blank pages. The time you spend writing your outline is an investment. So, go ahead, open the box, dump the puzzle pieces onto your desk, and outline your next book!

What method do you use to organize your writing?