Devotional Essentials, Part 1

A well-written devotional can remind readers of key truths of the Christian faith, spur thinking that leads to a positive life change, actually draw people closer to God. A poorly-written devotional? Well, God can use anything for His purposes . . . but let’s consider some ways to “do devotionals right.”

Just think how popular devotionals are—they comprise some of the best-selling and longest-lasting books in the Christian realm (for example, Charles Spurgeon’s Morning and Evening, Oswald Chambers’ My Utmost for His Highest, and Sarah Young’s Jesus Calling), and they represent entire ministries (like Our Daily Bread, The Upper Room, and Living Faith). It’s no exaggeration to say that new devotional material releases every single day, in books and magazines, on-line, and in outlets like church bulletins. How can we best meet the needs of this hungry readership?

I’d like to propose a TEST for you—that’s Topic, Example, Segue, Takeaway. Nail down these four elements, in this order, and you’re on your way to an effective devotional reading. In two blogs to follow, we’ll consider each element in greater detail . . . but we’ll wrap up today with an overview from my own experience.

My full-time job is editing books, but I’ve written or contributed to numerous devotional projects over the years. My most recent is The Real Force—A 40-Day Devotional, published by Worthy Inspired in Nashville. Here’s how the TEST applies to it:

Topic: Star Wars. About a year and a half before the release of Episode VII: The Force Awakens, I envisioned a book drawing parallels between characters, events, and themes in the first six films to characters, events, and themes in Scripture. Happily, a publisher also caught that vision.

Example: Here’s one of the forty in the book—the trash compactor scene of the very first film, later called Episode IV: A New Hope. I give a quick rundown of the rescue of Princess Leia from the Death Star, by Luke Skywalker, Han Solo, and Chewbacca. Escaping from Imperial stormtroopers, the four jump down what turns out to be a garbage chute, ending up in a dank, smelly mess far below . . . and shortly, the walls start closing in. It struck me as a metaphor for life: in a world that’s already scary and dangerous, we sometimes end up in a really tight spot—and, frankly, it stinks.

Segue: Now we turn readers’ attention to God’s Word. In this case, I point out that three Bible characters—Shadrach, Meshach, and Abednego—found themselves in a similar situation. As Jewish men exiled in Babylon, they were already in a scary and dangerous place. And when they chose not to bow to Nebuchadnezzar’s golden statue, they found themselves in a tight (actually a hot) spot, the “fiery furnace.”

Takeaway: What does all of this mean to readers today? God saved the day for S, M & A, but He delivered them through, not from, the flames. I point out that Jesus himself hoped to avoid the pain of the cross (Luke 22:39–42), but “for the joy set before him he endured” (Hebrews 12:2), and that James wrote that “the testing of your faith produces perseverance” (James 1:3). Ultimately, readers walk away with some sympathy and some encouragement: “Tight spots aren’t fun. Sometimes they stink. But God has reasons for them, and He’ll always be right there with us.”

Have some devotional ideas knocking around in your mind? Jot them down and watch for Part 2, as we’ll consider a devotional’s Topic and Example in greater detail.

February 15, 2016February 1, 2016

When a Speaker becomes a Writer

When I was asked to contribute to the Wordserve blog, I immediately thought “No.”
But almost immediately after the first immediately, something in my heart said “Yes.”

The truth is, compared to many other writers, I am under qualified, untrained and rather unconventional in the way I write. Particularly the way I use sentence fragments (and parenthesis) for effect. So the thought of having a lot of trained writers reading my stuff is, well, a bit nerve wracking. (If I was being honest it makes me want to pee my pants.)

However, it strikes me that I may be able to offer an angle on writing from a speaker-turned-writer’s viewpoint that could be helpful. So with that in mind, I decided to jump in.

As far as some background on me, in my 30s, I published fourteen books under my maiden name of Polich. They were “How to” youth ministry books that sold like hotcakes in the audiences I served. However, just before I turned 50, I shifted out of youth ministry, survived a fiancé who broke our engagement to remarry his ex wife, and experienced some new and deeper truths about God; and suddenly, I felt I had more in me to write.

I remember running the idea of moving from the “Youth Ministry” sector to the “Christian Life” sector by my publisher, who met me with the encouraging words, “Good luck with that.”

I realized at that moment that switching book genres was not going to be done easily.

But I’m here to tell you it’s not impossible.

By the grace of God, I got hooked up with a great agent (Greg Johnson), a great editor at Zondervan (John Sloan), and was contracted for my first Christian Life book, titled Finding Faith in the Dark. It was my maiden voyage, and it released in 2014. I am currently at work on my second book, tentatively titled “When Changing Nothing Changes Everything” (this time for IVP). It’s due in three weeks, so I’ll keep the rest of this blog short.

I thought I could offer a couple of insights from a speaker-turned-writer’s viewpoint that might be helpful to you. Because when it comes right down to it, don’t many of us do both? The fact is, in today’s “Look at Me” world, holding an audience is a skill all of us need.

Here are three tips I’ve taken from my speaking into writing:

Grab ‘em in the first 3 minutes
There is a rule in speaking that if you don’t grab the audience in the first three minutes, you have to work triple time to get them back. I think in today’s world with writing, it may even be more true. Your audience can actually leave your book without you ever having to know, which is harder to do when you’re speaking to them. (Unless they’re teenagers and aren’t polite enough to care.) Here’s the point: In today’s blog-reading, book-skimming culture, the first page of your book should be the one you focus on most.

Anchor every truth you share
This may be more directed more to non fiction authors, but no matter how great your point is, it will be lost if you don’t break it up with something to anchor it. Whether you use an interesting story, a dash of humor, or a poignant quote, you need something to entice them to read on. In speaking, I call this “Keep yourself from becoming boring.” I think in writing, it could be called the same.

End with a pow
This may feel like too much pressure when combined with point #1, but there is nothing worse than a reader who has stayed with you till the end and gets rewarded with nothing but a re-emphasis of what you’ve already said. Surprise them. Leave them thinking. Say something new. Give them a parting gift.

How you do this of course is all up to you.

And one last thing… if YOU have a voice nudging you to write something that may be different than you’ve ever written before, Don’t give up. There may be people out there who need what you have to write.

For more info, visit http://www.laurieshort.com

February 11, 2016February 1, 2016

When There is No Erasing

In my world of too many words — written words, spoken words, printed words, listened words — I need places where there is silence.

Usually I find a Place of No Words in creation as I take to the trails among cactus and creosote with my dog, Mollie, pulling on the leash in anticipation of the next adventure.

The other Place of No Words that I have found is an art museum.

Sometimes I find God there in the standing still.

While in Nashville recently, I went to The First Center for the Visual Arts. When I first entered, I found the silence oppressive. The museum had so many rules about photography and sketching only with a pencil and no shoulder bags, that I wanted to escape… escape to my world of familiar words filling up the spaces.

But I resisted, and stepped forward into the first of four galleries.

The gallery, Ink, Silk and Gold, was interesting, but I only heard facts when I viewed the display. History. I did not linger.

My ear was not yet tuned to the unheard.

I entered the next gallery.

The boldness of Shinigue Smith’s work in the Wonder and Rainbows Gallery, shouted from the walls as she combined paint with textiles and other mediums. As a teen she experimented with graffiti, an interest that eventually turned to Japanese calligraphy. I could see elements of both in her colorful paintings and sculptures.

Forever Strong by S. Smith. Compliments of Google since no photos were allowed.

“In both, you can’t back up,” Smith said in an interview, “You must have a confident hand when you put your brush to the surface. There is no erasing.”

No erasing.

I liked the thought. I am in a season of editing and rewriting.

Editing a manuscript. Rewriting life goals and purposes.

What would it be like to put a confident hand to the surface without the paralyzing thought of erasing? What if I didn’t hesitate, but stepped forward without the fear of getting it perfect and simply chose a color and painted boldly?

Where could my words take me?

Where could yours?

What are you drawing today?

February 9, 2016February 1, 2016

Want to Get Published? A Publisher Needs to See a Compelling Project

Note: This is the second post in a series of 4 posts: 3 Things a Publisher Must See.

You’re heard of the fabled “elevator pitch”? You’re in an elevator and are suddenly given the opportunity to pitch your idea to someone who could make it a reality. You have a few sentences to communicate clearly the nature of your project.

Pressure’s on.

And this really is a Goldilocks and the 3 Bears situation:

If you say too little—either the number of words or the impact of those words—you lose.
If you say too much—either the number of words or the impact of those words—you lose.
The way you present your project needs to be “just right”

You could say….

“I’m writing a book.” (yawn, check phone) Four words is probably not enough.
Or you might spit out, “I’m writing a book on marriage” (There’s no impact, nothing memorable, nothing distinctive.)
Or you might go with, “I’m writing an in-depth treatise on the common misperceptions about the mating rituals of married white American evangelical females between the ages of twenty-eight and twenty-nine occurring in suburbs within twelve miles of six major U.S. cities after nine pm…” (Just wrong on so many levels.)

Nothing about any of those makes a publisher want to know more.

But what about: “The Singular Secret To a Vibrant Marriage”?

Now the editor is curious to know more. What is it?!

A book proposal is really just an expanded elevator pitch. You need to communicate very clearly and efficiently what your book is about so that publisher will want to know more. Don’t make them work hard to figure it out.

Exercise: Right now, give the two-sentence pitch for the book that’s in your heart. Out loud. To the walls. Write it down. Then, when there’s a human within range, give them the pitch. Then ask them:

Do you feel like you know what the book is about? Could you communicate it to someone else?
Is it unique? Are there other books like it?
Based just on the hook/pitch, does it engage you to want to know more? Do you want to buy and read it? Why or why not?

With this feedback, work further to articulate what is unique and compelling about your book.

Cheering you on,

Margot

February 4, 2016January 29, 2016

The Importance of Dreaming

Ever feel like your writing time has slipped into a series of tasks you are struggling to check off?

1500 hundred words and counting? Check.
Edits? Check.
Social media graphics for the week? Check.
Blog posts written and turned in? Check.
Responded to readers and answered emails? Check.
Laundry, grocery shopping, life things? Maybe check. Kinda.
Maintain sanity? In process.

If we aren’t careful our writing routine turns into a list that can drain our creativity and make us forget why we are writing. I am the queen of time management and boundaries. I have to be in order to prioritize and get things done. But sometimes in the midst of trying to be disciplined and organized, I miss out on the creativity that comes with dreaming. I actually plan time to dream. It’s vitally important to the rest of my list.

Dream a little bigger

Dreaming rejuvenates me.
One of my favorite questions to ask when it comes to writing is “what if.” What if my characters decided to do something totally unexpected? What if my villain surprises everyone? What if I create a setting that puts a unique spin on a scene? What if I created a character that absolutely fascinated my reader? Then how do I do all this?

“What if” is a powerful question, one I don’t ask nearly enough. But when I do, my writing sings more than normal and my creative juices flow.

I also like to story board. I may love words, but I am attracted to powerful visuals. It’s fun to create the scene and cast my characters by scouring the internet for photos that jog my creativity in a greater way. I pin them on a corkboard so that I can see and move them to help craft the story. This helps dream about possibilities. Possibilities are endless in our writing. We just have to seize them.

Dreaming rejuvenates the story.
I like to set a timer and see how many words I can spill on the page before time runs out, but occasionally this depletes my creativity instead of inspiring it. However, when I take time to dream before I start writing, even if I just spend fifteen minutes on a writing prompt, my writing carries a different kind of power and creativity. When I race the timer, my story has quality and quantity. My characters are also deeper and my settings more vivid.

Dreaming rejuvenates the reader.
Letting readers into my brainstorming and dreaming is fun to share with readers. This makes great social media content to excite them and help them invest in the story before they ever hold it in their hands. Inviting them into the dreaming helps them feel like part of the team and part of the journey. If you do this, be prepared to write faster to satisfy their growing curiosity.

Tasks and deadlines are part of writing, but dreaming and enjoying the writing…that’s the most vital part of the journey, for it informs everything else. If you are feeling overwhelmed or stuck, grab a pen and fun notepad, and don’t be afraid to dream a little, darling. I have a feeling you will like the results.

February 2, 2016February 2, 2016

Debut Novels, Reprint Rights, and Movie Deal Dreams

I didn’t know how blessed I was to get my first book deal. Love Finds You in Sun Valley, Idaho came out in 2010. It was part of the Love Finds You series. And because the books were written by a bunch of different well-known authors and set across the United States, my book got swept along with the marketing current.

I got to do a television interview.

I had a Costco book-signing.

The novel was featured in the magazines for a Christian bookstore chain.

It was sold in airports.

The hardback edition came out for book clubs.

And now It’s being considered for a MOVIE. When I found this out, I was so excited my husband thought someone had died. Not that I get excited when people die, but I was crying and could barely speak, and he assumed the worst.

Three movies have already been made for the UPtv network. I had a premier party with my writer friends for Love Finds You in Charm, including homemade Amish pastries. Love Finds You in Valentine comes out this month.

I can’t keep from mentally casting actors to play my characters Tracen Lake and Emily Van Arsdale. Especially since Emily Van Arsdale is supposed to be the actress who plays Wonder Woman, and Wonder Woman is releasing in the theaters soon.

The idea of having my debut novel considered for a movie made me want to revisit the story. Then it made me want to write sequels like many of my readers requested. So I got my rights back, and I’m rereleasing the book as the first in my new series titled Resort to Love.

Finding Love in Sun Valley, Idaho comes out this month. I updated a few things—like how the characters now all have smart phones. And I gave it an epilogue that leads into the following books.

Finding Love in Big Sky, Montana comes out in November. I’m currently writing this one and wish I could throw my responsibilities to the wind so I could go write in a cave until it’s done because the ending is going to be so good!

Finding Love in Park City, Utah comes out in the spring of 2017. This one I’ve plotted, but I’m still researching the location. I’m spending the end of January in the mountain town and attending the Sundance Film Festival. Remember how I said my main character in Sun Valley is an actress? It fits.

I didn’t know anything about getting my rights back, but I ran into Miralee Ferrell at the Oregon Christian Writer’s Conference last summer, and she’d already done it for a couple of her own Love Finds You books. With her help. I was able to find out that my book had been out of print for a couple years. From there I simply had to make my request. Once I got my PDF files, I not-so-simply converted them to a Word document and edited out about a million exclamation points—among other newbie mistakes.

Miralee had been able to get her cover files, but mine weren’t available, so we hired a designer. When I say we, I mean Miralee. She’s releasing my series through her new publishing company, Mountain Brook Ink. But she let me have creative reign over my cover. I especially like the scrollwork around the Finding Love label. That symbol will go on all her Finding Love titles. Another cool thing is that I’ve remarried since my first book came out, so I get to add the name Strong to this cover.

I’m currently getting ready for my Books and Beverages Blog Tour. Check my website for details and the chance to win a Kindle Fire.

Even if my book never makes it to the big screen TV, I’m still glad I get to enjoy my debut novel a little longer. And I’m honored to get to share my dreams with you.

What’s a book you’ve read that you think would make a good movie?

January 31, 2016January 28, 2016

WordServe News: January 2016

Exciting things have been happening at WordServe Literary in the first month of 2016!

On the final post of each month you’ll find a list of Water Cooler contributors’ books released this month along with a recap of WordServe client news.

New Releases

Julie Cantrell released The Feathered Bone with Thomas Nelson.

While chaperoning her daughter’s trip to New Orleans, Amanda Salassi’s worst fears come true: her daughter’s best friend, Sarah, disappears without a trace. As Amanda’s daughter sinks in depression and her husband turns destructive as he watches his family succumb to grief, Amanda knows she has to save herself before it’s too late. As she continues to search for Sarah, she embarks on a personal journey, seeking hope and purpose in the wake of so much tragedy and loss.

Jan Drexler released Hannah’s Choice with Revell.

The first book in a brand-new Amish historical series, Hannah’s Choice follows the story of a young woman in Lancaster County as she struggles between the choice of two men–and the choice of whether to remain near her family or follow God’s call West.

Michael Fechner Jr. released Lessons on the Way to Heaven: What My Father Taught Me, with Zondervan.

This poweful book tells the story of Mike’s father, who co-founded an urban renewal ministry and sold all he owned to fund it and serve the poor full time. When Mike was diagnosed with terminal cancer and given a year to live, he discovered what it meant to truly lose his life for the sake of finding it.

Ken Gire released The Centurion with River North Fiction.

This gripping work of historical fiction follows Lucius, a Roman centurion who witnesses the crucifixion of Jesus and is changed forever. When he is called away to lead military campaigns and returns to find that Rome has lost its allure, he must decide who he is, what is real, and what is worth dying for.

Jan David Hettinga released Still Restless with Kregel Publications.

A pastor at Cascade Community Church in Monroe, Washington, Hettinga relates good news in his newest book: God has always had time for honest seekers, even when they have hard questions or objections. Walking readers through the gospels, Hettinga uses the life of Jesus to demonstrate the necessity of frank conversations with God–and their potential for spiritual transformation.

Melissa K. Norris released The Made from Scratch Life with Harvest House.

Operating under the belief that when you surround yourself with things made from the hand of God, you can’t help but see Him, Norris inspires readers with practical and easy methods to help you cook from scratch, garden, preserve your own food, and see God’s fingerprints in your everyday busy life.

Tina and Dave Samples released Messed Up Men of the Bible with Kregel Publications.

Reminding us that even the most flawed among us can be used by God to accomplish His purposes, Tina and Dave’s book traces the stories of some of the Bible’s most messed up men to show how God’s power is perfected in our weakness.

FaithHappenings Publishers released a new series of devotional books called “Day Starters.” The initial release includes five titles: Day Starters for Men by Steve Farrar; Day Starters for Women by Cheri Fuller; Day Starters for Couples by David and Claudia Arp; Day Starters for Students by Greg Johnson; and Day Starters for Moms, edited by Shelley Hendrix. Each book includes daily devotionals and Scripture to encourage readers to renew their focus on their walk with the Lord in the midst of daily life.

New Contracts

Jim Burns and Doug Fields signed with InterVarsity Press for their new book, Teenology, planned for early 2017.

Angela Ruth Strong signed with Harlequin’s Love Inspired Books for her next book, Twice Removed, due out in early 2017.

What We’re Celebrating!

Julie Cantrell’s The Feathered Bone was named a 2016 Winter Okra pick, an honor given by SIBA for “Great Southern Books, Fresh Off the Vine.”

January 28, 2016January 13, 2016

Conflict: The Heart of Your Story

One consistent problem most writers – new or seasoned – have when they’re developing their stories (present company included!) is to bring enough conflict into the story.

It’s normal to want to protect our characters from conflict. We like these people. We want them to have happy lives.

But do you know what you get when you give your characters happy lives that are free from any conflict? That’s right.

Boring fiction.

You need to bring conflict into their lives!

But how?

The first thing to remember is that conflict can be defined as goals that are blocked or defeated. So before you can have conflict, your character needs to have goals.

I hope you’ve all heard of Debra Dixon’s book, Goals, Motivation and Conflict. That’s a great place to start learning to develop your character’s GMC.

Conflict in the back story

As I develop my characters’ GMCs, I begin to discover their back story. What happened in their past that is affecting them now?

For example, in the proposal I’m working on now, Samuel and Mary’s story, Mary and her sister move from Holmes County, Ohio to Shipshewana, Indiana to live with their elderly great aunt. But why would they move away from home? What is at home that they want to get away from?

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It has to be a conflict strong enough to force them to take this life-changing step. For Mary, it’s a tragic event that happened to her two years earlier.

A Conflict within the story for each character

So the next step is to find Mary’s story conflict. I had to ask myself: What is the worst, the absolute worst thing that could happen to my character?

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In my proposal, Mary’s past tragic event is that she had been attacked by a man two years earlier, and since then the attacker has been threatening her and intimidating her–blackmailing her into keeping his secret.

So what is the absolute worst thing that could happen to Mary? That’s right. Her attacker finds her in Indiana and starts the intimidation and threats all over again.

The story conflict is more powerful if it has ties to a past conflict in your character’s life.

Of course, both characters need to have a conflict, so you need to do this exercise for both your hero and your heroine.

Let the Conflict in your story increase toward the crescendo of the Final Battle

In my proposal, the hero, Samuel, is an alcoholic. He’s fighting his addiction throughout the entire story. That’s his first level of conflict.

His battle becomes much worse when he feels inadequate, threatened or guilty. When he sees Mary with her attacker, he assumes that they have a romantic relationship. That’s the next level of conflict for him.

But when he finds out he’s wrong and Mary is in danger from this man, he faces the “dark night of the soul,” the Black Moment, and is on the verge of taking that drink he’s been fighting throughout the story…and the conflict tension ramps up.

Your characters’ individual Conflicts work against each other, driving your hero and heroine apart

Ramping up the tension raises the stakes; the characters’ relationship is in danger.

Samuel’s alcoholism and feelings of inadequacy make him pull away from Mary just when she needs him most.

Mary’s fear of revealing her secret–and of being close to any man–makes her pull away from him just when he needs her most.

Levi Zook's farm, Eden Township, Lagrange County

I want my readers to question how these two can ever overcome their conflicts and have a happily-ever-after ending!

So the most important part of the story comes when the characters need to fight against this force that is driving them away from each other. The satisfying ending to the story comes when they triumphantly stand firm, fighting this final battle together.

Share with us!

Are you guilty of letting your characters get off easy? What can you do to help ramp up the conflict in your story?

Jan’s newest book is “Hannah’s Choice,” the first in the series Journey to Pleasant Prairie from Revell Books.

January 26, 2016January 13, 2016

Building a Platform? Finding Helpful Resources

“If you want to be a nonfiction author, you’ve GOT to work on building your platform?”

I perked up when I heard the word “platform” mentioned for the umpteenth time at my first writing conference.

Building my what? I didn’t expect this advice at a “Christian” writing conference. In fact, I didn’t even know what the workshop leader meant by “platform.”

Hands popped up all over the conference room, asking questions about “building a platform.”

“Can you give us more information?” Another frenzied writer whined.

A few seats down from me, an older lady with a wrinkled brow whispered to the person next to her, “What does she mean by ‘platform’?”

“I didn’t think ‘Christian’ writers should focus on building a platform,” someone mumbled. “Is that even scriptural?”

The murmurings continued…

I felt my blood pressure rise as I listened to all of the questions and observed the body language of the writers all around me.

I shook my head in disbelief as I considered all that I had done to prepare for this moment—particularly the last five years of academic writing. Is she saying that I need to study marketing now? Oh, great!

A few days later, I abandoned my first writing conference early due to a family crisis. So I didn’t get a chance to hear more about platform building.

Overwhelmed, my thoughts about building a platform and my mother’s untimely death left me dazed and confused. Should I even go forward with “writing for publication” now?

One workshop leader warned us against “quitting your day job.”

Great! I just quit my day job, I whispered under my breath. I had just turned down the offer to teach writing as an adjunct instructor again that semester. Why? I needed to help with our ongoing family needs, and I wanted to focus what time I did find on writing for publication.

After the conference, if someone even mentioned the word platform, I would voice my frustration with a favorite quote from Gone with the Wind, “I can’t think about that right now. If I do, I’ll go crazy. I’ll think about that tomorrow.”

What’s a writer to do? Where can we go for information on building a platform? Back when I started, I had to dig deep for information. Now, you can find more resources than ever before now on that topic.

Michael Hyatt is one of the best resources I’ve found on platform building. I started following Hyatt’s blog on the advice of other writers several years ago. A few years later, when he published his book, Platform: Get Noticed in a Noisy World, I ordered my copy hoping to improve my own platform. I still recommend this book to other writers who ask me for help in that area. I’ve even led my own writing workshop on platform building based on what I’ve learned.

New Year’s plans. As I await my first book publication this spring, I’m still struggling with all the details of platform building—blogging, social networking, speaking, and writing. With all the advances in technology and social media, I’m always seeking new resources and ways to stay up-to-date with publishing info.

What are your plans for the New Year? What have been your strategies? What’s your secret? Did you quit your day job? Do you have any platform building tips that you would be willing to share with other writers?

I’m hoping this blog post will initiate a conversation about platform building. So, I hope to hear from you. Be sure to share your thoughts on this topic in the comment section below.

What resources have helped you build your platform?

January 21, 2016January 13, 2016

15 Motivational Quotes for Authors

What Does Writing Teach Us?

What is it about motivational quotes that inspire us to greater endeavors? Daring us, energizing us, prodding us to overcome our fears and anxiety, so we can do what we truly desire?

Maybe it’s the quick, easy-to-remember word bites, or perhaps simply the comfort of knowing we are not the first trodding this territory. Regardless, the human spirit responds to simple quotes with powerful impact.

As writers, quotes from successful authors can move us past blocks, help us overcome anxiety, and keep us from giving up in the face of rejection. Maybe you could use a quick boost of daring, energy, or prodding today.

If so, here are fifteen of my favorite motivators:

“I write entirely to find out what I’m thinking, what I’m looking at, what I see and what it means. What I want and what I fear.” — Joan Didion

“If I don’t write to empty my mind, I go mad.” — Lord Byron

“It’s about getting up, getting well, and getting over.” — Stephen King

“Writing is the supreme solace.” — William Somerset Maugham

“If you’re a singer you lose your voice. A baseball player loses his arm. A writer gets more knowledge, and if he’s good, the older he gets, the better he writes.” — Mickey Spillane

“A wounded deer leaps the highest.” — Emily Dickinson

“Writers write about what obsesses them. You draw those cards. I lost my mother when I was 14. My daughter died at the age of 6. I lost my faith as a Catholic. When I’m writing, the darkness is always there. I go where the pain is.” — Anne Rice

“You don’t write because you want to say something; you write because you’ve got something to say.” — F. Scott Fitzgerald

“Any man who keeps working is not a failure. He may not be a great writer, but if he applies the old-fashioned virtues of hard, constant labor, he’ll eventually make some kind of career for himself as writer.” — Ray Bradbury

“Not that the story need be long, but it will take a long while to make it short.” — Henry David Thoreau

“My own experience is that once a story has been written, one has to cross out the beginning and the end. It is there that we authors do most of our lying.” — Anton Chekhov

“Get it down. Take chances. It may be bad, but it’s the only way you can do anything really good.” — William Faulkner

“I am irritated by my own writing. I am like a violinist whose ear is true, but whose fingers refuse to reproduce precisely the sound he hears within.” — Gustave Flaubert

“The unread story is not a story; it is little black marks on wood pulp. The reader, reading it, makes it live: a live thing, a story.” — Ursula K. Le Guin

“A blank piece of paper is God’s way of telling us how hard it is to be God.” — Sidney Sheldon

Which of these inspires you most?