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“This I Believe”: Creating a Writer’s Manifesto

Making another addition to the Manifesto!

This I Believe was a series of wildly successful radio broadcasts hosted by Edward Murrow from 1951 to 1955. Murrow introduced the series this way:

“’This I Believe. By that name, we bring you a new series of radio broadcasts presenting the personal philosophies of thoughtful men and women in all
walks of life. In this brief time each night, a banker or a butcher, a painter or a social worker, people of all kinds who need have nothing more in common
than integrity—a real honesty—will talk out loud about the rules they live by, the things they have found to be the basic values in their lives.”

What are the rules we live by as writers? What are the “basic values” in our art? Few of us have taken the time in the midst of our writing lives to identify what we believe about writing, about our work as writers, about its place in the world. I had been writing for decades before I began to form my own credo. Almost immediately, I discovered it was a powerful antidote against the many discouragements we face as writers. And the tonic begins the moment you start composing. But wait! There are rules to follow as you begin.

1. Have fun with it. This IS about ultimate things, but it’s NOT about perfection–grammatical, linguistic, or otherwise.

2. Don’t worry about originality. Many other writers have expressed brilliant thoughts before us. Beg, borrow, and steal from them (with attribution, of course!).

3. Consider it a living document that will grow, deepen, and re-shape as you move further into your art and your faith.

4. Post it somewhere you can see it, so it can prod, re-focus, and inspire you as you work.

That’s it. So here is part of my ever-changing manifesto. I share it with you simply as an illustration. Each writer’s credo will bear the marks of her own passage and thought.

* There is no part of human experience that is not worthy of attention, illumination, and restoration.

* I commit to writing not simply out of curiosity, out of delight in words, or a desire to entertain. All these are good enough motives, but will produce lesser works. My best and most honest writing will be done where my skin meets the world in the thinnest, rawest places.

* Writing is a vocation, a calling, a kind of pilgrimage that takes us, like Abraham, from one land to another, through, of course, wastelands, where the promise of a promised land appears invisible and impossible, but the writing inexorably, day by day, moves us closer to holiness, the city of God.

* Words contain power to slay and to resuscitate. Every work describing the world as it truly is will do both: there cannot be resuscitation without death; there cannot be death without resuscitation.

* Writing is a response back to a word-creating God who invites us–just as he invited Adam–to name all that is, to complete a creation that is still undone, still unfinished. We speak back because creation was intended to be a conversation, not a monologue.

* Writing recognizes that faith and spirit are not disembodied abstract ideas, but are incarnated in the world around us. Our faith calls us to the things of this world—to mud and fish slime, to huckleberries and stingrays— to love them, to speak their names, to find in them the glory that was spoken into their very cells.

* Writing from faith is not an attempt to contain or explicate God, to unravel mystery, the wonders that surround us, but rather to articulate mystery, that it may draw us, first, to the edge of his cloak, then closer . . .

Enjoy the process! And count us in! Share at least one of your own writing beliefs with all of us here. Perhaps we’ll add yours to our own!

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Knowing My Characters

The more I explore this writing stuff, the more I learn how much I don’t know, or can do better.

I’ve recently come across two techniques that help me probe deeper into my main character and discover new things about her, new insights that add rich texture to her, to her relationships, and to the story.

In his new book, Conflict & Suspense, James Scott Bell writes, “The stakes in an emotionally satisfying novel have to be death.” These include physical, professional, and psychological.

My current work is about a female attorney, Emily Peyton, in the 1880s. In the main conflict in the book, her first trial, she defends a man accused of murder. She faces both professional and psychological death. A conviction would mean she failed as an attorney and would damage, if not destroy, her confidence in her ability to practice the profession she loves. In her professional career, Emily must overcome the prejudices of a male-dominated world. To lose the trial would give credence to all those who say the law is no profession for a woman. A conviction also adds a burden of guilt over having her client face the gallows for a crime she believes he didn’t commit.

Randy Ingermanson teaches the importance of our characters having internal conflicts. Such conflicts follow the character throughout the story and present emotional dilemmas she must overcome. These internal conflicts are identified through value statements, core beliefs that drive her. These beliefs are best identified through “Nothing is more important than…” sentences, such as:

Nothing is more important to Emily than being accepted as an attorney.

Nothing is more important to Emily than seeing justice prevail.

The internal conflict arises when these value statements collide. Emily’s value of being accepted as an attorney conflicts with her value to see justice prevail when she risks her career to do all she can to have her client acquitted.

The keys to the value statements are they must be equally strong and, at some point in the story, they must come into conflict, forcing the character to make a choice.

What techniques have you found helpful in developing your characters?

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Take Beautiful Pictures with Instagram

I get random questions from people all the time, “Ingrid, how do I block my Aunt Beatrice who won’t stop tagging me in pictures that are not even of me?” These are the things I know. These are simple things to me, but to some of you figuring this out is like wrestling with air: impossible. So I always love your input on what to learn and how you can better use your social media skills to influence your tribe and build your readership.

What is happening in my social media world? My new obsession: Instagram!

Yes, I am a little bit late to this game, I know. (It is very rare that I am tardy, but on this one my friends, I AM!) My friends have all had it for a few years, and I have watched them. I have played with it many times, but it was for the “elite” iphone users. I have had T-mobile for years, and yes, they lock you into a contract, and then you are stuck. But Instagram for Android was released a few months ago, and I hopped on the bandwagon with no convincing.

Instagram is doing well. In case you didn’t know, Facebook bought Instagram for 1 billion dollars. You don’t even know what Instagram is? Well, check this out. Here is a picture of mine; right now I am at the Telluride Blue Grass festival.

What is Instagram? Instagram is a free and fun way to share your life with family and friends with edited fun photos. Each picture is taken through your iphone or android phone. You then choose to edit your photo through with very different filters. Instagram’s intuitive set up lets you link your photo to your social media world, either via Twitter or Facebook.

As an author, Instagram can be a valuable tool in using pictures to tell stories about your life and the life of your books.

1. Maybe if it is a novel, you can post pictures of things related to your characters; be creative. I would love to hear your ideas about how you can use this tool to create more buzz and excitement for your books.

2. Connect with your audience, your readers, and your friends. Publish your fun photos. Be creative and show a little bit of your world without intruding into your private world. Use this as a valuable tool to connect. It is a necessity to connect with your readers visually. Help paint them pictures of things you want them to understand about your books.

3. Hash tag your photos like you do on Twitter, and if you can, pick the same Twitter name for your Instagram name. I would love to hear your feedback and see your Instagram photos.

Follow me at @gridlocked on Instagram and Twitter. ☺ Let’s take beautiful and inspiring pictures.

P.S. My favorite new joke: How much does a hipster weigh? An Instagram. If you don’t get it, don’t worry. 🙂

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Does Reading Fiction Affect Your Brain?

Image courtesy of FreeDigitalPhotos.net 

Annie Murphy Paul raised the question earlier this year with her article: Your Brain on Fiction posted in the New York Times Sunday Review. As readers and writers, we need to know the answers to the questions raised by her article.

In this day of instant gratification, with our children and grands fixated on computer games and other digital distractions, is reading dead?

According to Neuroscience’s findings on how reading affects the brain, perhaps we should encourage the old-fashioned virtue of reading stories.

Or should we?

For further research, I ordered first one book and then another.

Keith Oatley’s Such Stuff as Dreams, Brian Boyd’s On the Origin of Story,  Tilottama Rajan’s The Supplement of Reading, Lisa Zunshine’s Why We Read Fiction,  Lewis Mehl-Madrona, D.D., Ph.D.’s Healing the Mind Through the Power of Story

To read Keith Oatley’s blog go here.

While waiting for the books to arrive, I printed out 50 pages of web articles on the subject. I searched the brain’s known language regions, like Broca’s area and Wernicke’s area. Fascinating stuff for me, it brought back memories of pouring over Dad’s medical books as a child.

It was worth it. Now to compress all this information into a 500-word blog post.

Can you say brain overload?
#1. Does reading fiction affect the brain differently than reading non-fiction?

#2. If so, is reading fiction . . . safe?

#3. Will reading fiction turn men into sissies?

Neuroscience shows the Broca’s area and Wernicke’s area of our brain affect how the mind interprets written words. Other parts of our brains are involved as well.

No wonder the experience of reading can feel so alive. (At least for those of us who love novels.)

While words describing smells like “apple pie” or “vanilla” or “vomit,” cause a response from Broca and Wernike, the language-processing areas of our brains, these words also affect the parts that process smells and scents.

Anne describes using brain scans to reveal how stories stimulate the brain and can even change how we act in life. I’ve condensed and paraphrased her content.

Volunteers read while scientists scanned their brains with a functional magnetic resonance imaging (fMRI) machine. As the readers looked at the words cologne, bacon, and eggs, their primary olfactory cortex lit up. The words describing objects such as car, or building, left this part of the brain dark.

Motion words activated sections of the brain other than those for language processing. Participants read sentences like “Gritting his teeth, he ran after her” and “He grabbed her forearm.” Interestingly enough, these scans showed stimulation in the part of the brain which coordinates body movements. When the action described was arm-related, the stimulation was concentrated in one part of the motor cortex and in another part when the action concerned the leg.

Fiction, in the form of a novel, examines the social and emotional world of mankind through created characters. We have documented how the brain responds to words of smells and textures and movements as if they were the real thing.

While we read, our brains treat the interactions among fictional characters the same as if we, or someone in our real life, has experienced them.

Which leads us to the next question, “Is reading fiction . . . safe?” What are your thoughts? I will discuss the answers in my next post.

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How to Write a Non-Fiction Book

Seven years ago, I had so much I wanted to say. I began writing recklessly and randomly, telling my story in various ways.

Five years ago, my agent said people responded to my self-care ideas. My writing found a focus. I made “self-care” the hub.

Then I made a mindmap. Every idea branched off.

I read, I highlighted, I compiled lists and notes. I hoarded quotes and stories. I dreamed, I gazed, I thought, I prayed.

I researched. Not only books but scientific articles too.

Then I gave each chapter a home, inside a file, inside a box. I sorted my quotes, articles, and ideas and tucked them inside those files within the box.

I wrote chapters. I met with critique partners — we sharpened iron. Each new edit was placed into the file. It was a messy hodge podge.

We ate and drank, laughed and cried, and spurred each other on. No one does anything of value alone.

I piled everything into one document and sent it to my agent, who got it sold. A team of editors believed in what I’d written.

The first edit is done. (I love editors!) As of now, I have a title, but I can’t tell anyone until the board approves.

I’m not sure how the book finally gets finished. I don’t know what the cover will look like or when I get to write my acknowledgements, back cover, etc. I have much to learn, but you can be sure I’ll write another post telling you what happens.

Have you written a book? What was your process?

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Memories Are Made of…This?

linkchronicle.blogspot.com

Four years ago, after my first mystery novel hit the bookstores, I acquired a new job title: Doer of Whatever It Takes to Get This Book in Front of the Public So It Will Sell. Most of the time, it was a pretty cool job. I researched marketing possibilities, called up bookstore owners, scheduled book signing dates, talked to media contacts, went to book signings, drank bottled water, chatted with readers, and, in general, had fun.

Sometimes, though, it was less fun than other days.

Sometimes, it was almost depressing, as in “what in the world am I doing here being a struggling author when I could be home getting the laundry done and feeling like a productive member of the human race?”

Thankfully, most of those days are behind me now, but to reassure new authors that we all have bad days, I’d like to share two of my less-than-bright moments.

Scene: Bookstore signing

I spend an hour and a half at a table in a mall outside a bookstore. The place is mobbed – not with readers frantic to buy my book, but with adults and kids participating in a fun run to benefit the children’s hospital in town. At my table, I get lots of attention, though. The two most frequent questions I get are: “Where is a bathroom?” and “Is there some place around here where we can get something to drink?” Being the helpful person I am, I point people in the direction of the former and offer the others some of my bottled water.

Okay, so it’s not my most glamorous moment as an author.

Scene: At the local television studio before my appearance on the morning show:

“You’re not allergic to dogs, are you?” a nice young intern asks me before he opens the door to the green room, where I’ll wait for my turn on the show.

“How big are the dogs?” I ask, since I don’t do well with big dogs in open spaces, let alone big dogs in small windowless rooms where they can slobber all over you while you cringe in abject misery on a hard plastic chair.

“They’re little,” he says.

“No, I’m not allergic,” I tell him, and he ushers me into the room.

The intern is right, the dogs are little. Really little. They are also dressed up in Halloween costumes. One is a shark, one is a pumpkin, a Chihuahua is wearing a blonde wig and red dress, and another tiny dog has on Snow White’s signature blue vest and yellow skirt.

“Who’s the Chihuahua?” I ask.

“Marilyn Monroe,” the handler answers.

I give myself a mental head slap. Of course it’s Marilyn Monroe. What was I thinking?

I’ll tell you what I’m thinking. I’m thinking I’m waiting to be interviewed about my novel with a bunch of dogs dressed up for Halloween. I’m thinking I’m going to fire my publicist, except that I’m my publicist.

Some moments really are better as memories…

Care to share some of your moments (bright or not)?

~”Only a loser, and this is the VERY first rule of novel writing, wears what they wear on their author photo on the back of the book to their very first book signing” (Brad Meltzer).~

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How to Create a Free E-Book for Your Website

People love to receive stuff for free. Ever wandered through Costco in the afternoon? You can always spot the free sample stands by the crowds gathered round.

Our readers are no different. They love to get stuff for free and what better way to encourage or thank them for signing up to your blog posts than with a free e-book.

You may be unsure what content to include in your e-book. Ask your readers. I put a poll on my website asking what subject people would like to see more. This helped me decide what to write my e-book about. Take a look at your web stats; which posts have the highest views?

Once you’ve decided on your topic, start writing it. Keep it on the shorter side; it doesn’t need to be a full book length. Under five thousand words is a good guideline. Remember to offer new content in your book. Because it’s electronic, you can and should link to articles on your blog for further reading and value to the reader.

After your e-book is finished, save it as a PDF file and then upload it to your website. Keep it unassigned (for self-hosted WordPress) and copy the location.

I use Feedburner as my RSS and email subscription service for my website. I downloaded my existing email subscribers addresses to MailChimp and sent them out a free copy thanking them for being with me. You never want to forget your current readers in the search for new ones.

For new subscribers, I included the PDF link in the email they receive from Feedburner when they sign up for my blog. This allowed for free automation and instant access for the reader.

If you use Feedburner and have a sign up box on your website, I highly recommend customizing the sign up box. Even if you don’t have an e-book to offer yet, you should list the benefits subscribers receive when they sign up for your emails. Here’s an example of my homepage and subscriber box. 

By using the Feedburner verification email to send out my free e-book link, I realize people don’t have to verify in order to get the free copy. But if they don’t like my free e-book and choose not to verify to get my posts, then they most likely would have unsubscribed anyway.

Have you ever bought something from a free sample? What makes you subscribe to a blog via email? Do you think having a free e-book has helped your blog numbers?

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How to Captivate Readers

Small Child Reading

Wonderment

Children’s eyes

See marvels,

Creation

Born anew,

Wonderment

In each small

Everything.

Give me, Lord,

A child’s view.

©Janalyn Voigt

The cup of tea at your elbow grows cold.The dryer buzzes, but you hardly notice. The clock ticks past the time to make dinner, but you turn the page and read on, captured by the author’s creative world.

When they can make readers forget they’re reading, books rank high on purchase lists. Figuring out how this happens is well worth the effort. Can such a thing be identified? Bringing the reader so fully into a story would seem to take an elusive blend of mastery and pixie dust. Besides, don’t readers’ preferences dictate which books will draw them in?

I would have agreed to this idea a week ago, but not any longer. You see, the book I’m currently reading for a literary contest is a young adult story. With my teen years forever behind me, I am not a target reader for this book. In fact, when I first picked it up, I groaned inwardly. While being required as a literary judge to read a slew of books might seem an envious pursuit, the bare truth is that sometimes I wind up stuck with a book I’d otherwise never open. It would be arrogant of me to judge another author’s writing without actually reading it, and so in a fit of fortitude I slog doggedly onward until the merciful end.

If that had been the case with this particular book, I wouldn’t be writing this post. It wasn’t. I did have to push past a slow start, but then the story enveloped me like a warm shawl on a chilly evening. I read late into the night, turning pages in a way that would have gratified the author. As I mentioned, I am not this author’s target audience, so I may never crack one of her books, but the next day I found her Goodreads page and became a fan. Why? Because her writing transported me in a way few books have. And I read a lot of books. If my experience is anything to go by, preference has little to do with captivating a reader.

What does, then? I asked myself this question with an interest not in the least academic. I want to apply this writer’s secret sauce to my own writing. I read the rest of the book with that goal in mind. What I discovered rocked me to the core.

Apart from the necessities of craft and mastery, two distinct factors elevated the story: a unique writing voice empowered by a vivid imagination. The author’s strong sense of self expressed without reserve resonated within her fully imagined story.

In these days of rapid writing, let’s not forget to add art to craft. The demands on you to produce and promote can steal the soul from your writing, if you let it. Feeding your inner artist is the only way to tap the wellspring of creative life within and produce enduring works. That will look different for each of us, but one thing remains true for all. The way forward is backward. At least mentally, let yourself step backward into childhood and discover the world with fresh eyes.

What books have you read lately that have surprised you? Transported you back to your childhood?

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Agent Expectations and Priorities, Part 2

Last month I talked about mine and our agency’s priorities. You can view that post here.

Briefly, the first four were: 1. Contracts, 2. Reviewing/Editing Proposals, 3. Submitting Proposals, 4. Client Detail

Next…

5.  Editors:  I value highly my relationship with editors. Many of them are people I call my friends. I care about their lives, and, in return, they care about mine and the lives of my clients. At the end of the day, people do business with people they like. Doing business is not all about trust and relationship, but it is a huge reason that our agency is successful.

Consequently, each year I make time to meet personally with as many editors as possible. I have to get to know who they are, what they love to read, and what their particular house is looking for. Instead of making the July ICRS convention a priority, I go to Grand Rapids, Chicago, and Eugene every year; Nashville twice a year; and New York every other year, which allows me to visit all the CBA Houses, one on one, in a relaxed environment. ICRS may be handy (all editors together in one place), but they are also pushed, exhausted, and often overwhelmed during that crazy-busy week. I prefer to meet them at a relaxed, less-pressured time, making it enjoyable for all. We get more business done, but more importantly, we do more natural relationship building. Colorado Springs, the other publishing Mecca, is just down the road. I’m usually there monthly.

6.  Industry News: The transition that publishing has been going through the last three years has been a game-changer for agents. I’m now spending about 3-5 hours a week reading insider news about the publishing world. It’s a headache, but I do it so you don’t have to.

7.  Referrals: While the agency is always looking for the right type of authors, I personally am not looking to expand my author list. For the time being, Barbara is not signing new clients either. I will add a few clients each year, but it is rare. Your confidence in recommending us first to your author friends means a lot, but like every agency, we’re very picky.

What you won’t see me doing…

  1. I don’t have time or a desire to be famous. Though I tithe a small amount of time each year to encourage new writers, this is not a large focus. Most of my time is dedicated to my author-clients, as this is what they expect me to do (and what I love doing). Other agents do have a desire to be known well, and they have their reasons for this. Writing this monthly blog is hard enough with my jam-packed schedule. If I were to do a daily blog, the work above would greatly suffer. You will rarely read a Tweet from me unless it’s to announce something about what one of our agency clients is doing. Cathy keeps our fan page updated. The bottom line is that WordServe’s aim is for our authors to be well known, not me or the other agents who work in our company. I want to be known as an agency that gets things done; I want to deliver steak not sizzle. Ultimately, this is what authors want and need most.
  2. Though we are proud of our website and social media efforts (Facebook, this blog, Twitter posts that connect and promote our authors’ projects, our upcoming Pinterest emphasis), this is not our number one priority either. Quite frankly, we already receive way more inquiries than we can handle, so advertising or promoting our company does not benefit us. Word of mouth is our best advertising, when our clients and editors hand our names to excellent writers seeking publication. Most often, enthusiastic referrals from professionals yield our best new clients.

Agenting is about priorities, but so is life. Along with doing this work that I love, Becky and I are involved with people in our church, with our six kids and five grandsons, and trying to keep life balanced and fruitful. It’s a fun challenge.

What priorities matter most to you in a literary agency?  (Or if you are a new writer, what would you imagine you’d like your agent’s priorities to be?)

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Advising New Writers Lovingly

Today I received an email from a freshly graduated student about a blog he’d been writing for the past two years that he wants to get published as a book. It was about being an only child—a topic I recommended he consider transforming into a memoir after he turned in a wonderful English 101 essay about growing up alone. Ever since, he said, he’d been writing. He included a link to the blog, clearly hoping—despite assurances to the contrary—that I would read it and somehow singlehandedly applaud it onto bookstore shelves.

This is the first of several such emails that I’ll likely receive this summer, in addition to similar requests I get from faraway former students, colleagues, and even total strangers during the school year. Would be writers email me. They show up in my office door, boxed manuscript in hand. They bribe me with lunch. But something about graduating—commencing Real Life, I guess—translates especially as the supreme opportunity to magically turn what have thus far only been vague dreams—of writing their memoir, of publishing a collection of devotions, of becoming a children’s author—into reality.

For me, though, summer is my big work-time as a writer. As soon as I get my grades in, I’m frantically writing away toward midsummer deadlines. In a little over a week, my college daughters will be coming home, and I’m embarrassed to say—though I love them both dreadfully and have been missing them ever since they returned to school after Christmas break—I’m dreading their return. The summer seems, for me, already used up, with all the things I need to get done during it, and I resent everything—even things I love best, like daughters and gardening—that takes me away from the computer.

So, I’m faced, as most writers are, with a difficult task I’ll probably never get exactly right: How to convey the reality of my summer (indeed, of my life as a writer)—that I have neither the time to read a single post, not to mention four years’ worth of blogging or a manuscript two reams thick, nor the power to circumvent for them or myself the arduous tasks of revising to make a book readable and securing an agent to get the thing sold—while simultaneously heartening and supporting those who, inspired by my own modest successes as a writer, want to follow in my footsteps?

The poet Rainer Maria Rilke models my ideal response in his Letters to a Young Poet. I would like to embody his kind voice and take time away from my own writing to compose letter upon letter of encouragement and advice to those who approach me for writerly advice. But Rilke was writing back before the internet made it possible for would be writers to readily locate and assault him with salvos of manuscripts and queries. And Rilke didn’t seem to have to do any other work in his life besides write poems. And poets write, after all, poems. Short pieces—shorter, quite often, than a single blog post.

I was also much impressed when, after a reading from her memoir, Ellen Gilchrist took on question after question from the would be memoirists in her audience, somehow validating every asker as a writer and spurring each one to keep at it, keep writing, keep sending things out, keep doing—or start doing—the hard, often fruitless but always rewarding work of getting one’s thoughts and stories onto the page and into others’ hands.

My advice, finally, is canned, as were perhaps Gilchrist’s comments at readings and maybe even Rilke’s advice—which was, after all, published in book-form for every wannabe poet to read. I have an email in which I detail the steps I myself took in seeking publication for the first time, and I send it out, slightly personalized, to each asker. I have a spoken version for office door and phone conversations. It’s easier to be kind and encouraging, I find, when I plan it out.

“No breakfast?”

Now, if I could just figure out a loving way to tell Lulu and Charlotte I’m too busy to make them the fantasy breakfast they’ve been dreaming of all semester…

What do you tell aspiring writers who come across your path or your email in box?