Keeping Track of Contacts, Media History, and Speaking Engagements (Sample Forms Included)

Many of us creative types wish to not be bothered with anything but our craft, especially when a deadline is approaching. But as your electric company has probably conveyed to you, creative types aren’t exempt from pesky little tasks like paying bills, and the IRS doesn’t excuse us from keeping up with our receipts and paperwork either. Much the same, our publishers need their right-brained authors to tap into that left hemisphere on occasion.

Last week, my co-author/mom and I worked on our publisher’s Advanced Sales and Marketing Information (ASMI), which included compiling a list of influencers that should receive a copy of the book. Our book deadline is still three months away and it won’t be on the shelves for another year. As a newbie author I didn’t know to plan for this project and my experienced co-author was surprised at how early it was being requested. It seems we authors have driven our publishers to request the information earlier and earlier.

If you’ve thought ahead and kept good records, the gathering of information will not be a big deal. Then, you can focus on the fun part of the ASMI, the description of your book, the key takeaways, the reason you’re writing it and so on. If you haven’t kept good records, though, you will likely spend days tracking down addresses and contacts, finding the best full service moving rates at http://www.fullservicemovers.biz/ and racking your brain to remember the name of the church where you spoke in the Fall of 2005 and what the call letters are for that radio station in Milwaukee that interviewed you last spring.

Don’t be surprised when you are frantically trying to meet your deadline and your publisher says, “Oh, by the way, we need the following in three weeks.”

A list of names, professional titles, and addresses of 50 influential people who can be counted on to help promote your book.

As someone who has done this legwork for self-published authors, I can say that you really want to take advantage of this offer. It’s a lot of work and expensive to package and mail 50 or more books. Your publisher is offering, but you need the connections and their contact information. In the day of email and Facebook, unless you run a business, it’s rare to exchange physical addresses. I suggest, as you meet potential influencers, to tell them you are writing a book and would love their address so you can have a copy sent to them when it comes out (you don’t have to have a contract to use this line). When you get an address, quickly add it to your online contact database and tag the person as a potential influencer. Excel is an excellent and easy place to track contacts. Here’s a sample contact form you’re welcome to use.

A simple excel spreadsheet can help authors keep track of friends, family, potential endorsers, and media all in one place. Download a copy in the link below.

Download a Sample Contact Spreadsheet

A list of prominent people from whom we should request an endorsement.

If you are lucky or have put in the time to network with other authors or experts in your field, you might know a few prominent people who would gladly write an endorsement for you. Even if you don’t know a person, if they would be a perfect endorser for your book and you can get their address, include them. You may be surprised who will say yes. One of my self-publishing clients requested an endorsement from Olivia-Newton John on her book Alphatudes: the Alphabet of Gratitude. Instead of an endorsement, Olivia ended up offering a free download of her song “Grace and Gratitude” with the purchase of the book. Start a contact record for any potential endorser now or when you are researching competition for your proposal. Those “competitors” may be perfect people to ask.

A list of media you think should receive a copy of the book.

Your publisher will have a set of media contacts that they already plan to send your book to, but you can’t rely on them to know every local or topic-specific outlet. The great news is they will ask you for your input on this, since you know your topic best. As you come across media outlets (blogs, magazines, newspapers, television shows) that would be perfect for your book, put their mailing information in your database.

A list of your previous media and speaking history.

For some, this may be a short and easy list. My writing and speaking career is just getting started, so I I’ve had very few media and speaking appearances, and even still, I almost forgot some of the details I needed.

My mom, on the other hand, has been writing and speaking for almost two decades. Try remembering 20 years of speaking engagements and interviews for 40+ books. My suggestion is to keep one ongoing spreadsheet for speeches and one for media. Every time you finish an interview or publish an article, write down all the details. The name of your contact person, the host’s name, the topic, the date, etc. Put contact information in your contact database, though, not on these forms, so you only have to keep one record updated. Here are sample Speech and Media History forms you are free to use.

Keeping track of all your speeches in one place will not only make it easier to fill out your ASMI, but will also give you a quick sortable  history when you need a reference for a certain speaking topic or want to pitch something fresh to a previous client. Download a copy below to start keeping track of your speeches.

Download a Sample Speech History Form

As excited as you might be for your first few interviews, you’d be surprised how quickly you’ll forget which magazine interviewed you on what topic or which tv producer you worked with. Keep it all in one place with an easy spreadsheet. Download a copy below.

Download a Sample Media History Form

How do you keep track of your contacts, media, and speaking engagements? Any other tips or suggestions?

Learning From Attending Writers Conferences

The first writers conferences I attended were at locations near SW Ohio. Pleased by the way I was received and welcomed by fellow writers, I learned a lot.

I figured the agents I met at those first conferences would not be interested in my genre but I approached them anyway. When I went into the three-minute speed dating room, the first words I said were, “I have never pitched before, so I am here to practice.”

This never failed to get a positive response. And for a deep introvert like me, that was encouraging.

Now several years later, have I learned everything I need to know? Have I learned enough? Can I forget about going to writers conferences? I don’t know about you, but that would never work for me. The networking alone is invaluable.

I’ve bought into the saying that a picture is worth a thousand words, and in this post I want to focus on benefits of the annual trip my friends and I take to the Blue Ridge mountains and the conference held in May.

We spend time with forever friends. (I didn’t get enough pictures this year.)

Fellow writer Hope Daugherty
Writers Conference Benefits
Ohio friends meet at the banquet.

We re-connect with established writers.

Yvonne Lehman
Instructor Eva Marie Everson
Eva Marie Everson

And we get acquainted with new ones.

Torry Martin
Torry Martin

Some of us meet with our agents.

Diana Flegal

Mary Ellis shared the banquet meal with her editor at Harvest House.

Kim Moore

We rejoice when friends win awards.

Linda Rondeau

We enjoy the beauty of this place.

Steeped in peace and beauty
A rose by any other name would be as sweet.

We are refreshed by the people, the classes, the meals . . .

Banquet table setting
Main course at the banquet
Sweet white coffee.

Q4U: Have you ever attended a writers conference? If so, what is your favorite memory? What was the take home value for you?

If not, I encourage you to find one near you and go for it.

WordServe News: July 2012

Exciting things have been happening at WordServe Literary!

On the final post of each month you’ll find a list of Water Cooler contributors’ books releasing in the upcoming month along with a recap of WordServe client news from the current month.

New Releases

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Something Blue by Dianne Christner

Publisher: Barbour

Agent: Greg Johnson

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One Big Thing by Phil Cooke

Publisher: Thomas Nelson

Agent: Rachelle Gardner

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Serving God and Country by Lyle Dorsett

Publisher:  Berkley Caliber

Agent: Greg Johnson

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The Well-Lived Laugh by Rachel St. John-Gilbert

Publisher: Barbour

Agent: Greg Johnson

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Son of a Gun by Anne de Graaf

Publisher: Eerdmans

Agent: Greg Johnson

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A Bride Opens Shop in El Dorado, California by Keli Gywn

Publisher: Barbour

Agent: Rachelle Gardner

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Shrewd by Rick Lawrence

Publisher: David C. Cook

Agent: Greg Johnson

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Desperate for Hope by Bruce W. Martin

Publisher: Revell

Agent: Rachelle Gardner

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The Soul Saver by Dineen Miller

Publisher: Barbour

Agent: Rachelle Gardner

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The Art of Neighboring by Jay Pathak and Dave Runyon

Publisher: Baker Books

Agent: Greg Johnson

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Central Park Rendezvous by Marylu Tyndall and others

Publisher: Barbour

Agent: Greg Johnson

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DawnSinger by Janalyn Voigt

Publsiher: Harbourlight Books

Agent: Barbara Scott

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New WordServe Clients

Dave and Claudia Arp and Peter and Heather Larson. The Arps started “Marriage Alive” 25 years ago. Now the Larsons are transitioning into leadershp roles for their ministry to marriages.

Dr. Dave Stoop, a longtime Greg Johnson client when he was at Alive, has rejoined Greg at WordServe.

New Contracts

Marcus Brotherton to collaborate on Austin pastor Matt Carter and NFL quarterback Colt McCoy’s book on BIBLICAL MANHOOD, to be publsihed by WaterBrook Press.

Leigh Ann Bryant sold her book, IN MY DEFENSE. It’s the true story of a life of shame and abuse with a husband she finally had to kill in self defense to protect herself and her small son. Soon after, she came to faith and has built a life as a pastor’s wife and a minister to those in prison (though she served no prison time). Our first sale to the new publisher Authentic Publishers. (Agent: Greg Johnson)

Roberta Kells Dorr was a Christian novelist who wrote biblical fiction in the 70s and 80s. Though she died several years ago, her family and estate wanted the books back in print, especially as e-books. We were able to do a 5-book deal with Moody Publishers for an unpublished work of biblical fiction and four previously published and out of print books. (Agent: Greg Johnson)

Ken Gire to collaborate on Chrissy Cymbola Toledo’s memoir of her prodigal life. Published by Tyndale House Publishers. (Agent: Greg Johnson)

Caesar Kalinowski, pastor and thought leader in the missional movement for the Soma Communities network of churches, a book with a working title of TRANSFORMED. A new way of seeing who we are in Christ and what a foundational difference that makes as we attempt to represent Jesus well to our network of friends.  Sold to Zondervan Publishers. (Agent: Greg Johnson)

Amy Sorrells debut novel CANARY SONG and another untitled work to David C. Cook Publishers. Synopsis: Tucked into the groves of a pecan plantation near the coast of Mobile Bay, secrets deep within the Harlan family simmer until they boil over one long, languishing summer. Will Anna Pearl Harlan, her family and friends seek hope in the midst of unbearable pain, or allow it to destroy their lives? Inspired by Tamar in 2 Samuel 13, Canary Song combines one girl’s coming-of-age with another woman’s redemption to show how God heals the hearts of the broken, and how crooked branches can one day provide the best shade. (Agent: Barbara Scott)

Shellie Tomlinson, our All Things Southern Belle (www.allthingsouthern.com), sold to WaterBrook Press, LORD, I WANT TO LOVE YOU MORE, a book for those who have ever wondered how to get from “belief” to “passion.” (Agent: Greg Johnson)

What We’re Celebrating

Jan Drexler‘s Amish novel slated for publication by Harlequin’s Love Inspired line (titled  Love Bears All Things) placed second in the Inspirational category of the The Fool for Love contest sponsored by the Virginia Romance Writers. 

Bestsellers

Rebecca Alonzo’s book The Devil in Pew 7 reappeared on the New York Times Bestseller lists after her episode on Dr. Phil re-aired:

#4 – Primary e-book best seller list

#14 – Primary combined print & e-book list

#26 – Extended paperback non-fiction list

Karen Witemeyer’s book Short Straw Bride made it two months in a row on the list, moving up from #13 (July) to #10 (August).

Mike Yorkey’s book Playing With Purpose: Tim Tebow (Barbour) debuted #32 on the ECPA Top-50 list for July (May release). (Sorry we missed this last month, Mike.)

Carol Award Finalists

Though these authors are no longer with WordServe, we’re so very proud of their accomplishments and their books that were contracted under the WordServe banner. Rachelle, of course, had a great eye for good writers and good stories, so the kudos goes to her, as well.

Roslyn Elliot is a finalist both for “Debut Novel” and “Long Historical” for her book Fairer Than Morning. (Thomas Nelson)

Lisa Jordan is a finalist for “Short Contemporary” for her book Lakeside Reunion. (Love Inspired)

Erica Vetsch is a finalist for “Short Historical” for her book Light to My Path. (Heartsong Presents)

Karen Witemeyer is a finalist for “Long Historical Romance” for her book To Win Her Heart. (Bethany)

What writing celebrations do you have?

Four Ways to Untangle Your Writing Life

Image/FreeDigitalPhotos.net There’s something about chaos in my home office that infuriates me.

As I attempted to help my husband install a new computer, the jumbled mess of wires overwhelmed me. Lying on the floor, flat on my back, reaching under my desk, I needed more than a flashlight and my glasses to see where to plug in the cables. I wanted something to calm my frazzled nerves.

At times, I also find myself overwhelmed with the tangled web of my writing life. I have so many projects going at once that I can’t focus on the most important ones.

So, how do we unravel the emotions and confusion of our writing lives?

Stop and take inventory. As I inspected the knotted wires behind my desk, I saw that each wire needed to be threaded back through a narrow space under my desk and poked through a small round cutout in the desktop, before I could connect my new PC. I took a deep breath and thought about my angry reaction to my husband’s request. We had purchased the new computer for my writing needs, and he needed me to crawl under the desk because of his old college knee injuries.

Since I tend to overreact at times, my routine frustration over my harried writing schedule serves as a warning sign for me to stop and reassess my priorities. I try to remember to seek God first for guidance. Have I made too many commitments again? Do I need to redefine the boundaries of my work and my everyday life? 

Make some space. After we pulled the computer desk away from the wall to allow space to work, I found that the electrical supplies to my paper shredder, stapler, hole-puncher, and phone charger complicated my task. I unplugged all of them and moved the equipment, so I could focus on just the computer wiring.

Sometimes I also need to back away from my writing life to gain perspective, especially before making new commitments. My other activities, projects, and life issues contribute to my inability to manage my time. I’ve considered enrolling in the course, “Managing Multiple Priorities,” but I could never find the time.

Sort through the maze. Before I unplugged our old computer, I decided to tag each cord at its connection to each device. Then, I sorted the cables and bundled the wires with plastic ties. 

Prioritizing my writing projects requires more than plastic cable ties. The process motivates me to evaluate my passions and interests to see if each project meshes with my overall plans. My impulsivity often leads me astray. And someone else’s requests can produce unnecessary and avoidable stress.

Go forward. After installing my new unit, I expressed my appreciation to my husband for his help, and I thanked the Lord for giving me the patience and the helping hands I needed.

The writing life offers temptations and distractions daily. I’d prefer to believe that I have my writing life in order. But with every new task, I experience a learning curve. I’m well aware that I’m still a work in progress.

Therefore, since we are surrounded by such a great cloud of witnesses, let us throw off everything that hinders and the sin that so easily entangles, and let us run with perseverance the race marked out for us. Let us fix our eyes on Jesus, the author and perfecter of our faith …
(Heb. 12:1 NIV1984).

Fear, Hit the Road!

Admit it. You’re scared.

No matter how many times you’ve been published, no matter how many awards you’ve won, no matter how many manuscripts you have finished and waiting in your files, no matter if you’ve never let any of your writing see the light of day…in the far reaches of your mind there’s a voice screaming, “What in the world do you think you’re doing?!?!?!?”

You know, if you let it, fear and panic will freeze you in your tracks.

What do you do with it? Ignore it? Hope it will go away? Tell yourself the next step on the road to publication will finally silence it?

What are we so afraid of, anyway?

We’re afraid someone is going to find out we’re a poser. The little dog is going to pull back the curtain and everyone will see who we really are…and that person is just me.

Not Agatha Christie, or Shakespeare, or Dickens. Not Beverly Lewis, or J.K. Rowling, or Gilbert Morris…

just me.

I’m not a writer. Who do I think I am?

Eventually, someone is going to expose me, and then where will I be?

On my way back to Kansas in an old balloon.

What do we do about it?

Some of us try to build up that flimsy curtain. We think if we write better, faster, switch genres, get the right agent, the right editor, the curtain will withstand prying eyes. We become desperate, frantic in our efforts to be good enough to withstand the pressure when we’re finally found out.

But what should we do?

Have I not commanded you? Be strong and courageous. Do not be frightened, and do not be dismayed, for the LORD your God is with you wherever you go.

Joshua 1:9 ESV

Joshua was in a pickle. He had enjoyed some success as the military leader of Israel, but Moses was always there to stand between him and God. Moses was the one who knew what he was doing, who talked to God face to face, who always knew the next step to take.

But now Moses was gone. You can imagine Joshua’s panic. He was supposed to lead these people now?

He had been given the mantle of responsibility, and he had no choice. Read the first nine verses of Joshua again.

What has God called us to be? Most of us reading this blog have felt that hand on our shoulder, that irresistible whisper, that compelling urge to express in words the truths God has laid on our hearts to convey.

We have no choice. We must write.

Three times in these nine verses, the Lord tells Joshua, “Be strong and courageous.” It isn’t an option, it’s a command.

“Have I not commanded you?”

It isn’t a choice.

We don’t have a choice, either. If God has commanded us to act, we must act.

Fear has no place here. It has no foothold.

And we won’t be alone.

“Be strong and courageous. Do not be frightened and do not be dismayed…”

Why?

“…for the Lord your God is with you wherever you go.”

Fear, hit the road. I’m no poser, I’m the writer God has called me to be.

 

Surviving the Summer and Social Media

Let’s talk about how hard it is to get things done right now. Ugh!! Personally, I have been battling getting things done because I am so busy with summer activities, or the heat makes me lethargic (and it’s been a HOT one). For those of you writers who are also parents, your life is especially tricky because the kids are out of school. I just got back from the Pine Ridge Indian Reservation, and I am late with this post. Summer can dish out some unexpected adventures. Remember to be prepared. Learn from me, and I am sorry to those who are a victim of my summer.

Summer in Pine Ridge
photo by Amanda Jensen Photography

I decided to make a list of my best tricks for making summer social media survivable.

First.

Schedule whatever you can ahead of time. Block off time to work for a few hours on social media, and do yourself a favor if you are living in Denver: find the nearest icebox with Wi-Fi and work there. Seriously, take time out and work in a isolated place where you can knock a BUNCH of work out.

Schedule your Facebook posts. Did you notice that with the latest update you can schedule and date your posts? It’s kind of the coolest thing ever!

Second.

GUEST BLOG!! Ask people to blog for you, and you should extend the same courtesy to others. This is the best way to skip a little and give a little. The best thing about guest blogging is that you are able to cross-market with some of your author friends/co-conspirators.

Third.

Take advantage of being outside.  You can take some epic pictures with Instagram and use them in your future blog posts.  Be creative and take trips that could be relative to your blogs.  Strategize.  (If you missed my blog about how to use Instagram, find it here.)

Summer in Telluride

Fourth.

Remember that people are not on Social Media quite as much in the summer.  The times that trend are a little bit different depending on your target audience.  More people are on later at night.  Try some test posts to see what time you are getting the best feed back.

Fifth.

Make sure you have all your accounts linked.  Tools like this plug-in make things easier. Link your Twitter to Facebook and your blog to both.

I hope you all survive the heat and have many summer adventures the next month.

What is your best trick to survive the summer? What makes social media easier when you are busy?

Publishing Is Publishing

This Fourth of July, I watched the fireworks from the exotically landscaped grounds of a ritzy Malibu mansion overlooking Santa Monica Bay. I was admiring an Anna’s hummingbird perched in a tree that could have been invented by Dr. Suess when a beautiful woman I’d never met before came up to me to find out how to get her children’s books published.

“They rhyme,” she told me. She had written them together with her three children, whom she homeschooled.

She seemed sweet, one of those amazing moms who can take charge of all children present (in this case, at least twenty of them)—supervising them in the pool, sunscreening them on a schedule only she knew about, braiding hair to keep it out of faces, correcting their behavior toward one another, taking one to the bathroom, moving them en masse to the trampoline, seeing to it every last picky eater among them got something to eat, keeping track of the dog—and all the while initiate and maintain extended conversations with various of the adults present.

“Well,” I said. “I don’t have any experience whatsoever in children’s books. I write nonfiction for adults.”

“Yeah, but I heard you write, um, like, spiritual books.”

I nodded.

“And they’re published, aren’t they? So they’re, you know, regular books, right? Like, you can buy them in bookstores? I mean, publishing is publishing, isn’t it?”

It intrigued me that she was seeking my advice at all. I was such an oddity at that party. Visiting from Oklahoma. Not rich. The only woman present with grey hair. Not at all the sort of person someone like her would go to for advice about anything—except maybe birdwatching. I seemed to be the only one at the party paying attention to the magnificent hummingbirds and house finches and hawks whooshing around us.

But she was right, I guessed. Publishing is publishing. I recommended she get the latest edition of Writer’s Market.

“Did that already,” she said.

“And I think I’ve seen a special Writer’s Market just for kids’ books.”

“Got that too. Read it cover to cover.”

“Then you know what to do. Write a proposal that has all the parts they ask for and send it out to agents listed in the book who represent the sort of thing you’ve written.”

“You mean a query letter?”

“Yes, that too. I mean, for publishing adult nonfiction, you’d need a book proposal, but maybe with kids’ books you can get everything you need to say said in your query letter. Send it to agents who seem in the same place professionally as you are—that is, just beginning your career as a writer.”

“But don’t I need to copyright my stuff first? I mean, they could just steal my ideas.”

I said I didn’t think copyrighting was necessary. Why would an agent want to steal her ideas? “Agents make money from selling your book to publishers,” I told her, “not by stealing ideas and writing books of their own. They get fifteen percent of whatever you make. They want you to make money.”

She seemed unconvinced.

“Well,” I said, “Just do whatever it says to do in your children’s Writer’s Market.”

“I did all that,” she said. “So what do I do now?”

“You wait to hear back. And then, if you don’t get any takers, you revise and do it all again with another list of agents. If your stuff is good, eventually you’ll find someone who wants to represent you.”

“But how long should I wait? I mean, it’s been a few weeks already. Isn’t there anything else I can do?” This woman was a doer. As we spoke, she was rearranging the bowls of dips and crudités that the pool-wet children had left in disarray.

“No,” I told her. “Just write. Revise. Submit. And wait. That’s all I know about how to get published. Unless it’s different with children’s books. Which I’m guessing it isn’t. I mean, publishing is publishing, right?”

So what do you think? Is all publishing the same? If it’s different, how is it different? If it is the same, how is it the same?

Thoughts on Publishing: What Would the Wright Brothers Do?

“If we worked on the assumption that

what is accepted as true really is true,

then there would be little hope for advance.”

~Orville Wright

A lot of hoopla surrounds the publishing industry, these days more than ever. In the midst of the business, it’s easy to forget the original dream and heart of the artist.

This is not a new phenomenon.

Nor is it unique to the publishing industry.

Take the Wright brothers, for example. I wonder if Orville and Wilbur had today’s airplane industry in mind when they first sketched out their dream to fly. I assume they were two wildly imaginative, brilliant brothers who had a knack for ingenuity, and who simply wanted to feel their feet leave the ground. Who simply wanted to fill their lungs with air free from the heavy, constant pull of gravity.

Sure, they must’ve been pleased to see the initial progress of their invention, how flight began to morph into bigger, stronger vehicles which allowed others to feel weightless freedom, too.

But what would they think now?

Of the pushing and shoving and security detail in airports? Of gunfire, like rain pouring from silver wings? Of hijackings? Of crashes? Of bankrupt airlines? Of their beautiful, wooden machine used as weapons of mass destruction on 9/11 nearly a century after liftoff?

Of course, modern-day airplanes are still a marvel. Their massive engines bring orphans into the arms of adoptive parents; soldiers into the embrace of waiting wives and newborns; food to the starving; medicine to the dying; peace to the war-torn; relief to the hopeless.

All of these things–the good and the bad–began with a dream which lolled around the hearts of two gangly boys for years, and which eventually tamed the winds on a lonely, sandy beach.

And so it is with the publishing business. A single page of script begins as it did with the Wright brothers, with a small dream in a great, big heart. From there, the dream takes flight. And after that, it becomes a part of the industry–an industry which carries words to distant places.

Some stories give life and hope.

Others tear down and destroy.

Much ado is made over the various branches of publishing: self, electronic, traditional, mainstream, Christian, small press, large press, and on and on and on. I suppose this is not new. But the industry is merely a vehicle for syntax to take flight.

Our job as authors is to keep the original dream alive, despite commercialism, competition, money, and what all the writing blogs say.

If you’re an author (like me) who follows Jesus, our job carries the even weightier responsibilities of strengthening, encouraging, and comforting. As Christ-followers, we must choose building up over being edgy for the sake of being edgy. We must choose loving accurately over nosediving into the murky waters of what itching ears would have us say.

Write brave, yes.

After all, neither flying nor faith are safe.

But write with prayer, precision, and while feeling the weight of the cross on our wrist.

*************

“The desire to fly is an idea handed down to us by our ancestors who, in their grueling travels across trackless lands in prehistoric times, looked enviously on the birds soaring freely through space, at full speed, above all obstacles, on the infinite highway of the air.”

~Orville Wright

*************

What about you?

How do you stay true to your dreams and the truth you long to pen upon blank pages?

How have the Wright brothers (re)impacted you today?

Learning to Become a Writer Can Be a Very Rocky Road!

Do we modern civilized westerners really know what it is to travel along a rocky road?

I have just finished reading a book called The Friar of Carcassonne. It is a terrible tale of religious persecution and the horrors of the Catholic Church Inquisition in 13th century Languedoc, a region of southern France, and the famed land of the Cathars.

One very common feature of medieval life was that if you wanted to get from Rome to Paris or Paris to Carcassonne, your choices of transport were few. Horse and cart, riding a horse or donkey, or going by Shanks’s pony–in other words, foot-slogging weariness for hundreds of miles. And the highways and byways were either hard, rocky, dusty roads in summer or icy, frozen lanes and quagmires in winter. Both descriptions could be understood to be a rocky road.

Can I seriously liken my journey in becoming a writer to a rocky road experience? Honestly, I don’t think I can. Sitting in a comfortable study, shelves full of reference books to consult with and now in these, our marvelous times, having a window onto everything through the screen of my PC. A good wife to provide cups of coffee and hand-made sandwiches at my request, a safe environment outside should I want a breather, and even a tender mattress to lie upon should I get overworked and need a nap.

What can I say on this subject?

My second thought took me back to a summer morning twenty-five years ago. Slipping out of the English Lakes holiday cottage at five a.m., I was bound for Scafell Pike, England’s highest mountain. I had planned the trip many months before, pored over the ordnance survey maps to find the best way up to the summit while avoiding any obvious hazards and dangers en-route. I had planned it well. Made a list of all the equipment I needed, and not just needed for the climb, but also in case of emergency, accident, or injury. I wrote a route map and planned to give a copy to a responsible person who knew where I was going and what time I was expected to return and who also would know what to do in the unlikely event I didn’t come back at the appointed time.

The night before my intrepid adventure, I checked my equipment against the list. I made doubly sure that everything was in good order especially my handy fell walkers compass. Triple checked that I had enough food and drink. Had I packed a whistle to raise the alarm and a camera to record the good bits and a pair of binoculars to see what was up ahead?

It was a great day out. All was well. I got to the summit late morning, and there was no one else about. Most importantly, I got back safely and on time, so thankfully the mountain rescue folks weren’t needed.

For sake of argument, disregard the comfortable study and the peripheral luxuries that often accompany the writer’s life. Consider the following circumstances in comparison. If a writer starts out his or her journey in a lackadaisical fashion, then only failure can be the result. If I had started out on the climb up Scafell Pike without proper planning or management or the right equipment then perhaps I might not have returned. I might have encountered many pitfalls on the way for which I had made no contingency plans and thus suffered the consequences.

To avoid the rocky road, the apprentice writer must plan ahead carefully.

A daily timetable is a very good idea. Work out which part of the day is the most creative and productive for you. Don’t fall for the ‘you must get up at dawn to be a serious writer’ jab. If you are a nocturnal creature, write at night. But remember most bad novels were written just after a good lunch.

If you must, put a ‘Do Not Disturb’ sign on the door, so you can concentrate while you are being productive.

Make sure your ‘climbing’ materials are all in good working condition and you have all of the necessities.

Here’s a last tip. A trio of guys, Dibell, Scott Card, & Turco, wrote a book called How to Write a Million and it has helped me a lot over my years as a writer. Check it out!

How have you overcome ‘rocky road’ experiences as a writer? In life?

Creative Venue Planning

If bookstores are the only place you’re signing and talking about your books, then you’re missing the boat.

Perhaps even literally.

In the last year, in addition to bookstores, I’ve talked and signed books at gift shops, diners, book club gatherings, Rotary Club breakfasts, libraries, senior community dinners, and summer festival booths. Since my novels are about a bird lover, I’ve also signed books at bird feeding supply stores and an annual birding meeting, not to mention an international owl festival, a regional hummingbird celebration, and the National Eagle Center. At every venue, I’ve sold more books than I have at any bookstore signing, not to mention the new readers I’ve found and the publicity such events generated.

So how do you pack your calendar with venues that will work hard for you? The answer is Creative Venue Planning, and here’s my three-step recipe:

  1. Look past your story, and instead, brainstorm your book’s topics. Like trying to identify keywords or tags for a blog, pulling out the topics, and even specific characters, in your book can lead you to new audiences and venues. Since my protagonist began birding as a child, I give talks about the importance of nature education for kids at family-oriented programs. A restaurant I included in one book happily hosted a signing for me, and displays my books in a prominent place. HINT: Does one of your characters run a small business? Your local Rotary Club or Chamber of Commerce might be delighted to have you come speak to them about how that plays into your novel. Many groups are eager for new ideas and personalities to book for their meetings. Find a link between them and your work, and you’ve got a foot in the door.
  2. Research opportunities. What groups in your community need speakers? My current goldmine is senior living communities who have busy activity calendars for their residents. Since many of my readers are older and enjoy birdwatching, speaking at these venues is a perfect fit for me. I’ve learned that many communities have on-site book clubs, too, and having an author (you!) available to join a gathering can mean a shortcut to your book being selected for reading. HINT: Would you be willing to talk to a high school class about something related to your book? Teachers are generally thrilled to have a guest speaker, and while you may not make any sales in the classroom, you can bet on word-of-mouth publicity (and perhaps a small fee from the school field trip budget!).
  3. Pick up the phone. Nothing beats personal contact when it comes to booking events at creative venues. Find the right person to ask (research on the internet or by phone) and prepare a short, convincing, sales pitch as to how they’ll benefit from your visit. Offer to email your photo, a brief bio, and talk description for their use in promotion. Take your bookmarks to hand out, and books to sell and sign.

What’s on your creative venue plan?