Category: Writing

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Your Rights

Publishers are in the rights business, pure and simple. They are printers, sometimes marketers, hopefully good editors, but their business is charged with making money over the long haul. That means they want to control any and all rights to your book to license, sell, adapt, modify, translate…you get the picture. So what should an author know?

Every publishing house is different; that’s why an experienced agent is so essential. Some houses grasp onto a right like it’s their only child (bigger publishers, especially). They’re stubborn and unreasonable and hold all of the cards. Why? Money. They write the checks. If it’s a big check, that entitles the publisher to try to keep whatever they can. Unless an author is willing to walk away from that check, they have little leverage but to play the publisher’s game. Having said that, publishers also have a good amount of experience in selling these rights, and a big machinery to manage the process.

Primary rights that are typically non-negotiable include (and this includes the right to sell anything we grant them to anyone, anywhere, almost at any time):

  • North American (and sometimes World) English language print rights;
    • Any format, style, derivation
    • Book club
  • E-book rights (and enhanced ebook rights);
  • Large print and braille;

These primary rights are often granted because the publisher can ultimately make more money than an agent:

  • In the Christian market, foreign rights. In the general market, if the agent has good contacts overseas or good co-agents in bigger parts of the world (Europe, the Pacific Rim, etc.), there is more money to be made by the author in keeping these rights.
    • Unless the agent can negotiate a larger percentage for his author (60% to 75%). Publishers often have deeper means to keep squirrely foreign publishers accountable (due to doing lots of deals with one house).
    • Like most experienced agencies, our agency has some contacts with foreign editors, but not as many as we’d like.
    • Audio rights are sometimes non-negotiable, as publishers want to control what may compete with them out in the marketplace. But I’ve withheld audio in a few instances and sold these rights myself.
  • For Christian non-fiction especially, curriculum rights are sometimes granted to a publisher, sometimes not. Publishers are rarely putting curriculum packages together for churches, but if it’s a big book (read: big author), or has potential over the long haul to make a mark in retail, they’ll typically want to keep these rights for two or three years just in case it hits.
    • Sometimes reversion can happen after the first year if the author simply wants to produce and fund the creation of some sort of curriculum piece for his/her own sales.
    • Curriculum can also include non-dramatic video. This is even rarer, as it’s insanely expensive to produce.

Other rights:

  • Dramatic and film rights. Oddly, some Christian publishers want to hold onto 20% to 50% of these rights. What used to be automatically retained by the author is now being held onto by the publisher for up to two years, stubbornly by some houses. In New York, there is no question that dramatic rights are retained by the author, but some portions of CBA want a piece of the action. A few publishers, of course, have had some success getting producers to notice bestselling books and then getting them made into film. It’s rare, but it happens. And the money isn’t insignificant if something gets made (overall, anywhere from $50,000 to $250,000, if a book gets made into film).
    • Option Money:  Signing an option agreement to take a book to film (especially for Christian books), is common (5% to 10% of all novels published), but not lucrative. Anywhere from $500 for a one-year option (renewable at $1,000 or $2,000) to perhaps a high-end of $25,000. There are exceptions and lots of variety, depending on the entity optioning the rights. The “option” allows them to start raising money, hiring a script writer, getting a director, and attaching other talent, all with the hopes of presenting it to a studio for the green light of turning on the cameras. In 18 years as an agent, I’ve done a dozen options or so, with one finally being put into film. It’s not our core business, and the money is not large on 98% of the properties. WordServe works with an experienced Hollywood co-agent when a property is close to being optioned.
  • Calendars, magazines (1st and 2ndSerial rights), gift books, anthologies, quotations
    • Small money; typically publishers want to keep these rights.

Do you have any other questions about rights issues you’ve been wondering about?

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*When Throats are Parched: Writing (On Deadline) In the Land of Drought

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Years ago I crossed the Sahara desert the back of a truck. No GPS. No roads, no signs—we followed the train tracks. We did have a crude map with water holes marked. We’d get to the hole or the well—and it would be dry. We’d set out for the next one—and it was dry. Our water supply got lower every day and was closely rationed. At one point we were lost for three days. And we were on deadline—we had to get to Kenya before the rainy season started.

That’s what the writing life can feel like at times, yes? The stations of usual refreshment aren’t open; we’re getting drier and drier; the manuscript is withering. We’re plain out stuck. Here are some sources of “stuckness,” and suggestions to get you moving back to the watering holes!

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*You’re STUCK because you’ve been seduced by your own luscious language.

You’ve followed a trail of language, lured by its sound, rhythm, maybe even its profundity. Soon—you’re sunk. In love. In a trap.  No water. No trail, no way out.

*Get UNSTUCK  by leaving the page. Free yourself by taking your core idea (or character) off the page and walking it out in the world. Wrestle with its logic, its meaning, until you can articulate the concept clearly in new language and out loud. You’ll find it much easier to break your “engagement” with your sand trapped manuscript.

*You’re STUCK  because there’s dissonance between form and content.

Maybe you committed to a form or a genre or a particular structure too soon before fully exploring your content. (We do this when hurrying under deadlines!) When we externally impose an ill-fitting form upon our material, we’ll soon find ourselves and our manuscript immobilized.

*Get UNSTUCK  by returning to the exploration stage and really listening to the work itself, teasing out from its deepest levels the organic  form/genre/structure that best illuminates its meaning.

*You’re STUCK because of the limits of your genre.

Every genre is an attempt to discover and construct some form of knowledge. But every genre has limits. Narrative finds meaning through sequence, context, causality. By its very definition it reveals order—and potentially meaning—from the disorder of our lives. But sequence and causality don’t tell the whole story. Poetry relies heavily upon metaphor, imagery, the moment, sensation, but poetry may miss the truths that narrative can discover. Each needs the other at some point.

*Get UNSTUCK by changing genres (for a short time). We need to stay open to new truths as we write. If you’re stuck on the chapter in your memoir about your mother’s death, write a poem about the day she died. If your poem is stalled, try writing a short story or a vignette about something related that happened to you.  You will see, hear, and process memories in new ways when entering a new genre.

Let’s admit it—writing is an unnatural act. Sitting at your keyboard for hours on end every day is like crossing the desert. You have to find ways to rehydrate and rehumanize this most glorious of labors.  So I end with these final admonishments:

*Ask for an extension. Believe it or not, most writers do this at some point. There’s no shame in it. Your editor wants you to produce the best material possible. It’s not always possible, but getting a little more time can magically create a breakthrough.

*Go to bed early. Eat. Exercise. Drink yummy beverages. Be nice to yourself.

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(The end of my Sahara story. We made it out, but I never wrote about it—just a single poem. I was too parched to write.)

*A VERY condensed form of my presentation at the Calvin Festival of Faith and Writing April 20. More helpful details here.

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Having Confidence in My Own Voice


I took writing classes, read and applied hundreds of writing craft books, and hired freelance editors. So ten years later, why did one freelance editor say I had no voice?

“It’s time,” she said, “to write a mission statement for your story. And stick to it.”

Then I read one more book, Finding Your Voice by Les Edgerton. I’d mistaken craft for voice, he said. And, as I honed my writing skills I’d lost my voice in the process.

Yet there was hope. On page 73 Les gave me a signed permission slip to write in my own natural voice.

My unique voice reveals my take on life, including my beliefs, fears, hopes, and dreams, memories of childhood celebration and disappointment, the embarrassing teenage years, followed by adult accomplishments and failures.

Some have said that writer’s block comes from editing out your natural voice before it reaches the page. Yet when you’re in the zone, words pour out freely, words that are in your natural voice.

When I use my natural voice, I have an original story. One that no one else can tell. I must simply accept that not everyone will like my writing and not everyone is my target audience.

Have you ever wondered why movies are so different from the books that inspired them? The fact is the filmmaker destroys the novel writer’s voice. If you prefer the book over the movie, what you loved about it was that voice.

In my own writing, I like to read the printed pages of my draft while walking around the house. The body mind connection kicks in and I realize when the dialogue is off. Ooops, I think, he wouldn’t talk like that. Layer by layer the character voice emerges.

“When you sit down to write, allow God to flow through you to use you. Let His words inspire you to write the things He lays on your heart. You are unique, and therefore your voice is unique in speech and in writing. Your voice is a gift straight from God’s hands, speak and write for His glory, and your matchless qualities will touch lives that no one else can touch”. ~~Lisa Buffaloe

Q4U: How did you find the secret to unlock the personality in your writing voice?

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The 15-Minute Writer: Help for Harried Aspiring Authors

I’ve never had the luxury of uninterrupted time to write. In fact, while finishing my first book, I had a five year-old, a busy hubby–and morning sickness (which lasted all day, throughout the whole time I was pregnant with my second son). Since then, I’ve worked a variety of part- and even full-time jobs while continuing to build my platform and hone my craft. And out of sheer necessity, I’ve become a master at using hidden pockets of time to further my career.

If you’ve got all the time in the world to research, read, and write, then skip this post. If you’re like me, however, I hope you’ll find encouragement for reaching your writing goals–fifteen minutes at a time:

—Write whenever, and wherever, you have a few spare minutes (during lunch hours, while your kids are at soccer practice, in waiting rooms). During these “cram sessions,” don’t edit; just write as fast as you can.

–Or just edit. Read a draft of a poem, filler, or blog post (preferably out loud) and make a few quick changes.

–Browse the writing section of your local bookstore or library and pick out a few gems to read in fifteen-minute spurts. I can highly recommend Writer with a Day Job.

—Hire a teenager to watch your kids, clean house, or do your errands. And later, use the time you just saved to write!

–Create a spreadsheet. Like this.

—-Look for an online writing support group. The members can provide support, tips, and tricks. (If they instead give you spam, aggravation, and passive-aggressive “critiques,” you can always un-join. That would only take five minutes.)

–Save a few templates of frequently-used pitch letters and customize a query to a specific magazine or agent.

–Create a rough draft of a new writing resume.

–Update your LinkedIn account with recent writing jobs.

–Flip through the newest issue of your favorite magazine, and list a few ideas for features you could pitch to the editor.

–Think about the unique ways you organize your kitchen, kids’ rooms, or office. Draft a filler to send to an appropriate magazine.

–Have a great idea for a greeting card? Check out Hallmark‘s website to see what contests they’re currently running.

—“Backwards plan.” Take a deadline, or set one for yourself, and mark it on your calendar. Then write down all the tasks you’ll need to complete in order to meet the deadline—interviews, outlining, writing a rough draft, revising—and decide how much time you’ll likely need to complete each one. Finally, plan backwards, setting yourself mini-deadlines. (This tip has saved my sanity—and my family life—on several occasions!)

From my busy-but-very productive writer friend, Glynn Young, here are a few final suggestions: “Find and follow three writing blogs, like noveldoctor or Jeff Goins. Read one chapter of a book about writing. Read three poems. Read one author’s entry on Wikipedia. Read the current post on The High Calling.” [where Glynn and I both serve as editors]

See how much you can accomplish in short spurts? Who knows–your mini writing sessions might just lead to your fifteen minutes of fame. Either way, you’ll never regret the time you spent pursuing a passion. I promise!

Now it’s your turn. What ideas do you have for using small amounts of time wisely?

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Hunting and Fishing: Tackle Box Tools for the Aspiring Author

What does hunting and fishing have to do with being a writer? More than you might imagine. If you think you’re exempt from needing these skills, you may find you’re going to need a bigger boat, so to speak.

After placing well in a writing contest, I was approached by several people who wanted the same thing. They resembled eager, wide-eyed hunters, sure that there was a sportsmen’s paradise within reach, if they could just locate the geographic coordinates. The questions have been pretty standard. How do I get started? What should I write about? How do you get an agent? How do you get published? But the most interesting question so far has been how do you find the courage to put your work out there? This question was from a woman (we’ll call her Nancy) who had already written an entire series of books, but lacked the confidence to move forward. She was stuck.

In addition to being a strong writer, Nancy had an impressive graphic arts background and was perfectly capable of designing the entire book herself. She had all the tools she needed and then some – but not the confidence. It’s a common dilemma. Many writers are introverted and sensitive to criticism. They may have much better work in their garage than most of what is available, but we’ll never hear about it because they are unwilling to send up a smoke signal and let us know where to find them.

Not everyone is going to love our work, and we don’t need everyone to love our work. We just need to find our audiences. Fishing with good bait obviously helps exponentially. Nancy came to peace with the fact that she was going to have to learn to fish. She then accepted the fact that although she didn’t think her book was good enough, it was certainly better than some of the other books out there. If those books could get published, then why not hers?

Next, we tackled the business about marketing and promotion. Nancy realized that she would not have to just catch the fish, but cook it, clean it and perhaps even serve it as well. The author is expected to do a great deal of their own marketing. The publisher can’t do it all for us; they have other authors they need to promote. No one has as much of a vested interest in our success as we do.

Nancy was horrified to learn that she would probably need a website with her name and picture on it, and she might even have to speak about her book in front of people. The most uncomfortable concept for her by far was that she would have to ‘sell’ her work. But she figured out that it doesn’t feel like ‘selling’ if you are simply providing a service or commodity and increasing awareness for people who really want your product. Blogging and tweeting and self-promoting are awkward concepts for most of us. However, unless you have staff to hunt and fish on your behalf, there aren’t too many other options.

Nancy still isn’t crazy about all the hunting and fishing she has ahead of her, but she is committed to surviving as a writer. She has started working on her book covers and finding books on how to overcome her shyness. She’s bravely entering Writing Territory and looking for a spot to set up camp. Best of all, she is no longer stuck and is actively pursuing her own hunting and fishing sportsman’s paradise.

Have you caught any tasty fish lately? How are your hunting skills? Figuratively, of course, but if you want to share some literal experiences, that’s okay, too. 🙂

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Finding a Publisher – 10 Steps to Success – Part 2

I’m returning to discuss those ever important steps in finding a publisher. You can find Part I that covered steps one through five here.

Step 6 – You may have ten or maybe even twenty publishing companies still on your list. Now take a look at their websites to see for yourself what kind of books they publish. Pick out one or two books similar to your own story and discover where the publisher actually sells them. For instance are they available in book stores or only on internet sites like Amazon. Browsing the books for sale can also tell you if the books are best-sellers. Read the readers’ reviews etc. Spending time in this area can help build up a picture of the publisher, and this kind of research is always fruitful for new writers. Are the publishers small or big, successful or not, new or well established, respected or not? On this last point the internet often has blogs and comments about bad publishers. Read them but be discerning because sometimes the comments may come from an embittered author whose books were repeatedly turned down.

Step 7 – So you have now made a shortlist and want to decide where to send your precious MS. Remember you can send copies of the MS to several publishers at the same time. Better to fire off several barrels rather than just one bullet, scattered guns normally hit something; whereas, the single shot usually misses the target.

Make sure you really read the details of their submission guidelines. Each company will have a different slant as to how you contact them. Some want the whole MS; others don’t. Some want the first three chapters only; whereas, some publishers just want to see a synopsis of the book. Remember to keep strictly to the guidelines, or your MS may end up in the waste paper basket. And always send a stamped addressed envelope so that the copy can be mailed back to you. That way you are more likely to get a reply even if it’s not the one you wanted.

Step 8 – A warning! The ‘sharks’ out there often disguise themselves as bona fide publishers. They might look safe, but all they want is to chew on your money. This is not saying that ‘self-publishing’ companies are predatory. Most often they’re not because in the case of self-publishers you get what you pay for.

I am sorry to say that there are Christian companies out there in the big ocean that act like sharks. One such company contacted me and said they wanted to publish my book, but it wasn’t until the third or fourth email that they told me it would cost $18,000 up front. The contract also tied me into buying a hundred books at $10 a book. If however, you are serious about your writing, find a reputable publisher and use your best judgement to pick the right one. If it doesn’t feel right, then it probably isn’t!

Step 9 – So you’ve sent your MS off; do not despair if after a short while you don’t hear back. Just be patient, and resist contacting the publisher to find out what’s the score. Most often it takes at least three months to get even an acknowledgement or even longer. I know that you are on tenterhooks, but the best way to stay sane is to ‘forget’ about the submission and get on with the next project. If you get rejections, don’t lose heart. Some of the most famous authors had hundreds of rejections before someone smart bought the book. Remember a lot of publishers make errors in their choices. The Harry Potter series was turned down by loads of agents and publishers. Have faith and keep knocking on doors; you’ll win in the end. The writers who found success are those who never gave up believing.

Step 10 – If you are a Christian writer, here’s a Ready auto transport service you can use. In short, what it does is post three chapters of your book and a brief author bio with your contact details on their website. The website is known to many Christian publishers who take a peek on a regular basis to see if there’s anything worthwhile posted there. It’s inexpensive, and your submission stays on the website for six months. One last piece of invaluable advice for Christian writers is this: remember the Lord is keenly interested in you and your work. Pray every day for success. I found success with an agent and a publisher who were five thousand miles away from where I live.

Care to share some of your publishing experiences?

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Beyond Instinct: (Not) Writing Like Weasels

In her much-anthologized essay “Living Like Weasels” Annie Dillard locks eyes and brains with a weasel, launching an essay on calling. Weasels teach us how to live, Dillard writes, embodying an instinctive mindlessness, all energies pointed toward their “one necessity.” One weasel latched onto the throat of an eagle and never let go, even in death, its skeleton attached to the eagle’s chest. The essay ends here:

“I think it would be well, and proper, and obedient, and pure, to grasp your one necessity and not let it go, to dangle from it limp wherever it takes you. Then even death, where you’re going no matter how you live, cannot tear you part. Seize it and let it seize you up aloft even, till your eyes burn out and drop; let your musky flesh fall off in shreds, and let your very bones unhinge and scatter, loosened over fields, over fields and woods, lightly, thoughtless, from any height at all, from as high as eagles.”  

It’s a stunning close to an inspiring essay. But the beauty of the language disguises the horror of the scene. The weasel latched onto the wrong bird. His actual death was not likely very poetic. As writers and as people of faith, we’re not as horrified as we might be: death is not our final fear, and we understand the larger metaphor of death. But we needn’t seek it out. There are so many ways to die as a writer already; I’d like to save us from an unnecessary demise or two with a few simple words:

Choose the right bird. When you discover you’ve chosen wrongly, let go.

This is a simple way of saying that as writers we labor under more than one calling, more than “one necessity.”  There is the calling to write, the sense of being appointed a wrestler with words, a storyteller, even a prophet at times. But there are callings as well to particular projects and subjects. When we don’t distinguish between the two, we’ll find trouble, maybe even death.

In the last twenty years I have let go of a number of essays-in-progress, articles, even book manuscripts. Despite seeking God’s direction—and feeling that I had found it, two book projects I felt very “called” to pursue, ended up withering. As each  atrophied, I latched on yet harder, spending costly attention and effort trying to revive them—to no avail.

I did not expect success to meet every writing endeavor, but some losses hit hard. We question our worth as writers; we question our very calling. But we often ask the wrong question. Rather than asking, “Am I really called to write this novel (this essay, this book) right now?” we often ask, “Am I really called to be a writer?”  In these moments, we’re not so much rising on the wings of eagles as we are devoured by our own insecurities and disappointments. We may even stop writing altogether. This is the second death—and the least necessary.

The weasel operates by instinct alone. We can do better. We can’t see into the future to know whether a project will ultimately succeed, but we can follow our given passions, testing them thoroughly with research, prayer, and rough drafts. If a project falters, as all seem to do at some point, we persevere until—-we cannot. Then, we pry ourselves loose and let it go.  Not easily, and never prematurely, but our bones will stay hinged, and our musky flesh will live to choose another subject, another day, one that may indeed send us soaring.

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Market Your Fiction with Non-Fiction

I often hear fiction authors struggling with ways to market their novels. Non-fiction authors seem to have an easier time with marketing, due to their expertise on their subject.

But fiction authors actually have quite a bit of nonfiction in their novels. Remember all that research you’ve done?

As Christian writers, our characters and story lines have a built-in message of faith. Writing articles on your own faith struggles and how they relate to your character’s journey is one way to use non-fiction.

Think about your character’s occupation. Is your heroine a landscaper? Write some posts on the best plants in your region. Or tie it in with the setting of your novel. A post on the best plants in the region of your book is even better. You could also spin it and list which plants are best transplanted in any region.

My heroine is a cook on a cattle drive. The pioneers only used cast iron, so I wrote a post on how to care and use cast iron.

How to clean cast iron

Did you find cool facts when you were researching that didn’t make it in to your novel? Then consider writing some articles on these.

These make great blog posts, but try taking it a step further. I pitched the idea to my local newspaper about a monthly column, Pioneering Today, which highlights the best of the pioneer lifestyle and how it relates to us today. The editor gave me permission to re-publish the articles on my blog after the current issue has run. I can offer links or pictures, so readers of the newspaper have a reason to visit my website for more information.

Consider magazines or ezines to submit these articles to as well.

What are some of your favorite non-writing blogs and magazines? How could you tie in an aspect of your writing or book to these? What ways have you used non-fiction to market your fiction?

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The Awesome Power of Humor in Writing

“Lord, please don’t let me die in a CVS bathroom,” a young friend of mine, Kelli, posted on her Facebook status during the Texas Tornadoes of Tuesday, the day when semi-trucks flew like box kites.

I thought, What a great way to handle a crisis: with a prayer on your lips, your sense of humor intact.  Not only that, but I knew that keeping a sense of humor in spite of the stress and danger, would be calming both to Kelli and the frightened folks with her — because it is hard to think of something funny and be terrified at the same time.

Just moments before Kelly’s post, I had been talking to my daughter Rachel, who lives in small town Forney, Texas, and with whom I’m writing a humor food blog and book by the same name (We Laugh, We Cry, We Cook). Tornadoes are so commonplace in Texas that when Rachel answered the phone with, “Hi, Mom. I’m in the bathtub with the baby and a mattress pulled over our heads,”   I almost asked, “Again?”

This would be our third cell phone conversation this year with my daughter scrunched in the tub with her baby, her phone, her lap top, a mattress overhead. This is simply “Life in Texas” during tornado season; but  in my fifty-three years of doing the Bathtub Tornado Preparedness routine, I’ve never seen one funnel cloud.  Hard to take those TV tornado warnings seriously when they seem to happen every little whip-stitch in the Springtime.

But then Rach said, “Mom, the weatherman just shouted that a tornado has hit a Forney school.” Rachel lives only a half-mile from a Forney high school and elementary school.

All the blood drained from my face.

“Honey, stay on the phone with me…” I said, and then heard nothing from her end of the cell phone but snap, crackle, pop, followed by  … silence.  I called back, but cell phone service had ceased in her area.

I grabbed the remote, flipped on the TV only to see the words “Forney,Texas” flashing, with scenes of the menacing tornado playing across the screen.

Sick with fear, it was ten, long, excruciating minutes before Rachel called back to report she was fine, not even a drop of rain. She sounded calm, but then she’d not yet seen what had just miraculously missed her home.

I cried, my husband Greg (who is not only CEO of WordServe, but a stellar comforter) hugged me. My legs now Jell-o, I sat down, glanced at my computer and my eyes landed on Kelly’s brave/funny status post (from somewhere near Greenville, Texas) and somehow… I managed a laugh.  And with that first laugh, calm began to flow through my veins, and my traumatized brain began the process of soothing itself.

I fell in love with President Reagan the day he calmed an entire country with the words, “Who’s minding the store?” soon after he and several others had been shot.  If Reagan could still joke, and we could still laugh, everything would be okay. America breathed a collective sigh of relief, thanks to the President’s cool head and sharp wit.

I’ve written three books with brain specialists, and I’m proud that I could gather enough middle-aged brain cells to write something serious and science-based.   But what flows from my soul and my pen most naturally is humor.  I used to feel that writing humor was somehow less important, not terribly “literary.”  I know many serious writers who still believe that writing humor takes less intelligence, less skill, and not much depth of thought.  To those writers, I say, “Try it. Then, let’s talk.”  I once heard an interview in which Barbara Mandrell’s little sister (“the blond ditzy one”) said, with a wise wink, “It takes a lot of smarts to play dumb.”  It also takes a tremendous amount of skill to be self-deprecatingly funny on paper, without being corny, or forced, or silly.

Over my writing career, I’ve received hundreds of letters or emails that read something like,  “Someone gave me a copy of your book while I sat with my dying mother in the hospital, and we both laughed until we cried. Thank you for giving us that happy memory together.”  Or, “I lost my husband last year and could not read anything serious or heavy.  But your stories, and the laughter… oh, how healing it was to laugh again!”  And on and on.

My time with the brain doctors taught me that laughter is a gift to every cell in our body. If you can write stories that bring a grin or a chuckle, you share a priceless gift with your readers. You give them a short mental vacation from their worries and those common looping, overly-serious thoughts.  Laughter helps re-set the brain from negativity to lightheartedness in a short amount of time.

Whether you write books of humor, or just sprinkle some well-placed wit into your prose, there is no genre that cannot be improved, or heart that cannot be lifted, or worried brow that cannot be soothed by a touch of the clown, now and then, from your pen.

“Laughter through tears is my favorite emotion.”  Steel Magnolias

Question:  As a reader or a writer, can you recall a time when humor helped you through a dark time, a frightening experience or even a season of grief?  What authors do you admire who consistently help you laugh and perhaps gain some fresh perspective?

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What Does Easter Mean to You?

Here it is– midnight MST. I’ve survived twelve+ hours in the ER on a Friday night, full moon (it must be!), holiday weekend. For those of you familiar with emergency departments you know I listed those out because it meant we got our tushes kicked a little bit. Not enough staff. Too many sick kids.

I am tired. I get home…

And. There. Is. No. Post.

Which means there is no happy new post for you… our trusted friends, our fabulous readers. I’m thinking– no one is going to notice. It’s Easter! Anne’s post was amazing and can hang out all weekend. This will be unedited and full of typos (can I wake Sarah up to have her proofread?)

But then, something stops me from shirking my responsibility. I start thinking I really should step in and write something– substitute for the person who was supposed to post. And I really don’t want to right at this moment in time. My warm bed is sweetly calling my name.

However, the thought of substitution comes to the forefront. Now, I’m not one to clearly hear God’s calling. I would possibly dare say I’m tone-deaf. I’ve prayed for God’s Will to be left as a gold note card on my pillow for me in the morning. For me, God’s voice is more like a subtle whisper in a hurricane that I have a hard time tuning in. What I have learned though is sometimes these instances (like no blog post) are orchestrated by God to create opportunities for other things, and I’m wondering if this forgotten post was left open for me to write to bring the thought of subbing for someone else to mind.

This is what Easter means to me. Christ as substitution. His death as a covering for my sin so that if I believe in what He did as He hung on a cross, nails through his hands and feet, a crown of thorns on his head– one of the most painful deaths a human can suffer– I can have the glory of heaven.

Grace. Mercy. Innocence hung for me…

So, maybe my foray into writing my novel, which led me to an appointment with Greg Johnson, which led him to take me on as a client, which (for some strange reason!) led him to ask me to help run this blog was meant to culminate in this one moment in time where the Easter weekend post was empty (like the tomb was in a few short days) so I could write about the thought of substitution and what it meant for me…

And what it means for you…

May you have a blessed Easter.