Don’t ride . . . DRIVE the train!

trainAbout fifteen years ago, while taking a graduate course in Spirituality and Leadership, I had a professor who presented me with one of the most motivational sayings I’ve ever encountered: “Don’t just ride the train, be the engineer!”

Okay, maybe not the most theological statement I heard in the course of my graduate program, but it lit up my brain in ways I’d rarely experienced since finishing my undergrad degree decades earlier. Knowing myself to be an introvert and nonconfrontational, I’d always preferred to have someone else take the lead in projects at work; the only role in which I felt confident enough to be in charge was as a mother to my children. (Looking back, I can only say that ignorance was truly bliss, but that’s another post or two or a thousand.)

But the moment my professor uttered that directive, I had an epiphany that any writing career I wanted to pursue was going to demand that I drive the train, and not just ride along on whatever might come my way. As a result, I began to view writing as a vehicle I would steer, and, when necessary, refuel with energy and hard work. I also accepted that no one else cared as much as I did whether that train finally arrived; not even the support of spouse, family and friends (as important as that is!) would bring that train into the station if I didn’t commit myself to being the engineer.

I share this story with you because every writer needs to know that writing requires you to make that train your own: if you want to be successfully published, you have to learn the business, and these days, that means EVERY aspect of the business: writing craft, understanding your audience, marketing, platform building, travel requirements, publishing trends. Gone are the days when your publisher says, “Thanks for writing this swell book. We’ll take it from here.” Even your agent – if you’re fortunate enough to land an agent – can’t hold your hand through every stage of book development, because she or he is swamped just trying to navigate a path to publishers through all the layers of the industry – layers which can shoot down a book proposal for reasons of marketing or audience or numbers of your social followers, which may have nothing to do with the actual value of the book you’re creating.

You have to take ownership of your career. You have to drive the train to where you want it to go.

And that may be the biggest plus of being the engineer – you can CHOOSE where you want your career to go. It will take hard work and learning from the experience itself, but if you find you’re being called to write romance instead of devotionals, or humor instead of profiles, or politics instead of fiction, you can steer that train of your writing career onto different tracks, and see where it takes you. Maybe it will only be a short detour and you’ll end up at your original destination. That’s great! Then again, it may be a whole new journey on the writing rails.

Are you ready to drive the train?

How to make your readers SUPERfans!

supermanWhen you have a book published – be it in print or ebook – you want to get as much publicity as possible to sell copies, right?

Right!

Do your fans know this?

Well, yes, I think they do.

You THINK they do?

Here’s my suggestion: tell them you need their help to generate that publicity. You need their word-of-mouth to help your book get launched amidst the thousands of books that are available.

You need to give them the 3 Rs of superfans: Read, Review, and maybe most importantly, Rave!

With the launch of my newest suspense novel, Heaven’s Gate, I put together a launch team of thirty readers who agreed to read and post a review on amazon.com and whatever other social networks they had, along with any word-of-mouth recommendations they might be able to give. Like many writers, I’m not especially fond of online marketing because it takes a lot of my time, but the fact is, writers in the 21st century need to cultivate their presence on it. (I, personally, have had varying success with different networks, but I continue to learn and work at it because I’ve seen its value at different times. Let’s face it, if there’s a gathering of readers anywhere – even online – don’t you think an author would be remiss to ignore it?) What I’ve discovered since my book debuted last month, however, has added another piece to my formula of reading and reviewing: you need readers to RAVE about a book to influence others to buy.

So far, maybe this seems evident to you, but this next comment might catch your attention: I learned that you need to tell your readers what to write. I don’t mean give them a script – you  want their honest reaction. But what you need to do is empower your readers to write raving reviews, which result from two things: an awesome reading experience (which you have crafted with your book!) and a vocabulary that will reinforce what you want them to say.

Simply suggest key words you’d like your reviewers to use.

At first, I felt odd suggesting words to my readers to use in constructing their reviews. Then I realized that key words are…well…key. Keys, actually, to triggering the all-important call-to-action that every author needs to make to potential readers: You Need To Buy This Book Now. And guess what? Your reviewers are often very grateful to have your suggestions, because they want to write a strong review for you, but are often lacking in promotional experience and don’t know how to best help you with their review. I asked my reviewers to use the words suspense, supernatural, Archangels series, faith and science, String theory, fast ride, and thriller. They did, and as a result, the reviews for Heaven’s Gate present a consistent rave of being a book you can’t put down, which has cued new readers to order the book.ebook

Remember, your fans want you to succeed. Making it easier for them to help you is the least you can do!

 

What Actors and Authors Have in Common

Writing is a Personal JourneyI was watching Jimmy Fallon’s Tonight Show when it struck me. Jimmy greeted the actor with a cheek-to-cheek kiss, before ushering her to the comfy studio couch so they could share a cup and a chat.

After some banter about a recent encounter they’d had at the party of a mutual friend, they discussed some morsels about their personal lives, focusing on commonalities they shared. Then they got to the real reason for the staged visit.

Fallon gushed, as he introduced the new movie title. “Gosh, it’s so, so good. I just love it. I mean when you… Oops. I almost spoiled it, but it’s just that good.”

Listen So Others SpeakThe actor giggled. “Thanks, Jimmy. I was honored to play this role, I know I’m supposed to say I love it too, but I really mean it. This is probably my favorite project so far. I only hope the people who watch it are touched as much as I was making the film.” She raised her hands in the global prayer pose symbolizing humility.

As I watched their interchange, I reflected on other shows I’d seen her on, and her other movies. It seemed every year she was cast in a new release, some blockbusters, some with a cooler audience embrace. That’s when it hit me — how similar a successful author’s experience is to that of an actor.

My third published book just released, and as I promote it, pursue the next big project, while juggling my personal life in the process, I realize the importance of strategic planning. I wish I had the resources, connections, and energy of a Hollywood public relations machine behind me, but even without, I can learn from their methods.

7 Common Factors Between Actors and Authors:

  • Getting Through What You Can't Get OverThe actors are the face of the movie, so no matter what anyone else does behind the scenes, it is the actor who must make public appearances and visit shows on the interview circuit. An actor’s passionate voice, joined with an intriguing movie trailer, is what drives audiences to theaters and streaming sites. For authors, it’s no different. We are the face of our books. Our passionate voice about our message, mingled with intrigue about our book’s content, is what drives readers to want to know more.
  • Each actor brings their own distinct personality to promotion. Some outgoing and bubbly, some serious and reflective. Both work, they will simply attract those of similar taste. Be who you are as an author, and allow natural attraction to draw people.
  • A fresh movie release shifts the actor’s focus to a new message. As authors, I think hearing the branding mantra sometimes makes us sound stale and boring — think broken record. Personally, I believe it’s not only acceptable, but interesting, if we moderately mix up our messages, while staying true to who we are.
  • Getting Through What You Can't Get Over EndorsementA good actor hunts for new scripts and contracts — sometimes preparing for years before they can make a movie they are excited about. Successful authors should do no less. Keep your ears open for hot topics, and drop ideas, research information, quotes, and more for future books into a program like Scrivener — Getting Through What You Can’t Get Over started this way.
  • Most actors would prefer to spend more time on their craft than on marketing, and many authors feel the same. However, actors and authors both know that without solid marketing, we won’t get the opportunity to do another new project.
  • No matter how many shows an actor guests on, if the movie is lousy, sales will spiral. The same is true of our books. We can’t get around it. Good content is, and always will be, the marketing king.
  • Actors cannot produce inspiring art alone. They require support people like agents, fellow actors, experts in PR, producers, directors, etc. Authors also need a group like this to expand their message reach.

The more I reflect on what it takes to release a successful movie, the more I see the connection to releasing successful books. The Hollywood model has worked for decades, which tells me that as much as things are changing, some things stay the same.

What commonalities between actors and authors do you see that I failed to mention?

 

 

 

Question Everything

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I wish I could take credit for the internet quotation, “The problem with internet quotations is that you can never be certain they’re authentic.” And who gave us this helpful reminder? If you Google it, you’ll find it was Abraham Lincoln.

Yeah, that’s ironic, doubly so when the quote and attribution are laid over an image of Benjamin Franklin. I’m hoping that second irony was intentional as well.

Some inaccuracies are funny. But bloopers, blunders, and blatant boo-boos in our Christian books aren’t. Certainly in our non-fiction, but even in the background details of fiction, we have a responsibility to our readers to provide accurate, correct information. (We do serve Jesus, who described himself as “the Truth.”)

Today, I encourage you to “question everything.” Why? Well, if you happen to Google that phrase, you’ll see it attributed to Euripides . . . no, wait, it was Albert Einstein . . . no, Socrates . . . or maybe Maria Mitchell. (Who’s that? Let’s see . . . Wikipedia offers two possibilities: an American astronomer or an Australian actress and singer.) There’s even an online forum discussing the question, “Isn’t there a Bible verse that says, ‘Question everything’?”

My point is simply this: Writers have a world of information at their fingertips, and it’s very easy to find an online quotation, fact, date, or story that fits their manuscript perfectly. Unfortunately, a certain amount of that information is just going to be wrong.

I could offer countless examples I’ve run across in my day job as a copy editor. But here are just a few, under two troublesome categories:

Questionable quotations:

Mark Twain was right: “Kindness is the language which the deaf can hear and the blind can see.”

Sixteenth century French theologian and pastor John Calvin wrote, “To make intercession for men is the most powerful and practical way in which we can express our love for them.”

Question every quote attributed to a famous person, especially if you found it on an internet quote site. Or, to put it another way, don’t believe everything you see on BrainyQuote, Goodreads, et al.

Here’s a well-researched article describing the “Mark Twain quote” above: http://quoteinvestigator.com/2013/10/26/kindness-see/. And if you search that “John Calvin quote” in Google Books, you’ll find it’s not actually from Calvin, but from a book about Calvin.

Google Books and Amazon’s “Look Inside” feature are indispensable tools for verifying quotations. But even if you determine a quotation is correctly worded and attributed, you should still question its context. Elaboration follows, after this link to a pretty funny article on internet quote sites in general: http://www.slate.com/articles/arts/culturebox/2014/05/quote_websites_are_frequently_inaccurate_but_we_use_them_anyway.html)

Concerns over context:

So you’ve found and verified a great quote for your manuscript . . . now take a few moments to “read around” that quote and to look up the author. You may find that the words come from a volume of unorthodox theology, a racy novel, or the pen of a white supremacist (all real-life examples). Those facts don’t necessarily disqualify the quotes, but you should be aware of their source—do you want, however unwittingly, to appear to endorse these writers?

Bible quotations should always be scanned for their larger context, too. What do you think of this one, from Jeremiah 26:14?

 “As for me, I am in your hands; do with me whatever you think is good and right.”

One author used these words as a beautiful example of Jeremiah’s surrender and submission to God. In actual context, the prophet was speaking to the priests and prophets of Judah, who hated his message and were threatening to kill him.

It’s incumbent on writers (and later, editors like me) to ensure every assertion in our book is accurate. And that may take a visit to two, three, or a dozen web pages to get to the actual story. (Not just Wikipedia . . . it’s a good starting point, but double check what you find there too.) If there’s one thing I hope you take away from this post, it’s this: Don’t believe everything you read online.

Why? There are three big benefits to you as a writer. First, you’ll keep your editor on your side. Second, you’ll keep your readers on your side. Third, if you accomplish the first and the second, there’s a greater chance you’ll keep your publisher on your side (and maybe get future contracts).

As an author, you are putting yourself forward as an expert on your topic. Don’t hurt your credibility by believing the first internet page you open. For everyone’s sake, dig deeper. Question everything.

Another Sacred Moment: Launching My First Book

Photo/KarenJordanIn my first post on the WordServe Water Cooler blog few years ago, I wrote about “Embracing Sacred Moments” in our lives. In that short piece, I mentioned a couple of writing firsts for me—my first contract to write an article for a well-respected publication and my first call from a WordServe agent, signing me as a client.

This month, I’m experiencing another first—the launch of my first book.

But as I prepared to write this book, a sudden and disturbing vivid memory emerged from a time when I stepped out of my comfort zone to serve. I still feel the embarrassment of that day when I helped prepare the noon meal after a revival service in my hometown church.

A million doubts and fears raced through my mind that morning. Was my skirt too short? Were my heels too high? Were my clothes too tight? Would someone ask me too much about my personal life? Why did I even come here in the first place?

Since I was the youngest and newest member of the ladies’ group helping that day, someone nominated me to pass out rolls to everyone.

I stacked the rolls high on a large platter, hoping to avoid a second trip to the kitchen. But as I pushed the swinging door open with my back, I tripped and fell to the floor, propelling everything across the room.

I can still recall everyone in the room gasping at the spectacle I had made of myself.

BookCover/WordsThatChangeEverythingAs I wrote my first book, Words That Change Everything, my old fears and worries resurfaced, reminding me of that humiliating experience. Do I dare expose more of my failures, worries, and vulnerabilities with an even larger audience? What if I make a total fool of myself again in front of my friends, family, and total strangers as they read some of my life stories?

Then, I remembered what I learned from my earlier failed attempt in serving others. Forty years after I humiliated myself in my home church, the pastor’s wife invited me to speak in that same fellowship hall at a women’s ministry event. And I shared my humiliating “tossed roll” story, revealing some of my own worries and vulnerability.

God gave me an opportunity to revisit and overcome a moment of failure in the same context and venue, four decades later, as I stood on this promise from God’s Word: “My grace is all you need. My power works best in weakness” (2 Cor. 12:9 NLT).

So, even though I’m a little apprehensive about revealing some of my most intimate stories in my first book, I’m excited to share my story with the world—Words That Change Everything: Speaking Truth to Your Soul.

Why? Because I also believe in the power of story—as we share the stories that matter most, lives change and hearts heal.

Did my story remind you of a story in your own life?

Why Marriage (and writing) Needs a Third

Why Marriage(and writing)Need a Third

“Two’s company, three’s a crowd,” we are told. But sometimes that is not true. Both in marriage and in writing.

Writers can’t just write about writing. It’s tedious. Not to mention boring to the non-writer.

Nouns, verbs, and prepositional phrases can only interest a person for so long, but put those same words in a story, and a writer has the ability to capture imagination.

Writers need a third thing–something “to gaze out at” according to author Natalie Goldberg in her book, Old Friend From Far Away: The Practice of Writing Memoir.

Sometimes the writer has no plan or control of what that third thing will be.

“We must find the third thing,” Goldberg writes. “And we cannot afford to be fussy. How a pothole is formed holds our interest. A kind of cheese, a license to own a beauty parlor, a felt slipper, someone’s toothache, all are fodder for our pen….”

Or staples. Staples can be the third.

This week I decided to re-do my kitchen chairs. I can’t remember what fabric originally covered the chairs when my grandmother owned them. After my mom inherited the chairs, she covered them in a cream-colored fabric, material that was now showing years of stains:

  • Stains from family dinners of scalloped potatoes, ham, frozen peas, and orange jello served in goblets Mom and Dad received as gifts at their wedding in 1957.
  • Stains from years of grandchildren learning to eat cheerios with a spoon, but invariably milk dripped down toddler chins and pooled on the fabric.
  • Stains from card games around the table, with fingers needing to be wiped of popcorn grease, and the cushion serving as a giant napkin.

Decades of stains.

I flipped over the first chair, a testament to the importance of life around the table, to begin removing the material from the cushion. I encountered staples.

Many, many staples.

As I pulled them out, I began counting. Twenty…thirty…forty.

The kitchen table was soon covered with flying metal projectiles. Sixty…seventy…eighty.

recovering a kitchen chair

I began to laugh. I knew, without being told, that although my mom selected the fabric, my dad was the one who stapled the material in place. Although neither was alive to ask, the unseen surface of the bottom of the cushion told the tale of a man who was legendary for taping the wrapping paper around Christmas presents so securely, that a knife or scissors was needed to open the package.

Mom was the project idea person. Dad was the implementer of the plan. 

Like writers, Goldberg contends, couples also need something “to gaze out at” for time cannot always be spent looking face to face, but rather, also, side by side.

Projects were my parents’ third. As was family. And faith.

I pulled out the last remaining staples holding the dingy cream fabric. Eighty-five. Did the chair cushion really need eight-five staples to hold the material in place?

“What are you doing?” my husband asked, walking into the kitchen.

“I’m re-counting the staples,” I replied, a bit distracted as I remembered yesterday moments around a Christmas tree. (To his credit, he did not ask why I was re-counting staples.) “I wonder if I can write a blog about staples?”

“I think you have proven that you can write a blog about anything,” he said.

I smiled at the compliment, from a man who has lived with my writing third, not an interest he shares, but a gifting he gives me space to pursue–which in itself is one of our thirds.

Family. Faith. And applauding one another’s dreams. Each has given us something “to gaze out at.”

Eighty-five staples do not hold us, yet we walk side by side.

What is your third?

10 Tips For Crafting Your Book Proposal

10 proposal tips

Every sentence of your book proposal should have one person in mind: the reader. Whether you’re submitting it to an agent or an editor, that “first reader” will be holding the “ultimate reader” in her heart and mind as she reads. Your job is to meet the reader’s needs—both that first reader and the eventual one—by communicating efficiently and effectively.

1. Don’t get visually fancy.

Elaborate fonts, colors and graphics distract. Use Times New Roman 12 pt font in a Microsoft Word doc or PDF. Rule of thumb? Keep it simple.

2. Employ plain language.

High-fallutin’ intellectual language is only appropriate for academic books. More often, communicate using a conversational voice.

3. Write in the third person.

Compose your proposal in the third person, as if your agent or a professional collaborator has prepared it—allowing you to brag a bit.

4. Be clear and concise.

When a reader sets down your proposal, he or she can easily identify the premise of your book. Make the reader’s job easy; don’t use more words than are necessary to communicate effectively.

5. Avoid extremes.

Claiming every person always feels a certain way distracts reader by challenging her to search for an exception. “Most” and “often” are more effective.

6. Communicate value for the reader.

Throughout your proposal, make explicit the takeaway value for the reader who purchases and reads your book.

7. Title effectively.

Your working title suggests the book’s premise and the subtitle its promise. Avoid titles that are either too generic or too clever—both making the premise difficult to identify.

8. Prove you will market your book.

Don’t just say you’ll help with promotion. Offer concrete plans you will put into effect.

9. Practice Humility

Don’t oversell, insisting Oprah will return to daytime TV just to promote this book. And be cautious, even with faith-based publishers, about claiming that God told you to write it. #redflag

10. Offer an error-free proposal.

If you’re not paying for a professional critique, have a word-loving friend scour your final draft for grammatical or typographical errors.

Cheering you on,
Margot

The 15-Minute Writer: Tips for Creatives Who Parent

 

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Photo source: https://unsplash.com/giuvicente

I began writing before God blessed me with children, and in the last eighteen years, I’ve birthed two boys and eight books. Being an author has been a grand adventure. It’s also kept me sane.

Seriously.

After having my oldest, who was a very high-needs baby, I suffered severe depression and stopped writing. One day, my counselor asked me, “Why aren’t you doing something that makes you light up whenever you talk about it?” Her question helped me realize God had called me to writing not only as a ministry to others, but also for my own growth and happiness.

Combining parenthood with a creative passion can be challenging, but I believe it’s worth the effort. If you’re a parent who longs to create, here are a few tips from the trenches:

Make the most of your kids’ sleep times.  When Jordan and Jackson were small, I used nap times to write instead of clean. Hiring a once-a-month housekeeper was well worth the expense…even when I didn’t get paid for writing. If you work full-time, dedicate a few moments after bedtime (or before your children wake up) to your art. A Netflix binge won’t feel as good as creating something–I promise.

Apply your creativity to time management. Once my sons were old enough, I enrolled them in Mother’s Day Out (two days a week) and dedicated those twelve hours a week to my art. On days we were together, I did household chores and errands with them in tow. I’ve also written by hiring a temporary sitter or working when my husband was at home. When my husband and I both worked full-time, we made one Saturday a month “guy time.” The boys enjoyed days with Dad while I worked on upcoming deadlines.

Work away from home. If you can swing it, try to write at a coffee shop or restaurant with free wifi. Another helpful habit is to participate, at least once a year, in a writing conference or retreat. For me, the expense of travel has paid off in contacts, clarity, and opportunities. (It also helps my family realize all that I do, and they appreciate me more when I get back. Talk about a win-win!)

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Photo source: https://unsplash.com/impatrickt

Say “no” to distractions. Every artist who makes time for their passion has to say “no” to social events, book club meetings, and various distractions (such as Facebook posts about organizing closets). On the days I set aside to write–first proposals and queries, now articles and books–I worked. Even if I set self-imposed deadlines, I tried (and still try) to meet them if at all possible. Take yourself seriously, or no one else will.

Be patient with yourself and your goals. I found this very difficult at first, because I began writing before my kids were born, and I’m a very goal-oriented person. However, I found contentment when I surrendered my dreams and accepted that the kids needed me now, while the writing could often wait. Try to picture your artistic pursuits as a marathon, rather than a sprint.

Pay it forward. God gave me a supportive spouse who’s also creative, so he understands my calling. I don’t take that for granted, and I try to let him have space to pursue his own passions. I also have a heart full of gratitude for the precious relatives, friends, and colleagues who’ve encouraged me along the way.

Today, I hope I’ve given you a bit of that same encouragement.

Your turn: if you’ve combined parenthood with a passion, share your tips in the comments. (Hurry, before the kids wake up!)

5 Tips for Sharing Your Faith Stories

imageThe Bible encourages Christ followers to share their life lessons of faith with others.

Men. The apostle Paul gave Titus this advice as he prepared to teach men.

.  .  .  talk to them; give them a good, healthy diet of solid teaching so they will know the right way to live  .  .  .  teach the older men (to) enjoy everything in moderation, respect yourselves and others, be sensible, and dedicate yourselves to living an unbroken faith demonstrated by your love and perseverance.” (Titus 2:1 The Message).

Women. Paul also gave Titus instructions about teaching the older women, offering him some instructions concerning issues that concern all women (Titus 2:3-5).

Today. We might be able to glean some good stories with writing prompts from these passages. But how can we share our own faith if we can’t communicate our personal stories, identifying the stories that matter most to us?

As I prepared to speak to a group of Christian women, encouraging them to share their faith stores, I recalled an important challenge in 1 Peter 3:15: “Always be prepared to give an answer to everyone who asks you to give the reason for the hope that you have” (NIV).

Prompts. The following writing prompts helped me prepare to tell my faith story, particularly my personal “come to Jesus” experience.

  1. Before Christ. How would you characterize your life before you trusted in Jesus Christ? [Attitudes, emotions, concerns . . . ]
  2. Faith Crisis. What were the circumstances in your life that led you to trust Jesus Christ as Savior?
  3. Salvation. When and how did you respond to accepting Jesus Christ as your personal Savior?
  4. Christ follower. How would you characterize your life today since you chose to follow Christ? How is your life different now?
  5. Scripture Promises. What Bible verses have helped through a crisis of faith?

What resource or practice has helped you communicate your faith stories?

Build Your Platform and Expand Your Reach… with FaithHappenings.com

Business card back

Building a platform is essential for writers today. Publishers are busier than ever, and they have less resources to devote to helping authors spread the word about their books, speaking events, and tours. Even more difficult, agents and publishers are often unwilling to take on new writers who don’t already have an established platform, social media presence, and dedicated followers. So what’s a writer to do?

FaithHappenings.com has the answer.

FaithHappenings.com is an online Christian resource with 454 local websites serving more than 31,000 cities and towns. It offers tailored, faith-enriching content for members. Along with a few dozen other benefits—both locally and nationally—it connects people of faith to information about books, blogs, speaking events, and other resources that interest them most. As a writer or speaker, it will allow you to connect with people specifically interested in your genre, subject, or brand!

Just what can FaithHappenings.com offer you?

On FaithHappenings.com You Can…

  1. List yourself as a speaker both locally and regionally, for free! FaithHappenings allows you to highlight your speaking in the local areas where you have upcoming events, targeting people who live there through requested emails. We also link to your author website, driving people back to your site.
  2. Announce upcoming book signings in your local area for free! Information about book signings and other author events are emailed out to members who have requested to be notified of new book releases and book signings near them. Emails go out weekly, and members will also find your events by going to their local FaithHappenings page and checking out the Events Calendar.
  3. List your books—both traditionally and self-published—in up to five genre categories. These book listings will then be promoted to members across the country who have requested to hear about new books in your genre.
  4. Announce special e-book promotions the day they happen. E-book promos are sent out to our members via email and listed on the site daily! The more people who hear about your e-book deal, the more sales you’re likely to see.
  5. Build your blog traffic by posting your blog on FaithHappenings.com. You can then be listed as a “Featured Blogger” on our Home Page.
  6. Post a Top-10 List from your book! If you can create it, FH Daily—our page of daily inspiration, humor, encouragement, and current events—will post the content and link to your book (and it stays on our site forever). Content is king when it comes to generating buzz for your book, and posts on FH Daily are easily shareable via Facebook, Twitter, Pinterest, and more.
  7. Be a highlighted “Author Interview.” FH Daily runs author interviews several times a week. Readers can learn more about you, and links will connect them to your website and your book’s buy page. Just email fhdaily@faithhappenings.com to see if you qualify.
  8. Create more awareness for your book with advertising! An ad on the global site or on FH Daily is affordable for any author.
  9. As a free member yourself, you can receive e-mail announcements for any book in more than 70 genres.

What are you waiting for? Get started today by signing up in your local area to become a member at www.faithhappenings.com.

For more information about the benefits of FaithHappenings.com for writers and speakers, click here.