Watching and Waiting

Photo/KarenJordanI’ve learned a lot about waiting and watching as a writer. So, I wanted to share this excerpt from my book, Words That Change Everything, with you.

Waiting rooms can bring out the worst in me. Long periods of waiting produce all kinds of emotional red flags—from impatience and worry to full-blown panic attacks.

Reminders of past pain, traumas, and personal losses make our current trouble seem intolerable. The dark clouds roll in, and we ignore the light of spiritual truth.

I’ve been assigned to many waiting rooms, especially this past decade. And I don’t really like to wait; I’m very impatient for good news to arrive. But waiting does not have to be hopeless. We can find hope and resist worry when we know that God is listening to our cries for help.

The psalmist speaks of “waiting” in Psalm 40, and I particularly resonate with this line from The Message Bible.

I waited and waited and waited for God. At last he looked; finally he listened. He lifted me out of the ditch, pulled me from deep mud. He stood me up on a solid rock to make sure I wouldn’t slip. (Ps. 40:1–2 The Message)

Jumping from one waiting room to the next—crisis after crisis—and trying to help others in their time of need, well-meaning supporters encouraged me to find relief from my stress, anxiety, and exhaustion.

When I asked for advice how to obtain their suggested rest, some offered me quick fixes and temporary solutions. But nothing provided the peace that I desperately needed until I leaned on God’s Word for help.

What are you waiting for today?

jordanKaren Jordan. Words that Change Everything. Copyright © 2016 by Karen Jordan. Used by permission of Leafwood Publishers, an imprint of Abilene Christian University Press.

How to survive the book review blues

roses I have a love-hate relationship with book reviews.

Every time I get a good review, I’m happy. When I get a stellar review, I’m ecstatic. I feel like I’ve done what I hoped to do: I’ve connected with a reader and given them a journey they wouldn’t have experienced otherwise. When dog-lovers tell me they laughed, cried, and were inspired by my memoir Saved by Gracie: How a rough-and-tumble rescue dog dragged me back to health, happiness, and God, I feel blessed that my story reached and touched them. When reviewers rave that my supernatural thriller Heaven’s Gate: Archangels Book I made them want to stand up and cheer, I get goosebumps of joy.

All those multi-starred reviews on my books’ pages at amazon.com, Goodreads, or barnesandnoble.com reassure me that the hours I pour into my writing are worth it: my books entertain, educate, and illuminate, and, gosh darn, people like them.

wilted-roseAnd then there is the flip side of my love-hate relationship with book reviews.

When I get a review that says “this book wasn’t what I thought it would be about, so I stopped reading it after the first two chapters,” and therefore receives the lowest rating possible, I want to bang my head against a wall. “Then why did you bother to post a review?” I want to ask the disappointed reader, and then explain that because she mistook the book for something it wasn’t, my overall rating has plummeted, which will dissuade some readers from even reading the synopsis, let alone buying and reading the whole book.

I’ve also seen reviews that rate books poorly because the author’s basic premise contradicts what a particular reader-reviewer believes. Again, those low ratings may prevent the book from reaching the hands of readers who would appreciate and greatly benefit from it; because many people (and I’m one of them!) choose books based on others’ reviews, authors are at the mercy of those published reviews, even when they make no sense at all, or are based on the personal bias of the reviewer.

So what’s an author to do about that oh-so-necessary-but-can-be-disastrous need for reviews?

My answer can be summed up in one word: relax.

Then remind yourself of these three things:

  1. You wrote a book! So many people say they want to write a book, but you actually did it! AND it got published. Congratulations! Celebrate your accomplishment!
  2. You can’t please all the people all the time, and that’s especially true of readers. Some people just won’t ‘get’ it; others won’t like your writing style or your treatment of plot or subject. Some readers might be experiencing difficult life situations while they were reading your book and some of that negativity gets transferred to their reviewing. Bottom line: reviews are subjective, even when they intend to be objective.
  3. Your words will reach at least some of the people who need to read them, and they will bless you for it, whether or not you ever know it.

What do you do when you get the review blues?

Life on the Blank Page: Why I Keep 3 Journals

Life on the Blank Page- Why I Keep 3 Journals

This is a life-as-a-writer post. Or I could say, the life of a creative — that word that encompasses all types of folks who are constantly creating and inventing and pouring out, whose job it is to fill the blank page, the blank screen, or empty air space.

I am in the middle of edits on a project that takes a lot out of me — that turns my brain to mush by the end of the day. I have disciplines that I do to keep the creative part of me exercised and stretched — similar to the months of short hikes I do to prepare for a longer hike in the Grand Canyon. Being in shape doesn’t just happen. Being creative doesn’t just happen either.

Last week I went journal shopping. I’m a three-journal gal. I used to keep one journal, but as my writing life expanded, it became too difficult to find things all crammed in one notebook. These journals each represent a creative discipline for me as a writer.

First, I use a pocket-size journal for hiking that doesn’t weigh a lot or take up much space. It’s about the size of my cell phone. I added some more sketches to the pages this week as I am exploring nature journaling as a way of alert attentiveness.  I don’t consider myself an artist, so drawing stretches my creative muscles in new directions and makes me look at the desert — which I have seen for 30 years — in a new way.

Boojum Tree nature journaling page

Def need work on the birds. The poor white-winged dove looks so very sad. But I like the boojum tree! I like the fact that boojum is from a nonsense poem by Lewis Carroll. What writer wouldn’t want a tree named from their work?

Second, I have a writing journal that is only used for writing prompts — questions that stir creativity. The prompt might be about mashed potatoes, but soon I find myself writing about my grandmother in her kitchen with a pot in her lap filled with spuds and a conversation we had about heaven when I was twelve years old. Writing prompts have a way of bringing me in through the back door of my brain. I am currently using the book Old Friend from Far Away by Natalie Goldberg. Questions in that book include:

  • Tell me everything you know about jello. Ten minutes. Go. (Can’t wait to do that one!!)
  • Tell me a memory associated with a bicycle. The spokes, the wheels, the narrow seat. Go for ten.
  • Tell me about how a relationship ended. Go. Ten minutes.

My final journal is the one I use during quiet times with God and to explore future writing posts and projects. This is the one I was shopping for last week. I wanted the journal lined, bound, and large. None of those wimpy diary-size journals! I had to go to three stores to find something large enough and I found it at Walmart of all places.

Life is wonderfull journal

Note: the flowers are there for photo purposes only.

I love the front: Life is Wonder-full and Beauty-full.  In life’s hard seasons, having my eyes and heart focused on wonder and beauty has proven essential.

So, now you know all about my three journals. 

Even for you non-writers out there, we all need places that fill our souls with wonder and beauty. We all need practices and disciplines that feed the creative side of us.

What are yours?

 

 

Lynne Hartke has her first book coming out with Revell in 2017. This post first appeared on her blog at http://www.lynnehartke.com where she writes about courage, beauty, and belonging to a loving God. She and her husband live in Chandler, Arizona, located in the Sonoran Desert, a place where she lugs around at least one journal.

The Good Editor

typewriter-584696_640 Every writer needs a good editor. There are no exceptions. Typing away at the computer may be a solitary adventure, but bringing a well-rounded story to readers is a collaborative effort with a lot of players on the team. One of the most necessary players is a good editor. This is so much more than catching a typo or fixing a sentence that ends in a preposition or realizing you meant effect and not affect. It’s more than knowing what AP Style or Chicago Style is and when to use what, where.

Keely Boeving, a freelance editor who has worked with me on one of my novels, said, “I consider myself an advocate for the reader. My goal is not to change a writer’s style or intent, but rather to draw it out—to help them say what they truly want to say in a way that resonates with readers. Translating what a writer conceives in their creative mind into words on a page can be tricky, and an external observer—an editor—can help facilitate the translation in order to help writers achieve their intent.”

A good editor gets you and can see where the story is going without the need to add in their own two cents’ worth. The really good ones are part fan who write notes about the parts they really like, part brave hero who can tell a writer they need to take out that beloved chapter, and part mind reader who can ask just the right question about that part you thought was clear.

Taking the time and investing the money in an editor can help you get an agent or a publisher to read past that first page. Not taking that step may mean a lot of rejections for a good story that just needed a little more work.

Some tips when looking for the right editor:

  1. Gather information. Ask for the editor’s background and do they specialize in your type of work. Ask them for names/emails of writers they’ve worked with before. Write a short email to the writers asking them about their experience. See if the editor has ever worked with your genre. Keely worked in New York for over four years and is now a part of the WordServe family, as well as working as a freelance editor.
  2. Be clear about your expectations. Talk about cost and when payment is expected. Be true to your budget and keep searching if someone is out of your price range. Talk about your timeline and whether the fee includes second or third rounds of edits. If you have a deadline that can’t be missed, say so up front and take no for an answer if you hear ‘maybe’.
  3. Talk about how you expect to receive the edits. Some editors and some writers still use the printed page. I prefer Track Changes and comments but I still run into people who don’t and prefer mailing that manuscript back and forth.
  4. When you get the edits back, read over them briefly and put the manuscript down. Go find something fun to do and let it go for a day. On my initial read there’s always one or two things that I don’t agree with at all… until the next day. Often, those are the changes that fixed something that would have tripped up a lot of readers but was pretty easy to fix. Don’t let that become the reason you don’t sell a work.
  5. Take what you like and be willing to leave the rest. There will be moments when a suggested edit changes the intention of a scene or the voice of a character. Have some confidence in your idea and know when to say no. Reason it out with the editor, as well. It could also be that the setup isn’t fully there but with some tweaking, your story gets stronger. If you don’t feel like you’re being heard, you have the wrong editor.

One last thing. Celebrate every part of the journey as a writer, including this one. You took an idea from your mind and put it down on paper. That’s a big accomplishment. Now on to the next step.

And the Tweet goes on…

Red HotA few months ago, I enthused in this space about a book I’d read at my agent’s suggestion. Now I’m going to give you a follow-up, because reading Red Hot Internet Publicity has truly changed my marketing game; unlike a lot of books that sound great and helpful while I’m reading them, RHIP is proving itself to be one of those books that truly make a difference in my career. In other words, its tips WORK and you can actually DO them.

(Or am I the only person on earth who finds it difficult to implement ‘great ideas’ that use apps I can’t understand, or require more financial investment when my writing income is already in the red, or simply involve too many steps to even remember?)

This is what I’ve accomplished since my post “Learning New Marketing Tricks” appeared here two months ago: I’ve more than doubled my Twitter followers from 217 to 500+ by discovering new audiences on this one social network, and my exposure (impressions) has increased tenfold!

twitter-bird-light-bgs.pngThe route I’ve taken involves the RHIP suggestion to engage in group chats, which has introduced me to new contacts with similar interests. Even just a few Tweets back and forth produce new followers, and sometimes that generates ideas for writing posts on other networks. Perhaps even more significant is my new habit of scrolling every day through the topics that are currently trending on Twitter. I find a few to which I can contribute original Tweets, and then comment on others in that stream. Again, it only takes a few minutes, but it always generates new followers.

Finally, I’m insistent on using hashtags with every Tweet I make, and the more hashtags, the more likely it is that I’ll reach into new markets. Before I started focusing on Twitter, my tweeting impact was dismal – maybe making only a couple hundred impressions (read that as ‘your name showing up in the Twitter universe’) a week. These days, I’m getting a thousand impressions a day – that’s a lot of times my name is showing up in the Twitter stream, and that connects me to large groups of people I might otherwise not have encountered. Some of those people have now subscribed to my newsletter and bought my books; by following them back, I’ve found more threads of conversation and topics in which I can engage. Throughout it all, I constantly remind myself of my brand – of my unique voice – and make sure my Tweets reflect that. So far, I’m delighted with the results.

Hourglass --- Image by © Royalty-Free/Corbis

Hourglass — Image by © Royalty-Free/Corbis

So delighted, in fact, that I’m thinking I should double my time on Twitter…from 30 minutes a day to 60 minutes.

That’s right – 30 minutes a day have yielded me a breakthrough in exposure, and since getting my name and brand ‘out there’ is so important for making sales, those 30 minutes pack more of a marketing wallop than any other 30-minute marketing I can do.

Isn’t it great when something you try really works?

Don’t ride . . . DRIVE the train!

trainAbout fifteen years ago, while taking a graduate course in Spirituality and Leadership, I had a professor who presented me with one of the most motivational sayings I’ve ever encountered: “Don’t just ride the train, be the engineer!”

Okay, maybe not the most theological statement I heard in the course of my graduate program, but it lit up my brain in ways I’d rarely experienced since finishing my undergrad degree decades earlier. Knowing myself to be an introvert and nonconfrontational, I’d always preferred to have someone else take the lead in projects at work; the only role in which I felt confident enough to be in charge was as a mother to my children. (Looking back, I can only say that ignorance was truly bliss, but that’s another post or two or a thousand.)

But the moment my professor uttered that directive, I had an epiphany that any writing career I wanted to pursue was going to demand that I drive the train, and not just ride along on whatever might come my way. As a result, I began to view writing as a vehicle I would steer, and, when necessary, refuel with energy and hard work. I also accepted that no one else cared as much as I did whether that train finally arrived; not even the support of spouse, family and friends (as important as that is!) would bring that train into the station if I didn’t commit myself to being the engineer.

I share this story with you because every writer needs to know that writing requires you to make that train your own: if you want to be successfully published, you have to learn the business, and these days, that means EVERY aspect of the business: writing craft, understanding your audience, marketing, platform building, travel requirements, publishing trends. Gone are the days when your publisher says, “Thanks for writing this swell book. We’ll take it from here.” Even your agent – if you’re fortunate enough to land an agent – can’t hold your hand through every stage of book development, because she or he is swamped just trying to navigate a path to publishers through all the layers of the industry – layers which can shoot down a book proposal for reasons of marketing or audience or numbers of your social followers, which may have nothing to do with the actual value of the book you’re creating.

You have to take ownership of your career. You have to drive the train to where you want it to go.

And that may be the biggest plus of being the engineer – you can CHOOSE where you want your career to go. It will take hard work and learning from the experience itself, but if you find you’re being called to write romance instead of devotionals, or humor instead of profiles, or politics instead of fiction, you can steer that train of your writing career onto different tracks, and see where it takes you. Maybe it will only be a short detour and you’ll end up at your original destination. That’s great! Then again, it may be a whole new journey on the writing rails.

Are you ready to drive the train?

Another Sacred Moment: Launching My First Book

Photo/KarenJordanIn my first post on the WordServe Water Cooler blog few years ago, I wrote about “Embracing Sacred Moments” in our lives. In that short piece, I mentioned a couple of writing firsts for me—my first contract to write an article for a well-respected publication and my first call from a WordServe agent, signing me as a client.

This month, I’m experiencing another first—the launch of my first book.

But as I prepared to write this book, a sudden and disturbing vivid memory emerged from a time when I stepped out of my comfort zone to serve. I still feel the embarrassment of that day when I helped prepare the noon meal after a revival service in my hometown church.

A million doubts and fears raced through my mind that morning. Was my skirt too short? Were my heels too high? Were my clothes too tight? Would someone ask me too much about my personal life? Why did I even come here in the first place?

Since I was the youngest and newest member of the ladies’ group helping that day, someone nominated me to pass out rolls to everyone.

I stacked the rolls high on a large platter, hoping to avoid a second trip to the kitchen. But as I pushed the swinging door open with my back, I tripped and fell to the floor, propelling everything across the room.

I can still recall everyone in the room gasping at the spectacle I had made of myself.

BookCover/WordsThatChangeEverythingAs I wrote my first book, Words That Change Everything, my old fears and worries resurfaced, reminding me of that humiliating experience. Do I dare expose more of my failures, worries, and vulnerabilities with an even larger audience? What if I make a total fool of myself again in front of my friends, family, and total strangers as they read some of my life stories?

Then, I remembered what I learned from my earlier failed attempt in serving others. Forty years after I humiliated myself in my home church, the pastor’s wife invited me to speak in that same fellowship hall at a women’s ministry event. And I shared my humiliating “tossed roll” story, revealing some of my own worries and vulnerability.

God gave me an opportunity to revisit and overcome a moment of failure in the same context and venue, four decades later, as I stood on this promise from God’s Word: “My grace is all you need. My power works best in weakness” (2 Cor. 12:9 NLT).

So, even though I’m a little apprehensive about revealing some of my most intimate stories in my first book, I’m excited to share my story with the world—Words That Change Everything: Speaking Truth to Your Soul.

Why? Because I also believe in the power of story—as we share the stories that matter most, lives change and hearts heal.

Did my story remind you of a story in your own life?