A few weeks ago, I found myself surrounded by extroverts, enjoying their confidence as they absorbed energy from all who surrounded them at a publishing event for Christian writers.
And all the activity almost sucked the life out of this introvert! I’m still exhausted.
Thankfully, my extrovert travel companion understood the strengths and weaknesses of an introvert, even though I’m sure she tired from dragging me out of my comfort zone.
Ever wondered what makes an introvert tick? I don’t have to look beyond my own mirror to answer that question. So, I hope the following tips help you understand some of the basic needs and stressors of introverts.
1. Personal space energizes introverts. And when we get stressed out, we need to be left alone. Being in crowds drains us, so we often need to find some alone time to recharge our batteries.
2. Extroverts often misunderstand the need for personal space, and introverts tend to be more withdrawn at times. So, they might need to come out of their caves and share their perspective with those who might misinterpret their need for solitude. And sometimes, they might need a little motivation to abandon their comfort zone.
3. Social situations routinely cause grief for introverts, as they struggle with small talk with strangers. They appreciate friends who understand and encourage them in stressful social settings.
4. Networking can frustrate introverts who aren’t prepared for that kind of interaction. Pitching new projects to a publisher at large events can be an overwhelming task for introvert writers. So, practicing their pitches with other writers can boost their confidence.
5. Focus can also challenge introverts since they tend to be distracted in intense environments. They may need to consider taking a few tips about planning schedules and sticking to deadlines from their more organized friends.
6. REST is a basic need for everyone. Facing my own weaknesses proved to be another opportunity to utilize my prayer strategy of REST: Remember, Exalt, Surrender, and Trust, based on Philippians 4:5-7.
. . . The Lord is near. Do not be anxious about anything, but in every situation, by prayer and petition, with thanksgiving, present your requests to God. And the peace of God, which transcends all understanding, will guard your hearts and your minds in Christ Jesus (NIV). (Phil. 4:5-7 NIV)
7. Prayer. During my worst moments under the stress of over-stimulating social situations and networking challenges, I searched for some personal space, and put this prayer strategy from Lamentations 3:28-29 into practice: “When life is heavy and hard to take, go off by yourself. Enter the silence. Bow in prayer. Don’t ask questions: Wait for hope to appear” (The Message).
Remembering and focusing on the presence of God enables me to exalt his Word over my circumstances, surrender my weaknesses and burdens to him, and trust him to guard my heart and my mind with his peace.
Are you an introvert, living in an extrovert’s world? What strategies help you when the energy of others is zapping the strength out of you?
I have a writing conference coming up, and I’ve been trying not to think about it. Although I spend a good part of my work week happily among colleagues and teach big classrooms full of students with enthusiasm, I’m an introvert at heart, most content in front of my computer at home or out in my garden, alone. The thought of being among clots of strangers in some vast hotel lobby fills me with dread.
Anyway, I was thinking about how much I hate conferences and reminding myself of how wonderful it’s been, on occasion, to stumble across a fellow God-lover among the strangers assembled there. The topic of faith comes up slantwise through some serendipitous comment about someone’s having read something in a church book club. Or maybe I notice a woman ducking her head briefly before lifting her fork to eat.
Such chance believers typically turn out to be quite different sorts of God-lovers than I am, which makes the encounters all the more thrilling. They refer to their pastor as “Father.” Or they go on about some pet business of politics important to their faith that I don’t give a rip about. Sometimes their God is barely recognizable as the God I know. Still, I want to sit next to them when I see them enter my next session and to eat my overdressed salad from a Styrofoam box at their table and to suck their occasional thoughts about God into my own.
Yes, I’m that piteous stranger you meet sometimes at conferences whom you can’t seem to shake. Know this about me: I am in some sort of heaven, sitting there beside you, accepting the M&Ms you offer from the little bag you got out of a machine. We are siblings, you and I. We come from the same home.
I figure that’s how Abram the Hebrew—literally, Abram the Foreigner, the first instance of the word Hebrew in the Bible—must have felt that day after rescuing his cousin Lot and a bunch of other Sodom and Gomorrah inhabitants who’d been taken captive. When the kings of Sodom and Gomorrah come out to meet him in the Valley of Shaveh, they bring along their friend Melchizedek, another king like them but also, we’re told, “priest of God Most High” (Genesis 14:18 ESV). Later, the writer of Hebrews will describe Jesus himself, repeatedly and at length, as a high priest “in the order of Melchizedek” (Hebrews 5.6, 5.10, 7.11, 7.17 NIV).
Melchizedek brings out bread and wine for them all to share—Catholics memorialize the event by mentioning Melchizedek during the Mass—and then he prays this prayer:
Abram, may you be blessed by God Most High,
the God who made heaven and earth.
And we praise God Most High,
who has helped you to defeat your enemies (Genesis 14.19-20 NCV).
Wow. Imagine hearing that from a stranger! Imagine being a stranger among strangers yourself in the Valley of Shaveh, a place Abram’s never been before, a place where he’s so unlike everyone else, so alien to their values and practices, that people refer to him as “the Foreigner.”
Hearing Melchizedek’s words, sharing bread and wine with him, Abram must have felt himself, for a moment at least, at home. As a person of faith—which the author of Hebrews defines as one who welcomes God’s promises and acknowledges being a foreigner and stranger on this messed up earth—Abram suddenly finds himself, for a moment, where all the faithful want to be, in “a country of their own” (Hebrews 11.13-14 ISV). Not, that is, in “the land they had left behind” or even in the one in which they find themselves, but in “a better country, that is, a heavenly one” (Hebrews 11.15-16 NRSV).
Priests of God Most High. That’s who we are when we acknowledge God among strangers, whether at a conference or among our readers. And however strange and foreign we might feel ourselves to be, we are where we belong.
Dialogue that is short, snappy, and punchy, engages other characters as well as the reader. Dialogue is meant to be experienced, not studied. Halting over a line of dialogue can interrupt the reader’s experience.” ~~ Sol Stein
At a recent writer’s conference, an agent said dialogue could make the difference in making a request for more of a writer’s work. She takes the first five pages of a manuscript and looks for the white space created by dialogue. Then she puts the manuscript aside and picks up the next one.
From that conversation, I gathered dialogue is an important part of novel writing. Internal monologue is not dialogue. So, even if no one else is in the room, the character should talk aloud to himself, or to his pet.
Conversations in real life often have little or no purpose. In fiction, that’s a killer. What do you hear as the characters meet and greet? Is it meaningless chitchat? Or are they talking about anything and everything to avoid the deeper subject they know they should discuss? That’s great. Avoidance dialogue is called subtext.
Who’s talking? Do the characters sound alike? Are they predictable? Do they always say what you’d expect them to say?
If so, the writer’s in trouble. You see, dialogue has to sound natural, but it also has to be more condensed and much more interesting than everyday language.
Info dumps are boring. Just as you don’t enjoy listening to a person who talks on and on without giving others a chance to get a word in edgewise, neither do your readers. Most exchanges in dialogue should be brief. Consider using five word exchanges or less in your dialogue. Avoid using more than three sentences without a break or at least an action tag on the part of the speaker.
Can the reader visualize the characters? Characters don’t talk in a vacuum. To avoid the talking heads syndrome show us what they’re doing. Is Mary cooking dinner? Is LeRoy chopping wood? And by the way, is the ax dull?
Speaking of what’s happening, in your own writing, don’t mix the actions of one character with the dialogue of another. Be sure each speaker gets his own paragraph. Even if the character only uses one word. Make it easy for your reader to know who is talking.
And while we’re on the subject of give and take between characters, teach them to give another character a chance to react. Short dialogue paragraphs leave that coveted white space and increase pacing.
Last but not least, dialogue should move the story along. Do the characters have an agenda? Does dialogue reveal the different sides of an issue?
For dialogue to do its job, it needs to create an emotional effect in the reader. How much of the dialogue reveals disagreements and misunderstandings that affect the other characters’ goals? Does it increase suspense and uncertainty?
Q4U: Would you care to share a tip for stronger dialogue?
Aspiring or first-time authors sometimes hold the misconception that they will hit it big with their first book. Visions of bestsellers dance in their heads.
It’s time for a reality check from The Agent’s Desk. One of our jobs is to manage your expectations through every stage of this long process called publishing.
The statistics have not changed much in the years that I’ve been involved in the book industry. In the entire Kingdom of Books, which includes every title sold in every category—not just Christian—only ten percent of authors make a living solely by writing books.
The authors you meet at conferences may still have day jobs, or if they freelance, they edit manuscripts, ghostwrite books, or conduct their own writing workshops. Or they still have day jobs. They work all day and then come home and write their novels at night. Or if they’re early birds like me, they hop out of bed at 4 a.m. and sit down at the keyboard before rushing out the door to make it to work on time. Some pound out two or three pages every day while riding a commuter train.
Another group of writers may be blessed with a spouse who is the sole breadwinner of the family. Mothers who are writers take care of the kids and write during nap time. I’ve known stay-at-home writer dads as well. The whole family tightens the purse strings and lives on a budget.
Of course, a few authors inherited their fortunes and live on Fantasy Island.
Here’s the reality. The average Christian novel sells about 5,000 copies. Some sell less; some sell more. You notice I didn’t say that the first-time author only sells about 5,000 copies. No, that includes experienced and newbie authors as well. Do the math.
A smaller percentage may sell 10,000 to 15,000 books each time. This is our hope for you because it will assure you a place at the table and a long-term career. Now we enter more rarefied air.
A much smaller group sells 20,000 or 25,000 books, but those are usually long-time authors or a new author who happens to write a book that hits a nerve with readers. We hope you are the exception and will publish books in this range.
Only a handful of authors sell in the 50,000 to 100,000 or more range consistently. You know their names. They live on the bestseller lists. You see their names month after month and year after year on the CBA or ECPA bestseller lists.
Then, once in awhile, an author catches lightning in a bottle, and you have a series such as Left Behind or a single book title like The Shack.
So please, if you are a newcomer to publishing, adjust your expectations, and if you knock it out of the ballpark, you’ll be as ecstatic as your agent and your publisher. We pray for bestsellers!
It was my very first writers conference. I waited impatiently for my critiqued manuscript from a well-known and well-respected literary agent. Sitting on a bench under a tree, I opened the large manila envelope and pulled out my crisp, white pages that now ran red with scarlet ink – each red slash a tiny cut to my heart.
It was the moment I gave up.
Deflated and discouraged, I forced myself to stuff my dead work into its paper coffin, and attend the “Turning Your Chapters into Articles” class. I decided I would dismantle my much-loved dream and try to use it still. Being overly dramatic is a literary trait, and I wondered if this was a tiny taste of how the loved one of an organ donor feels. My manuscript that I loved would be used for good, but not in the way I’d hoped.
After the class, I met with the editor who led it. She asked how I was doing. (Apparently, that afternoon, Alice Cooper and I shared the same makeup artist.) She went on to encourage me not to give up on my dream. “This is one agent’s opinion, Joanne,” she gently reminded me. Her words gave me a microscopic ray of hope. (Purchasing an article for her magazine helped my mood, too.)
The agent who sliced my work like Dexter did me a great favor. He showed me how to shape my work in a way that would be acceptable the next time. Months later, I received my first book contract.
Since becoming an official “writer,” I have quit at least six hundred times. As a matter of fact, I even titled one of my emails to my agent, Rachelle, with these very words this summer: “When do you give up?” She immediately called and talked me down from the ledge, and recently addressed this timeless writer-question very eloquently in her blog.
I thought I’d share a few ways to encourage the quitter in you:
•Take a laptop sabbatical. My computer recently died, and I thought I would too. Once my laptop was up and running again, so was I! Three weeks was just the break I needed. Giving my right-brain some creative rest helped me look forward to working on my next project.
•Shake a leg. Exercise and I are not the best of friends. But whenever I get outside and get my blood pumping, it seems to clear the cobwebs in my middle-aged head. I take my recorder along, just in case I get an idea I can’t ignore.
•Make time for someone. Get out of your self-centered word-filled world. Go out and see a movie. Call a writer-friend and vent a bit. Have a quiet night at home with your spouse. Cuddle up on the couch and read a book to your child/grandchild.
•Fake your own death. Just wanted to see if you were still reading. Please don’t do this. Definitely not a good career move.
“John Creasy the English novelist kept at it. He kept getting rejected so decided to use pen names to create a new identity. Fourteen of them! Collectively he received 753 rejection letters. But he didn’t give up. His 754th became the first of his 564 published books. What if he had quit at the 700th rejection?”
This Christmas season, take a winter break and enjoy real life moments. Try to live this life you write about. Love the ones you are blessed to have alongside you, and pray God holds these tender moments close to your heart. A true writer must experience what they wish to convey. Gather up some word-filled ammunition for the coming year.
Regardless of what you do or don’t decide to do, giving up is not an option. It’s never an option. Never.
When was the last time you quit? What encouraged you to write again?
Approximately 650 Christian writers have just returned from the ACFW conference in St. Louis. Some are celebrating agent/editor requests for manuscripts and are on an emotional high at the apex of the roller coaster we call the writing life.
Others may be feeling like they just slid over the edge and are plummeting down the steep hill into an abysmal, dark cavern. This feeling may be perpetuated by some flub on your part and you’re wondering if you and your career will recover.
Whatever fatal flaw you may be experiencing emotional distress over; it will likely not end your writing career. Unless you actually murdered someone… well, that might cause the ultimate demise of your writing dream through traditional publishing at least.
I’m here to share two “golden lessons”. Flubs are not fatal and the world of publishing is comprised of a small group of editors and agents.
My goal at one of my first writer’s conferences was to do several paid critiques. This was at a smaller, local gathering and I was just dipping my toes into the pool like a first time swimmer. I asked the conference director what I should submit. I still think he said “your best three chapters.”
I should have submitted my first three chapters.
Now, by the time I met with this particular agent over that critique, I had realized my mistake and apologized profusely. Surely, there was no saving my reputation.
It gets better.
Three years later I had an appointment with that same editor. I had polished the manuscript in those many months and felt confident that I had something worthy for her to consider. Just before our appointment, I attended her talk on writing edgy fiction and she made a point to say, “I really dislike when writers use rape as a plot device. Can’t you come up with something better?” My stomach twisted into a glorious mariner’s knot.
That’s right, my manuscript was about a serial rapist and our appointment was minutes after that talk.
I still went.
How do you handle these situations? Here are some of my suggestions.
Confess your mistake. Editors and agents are human just as we are and have probably made a few flubs themselves. Be open and honest about the mistake and move on.
Learn from your mistake. Don’t do the same thing twice. It’s not the fact that you made a mistake but your ability to fix and learn from it that is the mark of a professional.
Stay positive. If you think the agent/editor flubbed and it affected you negatively, don’t disparage them on social media. That same editor I met with twice is still working as an editor and was at the conference sitting one table away from me at the banquet. That would likely be a career ender.
Laugh about it. The writing life is hard enough. Self deprecating humor goes a long way in helping keep you sane.
Despite these gross errors in my writing journey, I still managed to acquire an agent and a publishing contract. And yes, it was that same novel.
What “fatal” flub have you had and how did you handle it?
Why hello, there. Welcome to the official launch of our blog, The WordServe Water Cooler. A place where WordServe clients gather to build community and help writers move forward in their careers.
Let’s get this party started, shall we?
For our first post, we wanted to offer some tangible tips for anyone searching for an agent. Here’s what helped us. We hope it helps you!
Seek professional feedback on your work before submitting.
Rosslyn Elliott – After I finished my first novel, I had a funny feeling there might be a technical flaw in the novel’s opening. Instead of wondering, I hired a pro editor to look over my first three chapters. Sure enough, the queasy feeling was justified. I fixed the problem, and Rachelle signed me that summer.
Jordyn Redwood – I met Greg during an agent appointment at ACFW in 2009. I had a polished one sheet and the first three chapters of my novel. Next step, he wanted a book proposal. I asked for examples from other authors and paid to have it freelance edited. Keeping my word and presenting professional work tipped the scales in my favor. Greg might say it was my use of dialogue but everything you do counts.
A pass on one project doesn’t mean you can’t try again with others.
Olivia Newport – Years ago I was invited to join a brand new book group. When the dust settled, a group of freelance writers and editors were the core. A couple years later, one of them invited Rachelle to join. We got to know each other long before she became an agent. Three other agents took a pass on what I was pitching. So did Rachelle! But we had a good basis for deciding we wanted to work together and just needed the right project.
The road to representation and publication isn’t usually a fast one.
Anne Lang Bundy – 25 years of composing documents, lessons, and essays developed my writing gift. A passion for all things Bible turned my pen to biblical fiction. After several months of connecting with Rachelle via “Rants and Ramblings” comments, I crafted individual queries for just two agents and obtained representation from WordServe. Three years’ study of fiction craft, five conferences, Rachelle’s encouragement, and the Lord’s grace now bring me to publication’s threshold.
Persevere through rejections.
Deborah Vogts – After a year of representation, my first agent dropped me as a client. Months later, I found the courage to submit my proposal to three more agents. Two doors closed, and Rachelle was Door #3. She liked my work and signed me as a client. Two months after that, we had an offer from Zondervan on my Seasons of the Tallgrass series. I like to think perseverance paid off, but it was also God’s timing.
If you mess up, all is not lost. But even so, learning how to query is good.
Lucille Zimmerman – I wanted to send my book idea to an agent but I didn’t know where to start. I Googled a writer’s conference and found a list of agents to contact. Greg Johnson wrote back and said he passed my email on to Rachelle. I did everything the wrong way, but she still wrote back and told me how to do a real query. Months later we met in person and she agreed to represent me.
Erin MacPherson – If there were an award for the worst query letter ever, I’d win it. When I decided to query, I had no clue what I was doing and no knowledge of the publishing world and it showed. Even worse, when Rachelle wrote me back and asked for a proposal, my response was “What’s a proposal?” Yikes. The good news? God is bigger than my stupidity. After some (okay, a lot of) coaching, Rachelle was nice enough to overlook my terrible first impression and sign me as a client anyway.
When it comes to representation, the right fit is of utmost importance.
Sandie Bricker – All the lunch tables in all the world, and she had to sit down at mine! I’ve had some awesome agents in the past, but I never seemed to find that right fit. Sitting down with Rachelle over lunch at the ACFW conference in Denver cemented the idea that it’s so important to have that “right fit” with your agent. Before they poured the coffee, I knew she and I were on the same page.
Erica Vetsch – At a workshop I attended, Rachelle presented her take on agent-author relationships and described exactly what I was looking for. At that time, I wrote only category romance, something Rachelle didn’t represent, but only a few weeks after that workshop she opened her client list to category romance authors looking to grow their careers. I contacted her, we agreed to work together, and since then we’ve sold several projects.
Marla Taviano – I already had four books traditionally published, then hit a wall. I reached out to Rachelle, and bless her wonderful heart, she threw me a lifeline. I can’t wait to be worth her while! Soon!
Attend a conference when you’re ready and when you’re stuck.
Maureen Lang – Conferences are helpful to writers at all levels, but if finances are an issue it’s wise to attend after you have a fully developed project. I met Greg at an ACFW conference, where we talked about my writing aspirations, our faith, and which publishers would be a good fit for me. It was quickly obvious he knew so much about the industry and that I could trust him.
Katie Ganshert – After devouring every craft book known to man, I reached a point where I couldn’t go any further on my own. I needed an agent. The query system wasn’t working for me, so I saved the money and went to the ACFW conference in 2009 where I pitched to Rachelle, garnered her interest, promptly submitted my manuscript, and received The Call two months later.
Amy K. Sorrells – Oozing with self-confidence after receiving 30+ rejection letters, I hopped on a plane and traveled the farthest I’d ever gone from home on my own, to the Mount Hermon Christian Writers Conference in 2009. After learning volumes from my “Leave it to Chance” roomate and WordServe client, Sherri Sand, as well as spending a week under the tutelage of Mary DeMuth, it’s no accident I came home, revised my manuscript (again), submitted three more proposals, and received “The Call” from Rachelle in January, 2010.
Enter contests. Finals are a great way to get an agent’s attention.
Keli Gwyn – Rachelle served as a final-round judge in a Romance Writers of America® chapter-level contest and requested my full. After completing my self-edit two weeks later, I sent the manuscript. The following day she emailed saying she wanted to “discuss the possibility of representation.” Four days later I was her client.
Jody Hedlund – While we don’t want to be obnoxious, we should be savvy in staying connected to agents who have our manuscripts. Rachelle had my full in her slush pile. After I finaled in a contest, I contacted her to update her. That email spurred her to pull my manuscript out and read it. She offered me representation a couple days later.
Richard Mabry – A door isn’t closed until God closes it. I’d given up writing when, on a whim, I entered a contest on Rachelle’s blog. I won a critique of the first chapter of my book, and when I sent my chapter, she emailed back, “Send me something that needs editing.” That led to a query, representation, and eventually a publishing contract. I thought I was through. God didn’t.
Take advantage of requests from editors.
Karen Witemeyer – At the 2007 ACFW conference, I met with a Bethany House editor who invited me to submit. That manuscript was rejected, but I was encouraged to submit another project. At ACFW in 2008, I visited with editors from Bethany House again, and they showed interest. I also met with Rachelle. Being able to say I had a nibble from a publisher was huge. Rachelle offered representation following that conference and negotiated my deal with Bethany House three months later.
Lisa Jordan – When I met Rachelle at ACFW, I wanted her as an agent. I pitched, but didn’t follow through on her invite to submit. After finaling in the Genesis and receiving a full request from an editor, I pitched to Rachelle again. She asked to see the full first. Once I submitted, she offered representation a week later. Don’t give up on pitching to a specific agent, even if you pitched to him or her in the past.
Ramp it up and embrace the 3 C’s – Conferences, Contacts, and Contests
Camille Eide – Conferences, Contacts and Contests all contributed to landing my agent. At a writing conference, I was encouraged to seek representation. I asked a writing mentor (contact) for a referral. She sent an intro letter and my query to Rachelle, who requested the full. While I waited, I entered a novel contest. The book placed as a finalist, sending it to the top of Rachelle’s pile. She read the full and called to offer representation.
Dineen Miller – I knew of Rachelle by her amazing reputation as an editor, so when I heard she’d become an agent, I put her on my list as one of two top picks. I made an appointment with her at the 2008 ACFW Conference and showed her my work. We clicked. Later I found out that two colleagues had recommended me too. The week after the conference, I happily signed on and am so glad I did!
Network. Participate in the publishing community. Relationships matter.
Alexis Grant – I connected over Twitter with a writer who, unbeknownst to me, was friends with Rachelle. My Twitter friend knew I was working on a travel memoir about backpacking solo through Africa, and she happened to hear Rachelle say she wanted to rep a book about Africa. That Twitter friend — who had by then become an email-and-phone friend — called me and asked, “Have you thought about querying Rachelle Gardner?”
Katy McKenna – For several years, while writing my first novel, I got to know many wonderful authors (and soon-to-be authors) through blogging. We’d exchange comments on each other’s sites and I happily hosted many author interviews on my blog. When one dear friend learned my novel was complete, she forwarded my proposal (without me asking) to Rachelle with a note of recommendation. That was on a Friday. Four days later, I had an agent.
Megan DiMaria – It’s important to participate in the publishing community and attend gatherings of writers, agents, and publishers. In July of 2009 the ICRS was in Denver, where I live. My publisher got me a pass to attend, but there was a problem at the front desk. Rachelle saw my dilemma and kindly escorted me to the publisher’s office. We struck up a conversation and decided to meet to discuss representation. Obviously, it worked out!
Catherine West – I first ‘met’ Rachelle in 2008. She was a blogging mom who loved books and dogs. She became one of my ‘blogging buddies’ and I enjoyed her posts. I then learned she was a freelance editor. I had a new story idea brewing, asked for her opinion, and when the manuscript was finished, she asked to read it. Around that time she became a literary agent, and a few months afterward, I became her client.
Michelle DeRusha – I connected with writers online, not simply to attract more blog readers but to create mutually beneficial online friendships. One author read my book proposal and then graciously offered to refer me to her agent, Rachelle, who emailed me within a day to request my manuscript. I hope to be able to pass on the favor to another new writer someday.
Martha Carr – I was working on a true story about a possessed house in Pittsburgh and a mutual writer friend, who was represented by Greg, introduced me to Rachelle. I sent her a sample of my work and in less than a day I got a return email asking if I wanted to talk about representation.
Krista Phillips – I’m very new to the Wordserve Group. I signed with Rachelle about a month ago! And really, it came down to the fruits of networking. When an editor was potentially interested in my book (from my networking) I contacted two friends I’d networked with (clients of Rachelle’s) and one of them e-mailed Rachelle a referral. Spoke with Rachelle, who noted she was familiar with me because of my networking on Twitter, and she offered representation!
Beth Vogt – My first book about late-in-life motherhood partly resulted from my established relationships at MOPS International. I was not represented by an agent at that time. I’d connected with Beth Jusino, first as the editor of MomSense, and then as friends when she was an agent at Alive Communications. She gave me invaluable advice as I wrote my book. When Beth suggested I contact Rachelle, I knew I could trust her judgment and endorsement.
Joanne Kraft – Sharing my contract news with a writer-friend, she said, “Now you need an agent. And I know just the perfect fit for you…Rachelle Gardner!”
“Oh yeah? There’s just one problem, I don’t know Rachelle Gardner.”
“No, but I do.” She laughed.
Within minutes, three chapters of my manuscript launched into cyberspace. My girlfriend, who I’d originally met through blogging, became mine and Rachelle’s matchmaker.
Never underestimate the power of girlfriends, blogging, or networking!
Above all else, write well.
In the wise words of Camille Eide, you can do all these things we offer plus stand on your head and gargle, but if you aren’t writing well, following these tips won’t get you agented. So make sure to give attention where attention is due. Good writing must come first.
Do you have an agent? If so, what advice do you have for those who are looking? If not, where are you in the process? Please join in the conversation! Introduce yourself. We’d love to get to know you.