nonfiction – WordServe Water Cooler

April 13, 2017April 3, 2017

The Magic of Collaborative Marketing for Writers

“You can have everything in life you want, if you will just help other people get what they want.” Zig Ziglar, the ultimate motivator, knew that when we authentically and unselfishly support other people, great things happen. I’ve experienced the truth of this principle many times in my life, but especially recently, when I joined forces with two other WordServe authors.

Karen Jordan, Kathryn Graves, and myself decided to collaborate on writing a non-fiction book for women. By doing so, we discovered some surprising side benefits. We’ve found the magic of the collaborative process for writers improves marketing, increases our income potential, and adds a fun element to the author’s journey.

The pressures seems lighter, because we’re in it together.

Untangled A Women's Conferenece One of our most exciting accomplishments came from developing a women’s conference based on our book’s title and message. We outlined options for a one-day conference as well as a two-day event. We came up with a suggested ticket price and estimated income from the event based on a variety of attendance number ranges. We brainstormed ideas for other creative ways to support the Untangled Women’s Conference. And we reviewed different expense scenarios, weighing convenience against cost.

Then we formalized our thoughts. Untangled A Women's Conference

We created an Event Planner’s Kit to make it easier for churches and organizations to host Untangled. (I found it much more efficient and thorough to generate resources as a team versus what I might accomplish on my own.) We created a marketing flyer, and put it on our speaking tables at events, mentioned it in passing conversations, and posted it on social media. One of the most important actions we took was praying for and with each other.

We didn’t wait long before seeing results.

The response amazed us. Within a week, we had a conference scheduled and on the calendar in one state, while two other states began serious talks with us. Within three weeks, we had sent out four more conference kits to other states by request. Because of our collaborative marketing efforts, this coming fall/winter/spring should fill up fast with paid speaking gigs and greater book sales.

As we traverse this new world of collaborative marketing, we are learning many things. But the truth of Zig’s words is already evident — by helping each other through the collaborative process, we are all winning. This is what we can tell you so far:

8 Reasons the Magic of Collaborative Marketing for Writers Works:

You build off of each other’s ideas — growing creative efforts.
You share the expenses, reducing costs for each individual.
You expand the message reach further than one individual can accomplish on their own.
Your mind moves from thinking of your efforts as self-promotion, to that of helping your fellow writer(s).
You enrich the lives of readers, event planners, and audiences by offering them a diverse experience through multiple voices.
You sell more books as an author by increasing your opportunities to speak and participate in other cooperative public events.
You feel more courageous to step out and try new things.
You have people to support and celebrate with, who really understand the emotional highs and lows of writing and marketing.

Have you collaborated with other WordServe authors? If so, what did you do, and how did it affect your book sales as well as your morale? Would you be interested in brainstorming and collaborating together?

January 12, 2017January 12, 2017

Seven Essential Tips Every Successful Writer Must Apply

I think every published author wishes they could go back in time to whisper in their younger self’s ear. Doing so would certainly save volumes of time and energy. I’m sure five years from now, I’d wish for the opportunity to tell today’s me something I need to know right now.

These are the thoughts rolling through my mind this new year, clean with the possibility of fresh starts. I think it’s important to slow down sometimes.

We need to reflect on the past in order to improve on the future. So I’m reminding myself of the tips I’d give my younger self, knowing I’ve let some slack, and resolving to begin again. I believe the seven following tips are essential, things every writer must know.

Read as much as you can. Phrases such as, “Great writers are great readers,” hold a wealth of truth. The more we study, the more prepared we are to succeed. Reading teaches us the subliminal art of sentence flow, heart tugs, and scene staging. It also shows us what to avoid, as we learn from the mistakes of others. It’s the best motivator I know.
Eavesdrop. Most of my best dialogue came from listening in on someone else’s conversation in restaurants, conferences, stores, airplanes, etc. I write non-fiction, and I tell true stories or compilations based on real people, but even if I wrote fiction, I would use this technique for writing believable and fascinating statements.
Listen to outsiders. The more detached someone is from you, the more objective their writing feedback is going to be. Family and friends tend to fall into two camps: they either gush over everything you write, even your sloppy first drafts, or they nitpick, make digs, or outright blast anything you pen. Make it your mission to interact with people on social media, critique groups, or professional advance readers who are willing to respond honestly.
Pull on your thick skin. You might want to consider whale shark skin for this one, (estimated at 6″ thick). Just like “there’s no crying in baseball,” professional writers soon learn, no one’s handing out Kleenex around here either. When rejection stings, stiffen your spine, and pitch again.
Douse distractions. It’s going to happen. Ten people want five different things from you at once. You’re working on one project, when the siren call of another beckons. But professionals know the power of tenacity — grinding your behind into the seat, tuning out the voices trying to break your focus, and writing through to the finish line.
Set time-stamped writing goals. I’ve really let this one slip lately, and my work is showing it. But my One Word is Reset, so I am resetting my goals. The difference between a dream and a goal is a measurement. So my refreshed writing goals include a minimum of 5,000 words per week. This reasonable number allows for flexibility, while pushing me beyond a normal comfort zone. It’s doable.
Touch your own heart. If I’m not passionate about what I’m writing on, why would anyone else be interested? If I’m bored, my readers will feel boredom. If I’m thrilled, my readers will feel a flutter of excitement driving them to turn the page.

The more I write, the more I question myself at times, and yet, when I go back to the basics, I find the truth, the way, and a successful writer’s life. Which brings me to a bonus secret.

I can write until my fingers are numb. I can start writing at dawn’s break, pushing until the wee hours of the next morn, but if I am not inspired, it’s all for nothing. My personal inspiration come from prayer, provision, and praise for my Maker. He’s the one who gifted and called me. This is my most powerful secret.

What inspires you to write? Do you have any tips you would whisper to your younger self?

December 8, 2015November 30, 2015

Should I Write Fiction or Non-Fiction?

When I was an aspiring writer, I had no idea whether I should pursue novels, (fictional stories using made-up characters, scenarios, and plots), or nonfiction, (themed projects using real-life examples). So before I signed with WordServe, I wrote a proposal for both.

Juggling a Writing Career and a Day Job When my literary agent steered me in the direction of nonfiction, I felt two distinctly different emotions. One part relief, because it’s easier for me encourage, inspire, teach, and motivate through true stories and practical application. But I also felt a twinge of disappointment. After all, it’s a little more fun to make stuff up. Besides, you can get away with things under the guise of imagination, where non-fiction holds you to a strict standard of authenticity.

Mark Twain once said, “It’s no wonder that truth is stranger than fiction. Fiction has to make sense.” He also said, “Fiction is obliged to stick to possibilities. Truth isn’t.”

Today, I’m much more comfortable in my true writer’s skin. Occasionally, I still feel the old pull to write novels, and who knows, maybe someday I’ll do it for fun, but for now, I recognize that I am on the right path. I was made to inspire through nonfiction. But it doesn’t mean I have to give up story-telling…as a matter of fact, for me, stories enhance the topics I am drawn to write about.

Maybe you understand my dilemma. If so, perhaps these bullet points will provide clarity. After all, facts help us make informed decisions.

Fiction

Defined by Merriam-Webster as written stories about people and events that are not real. Literature that tells stories which are imagined by the writer; something that is not true.
Many readers are drawn to the escape of make-believe story, becoming passionate followers of characters.
You can hide truth in a fictional account.
There is an increased opportunity to sell two to three book deals as a fictional series.
There are fewer speaking platforms to engage with readers, and introduce them to your work.
There are fewer fiction publishers available to buy your books.
You must write the entire book before submitting it to publishers.

Nonfiction

Merriam-Webster describes nonfiction as writing that is about facts or real events. All writing that is not fiction.
Statistics show the greater majority of dedicated book buyers gravitate to nonfiction.
You can use fictional techniques to tell true stories.
On average, studies show nonfiction authors are paid more for their books.
With effort, you can find a place where groups gather for practically any true subject–and where they meet, a speaker is needed. Most publishers will require speaking platforms from nonfiction authors.
Tapping into felt needs sounds easy on the surface, but unearthing fresh subjects a publisher will buy, and a title that draws readers, is almost as tough as writing the book.
Though you need only write two to three chapters of your book, a thorough proposal including a solid marketing plan, comparative analysis of similar books, and complete outline with chapter blurbs is required.

For me, nonfiction is my natural fit, and reviewing these bullet points confirms my choice. I have a speaking platform. I prefer truth-telling over make-believe. I love to research facts, statistics, and the latest studies. I actually enjoy the challenge of coming up with a fresh approach to an existing issue, while pounding out a unique title.

There are readers for every genre, or those genres would fade away. Thankfully, there are writers to supply the demands. As an author, I must look at where I can do the greatest good, after all, the books I write ultimately belong to readers. I can’t pen it all, so wisdom says, write what I can pen best. In my case, this means nonfiction.

Are you writing fiction or nonfiction? Why is that your choice?

October 8, 2015September 30, 2015

Five Reasons to Write a Book

Writing a book takes time and effort. Since everyone works with a mere twenty-four hours in a given day, the decision to invest resources into writing a book is a choice to diminish the time and energy available for other pursuits in a writer’s life.

Not every book will soar to the top of the bestseller’s list. Most authors will need to keep their day jobs. However, writing a book is a worthwhile pursuit. While each person will have a different motive for stringing words together to create a published work, here are five good reasons to write a book:

1. Reach more people. Before I launched into the lengthy process of preparing a book-length manuscript, I wrote articles for magazines and journals. These publications often had circulations of more than 200,000 readers. However, a book can reach people worldwide. An article in a magazine reaches a targeted audience, but a book can journey into the hands of varied and unexpected readers.

2. Speak to future generations. A book that lives in the carefully controlled environment of a university library can delight readers who are the contemporaries of your great grandchildren. You preserve your knowledge, insights and ideas when you publish a sturdy book printed on alkaline paper.

3. Offer a resource for your audience. If you are a speaker, you probably have fielded questions from audience members wanting to dig deeper and learn more after your talk, message or sermon. Perhaps you have given people a list of books written by others as reference material. Publishing a book provides you with a perfect resource to recommend–one that agrees with your views in all areas.

4. Organize your knowledge. If you teach, speak or write articles, you probably have amassed a body of knowledge in a given area. Writing a book allows you to integrate and organize your knowledge around a theme. Your book can become a starting point for creating new talks, lectures, or sermons or a focus for interviews and future articles.

5. Develop and clarify your ideas. Nothing forces you to clarify your thinking like writing. You may understand a concept so well that your knowledge feels automatic. However, when you need to break an idea down and explain it to others, you often discover gaps in your own knowledge and weaknesses in your logic. The discipline of writing will make you better understand your field and help you define your values and opinions. You will become your own first reader and beneficiary of the content within your book. In turn, you will have the satisfaction of having shared your best ideas with others.

What additional reasons motivate you to write a book?

November 9, 2012November 9, 2012

On Beyond Index Cards: A Review of Scrivener Software for Writers

My first novel, slated for publication with David C. Cook in early 2014, involved hours and reams of research. I researched everything from fossils, to barbecue restaurants, the history of Haiti, pecan recipes, and more. I organized text, web links, and photos into dozens of Word documents, which I then had to flip open and closed while writing and editing each chapter. Add this to the half-dozen internet browser screens I had open for research, and, well, my computer was on the verge of crashing.

So was my brain.

At the time I didn’t know any better, so I never lamented the process. But now that I’ve found Scrivener, a software program for writers of any genre, I marvel at how I ever kept my sanity. Currently neck-deep in an intense season of editing, I’m especially glad I can dump my manuscript in there, blow it up, and put it back together again with Scrivener.

Now, I will warn you. What you’re about to read may sound like an infomercial, but it’s not. I downloaded the trial version (highly recommended), quite skeptical about how much easier this could really make my writing life. But after just two days, I bought the software outright. First of all, this little slice of computer engineering GENIUS only cost $45—a small price to pay for sanity. An even smaller price to pay for the time it’s saved me, and the fun it brings to the novel writing process.

What’s so great about Scrivener? Below, I’ve summarized my personal favorite aspects of the program—so far. And I say “so far” because the software has so much depth of capabilities and bells and whistles, I discover something new and even more fun every time I use it.

1. Love me a Trapper Keeper!

I am a true child of the 80s. When I took my kids back-to-school shopping earlier this fall, I teared up, grieving that they shall never know the true beauty of the Trapper Keeper. Oh, sure, we found imitation versions on the shelves, but nothing close to the ultimate office supply nerd’s dream machine contraption, which kept everything in check, even when the bully on the football team rounded the corner and flipped my books in the air, sending everything—including my fragile, Love’s Baby Soft ego—to the floor.

Well, never fear those bullies again. Scrivener is your virtual Trapper Keeper. The program holds everything you need for your novel—websites, photos, places to jot down random thoughts and ideas, references, and notations—everything. And since it’s all in one location, nothing falls out.

2. The corkboard is adorable.

Say good-bye to sticky notes falling on the floor when it gets humid outside. Say hello to the floor you haven’t seen for months, since it’s been covered in index cards. Scrivener allows you to not only create virtual index cards and post them on a virtual corkboard, but you can also rearrange them, even when your manuscript is complete. Need to move chapter 30 back before chapter 14? No problem. Instead of scrolling back up and down through pages of text, just point, click and drag!

Better yet, each index card can function as a chapter synopsis, and you can attach various and individual scenes to each card, again, for easy viewing and rearranging, even within a chapter.

And as an added bonus, you can print out the index cards you create within the program, complete with lines to cut them the exact size of a 3×5 card.

As the website says, “Make a mess. Who said writing is always about order? Corkboards in Scrivener can finally mirror the chaos in your mind before helping you wrestle it into order.”

Don’t like index cards? That’s okay, because you can do your writing (also with rearranging capabilities) via the outlining mode.

3. Don’t just think about Harry Connick as you write out your protagonist’s next love scene. See him on the screen.

Don’t just think about the New York City skyline as your villain creeps through Central Park. Keep a photo of it on your desktop as you write.

Character, setting, and other research organizers allow you to attach photographs, charts, maps, and more all together and accessible as you write. One of my supporting characters looks like Matthew McConaughey. Seriously. He does. So whenever I need to jot down notes about his character, I open up my folder and there he is, gazing at me. Beautiful.

(woah–where did HE come from?!?)

4. Worry about Word later.

It took me awhile to get over the fear of not writing in Word. But alas, the designers make it possible for you to compile all the text behind all those index cards and export it into one, seamless document which dovetails easily into Word.

5. Other cool features I love:

A name generator with every ethnicity and region imaginable!
Templates
Word count features, by chapter and whole document
Color-coding for chapters, editing status, and more.
Progress tracking
Keyword options
Formatting assistance

The website sums it up best:

“Most word processors approach composing a long-form text the same as typing a letter or flyer – they expect you to start on page one and keep typing until you reach the end. Scrivener lets you work in any order you want and gives you tools for planning and restructuring your writing. In Scrivener, you can enter a synopsis for each document on a virtual index card and then stack and shuffle the cards in the corkboard until you find the most effective sequence. Plan out your work in Scrivener’s outliner and use the synopses you create as prompts while you write. Or just get everything down into a first draft and break it apart later for rearrangement on the outliner or corkboard. Create collections of documents to read and edit related text without affecting its place in the overall draft; label and track connected documents or mark what still needs to be done. Whether you like to plan everything in advance, write first and structure later—or do a bit of both—Scrivener supports the way you work.

But wait. Before you buy, please note:

As with any computer program, there are negatives. Some folks–including an adorable and brilliant writer friend of mine–hate it. Also, while a PC version is available, the program was designed to operate on Macs, and the designers even admit it will probably work best on that platform. Try the trial version before you buy it to see if it will work for you and your computer operating system.

Also, you do need to have at least a smidge of computer savvy. And patience. There is a learning curve to this program, and the designers have been kind enough to offer a thorough, interactive tutorial and instruction book. While helpful, the program is so rich even I—a borderline computer geek—felt a little overwhelmed initially. And I don’t know if I’ll ever use all the functionalities.

That said, Scrivener has truly changed the way I approach my novel writing. I feel like it really frees my mind to focus on the prose, because I no longer have to remember where everything is on my hard drive . . . or if my dog ate a sticky note or a stack of index cards.

I honestly don’t know why more folks aren’t using and/or raving about the software.

Try it for free for 30 days.

I can’t throw in a set of steak knives, but I’d be willing to wager you’ll like the program, too.

November 18, 2011May 1, 2015

Five Myths of Publishing

The 30-plus journals on my bookshelf prove that I’ve had a passion for writing since I was a little girl. And after my first son was born, I began prayerfully crafting and submitting book proposals. Up until that point, I had been a prolific freelance writer, but [here’s a reality check] it took me five years and about fifty rejections before I got my first contract.

Now, after ten-plus years as an author in the Christian book industry (Christian Booksellers Association), I can see how much I’ve grown as a writer, and as a person of faith.

I’ll be transparent here: before I became an author with a traditional publisher, I believed several myths, which are common to aspiring writers. I want to share, and debunk, them here. [Note: I don’t write fiction, and I haven’t tried self-publishing, so my statements will be coming from a traditionally published non-fiction author’s perspective.]

1. If I find an agent, I’ll get a book deal. I’ve had several agents, and all of them had their strengths. However, in all but two of my contracts, I already had an offer when I approached the agent. I’m sorry to report that signing with an agent–though it’s something to be celebrated–is not a golden ticket to Book Deal Land.

2. If I don’t have an agent, I won’t get a book deal. What leads to book deals? Great ideas, stellar proposals, strong platforms, and authentic relationships with editors. Small and mid-size publishers are ALWAYS looking for new talent, so write like crazy; be teachable; meet editors at conferences; and speak or do other things to increase your visibility.

3. If my book is good enough, I won’t have to market it. How I wish this were true! Unless you name starts with “Bill” and ends with “Graham,” you’ll need to participate in your publisher’s marketing and publicity plan. You may be asked to guest-blog, send out review copies, write op-eds, speak, and/or appear as a guest on radio and television shows–in both traditional and online media. There are ways to market yourself without selling your soul–or upchucking. I promise! (My advice? Pray; BE YOURSELF; find mentors in the industry; and talk to your editor, agent, or fellow authors about creative ways to fight stage fright and shyness.)

4. If I follow a certain marketing plan, my book will be a bestseller. People make big money selling this lie and creating plans you can follow in order to get your book on certain lists. But those plans are expensive, time-consuming, and not-at-all foolproof. To be honest, the book I did the least marketing on (because it was a work-for-hire) sold many, many times better than the tomes I did extensive marketing and promotion on.

So what’s true in this “house of mirrors” called publishing?

Great writers WILL get published–in some form. Readers want to buy amazing books, which they can read and tell their friends about. Publishers long to find one-of-a-kind ideas, brought to life by seasoned, unique and professional writers.

And, most important of all, if the Creator has given you a talent for writing, He wants to use that gift to encourage others. There are so many ways to be published now. The whole world has changed over the last few years, and publishing is evolving at warp-speed. So hone your craft; seek His face; and ask Him what He wants to teach you on the journey.

You might just be surprised–and pleased–by what you learn.

About the author: Communications expert, mom, wife and chocoholic Dena Dyer is a contributor to over twenty anthologies and the author of six books, with a seventh (25 Christmas Blessings) coming out in September from Barbour Publishing. Visit her blog/site, “Mother Inferior,” to find out more about her books, family, and faith.