Watching and Waiting

Photo/KarenJordanI’ve learned a lot about waiting and watching as a writer. So, I wanted to share this excerpt from my book, Words That Change Everything, with you.

Waiting rooms can bring out the worst in me. Long periods of waiting produce all kinds of emotional red flags—from impatience and worry to full-blown panic attacks.

Reminders of past pain, traumas, and personal losses make our current trouble seem intolerable. The dark clouds roll in, and we ignore the light of spiritual truth.

I’ve been assigned to many waiting rooms, especially this past decade. And I don’t really like to wait; I’m very impatient for good news to arrive. But waiting does not have to be hopeless. We can find hope and resist worry when we know that God is listening to our cries for help.

The psalmist speaks of “waiting” in Psalm 40, and I particularly resonate with this line from The Message Bible.

I waited and waited and waited for God. At last he looked; finally he listened. He lifted me out of the ditch, pulled me from deep mud. He stood me up on a solid rock to make sure I wouldn’t slip. (Ps. 40:1–2 The Message)

Jumping from one waiting room to the next—crisis after crisis—and trying to help others in their time of need, well-meaning supporters encouraged me to find relief from my stress, anxiety, and exhaustion.

When I asked for advice how to obtain their suggested rest, some offered me quick fixes and temporary solutions. But nothing provided the peace that I desperately needed until I leaned on God’s Word for help.

What are you waiting for today?

jordanKaren Jordan. Words that Change Everything. Copyright © 2016 by Karen Jordan. Used by permission of Leafwood Publishers, an imprint of Abilene Christian University Press.

OneWord 2017: Hope for the New Year

Image/KarenJordanHave you chosen your “OneWord” for 2017?

Focus. I selected my initial “OneWord” after reading an inspiring post on  Lindsey Nobles’s blog in 2011. I decided on the word “focus” after wrestling with distractions.

Fearless. I decided on the word “fearless” the next year. I needed to defeat the spirit of fear and pursue my projects, plans, and dreams.

Essential. After skipping three years, the word “essential” surfaced in 2015. Struggling with my priorities, I needed to rethink what mattered most. Plus, I faced a book deadline. At the same time, my husband, Dan, retired.

BookCover/KJordanRelease. I didn’t select “OneWord” in 2016. Why? I concentrated on my first book, Words That Change Everything. So, I suppose my “OneWord” became “release,” since I focused on marketing my book.

Hope. Recently, I sensed “hope” should be my 2017 “OneWord.” I had lost my confidence as I faced my lack of experience in marketing my book. Plus, my husband acts like “every day is Saturday” since he retired.

When the Lord placed “hope” on my heart, I sense new direction and a renewed purpose for the future.

Choose hope. Do you feel hopeless about the future? Perhaps our recent presidential election left you disheartened.

God’s Word offers us this promise of hope after a difficult journey.

(We can) rejoice in our sufferings, knowing that suffering produces endurance, and endurance produces character, and character produces hope, and hope does not put us to shame, because God’s love has been poured into our hearts through the Holy Spirit who has been given to us. (Rom. 5:3-5 ESV)

Can you identify the reason for your hopelessness? If you need direction and clarity of purpose to overcome your discouragement and doubt, I challenge you to accept His gift of hope today.

Happy New Year!

The Good Editor

typewriter-584696_640 Every writer needs a good editor. There are no exceptions. Typing away at the computer may be a solitary adventure, but bringing a well-rounded story to readers is a collaborative effort with a lot of players on the team. One of the most necessary players is a good editor. This is so much more than catching a typo or fixing a sentence that ends in a preposition or realizing you meant effect and not affect. It’s more than knowing what AP Style or Chicago Style is and when to use what, where.

Keely Boeving, a freelance editor who has worked with me on one of my novels, said, “I consider myself an advocate for the reader. My goal is not to change a writer’s style or intent, but rather to draw it out—to help them say what they truly want to say in a way that resonates with readers. Translating what a writer conceives in their creative mind into words on a page can be tricky, and an external observer—an editor—can help facilitate the translation in order to help writers achieve their intent.”

A good editor gets you and can see where the story is going without the need to add in their own two cents’ worth. The really good ones are part fan who write notes about the parts they really like, part brave hero who can tell a writer they need to take out that beloved chapter, and part mind reader who can ask just the right question about that part you thought was clear.

Taking the time and investing the money in an editor can help you get an agent or a publisher to read past that first page. Not taking that step may mean a lot of rejections for a good story that just needed a little more work.

Some tips when looking for the right editor:

  1. Gather information. Ask for the editor’s background and do they specialize in your type of work. Ask them for names/emails of writers they’ve worked with before. Write a short email to the writers asking them about their experience. See if the editor has ever worked with your genre. Keely worked in New York for over four years and is now a part of the WordServe family, as well as working as a freelance editor.
  2. Be clear about your expectations. Talk about cost and when payment is expected. Be true to your budget and keep searching if someone is out of your price range. Talk about your timeline and whether the fee includes second or third rounds of edits. If you have a deadline that can’t be missed, say so up front and take no for an answer if you hear ‘maybe’.
  3. Talk about how you expect to receive the edits. Some editors and some writers still use the printed page. I prefer Track Changes and comments but I still run into people who don’t and prefer mailing that manuscript back and forth.
  4. When you get the edits back, read over them briefly and put the manuscript down. Go find something fun to do and let it go for a day. On my initial read there’s always one or two things that I don’t agree with at all… until the next day. Often, those are the changes that fixed something that would have tripped up a lot of readers but was pretty easy to fix. Don’t let that become the reason you don’t sell a work.
  5. Take what you like and be willing to leave the rest. There will be moments when a suggested edit changes the intention of a scene or the voice of a character. Have some confidence in your idea and know when to say no. Reason it out with the editor, as well. It could also be that the setup isn’t fully there but with some tweaking, your story gets stronger. If you don’t feel like you’re being heard, you have the wrong editor.

One last thing. Celebrate every part of the journey as a writer, including this one. You took an idea from your mind and put it down on paper. That’s a big accomplishment. Now on to the next step.

And the Tweet goes on…

Red HotA few months ago, I enthused in this space about a book I’d read at my agent’s suggestion. Now I’m going to give you a follow-up, because reading Red Hot Internet Publicity has truly changed my marketing game; unlike a lot of books that sound great and helpful while I’m reading them, RHIP is proving itself to be one of those books that truly make a difference in my career. In other words, its tips WORK and you can actually DO them.

(Or am I the only person on earth who finds it difficult to implement ‘great ideas’ that use apps I can’t understand, or require more financial investment when my writing income is already in the red, or simply involve too many steps to even remember?)

This is what I’ve accomplished since my post “Learning New Marketing Tricks” appeared here two months ago: I’ve more than doubled my Twitter followers from 217 to 500+ by discovering new audiences on this one social network, and my exposure (impressions) has increased tenfold!

twitter-bird-light-bgs.pngThe route I’ve taken involves the RHIP suggestion to engage in group chats, which has introduced me to new contacts with similar interests. Even just a few Tweets back and forth produce new followers, and sometimes that generates ideas for writing posts on other networks. Perhaps even more significant is my new habit of scrolling every day through the topics that are currently trending on Twitter. I find a few to which I can contribute original Tweets, and then comment on others in that stream. Again, it only takes a few minutes, but it always generates new followers.

Finally, I’m insistent on using hashtags with every Tweet I make, and the more hashtags, the more likely it is that I’ll reach into new markets. Before I started focusing on Twitter, my tweeting impact was dismal – maybe making only a couple hundred impressions (read that as ‘your name showing up in the Twitter universe’) a week. These days, I’m getting a thousand impressions a day – that’s a lot of times my name is showing up in the Twitter stream, and that connects me to large groups of people I might otherwise not have encountered. Some of those people have now subscribed to my newsletter and bought my books; by following them back, I’ve found more threads of conversation and topics in which I can engage. Throughout it all, I constantly remind myself of my brand – of my unique voice – and make sure my Tweets reflect that. So far, I’m delighted with the results.

Hourglass --- Image by © Royalty-Free/Corbis

Hourglass — Image by © Royalty-Free/Corbis

So delighted, in fact, that I’m thinking I should double my time on Twitter…from 30 minutes a day to 60 minutes.

That’s right – 30 minutes a day have yielded me a breakthrough in exposure, and since getting my name and brand ‘out there’ is so important for making sales, those 30 minutes pack more of a marketing wallop than any other 30-minute marketing I can do.

Isn’t it great when something you try really works?

Don’t ride . . . DRIVE the train!

trainAbout fifteen years ago, while taking a graduate course in Spirituality and Leadership, I had a professor who presented me with one of the most motivational sayings I’ve ever encountered: “Don’t just ride the train, be the engineer!”

Okay, maybe not the most theological statement I heard in the course of my graduate program, but it lit up my brain in ways I’d rarely experienced since finishing my undergrad degree decades earlier. Knowing myself to be an introvert and nonconfrontational, I’d always preferred to have someone else take the lead in projects at work; the only role in which I felt confident enough to be in charge was as a mother to my children. (Looking back, I can only say that ignorance was truly bliss, but that’s another post or two or a thousand.)

But the moment my professor uttered that directive, I had an epiphany that any writing career I wanted to pursue was going to demand that I drive the train, and not just ride along on whatever might come my way. As a result, I began to view writing as a vehicle I would steer, and, when necessary, refuel with energy and hard work. I also accepted that no one else cared as much as I did whether that train finally arrived; not even the support of spouse, family and friends (as important as that is!) would bring that train into the station if I didn’t commit myself to being the engineer.

I share this story with you because every writer needs to know that writing requires you to make that train your own: if you want to be successfully published, you have to learn the business, and these days, that means EVERY aspect of the business: writing craft, understanding your audience, marketing, platform building, travel requirements, publishing trends. Gone are the days when your publisher says, “Thanks for writing this swell book. We’ll take it from here.” Even your agent – if you’re fortunate enough to land an agent – can’t hold your hand through every stage of book development, because she or he is swamped just trying to navigate a path to publishers through all the layers of the industry – layers which can shoot down a book proposal for reasons of marketing or audience or numbers of your social followers, which may have nothing to do with the actual value of the book you’re creating.

You have to take ownership of your career. You have to drive the train to where you want it to go.

And that may be the biggest plus of being the engineer – you can CHOOSE where you want your career to go. It will take hard work and learning from the experience itself, but if you find you’re being called to write romance instead of devotionals, or humor instead of profiles, or politics instead of fiction, you can steer that train of your writing career onto different tracks, and see where it takes you. Maybe it will only be a short detour and you’ll end up at your original destination. That’s great! Then again, it may be a whole new journey on the writing rails.

Are you ready to drive the train?

5 Tips for Sharing Your Faith Stories

imageThe Bible encourages Christ followers to share their life lessons of faith with others.

Men. The apostle Paul gave Titus this advice as he prepared to teach men.

.  .  .  talk to them; give them a good, healthy diet of solid teaching so they will know the right way to live  .  .  .  teach the older men (to) enjoy everything in moderation, respect yourselves and others, be sensible, and dedicate yourselves to living an unbroken faith demonstrated by your love and perseverance.” (Titus 2:1 The Message).

Women. Paul also gave Titus instructions about teaching the older women, offering him some instructions concerning issues that concern all women (Titus 2:3-5).

Today. We might be able to glean some good stories with writing prompts from these passages. But how can we share our own faith if we can’t communicate our personal stories, identifying the stories that matter most to us?

As I prepared to speak to a group of Christian women, encouraging them to share their faith stores, I recalled an important challenge in 1 Peter 3:15: “Always be prepared to give an answer to everyone who asks you to give the reason for the hope that you have” (NIV).

Prompts. The following writing prompts helped me prepare to tell my faith story, particularly my personal “come to Jesus” experience.

  1. Before Christ. How would you characterize your life before you trusted in Jesus Christ? [Attitudes, emotions, concerns . . . ]
  2. Faith Crisis. What were the circumstances in your life that led you to trust Jesus Christ as Savior?
  3. Salvation. When and how did you respond to accepting Jesus Christ as your personal Savior?
  4. Christ follower. How would you characterize your life today since you chose to follow Christ? How is your life different now?
  5. Scripture Promises. What Bible verses have helped through a crisis of faith?

What resource or practice has helped you communicate your faith stories?

Take it with you when you go

moving dayMy husband retired from his job last December in Minnesota , and within a month, we were unpacking our worldly goods in our new home in Texas. Having relied heavily on my local readership for growing my book authoring career, I was faced with a choice: retire from my own career as a writer, or start it all over again in a new place.

Actually, there was no choice for me: since I can’t NOT write, here I am, back at square one. Except that this time around, I have eight years of experience and a track record as a published author behind me as I begin to cultivate my new area; my task is more transplanting than seeding. For any of you facing a geographic move, here are some of the positive and negative aspects of taking your authoring with you:

A fresh audience!

Positive: You have a fresh audience, which forces you to remember why you write, why you’re excited about what you write, and how what you do can serve readers in your new community. It’s a wonderful opportunity to look at your work from new angles and refresh your own enthusiasm for what you do. And with books already in print, you have product ready to promote in your new area – no waiting around for publication to happen – yet you can re-use the promotional tools you used the first time around, saving you the time and effort of developing new marketing strategies.

Negative: You have a fresh audience, which means you have to start over making connections with bookstores and other venues. Back to phone calls and building relationships (sigh).

A track record as an author!

Positive: You’ve got a track record as an author! Yes, you’re making phone calls, but you’re going to get farther faster in booking events because you’re a proven entity. Your past experience makes you smarter about ways to reach decision makers, adding to your credibility as a published author with new contacts. Since this is your second time around, you won’t waste money and time on the ideas that didn’t work when you were just starting your authoring career.

Negative: You have to put the time in again on building key relationships.

New sales!

Positive: You have a new geographic market to add to your original readership, potentially doubling sales for both old books and anything new to come. Just because you’re no longer physically available doesn’t mean your loyal readers from your old location will abandon your future releases – those fans need to be kept in the loop as you move forward, so be sure to continue communications with them (Facebook, author newsletter, etc.).

Negative: You will lose some readers who only enjoy local authors. Hopefully, though, the gains in your new area will outweigh the lost readers.

Can you add to these experiences/insights of taking your authoring career into new territory?