Category: Writing

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Be Your Agent’s Dream Client

One thing authors wonder about is how to “behave” once they have a working relationship with a literary agent. Especially if it’s your first agent, you want to be the kind of author an agent wants to keep as a client. Agents understand that—and we want to be the kind of agent you want to work with, too! In fact, I tell my authors that the best partnerships are when the agent and author are president of each other’s fan clubs. That takes time, of course, but it shouldn’t take years if you are intentional about making the relationship great.

The secret to a good agent-author relationship isn’t a mystery. It’s like any other relationship: kindness counts; communication is key; and sometimes it takes a little work to keep things running smoothly. If you follow this commonsense advice, you’ll be well on your way to a positive long-term association with your agent.

We’ll start with the negative: The single most difficult thing that agents deal with is authors’ unrealistic expectations. These expectations fall into lots of categories—everything from the size of your advance (usually compared to others you know) to the amount of marketing the publisher will pay for, to the speed of the process (or lack thereof). It’s important that you develop realistic expectations in all of these areas. How do you do that? By talking with your agent, networking with other authors, attending conferences, and keeping up with happenings in the publishing industry (through key blogs and other news sources). If your expectations are impractical, your publishing journey will be unfulfilling. You’ll be disappointed and likely end up resentful.

I’ve had authors wonder why their advance for their sixth book is smaller than the advance for someone else’s first book. They don’t realize that one or two bad showings in sales hurts a publisher’s enthusiasm. A sales guy makes a call to a retailer, the numbers are brought up on the screen for their last book, and if they’re small they get a tepid response. It doesn’t matter about the quality of the book, it matters what the computer says their last book sold. Sad, but true (and all too common).  A new author, however, doesn’t have one bad book to muddy the waters. The value of their idea and platform can be leveraged into higher advances.

That’s why it’s essential to always keep those expectations in check!

In addition to managing expectations, it’s extremely helpful to agents when you communicate well. There is a balance to good communication—we don’t want you to be afraid to call or e-mail if there’s an issue, but daily phone calls and emails can actually slow the process, stealing time from the things an agent does behind the scenes to get clients’ work to publishers. As a general guideline, check in once a week with questions and updates, if you have them. Most important, when bigger issues do arise (and they will), go directly to your agent rather than to the publisher, your critique group, your Facebook page or your blog. Keep the lines of communication open and talk things out. If you’re not happy with your agent, this may be hard to address directly, but it’s the best way. Always.

Trust is the essence of any relationship, and agents need their authors to trust them. Agents handle the business details so you can focus on your writing and marketing, and we appreciate when you allow us to do this without second-guessing every move. If you’re confused about something, always ask, but unless it’s proven otherwise, trust that your agent has your best interest at heart in all actions, negotiations and decisions.

Today, authors have to be marketers and promoters of their work, and agents are ecstatic when their clients understand this. Many agents offer advice and can steer a writer toward good ideas for platform building, but what we really want is for our clients to have a commitment to the self-promotion mindset, and a desire to learn more about it and get better at it as time goes on. An agent rarely has the time to handhold you through every step of your marketing process, but your agent can be an enthusiastic partner and savvy advisor along the way.

Agents appreciate clients who care about the craft of writing and are always striving to learn and improve. Attend conferences and writing workshops, and work hard to learn from the editorial process. Your value to the industry increases as you improve as a writer. And this probably goes without saying, but we really like it when clients meet their publishers’ deadlines!

Don’t forget the basics: be kind, cordial and professional. And when it’s warranted, feel free to express gratefulness for a job well done.  And Starbucks cards are always appreciated.

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When Good Writers Go Bad

Recently I listened to a thought provoking sermon about how to tell when good leaders have gone bad. The lesson was universally applicable because we all have leadership opportunities at some point in our lives. Whether it is leading a major corporation, mentoring a student or babysitting, we are providing guidance. As writers, we have an incredible opportunity to lead others. Here is my spin on that lesson, exploring several traits that indicate a writer may have gone to the Dark Side:

A Big Ego

Being an author means creating a platform, and selling yourself and your product. At some point, you may begin to believe your own press. The praise feels great and after a while, you get used to it. Then, when it does not come readily, we wonder why. Although some of the most acclaimed writers of all time had healthy egos (Steinbeck, anyone?), focusing on how the writing might benefit others is much more inspiring to readers. Someone asked me this week, “Do you write to feel powerful and  make the characters do whatever you want?” I told her my writing stems from a desire to entertain. She looked baffled and said she would probably become addicted to the control over the story and other readers. It’s easy to see how authors could get wrapped up in the ‘power’ aspect of writing, if they were so inclined–but that’s not what inspires people.

Isolation

Alone time is a necessity for many writers who can’t focus with others anywhere in their vicinity. However, the more time we spend alone, the more we rely on our own judgement. The feedback from trusted advisors is invaluable, but if one is operating in a silo, that may not seem necessary. Excessive isolation can be dangerous, it keeps writers from being in touch with their audience, as well as with other writers with whom they might partner. Actor Jonah Hill has commented on how much easier it is to write with other comedians. Woody Allen has expressed that people are willing to help a writer in the creative process, as long as the author has put in the time to get a project close to being fully baked. Although there is nothing wrong with self-reliance, no person is an island. If you have it available to you, why not seek wise counsel?

Us/Them Mentality

When fellow authors enjoy success, we can either be happy for them or turn pea green with envy. We may console ourselves with the sentiments that so-and-so is only popular because they write scandalous material, or because they are friends with ‘the guy behind the guy’ at Google. Writing is a tough business to break into, and it’s understandable to feel jealous of our successful colleagues–but why not leverage them instead, and even adopt their principles for success? Author communities (i.e. WordServe Water Cooler) are committed to the prosperity of all. In this and similar organizations, writers help each other with social media support, comments on postings and general assistance in spreading the word around. It’s a huge relief when others help take up our causes. Disinterest in helping others only results in hurting oneself.

If you see yourself in any of these traits, don’t despair.  We’ve all been there at one point or another to some extent. The idea is to identify our symptoms and course correct to ensure we are keeping ourselves honest. As writers, we need to lead our followers somewhere worthwhile.

Have you ever experienced any of the above? How do you think the writing journey might change an author over time?

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Who is My Reader?

Marketing Your Debut Novel Part III

I’ve been doing a series on marketing your debut novel. You can find Part I and Part II by clicking the links.

Briefly, Part I focused on growing your tribe/social media and Part II was about the comparable books section of your book proposal.

In this installment, I’m going to continue on the pre-contract phase of the writer’s life by focusing on another troublesome aspect of the book proposal–the AUDIENCE SECTION. (Cue your choice of scary music.) This section goes before the overall marketing plan that you will design to help the publisher get the word out about your book.

A publisher wants to see that you know who your potential reader is. Are you savvy enough to figure it out? This audience section will help your publisher know how to market your book and how to best reach the reader you’ve identified.

For instance, a novice book proposal writer would say something like: “Proof will be loved by ALL people ages 18-102.”

Really? Everyone? That’s not very discerning. You may not understand your potential readers very well and this will be troubling for the publisher.

EVERYONE is not going to like your book. That’s just fact. And you will waste time trying to market the book to everyone. Did you know the largest group of Christian fiction buyers is women, mostly between the ages of 30-50? In fact, this morsel of truth may translate to the general fiction market as well which are those books published by the ABA. You can watch this fascinating interview with CJ Lyons and Lee Child as they discuss that women purchase most books.

So, when you’re working on this section of your book proposal, think hard about who will be attracted to buying your book. Are they men or women? College educated? What age are they? What do they watch on TV? How popular are those TV shows?

What follows in quotes is my audience section in the book proposal for Proof. For those of you who are not aware, Proof is a medical thriller/police procedural. Equal parts of both. Some romance but not 50/50 romance like a true romantic suspense novel should be.

“Those likely to buy Proof are career men and women age 25-45 who are fans of medical/police procedural television shows and novels. ER ran for 15 seasons and during its first ten years was consistently a top ten show. House, currently in its seventh season, averages 10 million viewers. The DNA mystery in Proof will attract people who watch CSI, as well. CSI has three television shows in its franchise.

Suspense novels with a heavy medical edge do well in fiction markets. Mainstream writers like Robin Cook, Tess Gerritsen, Michael Palmer, and Kathy Reichs consistently hit the New York Times bestseller list. Furthermore, Lethal Harvest by Cutrer and Glahn was a Christy Award finalist. Candace Calvert’s Critical Care was a 2010 Carol Award Finalist. Proof will appeal to these readers.”

What’s been interesting in hindsight is that Library Journal suggested my novel to those who were fans of Robin Cook. Several reviews have specifically mentioned the show CSI as well as Law and Order SVU and Grey’s Anatomy. I carefully marketed the book to those I thought it would appeal to, and ultimately they are indeed the ones who’ve loved the book.

What do you think? Have you tried to write an audience section of a book proposal? How easy or hard was it? What advice helped you write this section?

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What Writing Fiction Taught Me About Human Nature

I used to think I knew all about right and wrong, good and evil, heroes and villains. It was all black and white to me. When I bothered to think of it at all, I pretty much knew how to bucket things and, I’m sad to say, sometimes people. Then I started writing, and I figured every character central to my plot would be a good guy or a bad guy, an ally or an obstacle. I quickly learned that wasn’t the way to build a character-driven novel. All-good or all-bad characters are flat, boring, and unrealistic. No one wants to read about them, and it wasn’t fun to write about them, either. I realized, like real people, characters must have a little of both in them.

Image: FreeDigitalPhotos.net

This concept was easier for me to grasp with my heroes. After all, if a hero doesn’t start out flawed in some way, how can they ever hope to grow? This was something I embraced early on in my writing. The fundamental change that occurs when a hero is tested through a series of internal and external obstacles is half the fun of writing, in my opinion. The villain was a bit trickier. Even understanding no one is perfect, it’s easy to fall into the trap of pointing a finger at a blatant wrong-doer and summing up their person as ‘bad’.

As I spent more time delving into the psyche of my villains before casting them in a story, I realized who they are is more than what they want, their flawed reasoning or perspective, and even what motivates them to do the terrible things they sometimes do. Villains, like real people, can have a backstory wound too.

What is a backstory wound?

Image: FreeDigitalPhotos.net

One of my favorite resources for character-driven plots comes from Martha Alderson, often referred to as the Plot Whisperer. A backstory wound can be anything impressionable in the character’s past that interferes directly with their success at achieving their goal. It’s worth pointing out this isn’t always something you’ll reveal to your readers, but it’s something the writer should know. Essentially, backstory wounds are how characters sabotage themselves, whether they’re aware of it or not. Heroes have them, and villains have them. (Don’t we all, really?) The main difference is, at the end of the story, the hero has changed somehow to overcome their backstory wound to the extent they can achieve their goal, whereas the villain hasn’t.

But they could.

Villains have the same capacity to grow and change as heroes have.

Image: FreeDigitalPhotos.net

When I realized that little nugget, I was able to start writing better villains, and I also had a slightly altered view of human nature; I became a little more understanding. Like our characters, real people face conflict and make choices every single day—choices often colored by their own backstory wounds. The fights we pick, the words we say, the grudges we release, the big dramas and little thoughts and actions that shape us every day—these help us grow in character…or not.

I still have my views on right and wrong. However, now I try not to assign those characteristics to people, but rather to their behavior at any given point in time, often framed by the choices available to them.

What about you? What has writing (or reading) taught you about human nature?

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Everything I needed to know about writing I learned from my Dad’s level

When I was a little girl, Saturdays were my favorite day of the week, because Dad took me to the hardware store. Never a man without a project, Dad and I strolled the aisles and picked out all the uber-cool and necessary items. Back home, he let me watch him build.

Even as an adult, Dad helps me builds projects around our house: corner benches, window seats, entertainment cabinets, wainscoting, and more. I’ve often thought about tackling carpentry projects myself, but I’ve always been afraid his gifts of patience, precision, and measurement didn’t pass down through the genetic pipeline.

Until last week, that is. I gulped hard, then set about transforming a small, unused closet in my son’s room into a book nook, complete with a seat, shelves, and trim. As I worked, I couldn’t help think of how similar building and woodworking are to the craft of writing. So, here for you today are the top ten applicable things I learned:

1) Borrowing ideas from others is a compliment. I found the book nook idea at my favorite DIY blog. I copied some of the ideas, but ultimately, the project quickly became unique to my home and my son’s personality. Application: Don’t be afraid to consider how to tweak popular (even Shakespearean) story lines into your own masterpiece.

2) Sketch out a plan. I drew sketches with all my ideas and at all sorts of angles. This really helped when I took it to the hardware store and explained my ideas to Mr. Friendly-But-Skeptical-of-a-Female-Builder in the blue apron. Application: Plot and outline. And know that girls can build, too.

3) Take time to measure. And measure again. I measured most boards at least three times before cutting them. Even so, I had to take some pieces back to the saw for additional trimming, because of angles I hadn’t anticipated. Application: Research. And research more. You may not need all the research you gather for your story, but it’s better to have too much than not enough. You can’t make a piece of wood longer, after all.

4) The level never lies. My Dad always spends more time leveling than he does nailing and drilling. As a young girl, this seemed like a waste of time. Now, with one (fairly) successful project under my belt, I understand how one unlevel board can ruin the whole project. Application: You can never fact check or edit too much.

5) Shims come in handy. A side board which supported the nook’s seat wasn’t level. I added a shim to the low end to make it right before I drilled the seat plank on. Sitting crooked wouldn’t be much fun. Application: Take time to smooth out and adjust your prose.

6) Sometimes you have to yank out a bent nail. I stink at hammering. Should be the easiest part of a project, right? Not for me. I’m hammer challenged. Inevitably, at least a few of my nails bend, and I’m tempted in frustration to just hammer them in anyway. Sideways. Application: Don’t be sloppy. Take your time.

7) When stuck, ask a master for help. Switch projects for a moment: Last winter I painted my kitchen yellow. Three times. After the first two shades came out neon and lemonish and all wrong, I bawled like a baby knowing I’d have to paint the whole room a third time. I called my Dad. We knocked it out in a couple hours. Application: Read and talk to established authors. They help get you out of writing ruts.

8) Wood putty and spackle are my new best friends. For holes. Dings. Bent nails I hammered in anyway. Application: Edit.

9) Sandpaper makes all the difference. Application: Edit some more.

10) Invest in a good paintbrush. The final touches of a project are when I’m most tempted to take shortcuts. I’m tired of looking at the mess. I just want to get ‘er done. But alas, these are the moments which make a project shine. I found out the hard way that using a crappy paintbrush when applying high gloss paint to cabinetry looks plain awful. Application: Don’t skimp before hitting the send button. Edit again.

Yes.

One.

More.

Time.

What about you?

What ways do you find real-world experiences help you re-frame the writing journey?

What’s your most handy advice? 

 

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50 Shades of Grey: To Read or Not to Read

Okay, I will not really talk about whether or not you should read one of the most controversial books published in 2011. If you want to participate in that discussion go here. I will say that I read the first third of the first book and skimmed the rest of the first book. I asked my husband if I could read it before I started, and I talked to him about what I read as I moved through the book. I say that because I want to provide a context—I have at least some experience with 50 Shades of Grey. I really want to discuss how Christians can produce books as compelling as 50. I think we might start doing that by trying the following, but I would love to hear your thoughts as well. I’ve included a lot of questions. Feel free to offer your thoughts in the comment section below.

  1. Writing Well. In the article I linked to above, Michelle mentions that she chose not to read the book because her friend did not like the writing. Honestly? The writing needs improvement. Sure, the plot moves forward, but language and fully developed characters don’t drive the book. Shouldn’t Christians produce books that compel readers to keep reading based on the beautifully written language? Shouldn’t the plot make readers want to stay up late reading under the covers with a flashlight? Shouldn’t the setting feel like home? Or if it’s an uncomfortable setting, shouldn’t it make the readers feel the tension within that particular place?  What about the main characters? Shouldn’t they feel like life-long friends?
  2. Incorporating Strong Male Characters. Christian Grey, the protagonist in 50, has a dominant personality that makes females swoon. God set up the marriage relationship with the male as the head of the wife. Obviously, that does not involve abuse, but God created the idea of headship as attractive. I love romance books (Christian or otherwise) because I swoon over a strapping male willing to make tough decisions and come to the rescue. How could you incorporate a strong, sexy male character into your novel while remaining tactful? What sort of tact is necessary in a Christian romance novel, specifically regarding the male protagonist?
  3. Incorporating Strong Female Characters. The female protagonist in 50, Anastasia Steele, doesn’t just accept what Christian has to offer in a relationship at face value (at least in the first book). She fights him on the particular details of their relationship with which she feels uncomfortable. How can you make your female characters strong in their character and conviction? Should a female character confront her husband in a novel if he makes a poor decision? What if the male that she is confronting is just a boyfriend? How do the relationship dynamics differ, and how can you keep both types of relationships interesting so that readers want to keep turning pages?
  4. Discussing Controversial Topics. Even the secular community startled a bit when they discovered 50 Shades of Grey. I doubt it would have been as popular without the controversy. Should Christians be writing about controversial issues in novels, as well?  If so, should those issues be resolved biblically, or is it okay to show that a bad decision was made and to then reveal appropriate consequences for that bad decision? As with anything, you need to pray about the decisions you make in your writing.
  5. Writing About The “S” Word. Who doesn’t like to hear about a spicy relationship between a man and a woman? How would you choose to write about a man and a woman who are in a courtship or dating relationship? How do you write about a man and a woman in a marriage relationship? How do you balance being tactful but also keeping the spice going? And, finally, should Christians only be able to include kissing scenes in their novels, or will characters ever be able to go beyond first base?

What other ideas can we glean from controversial books that sell well?

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A Brief History of E-publishing, Pt. 2: The Rise and Fall of the Rocket Ebook

Nuvomedia’s Rocket Ebook

Sometimes the difference between success and failure can be merely a matter of timing.

Back in 1998, many electronically published authors (me included) were saying that print books would soon go the way of the dinosaur. As far as we were concerned, it was only a matter of time.

E-books were the wave of the future.

The reason for our optimism? A hot new product called the Rocket Ebook.

When e-books first came on the scene, the only place you could read them was on a computer screen. Not many people had laptops back then, so if you wanted to read an e-book, you had to use your desktop computer.

Unfortunately, most people’s idea of curling up with a good book didn’t involve sitting in an uncomfortable chair and squinting at a monitor.

I was an e-published author, and even I didn’t want to do that.

But when Nuvomedia introduced the Rocket Ebook in 1998, electronically published authors around the world danced in the streets. Okay, maybe we weren’t quite that ecstatic, but many of us did feel that this was the beginning of a revolution in publishing.

The Rocket Ebook was the very first dedicated e-reader to hit the market.

At a price point of about $250, the Rocket came with a whopping 4 megabytes of memory (expandable to 16 megabytes!), and (Are you ready for this?) it could hold up to 10 regular books and up to 4,000 pages of text! It was about the size and thickness of a Stephen King paperback (although a little heavier). As icing on the cake, it had a back lit screen.

I just knew that as soon as the reading public got wind of the Rocket’s existence, people would rush to their local electronics store to buy them, and a tsunami of e-book sales would follow. In the long term, print books would gradually fade from the scene.

As you might have guessed by now, it didn’t quite work out that way.

So what went wrong?

There were many factors, but I think mainly the Rocket was a great idea whose time hadn’t come.

The Rocket Ebook hit the market at a time when Palm Pilots and PDAs were the hot, new technology. These little devices put the Rocket at a disadvantage. PDAs could multitask. They could keep your appointments, contacts, notes, and so on.

They could also read e-books.

So why should I invest big bucks in a bulky, heavy, dedicated e-reader, when my trusty Palm Pilot can do that and more?

There were other issues.

Putting books on the Rocket wasn’t particularly convenient. You had to connect it to your computer via serial port to be able to download, add, or remove books.

And finding content wasn’t a picnic, either. Big publishers were just beginning to get on the e-publishing bandwagon. Thus, there weren’t as many books by “name” authors available as e-books, and those that were available were often priced the same as the print version.

The reading public definitely wasn’t ready for a non-physical product that cost as much as its hardcover counterpart.

And looking back, I don’t believe the reading public was ready for the idea of e-books in general. For most people, they were more of a novelty than anything else. And while some people might read one out of curiosity, most still preferred to curl up with a “real book.”

And so the Rocket limped along for a couple of years, but never found a market. In 2000, it was sold to RCA/Gemstar, and they made some modifications—including adding an internal modem that would connect to a cyber-bookstore—in hopes of gaining a market share.

Sadly, it was too little, too late, and the Rocket Ebook faded into obscurity.

When it did, I began to wonder if all the optimism about e-publishing had been a pipe dream. With the Rocket’s demise, would e-books also go the way of the dinosaur? After all, now we were back to reading at our computer screens.

Thanks to advances in technology, and an up-and-coming seo consultant company called Amazon, the answer to that question would be a resounding no. But there would be a long bumpy ride before the Kindle arrived on the scene.

I still have my Rocket, but now I use it for “show and tell” at writers conferences when I’m speaking on e-publishing.

It also serves as a reminder of how fickle the marketplace can be.

It reminds me that sometimes the difference between success and failure can be little more than a matter of timing.

*****

Next month: E-books:The Era of Optimism

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The 15-Minute Writer (part two): 5 Ways to Get Organized

(Read part one of the series here.)

Are you having trouble writing because you can’t see past the piles of books, Post-it notes, and paper on your desk?

Trust me, I’ve been there. I’m a pile-r by nature, a fact that has frustrated my  husband–and me!–more than once.

If you have limited time to write, though, getting organized is absolutely essential. After all, you don’t want to waste precious minutes you’ve scheduled for writing on finding lost items–or clearing your messy desk.

So here are my top five organizing tips for busy writers:

1. First, figure out your organizing personality. For example, don’t try to use notebooks if you’re not a notebook person. If you love technology and abhor piles of paper, go paperless. Hate Google calendar? Admit it! Don’t try to fit yourself into someone else’s mode. It doesn’t work in the long run. If you’re visual, you might need a big bulletin board or calendar on the wall in your writing area.

2. Set up a system you’ll want to use regularly. Why spend time on something if you’re going to dread it? If you love bright colors, use them in your file folders.  Play your favorite CDs when you’re going through receipts—or watch a funny movie while you’re organizing your calendar and notebook.

3. “Backwards plan.” I learned this handy phrase when my husband took a church administration course during seminary. It’s been invaluable for both of us. Here’s a short explanation of the BP process: Take a deadline (or set one for yourself) and mark it on your calendar. Then take all the tasks you’ll need to complete in order to meet the deadline—interviews, outlining, writing a rough draft, revising—and decide how much time you’ll likely need to complete each one. Then plan backwards, setting yourself mini-deadlines.

4. Set aside a few minutes of each writing session for de-cluttering. You need time to delete old material, back-up files, tame paper piles, recycle books, and throw out trash–or you’ll be on the way to auditioning for Hoarders. Once you’ve gotten organized, five minutes a day is do-able and will go a long way toward keeping your desk, computer, and writing space organized. Believe me, once you make this a habit, you’ll be glad you did!

5.Use OmmWriter. (Thanks to writer Duane Scott for this fabulous tip!) He said, “It blocks out all distractions (email, social media, chat messages, etc…) and provides you with a completely white screen with only a blinking cursor. It also offers different peaceful backgrounds and music to accompany your writing. Another great feature: you can set it to have a manual typewriter sound effect when you type.” The cost for all this? A one-time fee of $4.99.”

Your turn: what are your most effective organizational strategies? I’d love to hear them!

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One of the One

Unseen Journey to Publication
Curves Ahead

It was not an encouraging statistic.

On a cool fall day, the speaker stood at the front of the seminar class and eroded my confidence with his authoritative words, “About one percent of writers succeed in getting published. Because most give up and drop out of the race.”

I’d waited until my forties to do anything with a secret desire to become a writer, so his gloomy prophecy almost made me run from the room. Thankfully, I didn’t let his statistical shadows deter me.

A Shadowy Path
Shadows Crowd the Writing Road

Instead, I silently inquired of God, whom I believed had brought me to this place, and asked what He thought about the publisher’s statement. The answer came as a whisper, “With Me, all things are possible.”

At that starting line in my writing career, I vowed, “I will allow God to make me one of the one percent who succeed.” Little did I know how I’d need my early resolve to navigate past future bumps in the writing road.

Writing Path with Obstacles
Obstacles Litter the Road

Practical applications were required to pave the way.

  • I devoured books on the craft of writing, the business of publication, the magic of marketing, and the art of building a loyal readership. (I’m still studying these necessary parts of the process.)
  • I turned off my television, powered up my computer, and started practicing what I learned.
  • I created a Writer’s Cave and pursued my passion.
  • I faced my Fears and wrote in spite of them.
  • I followed God’s lead when I wasn’t sure where to invest my talents.

    Hard to Know Where Your Writing is Going
    The Road to Writing is Often Unclear

I determined to follow and not race ahead of God.

  • When impatience threatened to devour my energy and time with tangled emotions, I took a deep breath and reminded myself that God controls my dream.
  • I sought God’s kingdom first, before the allure of writing success. Each day, I committed to read my Bible before I wrote anything.
  • I submitted my desires and said, “Not my will, but yours be done.”
  • I trusted God, as the Creator of Time, instead of sweating it when I couldn’t accomplish as much as I believed I should.
  • I wrote down encouragements, so when hardships threatened to swallow me, I had factual reminders that God created me to write. I kept the list close and read His positive reinforcements as needed.

Over time, the hours of study, priority-driven choices and submission to God smoothed the course. But I endured many personal trials along the way.

One shocking revelation brought the news that my dad isn’t my biological father. My youngest sister faced life-threatening illness. My grandson was hurt. Every day, circumstances fought to distract, but in between the upsets, I tenaciously wrote one word at a time. While I traveled tough terrain, I held onto my God-given mantra — I will be one of the one.

Cloudy Writing Days
A Straighter Road Under Cloudy Days

Eventually, the road to becoming one of the one straightened. My portfolio of articles grew, my speaking platform rose, and my writing improved. As I obeyed His voice, God cleared the way.

I’m steering toward my goal of being in the one percent of writers who succeed at their craft. My first book releases in 2013. Growth will span my lifetime, but I refuse to give up. If God says I can be one of the one, then who am I to argue? After all, He put me on the road to writing.

What gives you the gumption to speed ahead in pursuit of your dreams?

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Sense Is Worth More Than You Think

Taken from http://www.clker.com

Imagine a fresh batch of chocolate chip cookies just pulled from the oven. Is it the sight that makes you drool, the buttery sweet smell, or the anticipation of the warm chocolate gooiness spreading over your tongue with the first bite? The correct answer is all of the above.

God gave us five senses (doesn’t that spa look like an awesome get away after a day of writing?) that work in harmony. If you really want to connect with your reader, you’ll do the same. In each scene, your goal should be to incorporate as many senses as possible.

Let’s say you’ve got your character sitting out in a field. What might you describe?

Smell

Basswood blooms wafting on the breeze are a sweet fragrance. In fact, there are a lot of great aromas floating about in a field. But if you really want to poke your reader and leave a mark, don’t forget unexpected odors. Descriptions that twang a reader’s senses are what they’ll remember. In the case of smell, what about a surprising gust of vinegary sauerkraut? Who’d expect that? It could even play into your plot, throwing in a sideways twist.

Hearing

Birdsong. Bugs buzzing. A breeze shushing through the leaves. Those are all common sounds, but there are other, more obnoxious noises that are every bit as common. What about airplanes drowning out a conversation or construction workers banging away in the background? Even idyllic places have jarring sounds, and these make your story more realistic.

Sight

This is the number one sense that most writers nail without effort. The trick here is to weave in a little genuine humanity. In the case of the field, you can certainly wax verbose about wildflowers and rolling hills, but to really make it memorable what about the discarded water bottle out in the middle of nowhere? We’ve all seen it. Or maybe a WalMart bag peeking out from the bottom of a shrub. Not pretty, but definitely real.

Feeling

The sun heats your skin, and a gentle breeze tempers that warmth, but don’t forget about the prickly thistles that stick to your pant legs, then latch onto your fingers like unrelenting Velcro when you try to pick them off. Touch isn’t just about pleasant feelings. Remember to connect with the uncomfortable aspects of life.

Taste

This is most often seen as, “She ate a strawberry” or “He slugged back his coffee.” Nice action, but that doesn’t tell the reader a thing about how those items taste. Describe the flavor. Is it so sweet her teeth hurt? Sour enough that he wants to rip out his tongue and wipe it on his sweater? Taste can also be compared to a happy or sad memory. Puckerlicious lemonade always makes me think of my grandma’s front porch. Or have your character absolutely hate a food that most people love, making them more notable. After all, doesn’t every writer want their characters to remain in a reader’s mind long after they’ve closed the book?

This week challenge yourself to incorporate all five senses into your writing. It’s an easy investment that will pay off by connecting with your readers at an intimate level.