Writing – Page 41 – WordServe Water Cooler

January 17, 2014January 9, 2014

January Kick in the Writerly Pants

It’s that slumpy time of year. The holidays are over. Resolutions have hit the wall like a crash-test dummy on steroids. It’s Mars-cold outside and really…who’s got time to write when you’re working every conceivable hour to pay off the mongo credit card bill that’ll hit your mailbox at the end of the month?

Now that we’ve got all the whining out of the way, it’s time to buck up, little writing mongrels. Park your rear in a chair, stick your shnoz on the writerly grindstone, and get down to business by using a few of the following tips.

5 AWESOME WAYS TO CRANK OUT MORE WORDS PER DAY

#1. Kick your internal editor to the curb.

Newsflash: in order to up your daily word count, you have to actually write the words. If you muss and fuss over each one, you’ll end up with a total of about twenty-five words by the time the sun sets. At that rate, it will take you a bajillion years to finish your manuscript. So whip out some duct tape, slap it on your internal editor’s mouth, and pound away at the keyboard until your fingers are stubby little nubs. You can—and will—edit those words later.

#2. Pull up your pants.

At heart, I am a seat-of-the-pants writer. I don’t like to know what’s coming because hey, writing should be as much fun as reading, right? Nope. Not if you want to succeed at finishing a novel in a timely manner. If you come to your WIP without a clue of what you’re going to write, you will spend time thinking of what to write. Savvy? Map out your story. Write a general outline. And always make sure to end your writing time with a sentence or two of how you will pick up the plot when you return to it the next day.

#3. Put first things first.

Write in the morning, whether you’re a night owl or not. Psychologically, it’s a mental game of beat the clock. In the morning, you’ve got hours and hours ahead of you. If you wait until late at night, you’re more likely to nod off and give in to the siren call of Pillowland. Starting out your day by writing means you get to pass Go and collect $200.

#4. Write all day.

Before you start the tomato throwing and Hey-Princess-I-Have-A-Real-Job snarkiness, hear me. I understand. Life is all up in my business as well. But that doesn’t mean you can’t snatch and grab snippets of time throughout the day. Pound out a few words during your lunch break. Traffic jams sucking up minutes? Voice note a plot idea on your phone. Waiting for an appointment? Jot down a character trait you’ve been meaning to add in.

#5. Be a track star.

Mapping out a schedule sounds like a whopping nerd of a plan, but dude, it works, kind of like a food journal keeps you on track for a diet. Shoehorn in writing time on every day of your calendar for the next month and you’ll feel like a legit writer. Setting a goal on paper (or cyberly via keyboard) will keep you accountable.

There you have it. Tools for your writerly workbox. Which one will you put into practice today?

January 13, 2014January 9, 2014

A Matter of Time (Part 2)

Last week, we looked at how content benefits from timing. This week, we’ll explore timing within writing – the art of pacing narrative.

Pacing is what keeps your reader reading. In suspense/mystery/thrillers, pacing is easy to identify: what starts out as a problem grows steadily (and generally, rapidly) worse. When I write my humorous mysteries, I use humor to relieve some of that growing tension in my mysteries, and my uphill roller coaster ride is one of short climbs and plateaus; thriller writers often choose steeper climbs with no reprieves before the final sheer drop. As the writer, you need to choose what effect you want to create in your reader, and then manipulate your scenes and character development accordingly. For an excellent overview of pacing in fiction, read this post by K.M. Weiland.

Note, however, that I didn’t say ‘narrative of story’ in my opening paragraph. That’s because nonfiction benefits just as much from effective pacing as does fiction. Think for a moment about the biographies, how-tos, memoirs, travel pieces, or any other nonfiction you’ve read recently. Did they keep your attention? Did the author tease you with promises of solutions or details and then slowly reveal them, building momentum so that you couldn’t put it down? Or did you plod through pages of dry facts and lose interest to the point of feeling like the reading was a chore?

That’s the tipping point for me as a writer, whether I’m penning fiction or non-fiction: losing interest. Even when I’m the one doing the writing, I try to think like my reader.

Am I getting bored with a litany of facts? Then break it up. Focus on one fact and bring it to life with a concrete, preferably colorful, example, then note the other facts briskly. For instance, in my forthcoming memoir, I list items not to do with a new puppy. I got bored with listing the list, so I described how I totally did the wrong thing with our dog concerning the first point, then simply noted the remaining ones. Making a list personal will engage your reader and create momentum to continue reading.

Use dialogue. Even if it’s imaginary, it can help your reader place themselves in the same situation.

Use a metaphor or simile to make your explanation more understandable. Details enrich writing of every kind.

Keep focus. Confine paragraphs to one point, then move on – visual cues like breaking up text help your reader follow your organization and your pace of developing thought. You don’t want your reader lost in the middle of a page-long paragraph, because they might decide it’s not worth finding their way out.

In fact, write your nonfiction like you’re telling a story with its own beginning, middle, and end, and you might hear that awesome compliment: “It was such a good book, I couldn’t put it down, even though it was nonfiction.”

Timing really is everything.

January 10, 2014January 9, 2014

Ten (Plus) Tips on Humor Writing

I’ve had the pleasure of incorporating humor into several of my books, most notably Grace for the Race: Meditations for Busy Moms and Let the Crow’s Feet and Laugh Lines Come. Funny enough, humor is not easy to write. It was a learning process–one I’m still undergoing.

Humor writers James Watkins and Rhonda Rhea are two of the most genuinely hilarious authors I know. When I asked them for tips, they didn’t disappoint. (They’re also incredibly generous and insightful…and they didn’t even pay me to say that!) So, without further ado, I present their helpful comedic insights.

James’ Watkins’ top ten tips for ~~ending up on welfare~~ having a successful comedy career:

10. Eat cold pizza for breakfast. Wash it down with large quantities of Diet Coke. After three cans, I can type 470 words of side-splitting humor per minute but unfortuwythdly nonr ofit maks anv senze aftcher tke thirddddddd . . .

9. Travel. Some of my best columns have come from three weeks in India (“The Land Without Toilet Paper”) and being stuck in traffic in downtown Chicago, in August with a stick shift with no air-conditioning and two kids in the backseat waging a fight to the death.

8. Get married, have kids. Dave Barry provides positive proof that marriage and raising children is a source for hundreds of columns, thousands of dollars, and even a Pulitzer Prize. However, use discretion! He’s also on his third or fourth marriage and is buying baby diapers with his AARP discount card.

7. Read, read, read. Essential reads include Dave Barry, Erma Bombeck and, of course, my very funny friend, Rhonda Rhea! And every morning NewsMax.com provides transcripts of late night comics.

6. Pass a kidney stone. I keep reminding students at writers conferences, “Nothing terrible happens to authors. [It’s all] just terrific anecdotes.” The old adage is so true: Comedy is tragedy plus time.

5. Tackle a home-improvement project. This is always good for at least two or three columns and one visit to the ER.

4. Look at life from just a few degrees off normal. Successful humorists look at life through their twisted point of view. It doesn’t have to 360 degrees from normal, because that would put you right back at normal. Just a few degrees keeps it plausible yet humorous.

3. Don’t be afraid of people thinking you’re crazy. St. Francis, who is viewed as, well, saintly, said, “I am God’s clown. People look at me and laugh.” Humor is a brutal business, so if you’re thin-skinned, take up a less stressful occupation such as bomb technician, rodeo clown or drug runner.

2. Hang out with people who are even crazier than you. I enjoyed having lunch with a fellow columnist while working as a humor columnist at a local paper. Most of our brainstorms were not “fit for print,” such as low-tech terrorist “Amish bin Laden” who drives around Lancaster county with a buggy armed with kerosene-filled milk cans! However, my friend never ceased to get my brain cells firing on all neurons.

1. Read my book, Writing with Banana Peels. It’s required reading for a humor class I teach at Taylor University and contains principles, practices and pratfalls of writing humor. (And always, whenever you have the chance, shamelessly self-promote your work.)

Rhonda says:

I’m going to have to agree with Jim—especially the part where he says to read my stuff. Brilliant. Instead of cold pizza and Diet Coke, however, I don’t know how any writing is ever fueled without coffee. I walk into Starbucks and almost always find my muse sitting in a hip leather chair in the corner. I can get at least three chapters from a couple of shots of espresso. They’re all one sentence with no punctuation, but still.

Exploiting every experience for its comedic value—family, friends, travel, projects—is also great counsel. They say nothing bad ever happens to writers; it’s all just material. Read Jim’s book. More great things to exploit there. Or plagiarize. Whichever.

I suggest keeping a running “funny file,” as well. Anytime something makes you laugh or you come up with something hilariously brilliant, take a little note. Then when you’re ready to start an article or chapter you can peruse your file for a kick-start.

It doesn’t hurt to test-drive a few lines as Facebook statuses, either. See what people like and then…milk those things for all they’re worth. Getting a handle on comedic timing in print is no easy task. Your friends can help you polish. They can also make fun of you, mercilessly. And that’s usually helpful too.

I’m proud to say I taught Jim Watkins everything he knows about being funny. And about the funny sound of the letter “C.” If my children let me name any of my grandchildren, I’m naming one Carl–after Jim.

January 8, 2014January 5, 2014

Will It Ever be Enough?

I love the turn of the year; it’s one of my favorite times. There’s just something that happens when a fresh hope stirs the air. And, yes, in this season of countless commitments for less of this and more of that, I’ll admit I’ve shared more than a few words with myself about change. Not resolutions per se but rather affirmations, things I choose to think about in a positive manner in the hopes of moving in that direction.

Some of those have to do with folks finding my book. I shared recently how my publishing dream quickly turned to a real-life marketing responsibility after the book was released. My dream morphed into a product—a product that competed with many others for incredibly scarce bookshelf space and reader eyes. And while I was passionate about sharing the hope of God’s truths tucked between my words, I knew well that readers sense motive and I felt {more than} a little funny chasing numbers and progress.

Until my days of interviews and Facebook parties and twitter chats turned to nights of laryngitis and pneumonia and cancelled engagements and disillusionment because I could no longer directly engage my audience.

You see, as newly published authors there’s this window of opportunity to which we respond in launching our books, this newness that either ignites and spreads like wildfire or burns a quick blaze and dies out. And sometimes, in an effort to fan the flame, we new authors nurture this mind-numbing over-fixation to be everywhere at once so we can personally touch each one of our readers.

Will it ever be enough?

I imagine it’s not too far from how the disciples felt that day they walked alongside Jesus by the lake in the country, that day they found themselves responsible for a crowd of hungry mouths yet held only five small loaves of bread and two fish. {Remember the miraculous story in the gospels of Jesus feeding five thousand folks?}

“We have here only five loaves and two fish,” they said.

Will it ever be enough?

“Bring them here to me,” Jesus said.

That’s when we watch the miracle unfold, when we see Jesus take what they had, bless it, and return it to the disciples so that they could do what needed to be done.

I’m learning this the hard way, how God blesses what we bring to him, shares what we offer through him. I will never have enough, never be able to be everywhere I need to be {for countless reasons} but Jesus takes what we’re willing to bring him, blessing and multiplying it.

Walking this marketing journey, sometimes I forget that. After several weeks of an unexpected illness, I’m now back out there sharing the word about my book with my intended audience. As far as those weeks I missed that couldn’t be helped, I’m earnestly praying that God will multiply my loaves and fishes.

Deeper Still: How about you? Do you ever struggle with the need to be in control? What do you do when things don’t go as planned?

January 6, 2014December 30, 2013

A Matter of Time (Part 1)

Timing is everything.

This phrase appears frequently in the books of my mystery series, because my protagonist is a birder, and the timing of nature determines what birds he might see in each adventure: depending on the season, only certain birds are (typically) in a particular area. The phrase also is a descriptor of a ‘perfect’ crime – timing is everything if you’re going to get away with murder.

As it happens, ‘timing is everything’ holds true for all kinds of genres, fiction and non-fiction alike, both in regards to content and the pacing of narrative. In this post, we’ll take a look at how content benefits from timing; in my next post, we’ll focus on the art of pacing.

Content is dependent on the context of your experience of time. Everything a writer writes reflects his or her unique perspective and experience of life. For example, five years ago, I could convincingly set a book in a high school because I worked in a high school, and the students and faculty I met provided me with the raw material for characters and plots; a year earlier, I would have been inept handling the same material. The take-away: no matter the genre, write out of your own experience, because authenticity depends on reality. That’s not to say you can’t write a medieval romance – you can research the historical details that make the setting accurate, but you need to infuse your own feelings and insights, based on your own experience, to make the story ring true. Pay attention to what’s going on in your life, because that’s where your story will ultimately come from – the feelings and ideas you have in response to real-time life.

Content is strengthened by its connection to what is happening in the world right now. The obvious example is the spate of books that are published when an anniversary comes around, such as the books that hit the market last November to remember the JFK assassination. Holiday books do the same thing – they capitalize on timing. Any time you can connect your content to current events or trends, you accomplish two things: you strengthen your content by association, and you build in marketing opportunities. Are you writing a novel about a young person struggling to achieve success? Use current research about how depression can manifest in video game addiction to add intriguing layers to one of the characters; if you’re writing a study about age 30 being the new 18, that same research would add depth and attract readers.

If you’re lucky, time can even solve writing problems! I had that experience with my book A Murder of Crows, which dealt with the conflict between wind energy development and bird advocates. Mid-way through writing my manuscript, that exact conflict erupted in a neighboring county, furnishing me with ideas and even plot twists I hadn’t considered. I don’t routinely plan on serendipity to help me out with manuscript issues, but the timing couldn’t have been better for that one.

How do you make use of timing in your writing?

January 3, 2014August 19, 2014

Are You a Story Crafter or a Storyteller?

In many ways, the world of book publishing parallels that of musical performance. Both are beautiful, exhilarating, and demanding. And both can sap creativity. Where the ultimate product is art, inevitable conflicts between the needs of business and creative expression exert themselves. When it comes to breaking in those with technical brilliance have an advantage, but to rise to the top, something else is needed.

I once represented my college as the soprano member of a vocal quartet in an honors choir made up of students from colleges throughout the western United States. We prepared on our own, and then met for three long days of intense rehearsal. Yes, there was glitz and glory in our single performance, but it wasn’t that I remember most about the experience but something that happened during one of the rehearsals.

I don’t even remember which musical passage we were struggling with at the time, but our accomplished director refused to let us get away with good enough. He pushed us, irritatingly so, until in a moment of delirious harmony, glorious sound filled the rehearsal chamber. In the awestruck silence that followed tears pricked my eyes.

Our director thumped his chest. “Ever feel that?” He paced before us, meeting eyes. “You all have a lot going for you, but no matter how technically brilliant you become, the ability to feel the music is what will help you most. Never lose that.”

I have never forgotten his words. In my studies I knew students who could execute a passage of music to perfection but who lacked the passion to bring it alive. By contrast, I have seen a graying grandmother with a quavering pitch move an entire congregation to tears with her simple song. I say this not to invalidate the quest for excellence but to illustrate that feeling the music always trumps craft.

In writing, there is storytelling and story crafting. Yes, we must strive to perfect our craft and even consider our market’s wishes, but it’s even more important to tell a story that resonates on a deep level. If we lose our passion for story, we will also lose readers. It’s not enough to hone our craft until it shines. Producing a story that sings should cost in terms of creativity, drawn as it is from our very soul. It is this that separates artists from artisans.

Because writing does not exist as art alone, however, I will add some technical tips for engaging reader’s emotions. I almost hesitate to do so, in case anyone latches onto these techniques as the way through. They illuminate the story path but are not the path itself.

Tap a universal experience. A mother’s arms, teenage acne, and rejection in love are but a few commonalities to which we all can relate. Writing about universal experiences in an evocative way breathes life into writing.

Write to the senses. Use taste, touch, smell, sight, and sound to bring a fictional world to life. The more vividly you imagine your story’s scenes, the easier this becomes.

Show rather than tell. Create fully-realized scenes readers can step into. Narrative has its place to help in pacing as it skips us past unnecessary details, but most often passages of telling would be better if written as scenes. I got tired of hearing this advice given by rote with no explanation of how to do this, so I filmed the video 5 Ways to Show Not Tell in Fiction Writing for my Live Write Breathe site for writers.

Create a sympathetic situation for your main character. The reader wants to identify with and care about the main character. Provide a gripping opening scene to meet your reader more than halfway. Be careful here, though. There’s a difference between engaging a reader’s emotions and manipulating them. Being faithful to your true story will guide you.

Have someone react. Not allowing room for reaction is a common failing, but this technique is so powerful it should never be ignored. As an example (spoiler alert), in the movie The Hunger Games, when Rue dies, the heroine grieves for her. If she didn’t, we wouldn’t feel the loss as deeply as we do. The riots that break out are also a reaction that stirs our anger at the injustice of the games.

Watch this part of the movie, and then imagine the scene with minimal reaction and you’ll see what I mean.

Hone your craft. Nothing pulls a reader out of a story faster than clumsy storytelling, so do study craft. But remember that craft is no substitute for inspired storytelling.

There will always be tension between the business and art of writing, but that doesn’t have to be bad, not when you consider that the best fiction marries fine storytelling with excellent story crafting. It is even possible to thrive in the tension between business and art.

Today, January 3rd, marks the release of WayFarer, book two of my epic fantasy trilogy, Tales of Faeraven. In celebration, for today only my publisher is offering a discount of 50% on purchase of WayFarer from the Pelican Books site.

When I first started writing this trilogy without agency representation or a publishing contract, fantasy was a hard sell, but this was the story I felt. It’s been a rough journey to publication, but well worth it.

What about you? What story sings within you?

January 1, 2014December 18, 2015

Are Your Margins Too Thin?

A curious thing happened as I was trolling Facebook one day–a fellow author had posted about what she wasn’t doing for Christmas. “I’m not baking the seven different types of cookies that I normally do and I’m giving you permission to do the same. What is it you would like to give up this Christmas so you can spend more time with family?”

Whenever the first of the year rolls around it’s always time for the ~~dreaded~~ excitement of planning your (cue the music) New Year’s Resolutions. Often, these resolutions and goal setting add more to our plate rather than simplify our lives.

We should absolutely make goals–I’m a big believer in them. But how can we make them reasonable, doable, and achievable?

You might have heard about margins. Leave one inch margins around your written page. This used to be so there would be room for others to make comments. It’s morphed into leaving room in your life for the important things. You might have also heard people call this work/life balance.

But how do you know if your margins are too thin? What might some of the symptoms be?

1. You can’t say no. This means you don’t have boundaries. It’s really not healthy to be the go-to person for everything. You can’t always be at another person’s beck and call. I think volunteer work is important but pick ONE thing you’re passionate about and make sure the hours are reasonable.

2. You’re always running late. This can be symptomatic of two conditions. One, it’s just the kind of person you are. You’ve always been late and continue to be late. But if you used to be on time for everything and now you’re always just a few minutes (or more) late, then you’re probably over-scheduled. Why is it you can’t make it on time? Too many appointments or it’s something you don’t want to do? You’ve lost passion for your job, perhaps? Maybe never had any? Can you change that?

3. Your children/family/significant other don’t recognize you anymore. I remember when my girls were infants that I’d bring them into the bathroom while I was taking a bath and set them on the floor with some toys so I could keep an eye on them. The first time their eyes witnessed me dunk my head and come up with my hair slicked back, their quivering lips indicated that they thought I was not their mom anymore. I spoke to them and reassured them it was okay. If your family is coming in dead last then definitely some re-prioritizing needs to happen. What can you change about your current schedule that would make more room?

Since it is the first of the year, I do still think that it’s a good time to analyze and focus, but maybe with these tenets in mind. The goal has to be reasonable to make it fun and achievable; otherwise it’s doomed to fail from the start.

So, instead of the goal being I’m going to write THREE great American novels when you’ve never attempted one, attend a local writers conference to see if writing is suited for you.

Instead of losing ALL the weight you need to lose in the first three weeks of the year, shoot for a small piece of the whole. I want to lose 2 pounds in January. Once you’ve done that, set the next goal.

Goals are about focus, but they need to be achievable. You’ll still need to live your life. Keep those personal relationships strong. That’s what ultimately sustains you.

What are your reasonable and achievable goals for 2014? Will they maintain your life/work balance?

December 31, 2013December 29, 2013

WordServe News: December 2013

Exciting things have been happening at WordServe Literary!

On the final post of each month you’ll find a list of Water Cooler contributors’ books releasing in the upcoming month along with a recap of WordServe client news from the current month.

New Releases

Leigh Ann Bryant’s first book, In My Defense, has just released through Authentic Publishers (WordServe’s first release with this imprint).

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Roberta Kells Dorr’s next biblical fiction release, Solomon’s Song, has debuted with Moody Publishers.

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Adam Makos has the trade paper edition of Voices of the Pacific releasing from Berkley Caliber.

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The Raven Saint from Marylu Tyndall came out in mass market size paperback from Barbour Publishers.

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New WordServe Clients

Bryan Bishop, a researcher who has discovered hidden movements of Muslims, Hindus and Buddhists experiencing and following Christ outside the boundaries of Western Christianity, signed with Alice Crider.

Tim Lucas, pastor of Liquid Church in New Jersey, signed with Alice Crider.

New Contracts

Jim Burns and Doug Fields have signed a two-book contract with David C. Cook for Preparing for Marriage and an untitled marriage book.

Julie Cantrell signed a movie option agreement with Emily Morrow Chenevert, a Louisiana-based production company, for her New York Times Bestseller, Into the Free.

Rebecca Kells Dorr’s estate signed an option agreement for a TV series based on her novel Queen of Sheba with Sphere Media Plus, a Quebec Canada-based production company.

Bill Donahue signed with Baker Publishing for his new book, Irresistible Community.

Gillian Marchenko signed a contract with IVP for her book on motherhood and depression. Way to go, Gillian!

What We’re Celebrating!!

2013 was another great year for WordServe clients. We released more than 70 new books and signed contracts for more than 60 new projects.

December 30, 2013December 27, 2013

The World of Our Story

In his book, The Writer’s Journey(third edition), Christopher Vogler writes, “The Ordinary World in one sense is the place you came from last. In life we pass through a succession of Special Worlds which slowly become ordinary as we get used to them.”

As writers, we often talk about creating story worlds. In reality, we create two. There is our hero’s ordinary story world, the world she lives in before the inciting incident launches her into her story. Once launched, she enters the Special World of the story we are writing.

Interestingly, in many novels, the worlds may be exactly the same in terms of geography, time, economics, politics, and a myriad of other details. The world moves from Ordinary to Special when our hero decides to embark on the journey to solve the story problem or answer the story question.

Then, even if she continues to live in the same house, work the same job, go to the same church, her world becomes Special. She is now on an adventure to resolve the story problem. And that story problem transforms her world from Ordinary to Special, whether it’s solving a murder, dealing with an unwanted pregnancy, or losing her spouse.

Think of the world of our lives. Everything is going along fine and then something happens. We lose a job or we get a promotion to a more challenging position, a loved one dies or a prodigal returns home, a car accident, a medical problem, a windfall. We win the lottery or we spend all our pay on lottery tickets and miss by one number.

Whatever it is, our Ordinary world becomes Special while we live through the changes until the Special World becomes Ordinary once again.

Can you think of a time when your own Ordinary World became Special? How can you use that experience to write a Special World for your characters?

December 27, 2013December 21, 2013

Cry. Another Bookstore Bites the Dust.

The last local bookstore in my town is closing. This will only leave us with a Barnes & Noble, but what you should know is that more people shopped at the other store, the local store that’s closing. That’s the scary (or scarier) part.

To put it into perspective, I had a book signing last winter at both places. The smaller, family-owned bookstore had about triple the amount of traffic and I sold and signed almost a hundred books. At Barnes & Noble, someone walked into the joint maybe every ten to fifteen minutes, sometimes for a coffee, and I only signed and sold four books.

I’ve heard all the sobbing and woe over the book industry for years now, but I didn’t ever think it’d make my hometown bookstore close up for good. I suppose the Barnes & Noble will be next, too. And then, in a county that’s home to over 850,000 people, we’ll have no bookstores for new material.

Yet, I’m an offender.

I read almost all my books on my Kindle. Or, the Kindle app on my phone.

Did I contribute to the closing down of my town’s last family-owned bookstore? Yes.

Am I sorry? As an author, absolutely. I lost a sure-fire spot to conduct future book signings. It was an easy in, my hometown advantage.

Am I sorry as a consumer? Tougher question. Like I’ve said, I’m an offender when it comes to the death of print because I adore my e-reader.

I hate to see the world in which I operate and play in get messy . . . a world where an author who prefers e-books strongly laments the perpetual closing of bookstores.

I’ve also yet to witness how this transition away from honest-to-goodness bookstores to the world of e-readers and internet sales affects my bottom line. As far as I know, most of my sales are coming from Amazon anyway, so I won’t begin to poo-poo them for taking over the book-selling world.

If what’s happening in my county is happening all over, does that mean the death of book signings all together? Maybe it does. But it is certainly not the death of interacting with your favorite author.

With the advent of Facebook fan pages, Skype for book clubs, Twitter, and YouTube, there are more ways than one to “meet” an author. Besides, if fans are e-book readers like me, they probably don’t want you to sign their device. (In fact, they might punch you for that.)

So, is it all for the better, the worse, or is it a different kind of the same? I’ve heard mixed reactions. Some authors admit that if not for the reach of Amazon, they wouldn’t have sold any books. Other authors feel they get lost in all the zeros and ones of Amazon digital code, as well as the influx of self-published books, side-by-side their own in the search query. Whereas, in a store, they’d be easier to spot in their niche.

In the end, it’s hard to say that consumers are upset with these changes. They direct the market after all, and the direction they’ve chosen is that bookstores aren’t a necessity for their literary enjoyment.

But as an author who’s feeling the death of bookstore marketing events. . . we’ll see.

What about you? What would your world be like if your town lost all its bookstores?