Writing Craft – Page 18 – WordServe Water Cooler

February 24, 2014February 22, 2014

5 Ways to Add Humor to Your Writing

Humor is a life-giving stress reliever and ice breaker. I often sprinkle my talks, articles and books with funny word pictures and phrases, because laughter opens a reader/listener’s heart to the serious points I want to make. Thankfully, my home is full of crazy guys (including my husband, who’s the most hilarious person I’ve ever met) and I’m a ditzy, accident-prone bundle of midlife hormones. Thus, I’m never short on material.

It’s true that humor, like writing, is an innate gift, and some people have it in abundance. Others…well, not so much. However, certain aspects of both crafts can be taught. As a follow-up to this popular post, here are a few ways to humorously pump up your prose:

1. Wordplay.

Mae West said, “I used to be Snow White, but I drifted.” Classic!

Cultivate your LOL quotient by reading children’s books, which are full of marvelous wordplay. Humor writers and comedians are childlike spirits–playing constantly with sounds, alliteration, and rhyme. Let loose a little, and see what happens.

2. Exaggeration.

Never stop at one when fourteen will do. In humor, less is not more and more is better. Erma Bombeck, one of my all-time favorites, was a master at exaggeration: “I’ve exercised with women so thin that buzzards followed them to their cars.”

Remember George Burns? He often exaggerated about his age: “When I was a boy the Dead Sea was alive.”

3. Surprise.

When my nine-year-old saw that our local drive-in was up for sale, he said, “Mom, I’m sad about that. It’s such an iconic part of our town.” I laughed because I was surprised that he knew the word at all, let alone used it correctly.

Want your reader to laugh? Take a phrase and change the ending to something unexpected, like Jim Carrey did: “Behind every great man is a woman rolling her eyes.” Stephen Wright makes a living by crafting surprise endings to one-liners: “A lot of people are afraid of heights. Not me, I’m afraid of widths.”

4. Parody.

“Weird” Al Yankovich has been doing parody songs for years. More recently, Christian comedians Tim Hawkins (“Cletus, Take the Reel,” etc.) and Anita Renfroe (“All the Wrinkled Ladies”) have gotten into the act. There’s even a clever parody of the infamous song “Blurred Lines” called “Church Signs.” The writers make fun of Christians’ tendency to preach mini-sermons with little plastic letters.

A word of caution (especially for Christian writers): let’s be careful when poking fun at other people. Sarcasm can be soul-crushing, as can insult humor. Remember the Golden Rule.

5. Learn from the best.

Read funny writers, watch comedy videos on Netflix, take courses in humor writing, or read books about the craft. You can also hire professional humor writers to spice up your work (I did this with the first book proposal I sold, and learned a ton from the experience.)

While you’re learning, though, remember to be yourself and not a copy of someone else. Readers can tell when you’re trying to force a joke, and it will make them uncomfortable. Find a style of humor you like, and try it on for size. Ask for opinions from people you trust–if it doesn’t fit, simply try another.

Most of all, have fun!

How have you used humor in your writing?

February 16, 2014February 15, 2014

What Stories Teach Us

I just finished reading two novels that I ended up loving but started out hating. Or, not exactly hating. Just struggling to keep on reading.

Both were assigned reading. One was a friend’s favorite novel: David Wroblewski’s The Story of Edgar Sawtelle. After repeatedly recommending it, she finally sent me a copy all the way from Germany. I couldn’t not read it. But it was a challenge. It’s about training dogs, I kept thinking through the first hundred pages. I like dogs, (we have four of our own), but how could this book have been such a bestseller? Right around then, though, the dogs and characters coalesced into a gripping mystery, and I read all night long.

The same happened with Randy Boyagoda’s Beggar’s Feast. A colleague organizing a conference featuring the novel’s author asked if I’d participate in a panel discussion of its “Christian elements.” The assignment made me leery. If there’s anything I can’t tolerate in fiction, it’s a sermon, which I assumed the presence of discernible “Christian elements” would comprise. When I sit down—or, more often, lie down—to read a novel, I want to be entertained. If there’s a message, I like to discover it myself, as with Jesus’ parables. “If you want to preach,” I tell my fiction workshop students, “write devotionals, not novels.”

My colleague’s new to our department, though, and I didn’t want to alienate her. Plus, running a conference is hard work; I wanted to offer support. Accordingly, I said I’d read the novel and, if I liked it, join the panel.

So, I started Beggar’s Feast, the syntactically gnarled tale of a boy mistreated and abandoned by his benighted family who subsequently fights, smarms, and schemes his way through the docks of Ceylon to become wealthy and powerful. A Ceylonese Horatio Alger, minus (thank God!) the moralism: Boyagoda’s protagonist, the self-named Sam Kandy, is no tractable boot-black. He despises everyone, even his own children, and murders two wives in the course of the story. Indeed, he’s such a baddie I’m struggling to discover Christian elements in his exploits.

What made me dislike the book initially was that it was so hard to read. Those gnarled sentences— barrages of images so jumbled and knotted they defied sorting into logical wholes, even by someone who makes her living sorting sense from mangled prose. It was so linguistically maddening to follow this boy’s experiences—worse than Benji’s in The Sound and the Fury—that I decided my difficulty must be Boyagoda’s fault. That, though the novel was roundly acclaimed, he was incapable of writing a sound sentence.

Even as I thought this, though, I knew it wasn’t true. For one thing, despite my struggle to pin down what Boyagoda’s sentences were saying, their images and rhythms and little imbedded amusements carried me forward in a narrative that grew increasingly gripping. And, as the story developed and Sam sorted himself out, the prose did too. Soon I wasn’t laboring but just lying back, enjoying what happened next.

It eventually occurred to me (I’m slow, I know) that the sentences’ incoherence mimicked Sam’s, that a person so broken early on would likely perceive and express life brokenly, especially at first. What’s maturity, after all, beyond the accrual of coherence? As I progressed through the novel, I increasingly sensed and trusted, beneath the verbal chaos, Boyagoda’s guiding hand, shaping Sam alongside my experience of his story.

I hate devotional writing that’s just one long metaphor, but I guess that’s what this is. These two reading experiences reminded me of life—of how often I wade through a slew of confusing and often vexing mundane events unrelated to (or, worse, antithetical to) what’s really important only to realize, much later, that it was all relevant, every bit of it, all its elements, positive and negative, part of some bigger vision.

We are, each of us, part of a better story than we’re sometimes aware of, a story that unfurls only slowly, only slowly displays its meanings. Life may seem pointless or muddled or just plain wrong at times, but beneath and behind and above and within it all is its capable Writer, pulling us toward him.

February 10, 2014January 31, 2014

Growing a Writing Garden

We writers are pioneers — with the opportunity to become heroes.

“Do what?” you say.

Here’s how I connect the dots, or the rows, in this case.

Country Vegetable Garden — Preparing the Soil is Critical to a Bountiful Harvest

I now realize how much writing is like gardening. I grew up in the country, with parents who toiled under hot sun and long days. There were eight of us in the family, so we gardened to survive.

I can still see my mother making mud when she swiped her saturated forehead with a soil encrusted hand. “Break the ground up until all the chunks are gone, and the dirt feathers through your fingers.” Then she’d demonstrate, watching streams of brown flow into the wind.

After softening the soil, we fertilized with a mix designed to enhance growing power, making sure we didn’t scorch the tender seeds we hid beneath a blanket of dust.

Every seed looked different. We placed pods, beans, tiny black dots, and flaky wisps into the ground, then covered them according to the depth of their needs, before watering. The scent of earthy musk was strong, as wet and dry mingled.

But still, the work wasn’t done between planting and harvest. It took several days before the first fledgling shoots peeked into daylight. We hunkered over the dirt, waiting to glimpse the sprouts. The first took the longest, but when it popped, the landscape was soon covered in bright green, fragile plants, all groping higher for the sun.

Kentucky Tobacco — Are You Nearing Harvest Time?

Once we saw progress, even harder work began. Hoeing, weeding, continual watering, fighting the heat of radiating summer days. Sleep. Repeat. Sleep. Repeat. While the plants slowly grew taller and thicker.

For weeks, we followed this pattern. The newness had long since worn off. We were hot. Tired. Bored. And ready for the monotony and harsh elements to end.

Until finally. Harvest time. Though it was still too early for the soothing calm of autumn winds, gleaning fruits and vegetables energized our dry spirits. We plucked juicy tomatoes, and ate them like candy. Fresh cucumbers refreshed our hot lips. We shucked silk from raw corn and popped it in our mouths. Life was good, and we wallowed in its glory. Until canning and freezing time.

Green Cornfield — What Does Your Writing Garden Look Like?

I won’t go into plucking, shucking, de-stringing, pressure-cookers, mason jars, freezer bags, or the other finger-numbing parts of putting food away for the winter. I think you get the picture. We couldn’t rush the process.

And writing connects with this scenario. So do pioneers and heroes.

Think about it. When you write, don’t you have to prepare the soil? Deal with fertilizer, but then realize it adds fodder to your crops? Don’t we seed devotions, articles, webzines, copy-writing, books, and speaking platforms?

We water, hoe, weed, and care for our tender publishing shoots.

Then we finally harvest. And we wallow in the glory of it — until we realize how much more work must be done.

Pioneer Wagon — You Are a Pioneer Who Could Be a Hero

This is where I think of pioneers. Many of us dare new territories with our messages. We explore and discover. And like the pioneers who founded America, we stake claims, work hard, protect, and we pray. Sometimes all manner of crisis, like harsh winters, droughts, prairie fires, tornadoes, and hail, threaten to destroy what we’ve built.

But like the sturdy pioneer, we must determine not to give up. This is where heroes are born. Those hardy souls who will not be moved from the place they are called. Who refuse to buckle under the bellows of the wind.

Those who know growing a writing garden is not something everyone can do. But who believe in their message, the impact, the harvest — and don’t give up. Because the honor of feeding a multitude makes dealing with every clump of dirt worthwhile. And so they hoe.

How does your writing garden grow?

February 3, 2014January 25, 2014

What Olympians Can Teach Us about Getting Published

Recently I read an article about the cost of becoming an Olympic athlete. It mentioned that former U.S. speed skater Eric Flaim, a two-time Olympic silver medalist, estimated that his decade-long training amounted to at least $250,000.

“. . . Like many Olympians, Flaim describes plenty of tough times, when he and his parents faced having to pay for big-ticket items (say, a pair of custom-molded boots for $1,500) or ongoing expenses (private coaching could run up to five grand annually.) To make ends meet, Flaim often worked in gyms, cleaning lockers after patrons departed. Even with a medal around his neck – he won his first at the 1988 winter games in Calgary — life didn’t become particularly easy. Flaim says in his best years as an athlete, he might have earned $75,000 from prizes, honorarium, and sponsorships. ‘It was not million-dollar money,’ he adds.

But at least he made money. Athletes who aren’t seen as strong medal contenders are less likely to receive significant support from their sponsors, let alone their sport’s governing board. And if they’re competing in a less-heralded sport, the problems are compounded . . .

. . . for another Olympian, Rick Hawn, a U.S. judo competitor at the 2004 Olympics in Athens who also tried out for the 2008 games, it all added up to a significant tab during his Olympic career. ‘My parents nearly went bankrupt. They put whatever they could into me and I’m the oldest of six kids.’”

It takes a very special blend of character traits to become an Olympian. The cost in time, energy, and money rarely makes a return on the investment, so Olympians must have skill, drive, persistence, and a belief that getting to the Olympics is its own reward.

Becoming a published author is a lot like that. Many people have the desire to be published. But it takes more than desire. Over dinner the other night my husband and I talked about the people we know who want to publish a book, but probably never will, because they don’t have the special blend of character traits.

The first person we thought of has written many books but has failed to get published. That’s because she doesn’t want to learn the rules. She doesn’t want to attend writers groups or conferences to understand how the industry works so she sits at home writing, hoping someone will come along to publish her work. In order to get a book published you have to know the basics: how to query an agent and how to create a proposal. I spent six months working on the proposal for my book, and it was about 80 pages in length. In your proposal, you have to be able to show editors and agents that you know the competition. You have to describe your platform, and you have to lay out your marketing strategy. Your learn how to do this by investing in conferences, writers groups, and reading books.
The second person we thought about is brilliant. He has wisdom that could really help people. But he doesn’t discipline himself to write. He spends all week at a job and relaxes on the weekend. I don’t blame him. But to get published, you have to discipline yourself to write when you’d rather be relaxing.
The third person wants to be published but he doesn’t have the persistence. He has a great idea, writes about it for a few weeks, and then gives up. And since most authors don’t make money at this gig, there has to be a reason bigger than money that would make you spend years trying to get published. Can you envision devoting five to ten years researching and writing about a particular topic?

All writers must have skill, and they must have an important message told in a fresh way. They must learn and follow the rules of publishing, and they will probably have to persist for years. Lastly, they must believe that getting published—not getting rich—is its own reward.

What other traits do you think are necessary for becoming published?

January 10, 2014January 9, 2014

Ten (Plus) Tips on Humor Writing

I’ve had the pleasure of incorporating humor into several of my books, most notably Grace for the Race: Meditations for Busy Moms and Let the Crow’s Feet and Laugh Lines Come. Funny enough, humor is not easy to write. It was a learning process–one I’m still undergoing.

Humor writers James Watkins and Rhonda Rhea are two of the most genuinely hilarious authors I know. When I asked them for tips, they didn’t disappoint. (They’re also incredibly generous and insightful…and they didn’t even pay me to say that!) So, without further ado, I present their helpful comedic insights.

James’ Watkins’ top ten tips for ~~ending up on welfare~~ having a successful comedy career:

10. Eat cold pizza for breakfast. Wash it down with large quantities of Diet Coke. After three cans, I can type 470 words of side-splitting humor per minute but unfortuwythdly nonr ofit maks anv senze aftcher tke thirddddddd . . .

9. Travel. Some of my best columns have come from three weeks in India (“The Land Without Toilet Paper”) and being stuck in traffic in downtown Chicago, in August with a stick shift with no air-conditioning and two kids in the backseat waging a fight to the death.

8. Get married, have kids. Dave Barry provides positive proof that marriage and raising children is a source for hundreds of columns, thousands of dollars, and even a Pulitzer Prize. However, use discretion! He’s also on his third or fourth marriage and is buying baby diapers with his AARP discount card.

7. Read, read, read. Essential reads include Dave Barry, Erma Bombeck and, of course, my very funny friend, Rhonda Rhea! And every morning NewsMax.com provides transcripts of late night comics.

6. Pass a kidney stone. I keep reminding students at writers conferences, “Nothing terrible happens to authors. [It’s all] just terrific anecdotes.” The old adage is so true: Comedy is tragedy plus time.

5. Tackle a home-improvement project. This is always good for at least two or three columns and one visit to the ER.

4. Look at life from just a few degrees off normal. Successful humorists look at life through their twisted point of view. It doesn’t have to 360 degrees from normal, because that would put you right back at normal. Just a few degrees keeps it plausible yet humorous.

3. Don’t be afraid of people thinking you’re crazy. St. Francis, who is viewed as, well, saintly, said, “I am God’s clown. People look at me and laugh.” Humor is a brutal business, so if you’re thin-skinned, take up a less stressful occupation such as bomb technician, rodeo clown or drug runner.

2. Hang out with people who are even crazier than you. I enjoyed having lunch with a fellow columnist while working as a humor columnist at a local paper. Most of our brainstorms were not “fit for print,” such as low-tech terrorist “Amish bin Laden” who drives around Lancaster county with a buggy armed with kerosene-filled milk cans! However, my friend never ceased to get my brain cells firing on all neurons.

1. Read my book, Writing with Banana Peels. It’s required reading for a humor class I teach at Taylor University and contains principles, practices and pratfalls of writing humor. (And always, whenever you have the chance, shamelessly self-promote your work.)

Rhonda says:

I’m going to have to agree with Jim—especially the part where he says to read my stuff. Brilliant. Instead of cold pizza and Diet Coke, however, I don’t know how any writing is ever fueled without coffee. I walk into Starbucks and almost always find my muse sitting in a hip leather chair in the corner. I can get at least three chapters from a couple of shots of espresso. They’re all one sentence with no punctuation, but still.

Exploiting every experience for its comedic value—family, friends, travel, projects—is also great counsel. They say nothing bad ever happens to writers; it’s all just material. Read Jim’s book. More great things to exploit there. Or plagiarize. Whichever.

I suggest keeping a running “funny file,” as well. Anytime something makes you laugh or you come up with something hilariously brilliant, take a little note. Then when you’re ready to start an article or chapter you can peruse your file for a kick-start.

It doesn’t hurt to test-drive a few lines as Facebook statuses, either. See what people like and then…milk those things for all they’re worth. Getting a handle on comedic timing in print is no easy task. Your friends can help you polish. They can also make fun of you, mercilessly. And that’s usually helpful too.

I’m proud to say I taught Jim Watkins everything he knows about being funny. And about the funny sound of the letter “C.” If my children let me name any of my grandchildren, I’m naming one Carl–after Jim.

January 3, 2014August 19, 2014

Are You a Story Crafter or a Storyteller?

In many ways, the world of book publishing parallels that of musical performance. Both are beautiful, exhilarating, and demanding. And both can sap creativity. Where the ultimate product is art, inevitable conflicts between the needs of business and creative expression exert themselves. When it comes to breaking in those with technical brilliance have an advantage, but to rise to the top, something else is needed.

I once represented my college as the soprano member of a vocal quartet in an honors choir made up of students from colleges throughout the western United States. We prepared on our own, and then met for three long days of intense rehearsal. Yes, there was glitz and glory in our single performance, but it wasn’t that I remember most about the experience but something that happened during one of the rehearsals.

I don’t even remember which musical passage we were struggling with at the time, but our accomplished director refused to let us get away with good enough. He pushed us, irritatingly so, until in a moment of delirious harmony, glorious sound filled the rehearsal chamber. In the awestruck silence that followed tears pricked my eyes.

Our director thumped his chest. “Ever feel that?” He paced before us, meeting eyes. “You all have a lot going for you, but no matter how technically brilliant you become, the ability to feel the music is what will help you most. Never lose that.”

I have never forgotten his words. In my studies I knew students who could execute a passage of music to perfection but who lacked the passion to bring it alive. By contrast, I have seen a graying grandmother with a quavering pitch move an entire congregation to tears with her simple song. I say this not to invalidate the quest for excellence but to illustrate that feeling the music always trumps craft.

In writing, there is storytelling and story crafting. Yes, we must strive to perfect our craft and even consider our market’s wishes, but it’s even more important to tell a story that resonates on a deep level. If we lose our passion for story, we will also lose readers. It’s not enough to hone our craft until it shines. Producing a story that sings should cost in terms of creativity, drawn as it is from our very soul. It is this that separates artists from artisans.

Because writing does not exist as art alone, however, I will add some technical tips for engaging reader’s emotions. I almost hesitate to do so, in case anyone latches onto these techniques as the way through. They illuminate the story path but are not the path itself.

Tap a universal experience. A mother’s arms, teenage acne, and rejection in love are but a few commonalities to which we all can relate. Writing about universal experiences in an evocative way breathes life into writing.

Write to the senses. Use taste, touch, smell, sight, and sound to bring a fictional world to life. The more vividly you imagine your story’s scenes, the easier this becomes.

Show rather than tell. Create fully-realized scenes readers can step into. Narrative has its place to help in pacing as it skips us past unnecessary details, but most often passages of telling would be better if written as scenes. I got tired of hearing this advice given by rote with no explanation of how to do this, so I filmed the video 5 Ways to Show Not Tell in Fiction Writing for my Live Write Breathe site for writers.

Create a sympathetic situation for your main character. The reader wants to identify with and care about the main character. Provide a gripping opening scene to meet your reader more than halfway. Be careful here, though. There’s a difference between engaging a reader’s emotions and manipulating them. Being faithful to your true story will guide you.

Have someone react. Not allowing room for reaction is a common failing, but this technique is so powerful it should never be ignored. As an example (spoiler alert), in the movie The Hunger Games, when Rue dies, the heroine grieves for her. If she didn’t, we wouldn’t feel the loss as deeply as we do. The riots that break out are also a reaction that stirs our anger at the injustice of the games.

Watch this part of the movie, and then imagine the scene with minimal reaction and you’ll see what I mean.

Hone your craft. Nothing pulls a reader out of a story faster than clumsy storytelling, so do study craft. But remember that craft is no substitute for inspired storytelling.

There will always be tension between the business and art of writing, but that doesn’t have to be bad, not when you consider that the best fiction marries fine storytelling with excellent story crafting. It is even possible to thrive in the tension between business and art.

Today, January 3rd, marks the release of WayFarer, book two of my epic fantasy trilogy, Tales of Faeraven. In celebration, for today only my publisher is offering a discount of 50% on purchase of WayFarer from the Pelican Books site.

When I first started writing this trilogy without agency representation or a publishing contract, fantasy was a hard sell, but this was the story I felt. It’s been a rough journey to publication, but well worth it.

What about you? What story sings within you?

December 25, 2013December 18, 2015

The Loss of Words

1 John: 1-5. In the beginning was the Word, and the Word was with God, and the Word was God. ²He was in the beginning with God; ³all things were made through him, and without him was not anything made that was made. ⁴In him was life, and the life was the light of men. ⁵The light shines in the darkness, and the darkness has not overcome it.

I have to confess, I’m fascinated by words. How we use them. How we use them against each other. Pro-life. Pro-abortion. Pro-choice. Each of these words casts the same issue in a totally different light.

I also have great wonder about how God chose to communicate with us, which I believe happens in two ways–through the written word and through creation. Whether or not you believe that is a whole other discussion.

When I write a book, I choose words carefully. I imagine God being the same way. Not wasting anything. The words, phrases, paragraphs, and chapters of the Bible have multiple layers of meaning. Enough layers to satisfy a reader for longer than one human lifetime.

This Christmas, I find myself pondering 1John and how Jesus Christ was referred to as the Word. I think of how words bring enlightenment. Then I think about how the use of our words is changing.

As an author, I’ve been concerned about the loss of words, even though there seems to be more words than ever before. Texts. FB posts. Blog posts. The number of books that are now available through publishing (in all formats) is greater than at any time in history.

But are they meaningful words? Do they have the same impact as the Bible passage above?

We don’t write anymore. Not in the form of handwritten notes, anyway. And what we do write is abbreviated with little context. I wonder what our children will show their grandchildren. Once e-mail accounts are deleted, those messages are lost. Do you print out e-mails, texts, etc., and archive them?

I know I don’t.

So I wonder, a lot, about the meaning and context of our words and what will be lost in this technological age. Handwritten love letters. Diaries. Journals. I doubt even this blog post will survive me.

Often, we don’t think about the impact of a loved one, a job, or an event until it is gone. I’m amazed how people strive to communicate even when they can’t physically speak. Sign language. Speaking with the use of computers.

What if you couldn’t speak anymore? What if there never had been the Bible? How do you think God would have communicated with creation about Himself?

Glenn Beck is a polarizing character. I totally get that. I’m not a fan of everything he says but this is a powerful message to ponder. It’s a written monologue delivered on large postcards because, for a period of time, Glenn couldn’t speak and it caused him to think of what he had spoken in the past. If you want to avoid his political message, you can stop viewing the video after about 3 minutes.

But consider the loss of words and what you can do to maintain an actual pen-to-paper history. Remember this Christmas the impact of how God chose to communicate with us–with words.

John 3:16. For God so loved the world that he gave his only Son, that whoever believes in him should not perish but have eternal life.

Every day, I think about losing our written words. Do you?

Have a Merry Christmas.

December 18, 2013December 16, 2013

Your Friends in the Book Marketing Business

Book marketing can be rather overwhelming, especially here in the middle of the publishing revolution. The good news is that there are more and more emerging companies out there who bring a lot of light to this dark arena. Whether you are an author looking for assistance or a reader trying to find the best deals available, this post is to create a compilation of resources you may find helpful.

Pubslush: A global, crowd funding and analytics platform for books only. This platform allows authors to raise money and gauge the initial audience for new book ideas, and for readers to pledge their financial support to bring books to life. Pubslush is entirely about giving: giving an opportunity to authors, giving a voice to readers, and giving books to children without access to literature. http://www.pubslush.com

Author Marketing Club: An author member can submit books for promotional opportunities, as well as access free online training and resources related to book marketing. A reader member will get notified about new and discounted books, and can discover new authors. This service is free for both authors and readers. You can upgrade to the Premium program if you wish for additional benefits, but it is not required for you to do so. Some of the options offered under a Premium membership include an Amazon book reviewer tool that can help you find reviewers who focus on your literary genre. http://authormarketingclub.com/

BookBub: The best marketing dollars I have ever spent have been with BookBub. BookBub is a free daily email that notifies you about deep discounts on acclaimed ebooks. You choose the types you’d like to get notified about — with categories ranging from mysteries to cookbooks — and they email you great deals in those genres. BookBub features ebooks ranging from top-tier publishers to critically acclaimed independent authors. During my last campaign with BookBub, I spent about $260.00 and yielded thousands of downloads as a result. If you are looking for new readers, do yourself a favor and check out BookBub: http://www.bookbub.com/home/

Other great resources for readers:

Pixel of Ink: A website which features daily publishing of Free Kindle Books and Hot Deals. On any given day, there are thousands of Free Kindle Books available. http://www.pixelofink.com/

Inspired Reads: The best Christian Kindle books on a budget. http://www.inspiredreads.com/

Kindle Daily Deal: The best deals available for Kindle. http://amzn.to/KindleDailyDeal

What are your favorite book marketing resources, websites, and venues?

December 9, 2013December 7, 2013

Twelve Qualities of a Big Story

I love big books. I’m not talking about page count here, but stories that are so big in scope that the novels live on with me long after I finish reading. I’m even drawn to reread the story.

That’s the kind of book I want to write, so before I begin writing, I analyze the bones of my story to see if it has some of those big-book qualities.

Twelve Big Book Qualities

1. A Hero or Heroes: Characters who take big risks and stand up for what’s right. They may be deeply flawed, and yet, they’re saints, magnetic leaders, or they show massive courage of some kind. They’re true to life and still larger than life.

2. An Impossibly Large Role to Fill: Characters step into a role that at first seems much too large for them. It may be leading a dangerous military mission, stopping a plague from spreading, or rescuing one child who is falling through an emotional black hole. In the beginning, the characters aren’t equipped, but as the story progresses, they learn to fill that big role.

3. Injustice: It can be a large scale injustice (the Nazis) or small scale (a tyrannical parent), but at all costs, it must have high stakes and the barriers to justice must seem huge to the characters.

4. Complex Relationships: The story provides relationships that are full of great love and yet are greatly troubled. If there are complex relationships that intersect other complex relationships, that’s even better.

5. A Larger than Life Setting: The setting should carry the reader away – a family vineyard, an estate house perched on a craggy coastline, a frenzied metropolis, a bustling medieval village, or a dangerous forest. If your story calls for an ordinary town or city, make sure to find its personality and drama.

6. Time Scope: There are big books that take place in a year, even in days. But there’s something dramatic about watching lives take shape over a lifetime. Even a small story within the story or significant backstory can make the story feel larger.

7. Sacrifices and Crushed Dreams: A character may voluntarily give up something precious for the sake of loved ones, or their dreams may be grasped from their clenched fists. The story is bigger as they struggle to redeem the loss.

8. A Goal with Long Odds: The character – actually all of the characters – need specific goals, and they should be hard to achieve, with plenty of obstacles in the way.

9. Characters with Special Talents or Gifts: Readers love to watch gifted people work – artists, geniuses, prophets, clever detectives, explorers, brilliant doctors, even farmers if they have a special way with the land. If a character has a special calling, all the better. Starting off with only rudimentary knowledge or none, and bringing the reader along as the character learns is compelling too.

10. Souls that Don’t Belong: Whether it’s because of a special gift, an unusual heritage, a greater determination, their life has set them apart somehow, and they find themselves alone in their community. Of course as the story continues, they’ll find a mentor, a lover or friend, but there will be some bumpy roads before they understand that they fit together.

11. A Long Mystery or Unusual Twist: Nothing keeps readers turning the page like dropped clues along the pages as they try to solve the mystery. Also great is a dramatic mystery, which the reader understands perfectly but the characters don’t. Waiting for everything to be made clear makes for great tension. Of course, any mystery or twist in a big book should have lots of personality and be critical to the character’s inner life.

12. Resonating Voice: I put this last, but really it’s a first. An original voice that carries the reader into the sensory and emotional experience of the novel will lure the reader in at page one and hold them until the last sentence. Voice, more than any other quality, brings me back for a second read.

Help me out. What is missing from my list? What qualities make a “Big Story” for you?

December 2, 2013November 23, 2013

The Trick to Becoming an Author

The other day, a colleague asked me if I thought the burgeoning popularity of memoir-style books of the sort I had published had to do with the fact that the people who read them wanted to write such books themselves.

Reflecting on what he asked, it occurs to me now that—the underlying argument being that my writing’s appeal had nothing to do with my writing itself but only the envy of my readers and that the underlying argument of my readers’ envy being that anyone could write as well as I could—I should have gotten offended. But I didn’t. (Thanks, surely, to the Holy Spirit, who tries to protect me, usually in vain, from bouts of narcissism that make me think I’m a great writer and cause me to take offense at any reminder that I’m not.)

I didn’t get offended, too, because I knew, as anyone who’s ever published a book of any sort does, that what he said was true. We know it from the people who show up in our doorways wanting publishing advice. We know it from acquaintances who know about our good luck as writers and come up to us in the grocery store, or sitting at the vet’s office, or walking to our cars after church, and want to tell us their latest book idea. We know it from the mail we get when our books come out. Fast on the heels of a fan email, if not within the fan email itself, comes a question about how to get the fan’s own work published.

Everyone these days has not just a story in them, as they used to say, but a published book—even though it’s rarely written or even begun. All it takes to write a book, the would-be writer hopes or believes, is an idea and the need to tell it. What happens between that and getting something published is a trick they plan to learn from established writers.

But there is no trick. Just the arduous and time-consuming work of writing and rewriting and sending stuff out and waiting and trying to believe there’s a chance that someone who makes a difference in the world of publishing likes it and finding out there mostly isn’t (or, if you really are lucky, that there might be a chance with some major changes to what you’ve written) and then writing and rewriting again. That’s the part no one wants to hear or even know about. That to be a writer is to write. Period.

They’re like Simon the Magician, that guy in the book of Acts who—though Luke makes clear that he’s a genuine believer—tries to buy from the apostles the trick of touching people and thereby filling them with the Holy Spirit.

“Just teach me the trick of getting published!” EveryWriter begs. Often, as Simon does, they even offer to pay for the trick.

But there is no trick.

Sermons on Simon’s story often go on about how wrong-headed Simon was, thinking to buy the Holy Spirit, and sometimes they posit that Simon wasn’t really a believer at all, even if Luke says he was. But such sermons miss the point, I think—whether it’s the gift of writing we’re talking about or of imparting the Holy Spirit. Being a servant of the word, or the Word, is not a magic trick. You have to get out there and do it.

That said, I remember having had the same response to other writers’ writing—not just to their memoirs but to their novels and even textbooks. I’ve thought to myself, if they can do it, why then so can I. And so began this article and that book. So began my current writing project, a novel–my first. So began, indeed, my entire career as a writer.

If others can do it, so can you, but don’t sit around hoping to discover some trick to make it happen effortlessly. If you want to write, if you want to inspire others, if you want to fill them with good news, with the very spirit of God, you’ll just have to get out there and do it.