Surviving My First Year As A Published Author

It’s hard to believe that I’ve been a published author for over a year now. My first book (A Tailor-Made Bride) debuted in June 2010, and last May my third book with Bethany House, To Win Her Heart, hit the shelves. What an exciting whirlwind adventure this has been!

For those of you who are not yet published, I thought I’d share a few of the myriad lessons I’ve learned during the transition from hopeful writer to published author. Believe it or not, signing a publishing contract is not the pot of gold at the end of the rainbow. It is just the beginning of another journey, one that will take you through unfamiliar territory with a whole new set of obstacles and pitfalls to navigate.

Learning to work with an editor

Most of you have probably worked with a critique group or received feedback from contest judges on your manuscript. Some of you may have even invested in hiring a freelance editor to go over your book. All of this is wonderful for helping you perfect your craft, and I highly recommend it. I still work with my critique group on every book I write. However, making the switch from critique group to publishing house editor is like switching from working with a high school baseball coach to a major league manager. The expectations placed upon you increase and the time to make improvements decreases. Thankfully, the editor wants you to succeed just as much as you want to succeed, so it can be a marvelously rewarding partnership.

In learning to work with an editor, attitude makes all the difference. Here are some tips for making this process a blessing instead of a trial:

  • Trust your baby to the care of another. You are no longer simply a passionate writer, creating the story that best pleases you. You are now a professional writer who must please a publisher and readers. Don’t forfeit the passion, but temper it with professionalism. I often hear unpublished writers say things like, “If an editor ever suggested I change X about my manuscript, I’d find a different publisher.” I strongly caution against this attitude. Publishing is a team effort. Be a team player and remember that the publishing world is a small one. Don’t make things harder on yourself by gaining a reputation as a diva.
  • Editors are allies, not enemies. It might not feel true when you get that 12 page, single-spaced substantive edit letter, but keep your defenses in check. Remember that your editor is there to help you create the best manuscript possible.
  • Approach conversations with humility. Editors know the market better than you do. They know what their readers like. Submit to their mentoring and heed their advice, but don’t be afraid to respectfully speak your mind if you have a strong aversion to one of their suggestions.

Dealing with deadlines.

Everyone writes differently. Some pour out their stories unchecked then go back and add layers, weaving in editing as they work through multiple drafts. Some outline extensively before ever writing a word. Some spend weeks delving into research. I’m one of those odd ducks who uses both sides of my brain at the same time, editing as I go. This makes my pace slow as I constantly edit as I create, but I essentially write only one draft.

The key to dealing with deadlines is to know your writing pace and plan accordingly. Set realistic intermediary goals. (For example, instead of a daily word count, I choose to set weekly goals. I try to write one polished chapter a week.) Then be sure to budget a cushion into your schedule to allow for unforeseen circumstances. Illness, family vacations, work duties—many things can pull you away from your writing. Don’t add to your deadline stress by cutting things too close. I try to pad my deadline by 2-4 weeks to give myself some flexibility. Plus it’s cool to get brownie points by turning in a manuscript early.

Handling Reviews

Good reviews can send your spirit soaring, and bad reviews can send you plummeting into a pool of doubt and insecurity. You must learn to find balance. Some wise authors I know choose not to read reviews at all. I have to admit that I can’t seem to resist the lure. I check my reviews on Amazon every day and eagerly await news from my publisher about trade reviews. Publisher’s Weekly tends to give me great write-ups, yet the ones from Romantic Times are usually a bit lackluster. The inconsistency can be frustrating, but I constantly remind myself that reviews are subjective. That fact became very evident when my publisher decided to offer my debut novel as a free e-book download in May. I was pleasantly surprised by all the new 4 and 5 star reviews, but then there were the 1 star reviews that came with them. Ick.

  • Not everyone will love your book, so gird your loins in advance.
  • Enjoy the pleasure of positive reviews, but don’t let them puff you up with pride. When pride comes, then comes disgrace, but with humility comes wisdom. ~Proverbs 11:2
  • Learn what you can from a harsh review. Look for ways to improve your craft for future projects. However, don’t dwell on the sour words. They will destroy your confidence and steal your passion. Glean what you can, then walk away.

This publishing journey can be a long and arduous one, but it is rich with rewards as well.

For those of you who are still seeking publication—what makes you the most nervous about making the transition to published author?

And for you published authors—what other advice would you share with upcoming writers regarding what to expect after the contract is signed?

Up The Creek Without A Paddle – But Not Really

To an unpublished author, thoughts of marketing your book once it’s published might not be front and center of your mind. You’re more focused on finishing that manuscript, acquiring an agent, polishing your proposal. That’s as it should be. But what if you’re agented, and have several editors showing interest in your completed project?

Now is the time to start your engines and put some wheels on your marketing strategies. Sure, your book may not sell right away, but you’ll want to be prepared when it does. And even if you’re still in the early stages of your writing journey, it’s never too early to start thinking about it.

Last week on my blog I shared a few of the things I’ve been doing since my book, Yesterday’s Tomorrow, released in March. The prospect of marketing can seem daunting to a new author. At first I felt as though someone had pushed me upstream with no paddle, no compass, no directions at all. I soon learned the world of marketing has many places to explore. Today I’m going to focus on one.

Networking.

Your network is where you hang out; it’s who you talk to, share life with. It’s your community. At this point, published or not, you should be working hard to establish an online presence through blogging, Facebook, Twitter, MySpace, Google+, etc…the Internet is by far the cheapest and fastest marketing tool at your disposal. Learn to use it wisely.

Then there’s your real-life community. We all have family, friends, co-workers, right? These are the folks you want in your network, people who know you, love you and have supported your writing efforts over the past few years. They’re going to want to tell everyone they know about your book, this is great! Make sure they’re kept up to date in the process and send them a copy or two when your book comes out. The more people you can get saying wonderful things about your writing, the easier your job gets. And don’t forget to thank them for their efforts.

But what if you don’t have a supportive family? What if the people in your immediate circles just don’t get it or just don’t care? All is not lost here. While I’d like to advise you to have a good heart-to-heart with these folks, I’m no family therapist. Focus your networking efforts elsewhere.

Do you belong to a writer’s group? If you don’t, you should. This is the next best thing to having all your cousins in Nebraska hauling boxes of books around in the back of their trucks and selling them at every pit stop.

I’ve recently finished reading an excellent book on social networking by Kristen Lamb, We Are Not Alone  – The Writer’s Guide to Social Media, (Who Dares Wins Publishing, 2010). I highly recommend this book and I know quite a few of my fellow WordServers do too. One thing Kristen said that I love is this: “Fish where the fish are.”  Your writer’s group will not only provide support and encouragement in your writing journey, but when your baby is finally born, they’ll be the first to send flowers and start handing out the chocolate cigars. Most writers have a blog. I’ve never met a writer who didn’t like to read. Combine the two, and you have instant reviewers, influencers and endorsers.

Don’t ever be afraid to ask for an interview or to ask someone to review your novel. Yes, you may have to send a few copies here and there, but if it’s going to help get the word out about your book, it’s a great investment. And always offer to reciprocate by featuring fellow authors on your own blog and helping them spread the word about their new baby when the time comes.

Networking has been the most fun for me so far in this gig as a newly published author. I’ve expanded my network considerably, met a lot of wonderful people who have been more than gracious with their words, time and endeavors to get my book ‘out there’,  and I’m looking forward to doing it all over again when my next novel comes out!

What about you? Have you started networking? If you’re already published, tell us about your experiences.

How to Find the Perfect Publisher

When I was getting ready to attend my first writer’s conference, I had a difficult time trying to figure out which publisher to pick for my editor appointment. I was absolutely overwhelmed. I didn’t know who would be the best match for my book, much less who would provide the type of professional working relationship that I needed.

I’ve learned a lot since then about what goes into finding the perfect publisher. In fact, the first thing I’ve come to understand is that there is no perfect publisher. Publishing houses are staffed with regular people like you and me. They’re not perfect. And as we all know, traditional publication is in flux. Changes are never easy on writers or publishing house staff.

All that to say, we have to go into the publishing experience with realistic expectations. We won’t find one perfect publisher. But we can work at finding the best match possible. And here are three ways we can do that:

1. Get an agent’s help.

Yes, you might be thinking. This is a no-brainer. Many writers want to hook up with an agent because an agent is usually the expert on the various publishing houses and what types of books they’re looking for.

However, there are times when an unagented writer catches the attention of a publisher or editor. In such cases, if a writer seeks out an agent before making any decisions with the publisher, the agent can offer advice, send the manuscript to other houses, and work at getting the best deal.

Agents are often more willing to consider writers who are garnering publisher interest. Let the agent know and follow up with them if they already have your manuscript. If you’re not getting through to the agent, enlist the help of a current client.

2. Research, research, research.

I cannot emphasize enough the importance of learning about various publishers you’re planning to target. And if you’re planning to publish without the help of an agent, then the research is even more crucial. I’ve talked with too many writers who’ve gone with small or subsidy presses and have had disappointing experiences.

There’s no shortcut to immersing yourself in the industry and learning all you can about publishers. Here are several ways to research:

  • Read books by the publisher(s) you hope to target.
  • Study different publishers and look at what most of their books have in common.
  • Check with authors who work with that publisher. Save this step until you’ve garnered interest from a specific publisher. Then you can email the author(s) to ask a few questions like: Were you satisfied with the editing? How much marketing do they offer? How well do they communicate?
  • Investigate the Preditors & Editors list. Google the publisher. Ask other writers on twitter or facebook their opinions.

3. Don’t try to fit a square peg into a round hole.

Some publishers are coveted more than others.Without naming names, we all know which publishers are bigger, more prestigious, and can do more for their authors in terms of advances, editing, marketing, and sales.

However, we can’t automatically assume that we should target the biggest houses. And we shouldn’t resort to smaller house only if the big deals don’t pan out. Our books are individuals and need personalized plans of action. There is no one-size-fits-all for publishing. We need to find the “hole” that matches our book.

What do you think? What are some other ways writers can find the best possible publisher for them? If you’re a published author, is your publisher a good fit? And if so, what did you do make sure you were a good match?

Post Author: Jody Hedlund

Jody Hedlund is an award-winning historical romance novelist and author of the best-selling book, The Preacher’s Bride, a Carol Award finalist. She received a bachelor’s degree from Taylor University and a master’s from the University of Wisconsin, both in Social Work. Currently she makes her home in Michigan with her husband and five busy children. Her latest book, The Doctor’s Lady, released in September 2011.