Publishing – Page 15 – WordServe Water Cooler

December 14, 2013December 21, 2013

Extra! Extra!

So many new books to celebrate for the month of December that WordServe is doing an extra announcement about these releases.

The Listening Heart: Hearing God in Prayer by Judy Gordon Morrow (Regal Publishing) is available now on Amazon, Barnes & Noble, CBD, and GospelLight.com. In The Listening Heart, Judy invites you to spend a year hearing from the God Who Speaks—the God who wants to speak to you. Each daily devotion echoes the Father’s love and care for you, offering hope, comfort, encouragement and more—a rich closeness with God that will satisfy the longings of your heart. A wonderful Christmas/New Year gift for your friends and family–or for yourself!

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When A Woman Finds Her Voice: Overcoming Life’s Hurts & Using Your Story to Make a Difference by Jo Ann Fore (Leafwood Publishers) is now available in major bookstores. Jo Ann wants women to know they have a message worth sharing. With straight talk, insightful biblical truths, and heart-aching stories of hope, Jo Ann leads women on the unparalleled adventure of finding their voices and using them to make a difference. You will be moved to share the stories you’ve been hesitant to share—those healing stories that have the power to change both your life and the lives of others.

December 4, 2013December 4, 2013

How a Blue Bird Can Save You Time

I love Twitter.

Yes, it’s true – a year ago, I said I would never get on Twitter.

Just like I said “no Facebook,” the year before that.

The truth is that as an author, if you’re not on the social networks, you’re missing the boat, and while I’m still learning the best ways to use social media, I’ve found a surprising, but HUGE, benefit to spending time every day on Twitter: it’s my go-to source for content.

Content – the endless supply of information you need to share – is one of the things you have to manage on social media, and for me, it was one of the most intimidating. I barely eke out enough time to work on manuscripts between book marketing, my part-time teaching job, mothering, housekeeping, and walking the dog, let alone to come up with bright new pieces of information to post on my social networks every day. Effective social media marketing requires new content to keep your followers interested in what you do as an author; if your audience doesn’t hear from you in a while, they’ll move on to someone or something new, which defeats your whole social media strategy.

On top of fresh material, I also have to find/create the right spin on the content I collect to make it appropriate for my social networks. My readers expect humor, which isn’t nearly as simple or easy as it may sound; all authors – no matter what they write about – have to somehow personalize the content they curate to reflect their own signature brand.

Enter Twitter – tiny snippets of titles on anything and everything. It’s like an overflowing cornucopia of trivia, which is exactly what I like about it – I can skim through my Twitter feed and if some title catches my eye and strikes me as funny, or inspires a witty response in me, I can open the link and immediately bookmark it into a folder on my laptop. (Keeping a bookmarking folder dedicated to raw social media content has been one of my better ideas.) Then, when I’m making the rounds on my social networks and need new content, I can open that folder and retrieve the snippet for instant material. I’ve discovered that in just a few minutes a day, I can find enough tweets on Twitter to provide me with ideas and quick posts for a week, which frees up more time to write.

The danger of wasting time on Twitter was originally one of the reasons I didn’t want to use it, because like all social media, it pulls you into engagement that is hard to escape. (How many times have you told yourself, “I’m only reading one more post,” and then, an hour later, you’re still on Facebook?) By mindfully turning my Twitter time into content development time, I’ve made it a more productive and focused task that actually reduces the amount of time I need to spend on creating posts for my other networks. And that makes me tweet with happiness! (And you can join me @BirderMurder!)

What are some of the creative ways you use one social media to assist you with another one?

December 2, 2013November 23, 2013

The Trick to Becoming an Author

The other day, a colleague asked me if I thought the burgeoning popularity of memoir-style books of the sort I had published had to do with the fact that the people who read them wanted to write such books themselves.

Reflecting on what he asked, it occurs to me now that—the underlying argument being that my writing’s appeal had nothing to do with my writing itself but only the envy of my readers and that the underlying argument of my readers’ envy being that anyone could write as well as I could—I should have gotten offended. But I didn’t. (Thanks, surely, to the Holy Spirit, who tries to protect me, usually in vain, from bouts of narcissism that make me think I’m a great writer and cause me to take offense at any reminder that I’m not.)

I didn’t get offended, too, because I knew, as anyone who’s ever published a book of any sort does, that what he said was true. We know it from the people who show up in our doorways wanting publishing advice. We know it from acquaintances who know about our good luck as writers and come up to us in the grocery store, or sitting at the vet’s office, or walking to our cars after church, and want to tell us their latest book idea. We know it from the mail we get when our books come out. Fast on the heels of a fan email, if not within the fan email itself, comes a question about how to get the fan’s own work published.

Everyone these days has not just a story in them, as they used to say, but a published book—even though it’s rarely written or even begun. All it takes to write a book, the would-be writer hopes or believes, is an idea and the need to tell it. What happens between that and getting something published is a trick they plan to learn from established writers.

But there is no trick. Just the arduous and time-consuming work of writing and rewriting and sending stuff out and waiting and trying to believe there’s a chance that someone who makes a difference in the world of publishing likes it and finding out there mostly isn’t (or, if you really are lucky, that there might be a chance with some major changes to what you’ve written) and then writing and rewriting again. That’s the part no one wants to hear or even know about. That to be a writer is to write. Period.

They’re like Simon the Magician, that guy in the book of Acts who—though Luke makes clear that he’s a genuine believer—tries to buy from the apostles the trick of touching people and thereby filling them with the Holy Spirit.

“Just teach me the trick of getting published!” EveryWriter begs. Often, as Simon does, they even offer to pay for the trick.

But there is no trick.

Sermons on Simon’s story often go on about how wrong-headed Simon was, thinking to buy the Holy Spirit, and sometimes they posit that Simon wasn’t really a believer at all, even if Luke says he was. But such sermons miss the point, I think—whether it’s the gift of writing we’re talking about or of imparting the Holy Spirit. Being a servant of the word, or the Word, is not a magic trick. You have to get out there and do it.

That said, I remember having had the same response to other writers’ writing—not just to their memoirs but to their novels and even textbooks. I’ve thought to myself, if they can do it, why then so can I. And so began this article and that book. So began my current writing project, a novel–my first. So began, indeed, my entire career as a writer.

If others can do it, so can you, but don’t sit around hoping to discover some trick to make it happen effortlessly. If you want to write, if you want to inspire others, if you want to fill them with good news, with the very spirit of God, you’ll just have to get out there and do it.

December 1, 2013December 18, 2015

Kismet

I have a confession to make. I’m a control freak. Not just the neat and tidy, either. More the type who gave my daughter a lecture when she rearranged some Christmas decorations and I told her she couldn’t because she wasn’t paying the mortgage.

Yes, that did happen. I could say that there were other things going on at the time stress-wise to cause such a reaction but . . . sigh.

So, now we’ve established I’m a bad mother and a control freak! And yes, I’m saving up for her future counseling sessions. As a person of faith, I do believe God has a plan for my life but my hands are clenched just as tightly as they can be around the steering wheel.

My nature lends itself to the job I do. Every day, I bring calm control to chaos as a pediatric ER nurse. It’s expected of me. However, as a Christian, I’m supposed to “Let go and let God.”

Easier said than done.

However, I have noticed that when I do surrender to His little nudges, things seem to work infinitely better. But I still have that cold-dead-hands grip on my life.

I’ve always loved to write. In high school, I wrote countless short stories, scenes, and even a couple of novellas. I didn’t always write things that were honoring to God. I did want to be published but my parents said I needed to go to college and get a real job.

So I went to nursing school. I really wanted to be a flight nurse and that became my sole drive for the next ten plus years. I stopped writing during pursuit of this one goal.

And that goal didn’t happen. Out of my frustration, I started putting pen to paper again. I sought input to see if anyone thought those words strung together were good or just the dismal musings of a person dissatisfied with her life.

I don’t believe God wastes anything. During pursuit of my unrealized dream, God used several interactions to speak to my heart about what I was writing. Now, I wasn’t a closet Fifty Shades of Grey writer, but by writing wouldn’t necessarily point people to God.

Maybe it would even pull them away.

I thought that if I put words out there, I’d be responsible for the effect they have on people. Did I want to explain to God why some people stopped believing because of something I wrote?

From then on I began to write with a Christian worldview in mind.

My stories partly reflect what I struggle with. Peril, my latest release, is about Morgan’s struggle with controlling her own life when everything is out of control. She’s suffered a horrible loss she feels she should have prevented, her health is in decline, and her marriage is breaking apart. This control freak is thrown into a hurricane. The novel is about her learning to relinquish the grip she has on the steering wheel.

My hope is if I write it enough, perhaps I can do the same.

What’s amazing is how God uses kismet or fate to weave these threads over the years, in order to reach one person at the right moment.

I got this note from a reader (the best thing as an author!) that Peril helped her realize she needed to “Let go and let God.” I shared my own struggle with her about being a control freak and this was her response:

“You see, before the foundations of the world began, God knew I’d be going through something on September 30, 2013 and He also knew He would give you the words to write and also give me the book and I would be reading just that passage at just this time. Wow. What an awesome God we serve.”

He truly is. Think about it. The years. The people. Those little moments that led up to that moment of inspiration for one person.

I think those moments are designed.

What about you? As we begin to turn our focus to the Christmas Season, consider the predictions made about Christ in the Bible. Were they designed, too?

This post first appeared at Everyone’s Story. Hope you’ll check out Elaine’s blog.

November 30, 2013November 27, 2013

WordServe News: November 2013

Exciting things have been happening at WordServe Literary!

On the final post of each month you’ll find a list of Water Cooler contributors’ books releasing in the upcoming month along with a recap of WordServe client news from the current month.

New Releases

In the “Really? That many products out of one book?” category, Deb Coty may have won the prize. Her book Too Blessed to be Stressed has spawned a Spanish version, a “Page a Day” calendar, a Too Blessed to Be Stressed Promise Book and a 2014 and 2015 Daily Planner.

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Sabrina’s Man by Gilbert Morris (Barbour)

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Elusive Hope by Marylu Tyndall (Barbour)

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My Favorite Angel Stories by Joe Wheeler (Pacific Press)

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Heritage by Mary Davis (rerelease with Harlequin)

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New Contracts

Andrew Gerow Hodges (with Denise George) sold Behind Nazi Lines to Berkley Caliber, the story of his father’s exploits as a Red Cross worker during WWII, personally saving nearly 150 Allied POW’s by his ability to negotiate with tough Nazi officers, standing his ground and building their trust. A true page turner biography of suspense.

Jonathan McKee sold Explicit Sex, a book for parents on the pressures facing today’s teenagers and how to help them navigate decisions that sometimes have lifetime consequences.

Mary Davis sold three books to Harlequin Heartsong, Heart of Honor, Heart of Truth, and Heart of Humility. In the first novel, Heart of Honor, when an American girl falls in love with an English officer, their romance might ignite the war the two sides had kept at bay for over a decade. Readers will fall in love with Mary’s writing and her characters as they work through war, secrets, and forgiveness.

What can we help you celebrate?

November 29, 2013November 25, 2013

Writing for Strangers

For my first book release, I did what many authors do. I gave copies of my book to everyone I knew, followed up with them with the intensity of an air traffic controller, and then begged to be evaluated. It was only when I had garnered about twenty five reviews that I was comfortable enough to share my work with strangers.

For my second book, I have been much bolder. I only showed Petty Cash to a select few people (about five) and then launched it on Amazon. Each day, I pull up the page with one eye closed, bracing myself to get hammered. But you know what? It really hasn’t been that bad. In fact, total strangers have written the best reviews of all. Who knew?

It’s awkward to provide feedback to our loved ones at times. People often avoid conflict with those close to them, and they may whitewash their feedback in an attempt to encourage us. Although this is done out of love, we must take the feedback from those who love us with a grain of salt. The people closest to us will also see the content a bit differently than the writing of someone about whom they know nothing.Those close to us will have a built in filter as they regard each character, setting, and turn of phrase.

On the other hand, strangers have no such filters. Since there is no fear of impacting the relationship, the comments and reviews of strangers are incredibly forthright. Some of the feedback from strangers has been so outstanding and helpful, that I have modifed the story slightly to reflect their feedback, which is easy to do with an e-book. Some of the people who write reviews are so eloquent that it seems like they should be reviewing books on a professional basis – and maybe they do.

From what I understand, it is considered bad taste for authors to engage with strangers who have written reviews on their work. That makes sense, but sometimes it’s hard to keep silent and not thank them for putting in the time and effort of creating a review. The exercise has really driven home the concept of relying on the kindness of strangers. Honesty is actually a type of kindness, even if it stings from time to time.

For a myriad of reasons, friends and family may not be able to convey the true value of our writing. It just might be the people you have never met, perhaps in other countires or on the other side of the world, who may end up giving you more validation and insight about your work than you ever imagined.

Who do you trust to provide feedback on your writing?

Have you ever received helpful comments and reviews from total strangers?

November 27, 2013November 26, 2013

How My Agent Found Me

My agent found me.

It’s true.

I didn’t believe it at first either.

And I am oh, so grateful. Her council, editorial skills, business savvy, and contacts make a huge difference in my budding career.

And I know… it doesn’t seem fair.

How exactly did she find me?

Through two chapters released to The Festival of Faith and Writing in Grand Rapids, Michigan in 2012. As a participant of the conference, I submitted part of my memoir for agents to review.

Sarah Joy Freese found my chapters, and contacted me for the full manuscript.

But why did she find me?

Because people I met along my writing journey told me to work hard.

And I need to be able to say this although it feels a little strange, like a pat on the back or something, but I realize now that I did work hard. I worked hard and long for her to find me.

If you want an agent to find you, here are four things you can do.

1) Write well.

Make sure your writing continues to improve. Read a lot. Write even more. Attend a class. Submit your work for critique. Spend time in the chair, churning out pages. If your writing isn’t at its best, even if an agent finds you, he probably will pass.

2) Build your platform.

Gone are the days of a writer hiding away in an upstairs attic penning the next great American novel. In the publishing world today, writers have to do more than write beautifully. They need to build a following. Want to learn more about this idea? Read Seth Godin’s book Tribes.

Warning: when you begin to work on a platform, you will feel ridiculous. When I started a Facebook author page, I joked with my friends about ‘fans’ liking the newest dirty diaper I changed at home. As a stay-at-home-mom with four children to wrangle, I didn’t think I was qualified to have a fan page, but I did have a goal: to publish a book. So I began.

Other platform ideas: blogging, speaking, writing e-books, the list can get really long and daunting. The important thing is to start, and to remember platform building as an important element to your future in publishing. It needs to grow with your writing skills. You need to be a package deal.

3) Have polished, edited chapters of your current work in progress ready.

Spend time on a couple of your favorite chapters in your work in progress. Make them strong. Hire or ask someone you trust to edit them. Rewrite them. Rewrite them again. Make sure that even if you don’t know every nuance of the book that you have a general idea of the story arc, so that your chapters fit when you pitch the idea to the agent.

My husband and I cobbled together funds so I could pay two freelance editors to work through drafts of my recently published memoir Sun Shine Down. After writing a third draft of the same book, I started to feel like I had something I could show someone with my head held high. Yes, it takes work, and time, but your best work is worth it, and it is your best chance to have an agent ask to see more.

4) Attend writers conferences.

Before attending conferences, I queried countless agents to no avail. I hardly got back a standard rejection email.

I can’t stress enough how helpful conferences were/are to my career. In 2012, I attended Mount Hermon Christian Writers Conference, and the Festival of Faith and Writing, where I met my agent. Both were amazing experiences. I shook hands with people, passed out and retrieved business cards, and submitted my work for review and critique. While buoyed in my fervor for the written word, I soaked in lessons about the craft and business of writing.

I think every writer should attend as many conferences as they can.

Be encouraged.

If you want an agent to find you: do good work, put yourself out there, be ready at a moment’s notice to submit, and go where the writers, agents, and editors go.

If this stay-at-home-mom, queen of diapers and ruler over tantrums can do it, so can you. I’m rooting for you!

Now get to work. Your agent may be looking for you right now.

*Do you have an agent? How did that relationship come to be? Do tell.

November 25, 2013November 23, 2013

Having Problems with Your Plot?

Plot problems?

Here is a tool that may prove helpful. Steven James presented this material at an intensive novel writing retreat I attended.

Whether you’re an outliner or an organic author, these simple yet intriguing questions will get your creative juices flowing.

The questions open doors into areas of our story we may not have explored before and will lead us to more compelling stories.

What would this character naturally do in this situation?

Believability is the first priority. If our character does something he would not naturally do, it will the strain the reader’s investment in him and in our story.

For example, say our character is an inspector with the National Transportation Safety Board. What’s the first thing he would do at the scene of a plane crash? Would he ask where is the nearest Starbucks? Or would he ask if the black box has been found or if there are any survivors?

Or, he’s an ER doctor and the paramedics have brought in a victim of a gunshot wound. Would he ask when the next available tee time is? Or, would he assess the patient’s need for immediate surgery?

If the reader notices our character is acting unbelievably, another character must also notice it and comment on it. Otherwise, our story loses credibility.

How can I make things worse?

Escalate the tension by throwing more obstacles at our character. Increase the tension to keep the reader interested. It has to be believable.

Say my story involves terrorists taking over a nuclear power plant and holding the staff hostage. How can I make things worse? Here are some examples:

They strap bombs to the core.

There is a group of school kids there on a field trip.

They start killing the hostages.

The daughter of the chief government negotiator works at the plant.

She’s aiding the terrorists.

The key is to avoid coincidence because this will destroy believability. Everything must build on something that happened before.

How can I end this in a way that’s unexpected and inevitable?

Readers don’t want endings to come out of nowhere. The ending needs to be natural and inherent to the story. We want the reader to be surprised and satisfied.

In my novel, Journey to Riverbend, I established throughout the novel that my protagonist believed he killed his father and that he would never kill again. At the end of the story, I put him in the position where, to save someone, he has to kill the villain. The ending was inevitable yet surprising and satisfying to the readers. It was also believable because of the foreshadowing I layered in.

Steven James writes, “The first question will help focus your believability. The second will keep it escalating toward an unforgettable climax. The third will help build your story, scene by twisting, turning scene.”

What are some techniques you use to make sure your reader is engaged in your plot?

November 20, 2013November 19, 2013

Crowdfunding: Is It a Writer’s New Marketing Tool?

I’m pleased to host author Ken Gire who stops by to share a little about Crowdfunding and his current project.

Welcome, Ken!

With the technological, social, and demographic upheavals that have happened within the publishing landscape over the last decade, many writers have found themselves having to get more involved with things that most writers hate—sales and marketing.

Myself included.

My last book sold under 500 copies, and that experience was so discouraging I felt like giving up writing entirely.

Faced with fewer and fewer bookstores to sell our books, and smaller and smaller advances to fund the writing, what’s a writer to do?

There’s not a lot of options, honestly, but here are a few.

Marry rich.

Consider “Breaking Bad”.

Crowdfunding.

Crowdfunding is growing in popularity, and, though it has had its share of failures, it has had its share of successes, too. Numerous sites have sprung up. Kickstarter and Indiegogo are the two most popular. And there are faith-based crowdfunding platforms you can google. They are newer, less successful, and generally the funding is lower.

Here’s a sample of an almost unheard-of success in publishing with one of Seth Godin’s books.

I had been following Seth’s TED talks for some time, so his campaign really intrigued me. When I looked at the numbers, I had to do a double-take. Who needs that kind of money to write a book? I wondered. Then I realized what he was doing. He wasn’t trying to get an advance; he was trying to generate pre-sales. And he did that through the platform of crowdfunding.

Seth is an internationally-known marketing guru, and so he probably shouldn’t be used as a poster child for crowdfunding, but I used him anyway to show the possibilities.

Well, the long and short of it is . . . I decided to try it.

Though I am not the least bit tech-savy, I managed to do it all myself, with the exception of the video. I found someone on Elance who did that for me fairly cheaply.

I also thought it would be helpful for those involved in the campaign if I gave regular updates on the progress I was making on writing my book. I remembered reading Steinbeck’s, Working Days, a journal he kept while writing Grapes of Wrath, and I remember how much I enjoyed it. So I decided to write a blog (Centurion) aimed at aspiring writers so they could see what the process of writing a novel was like.

The daily posts have been really fun for me, a nice break from my writing, and also a creative outlet to try to find things on the internet that would help illustrate my blogs.

I think this could be a good option for many of us. For those of us who don’t have a publisher. For those whose advance wasn’t enough to finish their book. For those needing expense money to travel to a foreign country in order to do research (say, for example, your novel is set in Ireland, but you have never been to Ireland, and an extended stay there would add authenticity to your story and to the dialect of your characters.)

Maybe we, as writers, can help each other through this difficult transition in publishing by helping to fund each other’s campaigns.

I’m sure mine won’t be anywhere as successful as Seth Godin’s. But it doesn’t have to be. If just 10% as successful, it would be a game-changing experience for me and my career.

Here is my crowdfunding campaign that I hope you will check out. Check out this post for more information on these type of fundraisers.

There are only two weeks to go, and my campaign is only 10% funded. For perks, I am offering everything from signed books to services such as personal mentoring to public speaking.

I appreciate you all taking the time to consider being a part of this. Truly.

What do you think of crowdfunding? Would you ever consider doing it as an author to raise money for a book project? Why or why not?

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Ken Gire is the author of more than 20 books, including The Divine Embrace, Windows of the Soul, The Work of His Hands, the Moments with the Savior series, and the Reflective Living series. Two of his books have been awarded a Gold Medallion. A full-time writer and speaker, Ken is the founder of Reflective Living, a nonprofit ministry devoted to helping people learn how to slow down and live more reflective lives so they can experience life more deeply, especially life with God and other people.

Ken is a graduate of Texas Christian University and Dallas Theological Seminary. He has four children and three grandchildren and lives in Baltimore, Maryland.

November 6, 2013November 2, 2013

How to Plan a Multi-Author Cross Promotion Event

Every writer I know feels pressure to build their platform. From the pre-pubbed stage, sending out proposals to an agent, then editor, to published authors working on keeping their numbers up, it can be a constant maze of hunting through websites telling you how to do it the best way.

Despite how you package promoting, be it in a contest, giveaway, or ad, there is only one thing that truly matters to determine its success. Are you giving your target audience something they find of value?

Join five mountain fiction authors with our virtual cookie recipe exchange, and downloadable Bible verse garland and gift tags.

Notice I didn’t say something valuable to a reader. There are many readers out there, but not all readers are your target audience. You need to have a deep understanding of your reader before you plan any promotional event, especially a multi-author one.

1. Start by identifying other authors who have similar target audiences or readers as yours. For cross promoting to work, the audiences must be linked by a similar interest.

2. Decide what will be the common theme for the event. You’ll need to decide before inviting the other authors to your event what the theme or purpose will be. And it is not to sell books. This is what you hope will be the end result, but the purpose of the event will be to somehow reach readers and enrich their time spent with you.

3. Send out the invites with a time frame for response at least two months before the date of the event. Expect to have some authors not be able to join you. Be gracious and thank them for considering. Move on to the next authors on your list.

4. Ask for ideas or comments on how to make the event better. Allow the other authors to have a say in the event, but be sure you have one person who is the leader. When planning the Mountain Hearth Christmas, it was my original idea to just have it be a virtual cookie recipe exchange. Amanda had the idea of incorporating the printable Bible verses for garlands and or gift tags.

5. Be very clear on what is expected of everyone. While all of the fabulous authors in the Mountain Hearth Christmas worked together, it’s best to let everyone know what you’d like them to do. For example: everyone is expected to share links on their social media pages each day of the hop, not just the day it’s being hosted on their own website. Cross-promoting only works if everyone helps.

6. Send out reminders leading up to the event. The leader should send out reminders as things draw nearer. Keep them short and to the point. Always be respectful of others’ time. Three weeks before, two weeks before, and the day before are a good time frame. You may want to have the leader send out daily emails the morning of the event with the link to that day’s highlighted article and composed social media updates for people to copy and paste if pressed for time.

Want to see a multi-author cross promotional event in action? I’m thrilled to be part of A Mountain Hearth Christmas.

What multi-author events have you been part of? Have you attended any multi-author events you thought went well? What did you like about them?