To Write a Book Someday, Share Your Writing Now

8139708904_9a1d1783d4_bSome people will tell you the defining characteristic of a writer is that he or she is someone who writes. There is truth to that perspective, but it fails to offer a complete picture. It also gives many “aspiring writers” an excuse to be nothing more than journal keepers: diligently plucking away at Moleskine memoirs or first-novel manuscripts that have zero chance of getting published, ever.

The point here is not a matter of quality. It’s about privacy.

The reason why many written works-in-progress will never see the light of publishing day is that they are stowed, always and forever, in a drawer or on a hard drive where they have no risk of being evaluated by a second person. The writers of these works will never be writers because they will never have readers. They exist completely outside the writing market, and the only critical eye they allow to view their work is their own.

If you think that one day you’d like for people to read your writing, then you should begin by inviting people to read your writing now. Here are five ways readers can strengthen your writing and make it even more worth reading:

Readers help you get over yourself. It’s not uncommon for writers to feel uncertain or insecure about what they’ve written. Will this technique work here? Am I being clear? Am I using a marketable concept? Does anybody else care about the subject? Without readers to help confirm where and how a piece of writing is hitting its target (and where and how it’s missing its mark), these uncertainties and insecurities often grow and fester. But when you prioritize feedback, typically you get it. As a result you might find that your sinking suspicions will be confirmed. Some of your assumptions might be challenged. Maybe you’ll be pleasantly surprised by rave reviews. Whatever the case, you won’t be stuck wondering anymore, and that will help light a clear way forward.

Readers identify strengths in your work. Encouragement and affirmation give extra fuel when you’re trying to produce a manuscript. So ask your readers to note the places where they laugh out loud, hold their breath with anticipation, get caught by surprise, can’t stop turning pages, or are struck speechless. That paragraph you’re thinking about deleting? It might be your readers’ favorite part. Give them a chance to tell you so.

Readers identify weaknesses in your work. That poetic metaphor you’ve taken days and months to craft? It might be so complex that it’s confusing your readers. The story you’ve built a whole chapter around? Your readers might be bored out of their minds.

As the writer of a work, you will undoubtedly feel more attached to it than your readers will. Because of your heightened emotional attachment, you’ll probably miss seeing some of your writing’s flaws. You might even be blind to enormous holes in the work. Let your readers open your eyes to the problems you don’t see, so you can take the opportunity to fix them.

Readers expand your perspective. You are only one person, so your outlook on the world is limited and skewed. You have strange views about certain things, and some of your views simply haven’t been challenged in a way that forces you to clarify them well or charitably. Readers can help you identify the odd little points in a draft, the ones that either are or seem arrogant, stingy, dismissive, hyper-emotional, you name it. Points like these will jut out in unseemly ways, always subtracting and distracting from good work, unless someone will be so kind as to call your attention to them, so you can know to improve them.

Readers make the process realistic. If your writing aspirations are real, then you’re going to have to accept the reality of readers at some point. Get used to feedback now, and critiques won’t make you crazy later. Write with readers in mind now, and it won’t feel strange when they’re a part of the process later. Start learning what readers are interested in now, and then when your defining moments as a writer come, you’ll be prepared to deliver for your readers.


YOUR TURN: Respond in the comments: How have readers helped your writing? What kind of readers give the best feedback? What keeps you from pursuing readers?


Photo credit: cogdogblog cc

Honing Our Lives

knife sharpeningAs iron sharpens iron, so one person sharpens another. Proverbs 27:17 (NIV)

While every writer knows that in today’s marketplace, interacting with others on a regular basis is a necessity for selling books, the real heart of writing – sitting down and putting words on a paper or screen – is a lonely job.

For me, however, “lonely” is not the word I would choose to describe my experience of writing. “Lonely” carries a negative connotation, the idea of being “cut off” from others, or “without” the company of others. In contrast, when I write, I feel a freedom to explore my own ideas and the joy-filled opportunity to connect with the Spirit within me. Writing is my “alone” time, not my “lonely” time. It is a personal retreat that renews me because I get to luxuriate in the word-smithing gifts that God has given me.

And yet I can’t deny the truth of Proverbs 27:17; without the other writers, marketing experts, and loving friends in my life, I wouldn’t be able to make the most of those same God-given word-smithing gifts. That’s not to say I’ve always felt this way – when I was new to my craft, praised by my writing teachers in high school and college, I had no use for the comments or criticisms of my peers. If my teachers liked my work, why should I listen to other students who struggled to compose even simple essays? It took me decades to understand the importance of my readers as opposed to the praises of my teachers. Here’s the difference:

The praise of others encourages you (and that’s a great thing!), but it’s honest criticism that will help you improve your craft.

It wasn’t until I began writing as a freelance magazine contributor that I first received truly effective editorial direction. Editors know their audience and work to appeal to them, so they have to play to the crowd. Teachers, on the other hand (I can say this because I’ve been a writing teacher myself), are the final audience of one person, and once a student has mastered what that teacher wants, there is no room to grow. And since all of us like to be praised, it’s tough to walk away from all that positive reinforcement to seek criticism!

As with so many endeavors in life, though, we have to push the boundaries to become the best God intends us to be. In the writing life, that means giving up the comfort of praise in order to find the challenge of improvement: we have to ask many people how we can do better, listen carefully to their comments, and use them to grow our craft.

One of my favorite sayings about Christianity is that “no one is a Christian alone.” Jesus Christ came to shape us into a community of believers, so we might draw on each other’s faith and gifts to grow His kingdom. That applies to our writing careers as well.

We need to be iron for each other.

To whom do you turn to be iron for you? For whom are you iron?

The Truth About Being An Author

cookies-28423_640I know I took the secret oath to never reveal the truth about what it’s really like to be a published author, but I’ve decided I can’t, in good conscience, keep quiet any longer. If you’d rather keep your dreams of authordom intact and unsullied, stop reading NOW.

If you can handle the truth, though, here it is:

  1. You are going to eat a lot of cookies. There is a cosmic law that requires bookstores and libraries to offer this sustenance to authors and their readers. The more people who attend these events, the less you (the author) will have to consume, so be sure to invite every cookie eater you know to your book events. Otherwise, you will have to eat all the cookies yourself so your host won’t feel bad, and then your clothes won’t fit, and you’ll have to buy a new wardrobe (see #6 below). If you want to buy a new wardrobe anyway, go ahead and eat all the cookies. It will make your book hosts happy because they don’t want to eat the leftovers.
  2. Everyone on the planet will tell you about the book they want to write, and then they will ask you how to get it published. Unless you are prepared to give on-the-spot hours of instruction and editorial advice, the best answer is: “I have no idea. Have you tried the cookies?”
  3. You are going to bond with your car since you’re going to be putting on the miles as you drive from one book event to another. Tell your friends and family to give you pre-paid gas cards for birthdays and holidays. Keep books in your trunk. Tape pictures of your loved ones onto the dash so you can remember what they look like. Do NOT eat cookies in the car, even if you are starving between book events, because it’s virtually impossible to get all the crumbs out of your car.
  4. You will somehow, miraculously, find time to work everything in to promote your published book. You will not, however, find time to write your next book. You have to do that instead of sleeping at night. The good news is that the cookies you eat all day promoting your book have enough sugar in them to keep you awake while you write.
  5. You will land a short interview on the local TV station – congratulations! You will walk into the green room to wait for your turn and share a couch with a Chihuahua dressed as Marilyn Monroe (complete with blonde wig and iconic white dress) and a pug masquerading as Snow White. You will be humbled to realize that book publication rates right up there with the best Halloween costumes for small dogs. And you will learn that dog biscuits can look a lot like cookies.
  6. Your writing income will probably not pay the bills, or at least, not all of your bills. But you’ll eat all the cookies you’ve ever wanted.

Now, who wants a cookie?

 

Encouraging Aspiring Writers

Photo/CCWCAs a freelance writer and writing instructor, I’m often asked to edit the work of my peers and of aspiring writers. And I love to encourage others to tell the stories that matter most.

Grammar cops. I also appreciate the editing skills of my writing peers, as they wield their red pens and hack on my “shoddy” first drafts. But at times, I observe grammar cops attack insecure, fragile writers, who approach them for encouragement as they tiptoe into the waters of writing for publication.

Now, I’ve been known to whip out my red pen from time to time, when someone asks me to do that kind of editing. But I try to use a little discernment and discretion when a novice writer approaches me with their work.

Aspiring writers. Sensitive, aspiring writers need our empathy, since they trust us with some of their most intimate tales. These newer writers pour out their hearts and souls into their first pieces; we need to handle them with care.

I’ve seen writers spanning from late teens to senior citizens. And I’ve noticed many of them choose topics dealing with difficult life struggles—the death of loved ones, flashbacks of war experiences, or simply leaving home and beginning their own journey as adults. I’m able to empathize with their pain, confusion, doubts, and fears. I recognize their need to tell their stories, trying to make sense out of the rumblings of their minds and troubled hearts.

Levels of edit. I believe it’s vital to discern the needs of a writer, not always assuming they need a grammar cop to attack their work with a red pen. My unsolicited grammar cop comments tend to cause more harm than good. I find it helpful to ask writers to clarify their needs and their expectations of me as an editor. What level of editing do they want?

I also think it’s important to examine one aspect of editing at a time, since I don’t do well at multi-tasking. And although many professional editors may have different terms to describe their levels of editing, my editing checklist for my own work includes three—the panoramic, macroscopic, and microscopic viewpoints. But sometimes, I consider one more level editing, especially with writers who need encouragement—like students, wannabe writers, or hobby writers (i.e. not professional writers).

Peer responses. Some professional writers may not even consider the peer response a valid level of editing, but it can serve as an important phase of the writing process. For instance, this approach might be helpful for some critique groups.

In the classroom, I required my students to participate in peer groups where they would listen and respond to each other’s work. I preferred small groups, where students seemed to be a little less intimidated. I wanted to encourage their writing, not scare them off.

I provided every student several copies of a peer response form. Then, as each writer read their essay out loud, their peers would listen, read along, and record their responses. After each reading, the group would discuss the responses.

One of my favorite writing professors, Dr. Sally Crisp, encouraged me as she taught aspiring writing teachers the value of emphasizing meaning.

I believe that we write to communicate and connect with others, often others we don’t know and may never know. In responding to writers, I like to let them know how their message got through to me. In other words, whether I ‘got it’ or I didn’t. I teach the same principle when I teach collaboration. The right kind of collaboration can be an excellent means of fostering in writers a keen sense of audience.

Dr. Crisp also composed a list of peer response questions and comments that you might find helpful, too.

Peer Responses

  1. How has the writer introduced the essay?
  2. What is the main theme of the essay?
  3. Is there any information that you are wondering about? What might be added to develop the main point more fully?
  4. How did the author conclude the essay?
  5. What part of the essay do you find the most effective? Why?
  6. Suggest two or three things that would make the paper even better.

Who has encouraged you as a writer? 

The Only Story That Matters

july 013I was beginning to panic about my book sales. Despite my hard work and ceaseless efforts to promote my new book, I just wasn’t making a dent in the supply of books I’d bought from my publisher. Since I’d borrowed the money from our family savings, I felt guilty that I wasn’t refilling the coffer as quickly as I’d so optimistically assumed I would.

What more could I do? Post even more frequently on social networks? Write more guest blogs? Camp out on the doorsteps of radio and television stations to get their attention? Go into even more debt by hiring a publicist, in hopes he could convince people to buy my book? Beg the few bookstores still in existence to push my book at customers?

I didn’t do any of those things.

Instead, I asked God for help. I prayed for more book sales.

And He delivered.

Within days, I heard from two stores who had taken some of my copies that they needed more. Some event bookings I’d been pursuing for months finally came through, and I added them to my calendar. One night as I lay awake in bed, thinking about my book, I realized there was another market I could tap into, and the next day, I discovered solid leads for doing exactly that.

And then my daily Scripture devotional chimed in with Jeremiah 32:17.

universe“Ah, Sovereign Lord, you have made the heavens and the earth by your great power and outstretched arm. Nothing is too hard for you.”

Yes, I was reassured and completely grateful for God’s generosity to me in the form of helping me sell more books as I had requested in prayer. I’d asked, and I’d received.

Praise God!

To be honest, though, I felt something even more compellingly: I felt chastised. I’d asked the omnipotent Lord, who created the universe itself, to help me sell books! Who did I think I was to even imagine He would care about a few hundred dollars in my life? It’s not like I needed a PLANET or anything. I wanted material success. I wanted to put some money back in the bank. I wanted God to make me feel better about a story I wrote. A story!!

Talk about putting myself at the center of the universe. I was humbled. Embarrassed. Aghast at my own egocentricity.

And, most of all, stunned by God’s patience with me, because this isn’t the first time I’ve let my selfish priorities slide in over what I know to be the single most important relationship of my life: my relationship with God.

It’s true – nothing is too hard for God, and that includes loving me…and you.

And really, that’s the only story that matters, isn’t it?

 

Staying on Course

Photo/KarenJordan

I failed to consider the length of the trail when I started walking it.

Temptations and expectations. I had hoped that a two-mile, brisk walk along a wooded path overlooking a beautiful golf course near my home would clear the cobweb of worry from my mind. 

Instead, my impulsive, adventuresome nature ignored the signpost, describing this four-mile loop through the challenging hills and valleys in Central Arkansas.

I knew the path would eventually lead me back to the trailhead. So, when I noticed the third mile marker, I decided to press on. I assumed that going forward would be faster than turning around and returning to where I started. Plus, after investing so much energy, I wanted to finish the course.

Confusion and distractions. I tried to determine my location on my cell phone’s GPS. But I couldn’t locate the trail on my screen, and the diverging paths confused me. So, I just kept walking.

I stopped from time to time to shoot a few pictures. These gave me some short breaks  from the summertime heat and rest for my throbbing feet, as I avoided the pesky bugs, spider webs, and poison ivy sprigs at the edge of the forest.

Photo/KarenJordanElation. By the end of the trail, my worries had  abandoned me, and the strain of the long walk through the woods subsided. Refreshed, I paused by the lake and enjoyed a bottle of cold water.

I also experienced a surge of self-confidence when I reached my destination. I knew that I wouldn’t have attempted such a feat in the summer heat if I’d known the length and difficulty of the trail.

Looking back on the experience, I realize that I’ve learned this lesson in other areas of my life—marriage, parenting, academics, and writing for publication.

I’m not saying that I have this all together, that I have it made … By no means do I count myself an expert in all of this, but I’ve got my eye on the goal, where God is beckoning us onward—to Jesus. I’m off and running, and I’m not turning back … So let’s keep focused on that goal, those of us who want everything God has for us. (Phil. 3:12-15 MSG)

Are you tempted to quit right now!? I challenge you to focus on God and allow Him to guide you with His promises.

Let the peace of Christ rule in your hearts … And be thankful. Let the message of Christ dwell among you richly … And whatever you do, whether in word or deed, do it all in the name of the Lord Jesus, giving thanks to God the Father through him. (Col. 3:15-17 MSG).

What helps you stay on track when you’re tempted to get off course?

YouTube/YamahaBill (Disney’s Hercules – “Go the Distance”)
Photos/KarenJordan

Sing it, Lamb Chop!

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This is the song that doesn’t end. Yes, it goes on and on, my friend.”

If you never watched the fabulous Shari Lewis perform with her puppet Lamb Chop, you might not know this delightful ditty from her Emmy-winning show that ran on PBS from 1992-1997. My youngest daughter enjoyed watching it as a toddler, and since I got to join her in front of the television, this song found its way into my permanent recall bank.

For better or worse, the tune takes over my head every time I have a task that seems never-ending.

Which is my way of introducing my topic today: platform building.

You see, platform building for a writer doesn’t end when your book is published. Instead of thinking of platform building as the first step toward publication, I now see it as the task that underlies the entire creative, marketing, and career development process. As long as you write, it doesn’t end.

But instead of looking at that task as an overwhelming, time-consuming responsibility, I’ve chosen to see it as the lifeblood of what I do.

My platform is my path to accomplishing the work that gives my life meaning. In my case, I want to bring people into closer communion with God’s creation, and I do that through the written word, telling entertaining stories about nature, and in particular, about birding and dogs.

Using this perspective motivates me to continue, and expand, my platform-building. Here’s a quick snapshot of what that looks like for me.

My first book – a small treatise about finding meaning in life – led me to discover my own passion: writing about engagement with nature. To market that first book, I gave retreats and workshops about identifying what you love and what God calls you to; as a result, I added speaking opportunities to my platform. Then I began writing my Birder Murder Mysteries, a light-hearted series about a birder who finds bodies (incorporating my own passion for birding and mystery). To sell books, I began reaching out to birders around the country (and the world!), connecting with them online, attending birding events, sharing information and becoming interested in conservation issues. That influenced additional books in the series, and led to more interaction with like-minded nature-lovers, which has both enriched my writing and my life with speaking/marketing opportunities and new friends. Six years after my first Birder Murder was published, I now have plenty of ideas for future books and venues to market them, as well as a list of birding hotspots to add to my bucket list of personal adventure.

My memoir about my dog is building a new addition to my original platform, giving me more places to talk about nature and to sell all of my books. I’ve begun volunteering with my local Humane Society because of it, and I now see all my writing as advocacy work for improving the human-nature connection. Yes, I know that my platform building doesn’t end, but neither do the rewards I’m finding when it comes to new experiences, learning interesting things, and contributing to my world.

What joys are you finding in the never-ending task of platform building?