Writing Through the Storm

No author in her right mind sets out to write a novel in the middle of the craziest year of her mid life. But every author knows that life happens regardless of deadlines, contracted or self-imposed. A year ago I hit the keyboard at the end of December with ACFW in September as my self-imposed deadline. Thankfully I didn’t know the hurdles I’d have to leap to arrive the the finish line, or I may not have tried. Thankfully, God knew better.

Little did I know my day job would test my new revelation that I am bi-vocational. Little did I know life would swirl around me like the outer bands of Hurricane Katrina, or I may not have tried. Thankfully, God knew better.

Every writer has a well-rehearsed list of real-life waves that sabotage word count, goals, edits, and plotting. I was well acquainted with the pitfalls of Twitter, Facebook, and my favorite procrastination tool, Pinterest. For others it’s childcare, homework, housework–the list is long. I’d hit mid point of 50K when the waves mounted and crashed. My day job work partner went on vacation in March, leaving the office in my care for two weeks. I was planning my youngest’s graduation. My husband was in the midst of a new job and we spent an April stay-cation wading through twenty years of classroom supplies stored in our garage between his classroom moves. In the midst of wading through college applications, taxes, FAFSA forms, college visits, and open house planning, my nurse and prayer warrior retired two weeks after receiving a bad diagnosis in May (she is currently well).

My critique partners knew I was floundering with my writing by July, when my work partner had major surgery and was out of the office for six weeks, turning my usual full-time weeks into forty-hour-plus work weeks. They prayed and kept to themselves their worry that I’d just quit writing and give up on ACFW. That’s when my mother became seriously ill. On the way from the office to the emergency room, I stopped at a long red light, and I felt the world swirling around me. But God’s whisper came as clear as it had for Elijah–“I’m not in the storm.” And I could breathe again. The light turned green.

Ed5_Fig4_1

My mother made a miraculous full recovery, and the weeks that followed brought four funerals of family members of my coworkers by August. ACFW was breathing down my neck and I questioned if I could do it. But as miraculous as my mother’s recovery, I put my heart on the keyboard and my measly 50K turned into 80K in six weeks.

I was pinching myself. I stood in the elevator shaking on the way to my room at ACFW with my dear friend and critique partner. I felt I’d finally been spit out of the swirling storm and come up for air. I didn’t even have a pitch, but I’d been given four pitch slots, the last with WordServe. I was sure I was an impostor. I wasn’t really a writer. It wasn’t really me who’d just poured those words on the page. Thankfully, God knew better.

Life happens. Life will happen again, with or without self-imposed or contracted deadlines. But what I’ll take with me this time is a toolkit to survive it. I will remember:

1. God knows better than me. He’s not in the storm. He is sovereign and so is His work.

2. Even though I’m a hybrid plotter-pantser, pre-planning saved me in the end.

3. Critique partners are a life-line for friendship, prayer, counsel, hand-holding, dope-slapping, and yes, last minute pitch preps!

4. Being bi-vocational means God will supply enough for each calling. I’m not betraying one calling to fulfill the other. Like a mother with multiple children, her lap is fuller, but she has enough love for all.

5. Knowing my story, believing in it, and loving it, kept me from giving up.

I offer my work back to my Maker. Thinking of the future publishing possibilities, I tremble with excitement and fear. But I know He’s not in the storm. I entrust He knows the future best.

The Making of a Masterpiece

In every block of marble I see a statue as plain as though it stood before me, shaped and perfect in attitude and action. I have only to hew away the rough walls that imprison the lovely apparition to reveal it to the other eyes as mine see it.” Michelangelo

I’ve spent the past month living as a hermit while I finished a manuscript. (Insert sigh of relief here.) I spent countless hours after my day job writing and fine-tuning every detail. Some days, I couldn’t wait to share the story with the world. Other days? All I saw were flaws, flaws that sent me running to fast food and the newest Netflix series while I processed what to do next.

That’s one of the many fun aspects of writing, though, isn’t it? I’m making the manuscript, but in the process, the Lord is making me. As my character wrestles through a growth point, I wrestle with it, too. Often what my character is learning is a lesson the Lord has spent months instilling in my own heart. From the overflow of my heart to the page…I think the story of The David illustrates this perfectly.

In the late 1400s, a group called the Operai provided blocks of marble for several prominent sculptors and artisans to create twelve statues of characters from the Old Testament. Work began on The David in 1464 but after initial carving, the piece was abandoned to the elements for twenty-five years. Then Michelangelo begged the Operai to allow him to complete The David. For three years, he carved the statue, shaving away the damaged parts and shaping features in great detail.

Kariss Lynch creating a writing masterpiece

If you hate history, I hope you stuck with me because none of that is the reason I love The David statue. Michelangelo took a wrecked, abandoned piece of marble and he turned it into a MASTERPIECE. Where everyone else saw a useless block, he saw potential and beauty, a story waiting to unfold.

I think the writing process is a lot like this. A story idea with little initial substance becomes a piece of art with a lot of effort. Over time, the author chips away the unnecessary and ugly pieces until a beautiful story is left.

I believe that’s what Jesus does with the author as he/she writes. Just as Michelangelo labored over The David and you labor over your manuscript, so the Lord labors over you, writer friend. He is in the process of creating a masterpiece that lasts for eternity, and he wants to do that with your writing, too.

Yours is a message of truth and hope. As you identify impurities and polish your writing to perfection, know the Lord wants to do that with you. He wants your voice for his glory. Sometimes the polishing and chipping are painful. With every bit you allow him to remove, you enable him to speak more clearly through you.

Keep chipping away at that novel while the Lord chips away at the excess around your heart. The beauty becomes more evident with every fallen piece.

Lessons I Learned From My Editor

From conception to finish, I spent a couple of years on my first novel, Shaken. I had a mentor who coached me, a professor who professionally edited the manuscript, and an internationally acclaimed novelist who provided a critique. But nothing affected my story quite as much as signing with my publisher and beginning work with my editor.

Writing is difficult. You are bleeding your emotional artery on the page, complete with life experiences, beliefs, and creativity. But editing? That became another playing field entirely. In my military-romance-driven brain, it could be described as surgery to remove shrapnel. Each piece of metal must be plucked for an individual to get back to full health. In a similar way, editing requires painful digging to remove everything that does not add value to the character. After the shrapnel of your story is removed, you are freed to enhance and improve your story until it’s as close to perfection as you can get it this side of heaven.

KarissLynch Kill Your Darlings

Working with an editor is refining, a true process of iron sharpening iron (just don’t throw the sword at them if you don’t like what they say), but ultimately, it is a beautiful journey. The longer I work with my editor, the more I am thankful that God gifted her to look at stories differently than I do. She makes me better, and she is constantly teaching me and reminding me of craft tips that just haven’t taken root yet. Over the course of writing The Heart of a Warrior series, here is what my editor has taught me:

  1. Timeline is everything.

By the time my first novel went to my editor, the timeline needed major surgery, something I hadn’t thought about in great detail during crafting. I am a pantser and only use a bullet point outline to guide the major points of my scenes. Everything else just spills out on the page. This can make editing much harder for me. When it came time to edit Shadowed, I had a better timeline in place. Lesson learned? Don’t make the same mistakes on the second novel as you did on the first.

  1. Ground your character. Ground your scene.

Ever heard of floating head syndrome? No? Well, that’s probably because I just made it up. But I have it. Bad. Especially when I am writing in a steady stream of consciousness. Characters speak but you don’t know what they look like or what is going on around them. Thankfully, I am now aware of this ailment and am working to correct it before the manuscript goes to my editor. Each character needs to be firmly grounded in whatever is going on, each person in the scene accounted for, even if only briefly. Your scene also needs to be grounded within the larger story. Your reader should have no question where the character is, what is going on, who the character is with, and what drama is unfolding.

  1. Provide concrete details. Paint the canvas.

I actually love this part of writing, but I also struggle with fear. What if people think that a place or person doesn’t look that way? What if I get a detail wrong? What if, what if, what if? The “what if” game keeps me paralyzed from simply using my imagination and the beautiful tools of my eyes and the Internet to ground a scene exactly as I see it. I use research to make sure I didn’t get a basic detail wrong, but otherwise, I craft exactly what I want the reader to see. They are less likely to question what I paint in great detail than they are a canvas where I leave glaring holes due to my own people-pleasing and insecurity. No fear. Write boldly. Paint that canvas, and give the readers a scene they don’t have to try to imagine. Let it unfold in all of its beautiful detail. And then make that process even better in the next book.

Time for surgery on your manuscript. What weaknesses do you notice that you could improve on next time? What lessons have you learned from your editor (or critique partner)?

Two Words of Advice: Stop it!

newhartWe were going around the room, introducing ourselves at a recent writers workshop I was leading, when one of the attendees got negative about herself.

I listened to this woman — a two-time winner of our Metaphors Be With You contest — explain why she wasn’t making as much progress on a memoir as she would have liked.

Most of it had to do with her inadequacies.

I couldn’t take it anymore.

“Stop putting yourself down,” I said. “You’re a good writer and you need to stop thinking otherwise.”

I proceeded to explain to her and the 15 others why one of the first ways we sabotage ourselves as writers is to look down on ourselves.

“For starters, writers need two things,” I said. “The confidence to believe they have something to say to the world and the humility to let others help them say it better.”

Instead, too many people write — and live — quite the opposite: with little sense that they’re worthy to be heard or with little openness to accepting help along the way.

As we discussed negativity, another workshop participant chimed in with a reference to an old TV sketch in which comedian Bob Newhart plays a psychiatrist. He listens to a woman’s problem — “I have this fear of being buried alive in a box” — and offers her a two-word solution:

“Stop it!”

Stop worrying about being buried alive in a box.

I love it. In fact, when it comes to advice, you could do a lot worse than offering people those two words — “Stop it!” — and two others: “Start it!”

“Start it,” as in take a risk. Begin your project, even if you believe it might fail. Try something new, even if it might feel awkward at the start.

“Stop it,” as in quit thinking you’re unworthy. Quit sabotaging your success because someone long ago told you you weren’t good enough. Quit believing the inner lie that you’re inferior.

Frankly, you can’t get to the “start” without the “stop.” Or so says Christian-based author Henry Cloud, whose book Necessary Endings (HarperCollins, 2010) I recently read.

Cloud, who mainly writes for a business audience, suggests “stop it” is about more than an attitude. It’s about action — or, more precisely, our unwillingness to take it when necessary.

“In your business and perhaps your life, the tomorrow that you desire may never come to pass if you do not end some things you are doing today,” he writes.

But, some might say, stopping things can be hard.

Habits. Addictions. Relationships.

It’s easier just to stay the course. To not confront the norm. To not risk.

Easier. But seldom better.

“Endings,” Cloud argues, “bring hope.”

Frankly, I’d never thought much about that until a friend recommended the book and I gave it a read. I tend to be in a constant “add” mode. But, Cloud argues, sometimes you need to subtract. Prune. Say goodbye to something in your life — and, yes, in some cases, someone.

Can it hurt? Almost always. But, he argues, there’s a difference between “hurt” and “harm.”

Last week my mother moved out of the house she’d lived in for nearly half a century. It was difficult saying goodbye. But the payoff will be a simpler existence that better fits her life today. It hurt, yes, but to stay could have brought harm, she figured; it was too much house for someone who is 87 years old and slowing down.

It took courage to make the change. But, in sailing terms, to stay moored to sameness simply because change can be challenging is to miss the glories of the wind in your sails.

At the end of the day, my workshop student — the one lamenting not being good enough — offered a piece in the voluntary read-aloud session. The class’s enthusiastic laughter and applause affirmed what I’d felt myself: her story was among the best of the bunch.

I hope she’ll look back on this day as a new start — a new start only made possible by her first being willing to stop.

Marketing: To Do and Not To Do

Light a Fire with Your Marketing Plan

“It isn’t there. I looked,” I told my mother so many times I lost count.

I also lost count of how many times she looked in the same place I did and said to me, with frustration in her voice, “Shelley, it’s right here!”

Ugh. I hated when that happened. I felt stupid, embarrassed, and defective.

Why could SHE see it, but I couldn’t?

It took a few years, but finally, by the time I was 10 or 11 years old, I learned to instead say, whenever I couldn’t find whatever she said to look for or retrieve for her, “I don’t see it.” I’m 40 years old now, and I still use those same words in that situation.

What does this have to do with marketing? I’m certainly no expert in this field, but I have learned this: just because folks don’t see our books, products, services, or goods, it doesn’t mean they aren’t there. It also doesn’t mean they don’t have value. It just means that sometimes people need help to see the good stuff right in front of them.

So, how do we do this in an already saturated market where everyone (and sometimes their pets!) are on social media, have a blog, and publish their work? (I kid you not about pets, either.)

I asked around, and want to share with you what other authors shared with me. I am confident these tips will help you (and me!) in the challenging world of marketing our writing in addition to creating the content we’re trying to market.

  • Pay attention to social media: Don’t discount the value of sharing some freebies with folks right where they are. Find out where your audience hangs out most on social media and focus the majority of your social media time and attention there. For example, my readers tend to be on Facebook more than Twitter, so while I am in both places, I don’t kill myself in the Twitterverse when more engagement happens on Facebook (and increasingly on Instagram and Pinterest).

Remember, as you engage in today’s world of technology, these words from Marketing guru Rob Eagar:

“In a fast-paced world where Facebook, Twitter, and the 24/7 news media allow everyone to have a voice, it’s more important than ever to cut through all the noise. Use power-bites to punch through the cacophony, gain people’s attention, and spread your message like wildfire.” – See more good stuff from Rob here!

And this, from marketing expert Lori Twichell:

“The key to good marketing is making a connection with your audience. It’s got to be genuine. People can see through selfish motives. If you are only there to promote your book or product, people can sense that.” The more you get to know your audience and really make that honest contact, the more you’ll end up with a loyal audience that will follow not just this book, but future endeavors as well. That’s a key part of social media that is lacking in so many. We all love making new friends and connections, but no one wants to be spammed!

  • Newsletters: Emailing your subscribers is the best way to get content in front of your readers on a consistent basis. When they subscribe or give you their contact info, they’ve invited you to connect with them. Make sure to add value to your subscribers’ lives, inviting them to open, read, and engage—be aware of what can feel “spammy” to your subscribers. In other words, don’t just send emails to send emails. And make sure you give more than you request.

Here’s another tip from Lori Twichell: “Tuesday, Wednesday, and Thursday are the best days to send newsletters. On Fridays people are eager to go home and clean out their inbox more quickly and on Mondays, they’re buried in the weekend’s email pile up.” (Connect with Lori for more good stuff at http://www.beyondthebuzzmarketing.com)

  • Giveaways: Take advantage of what God has made available to you. What message has He entrusted to you to share with others? Offer some freebies along the way that build your credibility as one to listen and learn from in this over-saturated market.

As writers, we long to have readers find value in what we have to say, right? It can be so difficult to balance the discipline of learning and expressing with the necessity to also market what we write. Ultimately God is our greatest promoter. If we can remember that our social media numbers, our book sales, and our greatest accomplishments do not come close to God’s power to promote us in due season, we’ll remain at peace and loving life on the way to where we’re going.

Have you discovered a marketing to-do or not to-do?

The Perfect-World Writing Room

StressedOutWomanDistractions.

They’re a writer’s worst enemy — they’re this writer’s worst enemy, at any rate. In a perfect word, my writing room would be absolutely quiet with little internet connection.That way, I’m not checking e-mails every five minutes, and Facebook in between.

That’s just not the way it works most of the time, though, is it? I spent a good ten years of my career covering the traveling circus known as NASCAR. Believe me, you’ve never lived until you’ve tried to file on deadline, two hours after a race, in room full of tired and grumpy fellow reporters. Or better yet … during practice, with twenty or thirty high-powered race cars roaring around the track and another twenty more in a nearby garage tuning up their engines.

Headaches? There are headaches, and then there are filing-on-deadline-in-a-NASCAR-media-center headaches. Working in that kind of environment seems as far from the perfect-world writing room as it is possible to be.

Come to think of it, the room would be sound proof. My wife and I have twin sons, Adam and Jesse, who are 13 and in the eighth grade. When they’re out of school in the summer and home all day, it’s almost as if I’m back in some NASCAR media center somewhere and trying to write.

Stop that, Jesse!!!

Stop what?!? YOU stop!

A few minutes of relative peace and tranquility are again interrupted by a blaring video game, enhanced by our sound system. Is there anything more aggravating than trying to write with a Minecraft soundtrack playing full blast in the background?

Actually, there is.

A couple of years ago while working on my book Wheels Stop: The Tragedies and Triumphs of the Space Shuttle Program, I had the opportunity to do a telephone interview with former NASA Administrator Michael Griffin. The man has like seven different academic degrees, was the top guy in the uppermost echelons of the agency, and had been named one of Time magazine’s 100 most important people in the world at one point.

There I was, trying to ask questions that sounded a little more in-depth and intelligent than, “Boy, that Space Shuttle sure is neat, huh?”

I had the speakerphone turned up in order to get a good recording when Jesse chose to walk through the kitchen, just a few feet from the open door of my home office. It could have been his Asperger’s — or just being a teenaged boy — but he announced at the top of his lungs …

I just FARTED!

Dr. Griffin surely heard Jesse, because he paused in mid-sentence, evidently waiting for me to go strangle my son. Mercifully, after just an awkward moment or two, he continued on and never mentioned my son’s digestive issues. The interview turned out to be a productive one, and an important addition to the research for my project.

And I didn’t even have a perfect writing room. Go figure.

Seasons of Writing

I used to really love summer: 4th of July, barbeques, fireworks, my birthday, swimming, and relaxing with family and friends. However, now that I am older (and no longer get summers off–soak it up while you can, kids!), I have really come to appreciate fall. My husband watching football on Saturdays while I read or work, pumpkin spiced lattes, baking, crunching through leaves, Thanksgiving, and the upcoming excitement of Christmas all make me smile.

Just as each year has seasons and each time in our lives has seasons so, too, should our writing have seasons. Your writing seasons may not look the same as someone else’s writing seasons; however, everyone should be purposeful about their seasons.

Ecclesiastes 3:1 “There’s an opportune time to do things, a right time for everything on the earth” (The Message).

When I was in graduate school, a professor told me that summer should be for reading (fiction, nonfiction, and craft books) and writing. The last month of summer should be set aside for editing, but most of your writing should be new. Read, create, write, exercise. Refresh yourself. Lucille Zimmerman’s book Renewed offers some wonderful ideas for how you might employ those breaks that are so necessary for our creative spirits. Consider going on a writing retreat. Summer is the time to allow yourself to be as creative as possible with your writing.

Fall, then, should be about “the offensive.” In other words, submit, submit, submit. What you wrote during the summer is probably not read yet, so consider sending out a previously edited manuscript. You want to make sure that your manuscripts are ready to be seen by an agent or an editor. Don’t forget to track all of your submissions and responses. You can also edit what you wrote during the summer and attend a few writing classes or a conference or two.

During the winter months, you might take a short reading break again and follow up on your submissions. During the winter, especially, you should concentrate on editing. Allow yourself time to work through your manuscript at least two, if not three or four, different times. Consider hiring an outside editor. If you cannot afford a professional editor, you might want to look into hiring a college student who would be happy to read through your manuscript for a few hundred dollars and a letter of recommendation.

In the spring, start something new and begin lining up the books that you are going to read over the summer. You might also use this time to take care of the business side of writing: double check editor/agent contact information, complete your taxes, and straighten up your paper and digital filing system.

Again, while everyone’s seasons will look different, determining what your seasons will look like allows you to be prepared and to have an intentionally-focused writing life.

Have you ever thought about having writing seasons? If so, what do they look like? If not, how might you fashion your writing seasons? Also, what’s your favorite season?