Live It Before You Write It

Often, I try to shortcut beyond my own abilities. Nowhere is this more true than with writing.

As a non-fiction author, I lean toward meeting felt needs in storied, practical, and spiritual ways. These days, every time I recognize a lack in life, my mind immediately draws a rough book, article, or blog outline. Maybe I can help someone else, I think.

There’s just one little problem. Sometimes I haven’t taken the time to live past my own lack. Impatiently, I rush beyond God’s desire to finish a beautiful work in my situation, and start sharing with others before I’m done living it out. I scribble my pitiful solutions onto a page. Too often, I forget to ask my Mentor what He thinks about what I just said.Nonfiction Half-Baked Ingredients

Like taking a cake out of the oven fifteen minutes before it’s done, my projects are half-baked when I rush them to my agent, to a magazine editor, or onto my blog platform. And because I’m still too close to the circumstances, the topic is too hot to handle.

Slowing down, and allowing God to add His special flavor deepens the richness of my life, and my work. Most often, this happens when I follow His timing, and don’t pull writing topics out before they are ready.

  • These are projects I want to write.
  • Need to write.
  • But the time isn’t right.

While I wait for the chemistry of those ideas to solidify, there’s plenty of other things to work on. I have life experiences already baked and cooled. But changing writing topics is like changing cake flavors. It requires putting some things away, and laying out a whole new list of ingredients. So how do I make sure I don’t mix things up in the process?

Mind Mapping ImageSpending a mere fifteen to twenty minutes helps me realign my thoughts into an organized fashion appropriate for the topic I need to focus on. One of my favorite brainstorming techniques is Mind Mapping. This process is simple, fast, reduces distracting thoughts, and moves me into a heightened creative flow. It pulls buried memories from the dark pantry of my brain.

Writing effective non-fiction often means living through a subject before you write about it. And Mind Mapping takes what we learn and develops those lessons into a teachable format. It ensures we won’t forget to relate any important part of the process to our readers.

Mind Maps enhance our memories and help us present concise non-fiction book projects. Mixed, baked, and cooled until the end product is just right. Showing readers what we lived, before we wrote.

Editing Tips

 Books aren’t written, they’re rewritten. Including your own. It is one of the hardest things to accept, especially after the seventh rewrite hasn’t quite done it… Michael Crichton

The workshop leader looked over the group—a motley crew of aspiring and published authors seeking to learn. She arched her eyebrow and said, “The purpose of your first draft is to get the crap out. Then you can go back and write the book.” Okay, I thought, that’s an interesting way to look at it. And it actually freed me to write better.

I’ve also learned that each draft has crap in it. The goal is to have less and less in each revision. Even today, I’ll pick up my published novel, Journey to Riverbend, and see things I would change. And the published version is the eighth draft.

ScissorsOver the years, people have asked me, “What’s the best way to edit?”

I don’t think there is one best way to edit. Each writer will develop his own way of editing, mostly though trial and error.

My editing process has evolved as I’ve written more, studied the craft, and learned to test approaches and keep the ones that work.

When I write, I begin the day by reading what I wrote the day before. I look for typos, adverbs, passive tense, glaring POV issues, and grammar. This also helps me get back into the flow of the story.

On Saturday, I print out the pages for that week and do a deep edit of the week’s writing, polishing and refining, cutting scenes, re-working dialogue, correcting inconsistencies from the plot or character.

I use critique partners and group as I’m working on the story, incorporating their input as I Writinggo along.

Once the first draft is finished, I put it away. For a minimum of three weeks. If any thoughts come to me about the book, I put them in a folder until later. I send the story out to beta readers. At this point, I find I need at least two people to read the entire book and give me feedback to specific questions.

After three weeks, I pull out the manuscript and have my computer read it to me. And then I rewrite the story, incorporating input from the beta readers.

The second draft goes through almost the same process as the first, generally more quickly. And then it gets rewritten.

Editing is kind of like washing your hair—lather, rinse, repeat. Over and over.

There are two books I think are immensely helpful in this process: Self-editing for Fiction Writers by Renni Browne and Dave King. And, Write Great Fiction: Revision and Self-Editing by James Scott Bell.

What techniques have worked best for you in your editing? What resources would you recommend?

Are You a Good Literary Citizen?

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Are you a good literary citizen?

I’ll never forget it. I was probably eight or nine years old, and my family had gotten up early to get a spot in the front for the Blossom Time Parade in a neighboring town.

This was a big deal. Every year, thousands of people from Southwest Michigan gathered, anticipating a show of marching bands, fire trucks, homecoming queens, and buckets of candy thrown out to kids scurrying in retrieval around the pavement like ants.

The year I recall was an extra-big, super duper deal, because “Samantha”–the youngest child from the quasi popular 1980 sitcom Gimme a Break!–was scheduled to appear.

Now, I wasn’t a big fan of Gimme a Break!, nor did I think Samantha was the best child-actor of my youth, but she was going to be there, in my small town parade, and I loved to act in school, and every time I thought about meeting a real life star, a firecracker lit and crackled in my gut. I pushed my way to the front of the crowd at the parade, armed with a glittery pink pen and my diary.

Samantha waved and smiled as she sat on top of a cherry red Corvette. And then it happened. The car paused in line, waiting for the parade to continue, and a swarm of preteen girls crowded around Samantha, holding out pictures and paper for her to sign. My legs took off, and before I knew it, I was there too, in the swarm, buzzing, waiting for my turn to ask for an autograph.

Once most of the girls got their autographs, the car started to move. Panicked, I held out my diary to Samantha as her handler winked at me and said, “Surely we have time for one more.”

My heartbeat skipped.

“No! We don’t have time for any more,” Samantha hissed, pushing my diary towards my chest. Her eyes met mine coldly. “I’m done.”

The driver switched from the brake to the gas. I watched Samantha creep forward in the parade, once again smiling and waving to her adoring fans.

Who knows what was going on with Samantha. Everyone has bad days. But I have to admit, I was one disappointed, disenchanted little girl.

I decided that if I were ever fortunate enough to do well at something I loved, I’d be sure to be kind.

Fast forward more years than I care to admit, and I’m pleased to announce that time and again, as a new author, I’ve encountered kindness and generosity in the literary world.

What is a good literary citizen?

This is my definition: a person who supports creativity, who esteems work, and helps others grow in their craft. It’s a person who buys books (and lots of them!) and networks on behalf of authors and writers she or he admires.

I think about Samantha when authors share their knowledge of writing and publishing with me. I think about Samantha when I witness someone farther down the publishing road give a nod and a hello to another starting out.

I hold out my diary and these kind souls take my glittery pen and jot me a note. “Congratulations! Keep going! Try this agent. Sure, I’ll review your work.” Or even this: “I can’t help you now, but all the best to you!”

I don’t take it for granted. People in the publishing world are busy. There is no reason why some should respond to my letters or emails with such goodwill, but they do. And I learn that sure, there are Samanthas in the world. But that’s okay. There are also authors and writers who do their best to help strong work rise to the surface for all to enjoy.

There are people who value being good literary citizens.

Not every author or writer can help. Not everyone will care to help. But of course, everyone can pass on a measure of goodwill as another pursues her dreams.

And we can do it with kindness for the sake of our literary world.

*In an effort to pay it forward in the literary world, I am doing a daily author interview and book giveaway (from writers who happen to be mothers and write about it) the week of May 6th, leading up to Mother’s Day. Drop by to hear from great authors such as Shauna Niequist, Jennifer Grant, Kate Hopper, Claire Bidwell Smith and one more (waiting on a confirmation :) ). Find out more at www.gillianmarchenko.com.

Perseverance: Keep Moving and Writing!

He gives strength to the weary and increases the power of the weak … those who hope in the LORD will renew their strength … they will run and not grow weary, they will walk and not be faint” (Is. 40:29-31 NIV)

My legs quiver as I step onto the sidewalk in front of my home. How can I launch out for a walk feeling so weak? I take a second step, determined to go forward with my plan to regain my health by exercising.

Obstacles. My motivation to exercise overpowers my temptation to stop. I gain strength in each additional step, as I begin my lesson in perseverance. But it will not be an easy journey. There are obstacles to overcome and goals to reach. Can I make it? 

Resistance. Exercise, like other worthwhile endeavors, demands strength and stamina. The first morning I attempt my new exercise program, everything within me resists it, like opposite poles of two magnets. I would rather do just about anything other than exercise. So, on my first day out, I let temptation win. I stay home, and I feel guilty the rest of the day.

Failures. By the next morning, my previous day’s failure serves as my primary motivating force. So, I lace up my walking shoes, purchased just for this occasion, and jog slowly out of my garage. My first goal has been accomplished. And the next thing I know, I’m crossing the street facing the next block.

Intimidation. Okay, this is going to be a breeze, I think. But by the time I turn the corner, another fear presents itself, as if to try to stop me in my tracks. An all-male construction crew building a house nearby alarms me because of the recent crimes in my neighborhood. I’m fearful of walking in front of them. But I hold my breath and walk on. I move this obstacle out of the way, as I change my route and proceed in another direction.

Distractions. As I walk uphill, I become short of breath. When I slow down to breathe, a gray squirrel catches my attention. He’s busy burying an acorn in my neighbor’s yard. I watch him as I walk by. When I look up, I’m already at the end of the street, about to turn the corner to complete another block.

Goals. I continue to accomplish small goals as I walk. In a short while, I’ve gone far enough, and I decide to return to my home. My mind is cleared by the fresh air, but my body is affected by the exercise.

When I arrive home, I’m exhausted, but surprisingly refreshed. As I sit down for a cool glass of water before I shower, I recall the distance I’ve covered. I feel good about myself, and I’m grateful that I resisted the temptation to quit.

Strength. I find strength as I face my weaknesses each day. In 2 Corinthians 12:8, Paul tells us that the Lord’s “power is made perfect in weakness.”

Writing. I’m forced to face my fears and weaknesses in many other areas of my life, especially my writing life. Writing for publication also demands strength and stamina. So, we can expect to face resistance, right? With each new project, goal, or idea, we’re reminded of some past failure, rejection, intimidation, or distraction.

Survival Tips. How do you endure setbacks in your writing life? I’ve learned a few survival tips on the walking trail and on my writing journey  And as I face my fears and take one step at a time by faith, I’m able to go the distance

And now, … one final thing. Fix your thoughts on what is true, and honorable, and right, and pure, and lovely, and admirable. Think about things that are excellent and worthy of praise.  Keep putting into practice all you learned and received … Then the God of peace will be with you. (Phil. 4:8-9 NLT)

Where have your faced resistance in your life? How did you overcome it?


Photo/KarenJordan
YouTube/mrnmrsyounger (MercyMe - “Move”)

Writing With a Day Job

Writing Career Plus a Day Job

Juggling a Day Job With a Writing Career?

Are you a writer, or an aspiring writer with a day job? Ever get tired trying to juggle at least two careers, (day job and writing), along with mommy, daddy, spouse, family, friend, and church duties?

If so, you are not alone. A conference speaker gave this statistic. “About one percent of writers succeed at getting published. Because most drop out of the race.” Here’s my post on that experience.

Embedded within that percentage is a smaller number of those who can actually afford to write full-time. Making the leap to a devoted writing career usually requires long-term planning, intentional strategy, and detailed tactics. Jeff Goins’ recent blog encapsulates a great way to approach the goal of becoming a full-time writer. The steps he outlines, I could have written myself. (More on that in a later post.)

But if you’re reading this now, odds are writing with a day job is your reality. Anything else may feel like something built on fluffy clouds.

So how do you bring home the bacon, fry it up in a pan, serve it to those you are responsible for, and after the dishes are done still find time to pursue that dream throbbing with every heart beat? Can it be done? I believe the answer is a resounding YES!

People often ask me how I accomplish everything at work and home, plus write blogs, devotionals, articles, and books. After I imagine my cluttered living room, (I’m not Wonder Woman, something has to suffer), three things come to mind. “Resolve, listen, act.”

As a writer with a day job:

Juggling a Writing Career and a Day Job

Resolve to Invest Time in Your Writing Business

A. Resolve to invest wisely.

  • Treat your day job with respect. Just because you have a higher calling, or a bigger dream, don’t discount the gift of your employment today. After all, it pays the bills, and you can glean great writing fodder from things that happen in your workplace.
  • Watch less television, and write more. 
  • Create your own Writer’s Cave.
  • Rise earlier, and allow fewer sleep-in days.
  • Write when you’re tired, energized, or just so-so.
  • Schedule writing, don’t wait until you feel like it.
  • Celebrate small victories. Fifteen minutes putting words on a screen are worthy of excitement.

B. Listen to voices of genuine authority.

  • For me, the voice of God rings truth above any other I might listen to. Early on, I asked the Best Selling Author of All Time to mentor me, and He hasn’t let me down yet.
  • Do not disregard those who have written with day jobs before you. Heed their valuable advice.
  • Seek the wisdom of professional agents, editors, and publishers. They are in their positions based on education, experience, and talent.

Writer With a Day Job Book CoverC. Act on what you are taught.

  • Be a doer — not a hearer, dreamer, thinker, talker only.
  • Keep something for notes with you always. Inspiration comes in strange times and places.
  • Make tiny goals like, “Write for five minutes before I leave for work.” You will encourage yourself with things to look forward to, and enjoy a sense of satisfaction when you complete them.
  • Keep your word. It’s better not to make a promise at work, or as a writer, than to make one and break it.

Have you read Aine Greaney’s fabulous book, Writer with a Day JobIt’s full of tips, exercises, and encouragements.

Avoiding the Comparison Trap

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Each one should test their own actions.
Then they can take pride in themselves alone,
without comparing themselves to someone else.  Galatians 6:4

Nothing stops the flow of creativity more than comparing myself to others.  Usually I’m comparing my insides to their outsides. My rough draft to their finished book. My internal  mess to their polished perfection.

Comparing makes me insecure. I look at the work of others and all my doubts surface. In my mind, questions arise about my abilities. Inspiration is lost and work stops.

 “Don’t always be appraising yourself, wondering if you are better or worse than other writers.  Besides, since you are like no other being ever created since the beginning of Time, you are incomparable. ” Brenda Ueland

God has created me and He knows me. He has given me the ability to write. I want to be confident in my work.

Comparing makes me ungrateful.  I can be pleased and thankful for my work – then I walk into a bookstore and begin to compare.  I no longer appreciate the unique words that God has given just to me. I am no longer content with what I have.

 “Comparison is the death of joy.”  Mark Twain

God has blessed me with the gift of writing.  I want to rejoice in that.

Comparing makes me judgmental. I can find myself looking for the weaknesses of others to bolster my own pride. I need to watch out for any thought that starts with, “Well, at least I didn’t . . .”  Each of us has a unique calling to write. We should always examine ourselves, not others.

 “How much time he gains who does not look to see what his neighbour says or does or thinks, but only at what he does himself, to make it just and holy.” Marcus Aurelius

God has given me colleagues in writing. I want to rejoice with them.

Comparing pulls me off course.  I can lose heart and focus when I am concerned about what others are doing instead of the work that God gave me to do.  When I am too busy watching others, I am not working.

 “Peter must have thought, “Who am I compared to Mr. Faithfulness (John)?” But Jesus clarified the issue. John was responsible for John. Peter was responsible for Peter. And each had only one command to heed: “Follow Me.” (John 21:20-22)” Charles Swindoll

God has called me to write. I want to be productive in my work.

How can we avoid the comparison trap?  I must keep the focus on God and what He has for me to do today. Then I can appreciate my work, be grateful, celebrate the work of others, and stay on track.  Simple! Or is it?

And let us run with perseverance the race marked out for us,
fixing our eyes on Jesus, the author and perfecter of faith. Hebrews 12: 1-2

How about you? Do you compare?

Betsy Duffey and Laurie Myers
WritingSisters.com

They Also Serve Who Drink and Weep

Coming home .. .. The writing life takes me away from home often. I write this the day after returning from 2 weeks of travel, home to Kodiak Island, to my husband and sons and daughter and Yorkshire terrier who badly needs a groom. I walk through my door and want everyone to kiss me as if I have just been born, as indeed I have.

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I am home, but I cannot stop thinking about her, the woman I met on the plane. It was the fourth and last plane of the trip. I was almost there. I edged down the aisle and saw her—crying. Sobbing on her phone. My eyes went dark, my heart tightened. As I stepped past her, I heard her say, “They just told me. I have pancreatic cancer. He gave me 3 – 6 months to live. I don’t want to die!” and she dissolved again into weeping, running her hands through her hair.

She was beautiful, dark-skinned, dressed in expensive jeans, a leather jacket. Her phone was pink. She gripped it so hard, hanging on to whoever was at the other end. My seat was one row back and one row over. I could see her profile, hear every word. I looked around desperately. A woman was dying! And we were calmly sitting in our seats, buckling our seat belts against death—and would soon follow all the safety requirements, while she was no longer safe. What do I do?

a woman with hands covering face

Men sat in front of her, and in back, each one with the bland face we wear when we pretend we don’t hear because we too are afraid. I wanted to do this too, but there was an empty seat beside her. She would be alone this entire flight with no one .. .. And how could I forget what I had prayed that morning? In the hotel room, on my face, wanting this day, this one day, to have a pure heart, to serve someone . . . “May your kingdom come, Your will be done .. May I hear you and serve you this day . . ..” and off I went into another day of terminals and planes—and there she is near me, still crying, the seat beside her empty.  I have work to do—a chapter is due, edits for an article are due, but the seat beside her is empty.

airplane seat

Shaking, I unbuckle my seatbelt, lift my bag and stand beside her. “Is it okay if I sit beside you?” I smile. She looks up at me, surprised, with her ruined face and nods, trusting, like a child, her eyes again filling with tears. I sit, she watches me settle. “What has happened?” I ask her and it pours out, but there are hands now to catch what falls, our shoulders touch, I stroke her arm, and we mourn and grieve and sit together in the shock of it. She is young. She knows Jesus, but she doesn’t want to die she cries again and again through a twisted mouth. I silently scream to Jesus to give me the words. I need them when I am writing, but I need them even  more now … .and they come. At one point she grasps my hands and says, “God sent you to me.” Mostly I am there to cry with her, to drink chardonnay with her. I know the chardonnay will wreck me, but had she offered me whiskey, I would have drunk that too.

It wasn’t much. I write all this not for anyone to say, “Oh, what a great servant you are!” Because I am not. How many people have I not seen and walked past? How many have I seen and still walked past? But this is instead about this wondrous, terrifying God we serve, who has asked one of his daughters to die a hard, early death, and who asked another selfish frightened daughter to sit with her in her fear and aloneness for a short time. It was so little. And she staggered off the plane to walk into the end of her life—and I staggered into a car taking me to stages and microphones.

Here is what I remember : “They also serve who only stand and wait.” John Milton wrote in his sonnet “On His Blindness.” I was going to speak on podiums, in many places, before many people for two weeks, but none of that mattered then. Of all I did on that trip, perhaps this mattered most: “They also serve who only sit and weep.”

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Can tears really be enough? For that day, for that hour, yes. God will provide another servant, and another for every empty seat beside her.

Do we dare ask this each morning? “May I hear you and serve you this day.” Yes, dare. Then watch for the empty seat. Bring tissues. Drink wine if you must. Become a child. Give whatever you’ve been given. Sometimes it will be words. More, it will be your presence and your tears.

And the kingdom of God will come near.

Unpacking a Rebuke

????????????????????????????????????????We’ve all met at least one—the writer who simply cannot take any criticism of his work. Such folk gleefully hand you their writing for review. But when you offer a tiny suggestion about a passage they’ve written, small funnel clouds begin to form over their heads. They’ll have none of it. Their eyes pinch. They are certain you are thick, even dim-witted, and probably don’t floss or exercise. Such writers typically don’t last long in the world of words, because as Justice Brandeis once said,

“There is no great writing, only great rewriting.”

Then however, there are those of us at the other end of the spectrum. We are so certain that the opinions of others must be more credible than our own, that we buy into anything anyone says about our work. This can have us constantly scurrying off in the direction of the most recent advice.

So when evaluating a rebuke or criticism, where is the balance? What questions should we be asking?

Was the rebuke from the wrong person? In my critique group we have a few poets. But I don’t get poetry. There. I said it. Thus, any constructive comments from me must be taken with a grain of salt. In fact, I typically find myself saying the same thing over and over again:  I don’t get poetry, but I love your imagery. Not very helpful. Our poets would be perfectly sane to pause before taking my poetry advice.

But what if the rebuke came from someone a bit higher up? What if a book proposal to an agent was rejected?

Was it a good idea with a bad pitch? I had a great talk in my roster of workshops but no one ever selected it. Finally someone said, “Yes, we want this talk! But you’ve GOT to change the name.” When they explained why, a light bulb went on. My title had completely misled would-be attendees as to what would be presented. Most hadn’t even read the description because the title sent them packing. The same thing can happen in a query or cover letter. You may well have a great idea, and your writing might actually be ready. But if the agent or editor didn’t catch the fever in your pitch, or if it left them confused, they most likely never went on to your writing.

Agents and acquisition editors aren’t magical. They don’t have a clairvoyant wisdom that lets them know exactly what’s going to take off and what’s going to fizzle.  Even with decades of experience and loads of algorithmic analysis, it’s still a highly unpredictable business. Which means they sometimes get it right and they sometimes don’t. (Well, all except for Word Serve Agents. They really do always get it right. Whew. Dodged a bullet there.)

Say what you want about the Harry Potter series; I still cannot imagine anyone reading through some of J.K. Rowlings writing and saying, “Ehhhh. I just don’t see it. This won’t interest a soul.” And yet. . . twelve publishing houses said just that.

Learn to Unpack a Rebuke

Most of the time, we really could improve what we’ve written. Most of the time, our writing needs some work. But don’t chase after every single comment as though it is Gospel. Measure it. Weigh it. Give it reasonable consideration. Develop a mature view of your own work. Most of the time, there is value in the criticism. But in the end, if you think your reviewer got it wrong, stick with the plan a bit longer. Look for the gatekeeper who gets you.

The obvious conclusion of this line of reasoning is that even advice from this writer must be evaluated carefully and perhaps dismissed. I’ll admit, sometimes I get it right. And sometimes I get it wrong. For example, if I had been on the committee to evaluate and select new TV programming, we’d never have heard of World Wide Wrestling or Honey Boo Boo.

Craft of Writing

“Craft – an activity involving skill to produce something by hand” says my newly installed Oxford English Dictionary. The origin of the modern word ‘craft’ is to be found in the Old English word ‘craeft’ which combined the concepts of skill and strength together.

If there was companion dictionary, like the expanded translation of the Bible, then we might reach a better understanding of our topic, like this for our opening definition:

“Craft – an activity [worthwhile human endeavour] involving skill [proving one’s dexterity, competent, virtuous, masterful, graceful] to produce [make, invent, fabricate, construct, fashion, create] something [worthy, honest, valuable] by hand.

When we focus on those activities which involve hands, there is also an intrinsic underlying meaning, a deeper meaning.  For instance, if you are a shipwright, a builder of boats, then you surely are using your craft to make something that is fit for purpose.

If you are a fisherman then you need to trust your boat. The boat builder knew that when he designed and built the boat, it would need to have numerous good qualities, you could even say ‘virtues’, that the boat users would need to rely on implicitly. It would need to be watertight, buoyant, stable, robust and strong enough to weather the worst storms and most of all it needed to be safe to protect the lives of the fishermen. When Jesus said to Simon-Peter, ‘Go out into deep water and cast your nets again’, the scriptures record that the nets began to break because they were so full of fish and the boats began to sink under the load. But sink they did not, for the boat-builder had done his job well. He had built a fishing boat that would not just take a big catch, but would stand up to a miracle.

Boat%20fishermen

Is there a craft of writing? I believe there is but it’s not what the textbooks say it is. It’s not the kind of skill you can simply learn and then apply. Not a mere crafting of words to make them sound good when read or spoken aloud. Not just a clever way of stringing sentences together or paraphrasing speech and drama to create an interesting story. Nor is it a means to earn lots of money. You can’t serve two masters.

No, it’s much more than all these things.

The key is in the picture shown above.

Simon-Peter, Andrew, James and John were all expert fishermen. They had good solid boats in which to fish on Galilee but Jesus saw something more than just the simple dexterity of their hands. He saw a dormant skill that was in their hearts and souls, a skill that was profound and could be used in the kingdom of God.

As writers, are we satisfied making good catches? Showing off our skills and craftsmanship so that others will applaud our artistry? Or are we like the disciples standing in the boat, willing to listen to Jesus and be obedient to him, and answer the calling of the Kingdom of God?

Our skill and craftsmanship is a God-given gift and as communicators we should always ask if our writing is fit-for-purpose and of great worth and value to the Kingdom of Heaven here on earth. Don’t settle with being a craftsman of the word, let the word craft you into being a disciple of the Lord

A Note to Young Writers: Honor Your Obscurity

woman praying--parodic

In the last month, I spent time with two younger women, both of whom had just released their first book. Sarah and Andrea are both fine writers whom I expect will continue to write and publish books. In the short time I had with each of them, I found myself dumping all my writing and marketing advice, talking about websites, blogging, Facebook, twitter. But I forgot to say the most important thing of all: honor your obscurity.

Very few young writers, musicians, artists value their obscurity. For good reason. We know if we’re to be published in any form, we need an audience, a sizeable audience. We know that most of the time we have to find that audience before that first book contract even lands on our desk. And once it does, and the book is out, we’re tasked to keep racking up bigger numbers. But how do we catch the eye and ear of a world that so often chooses the flippant, the crude, the gaudy spectacle over the good, the authentic, and the true?  If we’re the praying sort, we may resort to prayer, remembering the words another writer made famous a few years ago,

“O, that you would bless me and enlarge my territory! Let your hand be with me, and keep me from harm so that I will be free from pain.”

(Oh, dear Jabez, I want to say. How did you get away with that prayer?)

But we do it too, I suspect. The artists’ version would go something like, “O, that you would bless me and enlarge my platform, increase my followers, expand my twitter peeps and keep me from publishing harm so I will be famous, free from the pain of falling out-of-print.”

woman praying--parodic

I can write this prayer because I know these desires. An hour ago I was on a nationally syndicated radio show, and I find myself, now, against my better will, glued to numbers, trying to measure “impact.” While guiltily number-stalking, a stranger writes me on Facebook immediately after the broadcast and asks how he can become a writer and speaker, like me. (He’s in his twenties and he hasn‘t written anything  yet . . .)   Someone else writes to ask me how to build a fan base for her blog.

I do have advice: if you want others to read you and listen to you, you must listen to others. Do for others what you want them to do for you. That will not make you famous; that will make you better informed and more humble.


man reading2

And second, fame is not what you think. Admittedly, I am not the best source here. My moments of “fame” are modest and sporadic. But I still know this: it isn’t what you think. It’s often over in a moment. It brings more responsibility than freedom. And if you’re not careful, it can pollute or paralyze your writing. I have a friend whose first book shot to the New York Times bestseller list.  His agent, his readers, his global fan base now hold their collective breath for his next book. “How do I write under this weight?” he asks me. He has so many others he must now heed and please.

“Honor your obscurity” is another way of echoing Bill Roorhbach’s charge to “honor your apprenticeship.”  Value these months, years of laboring toward your best work with fewer listening in than you would like. This quiet is your wilderness, your blessing. Here you will sharpen your art. You will lean closer to the sounds around you, for the fragile people who haunt the forests you watch, for the small voice that whispers names you didn’t know.

Enjoy the purity of your efforts, making art and worlds and essays out of the sheer love of words, of theatre, of longing and of hope. Enjoy it now before a woman or a publisher sits down beside you filling your notebook with a thousand necessary tasks, few of which have much to do with why you began writing in the first place.

Finally, what do you imagine fame will bring you? For me (and for many writers I know) I hope mostly to be able to keep on writing, to keep using “that talent which is death in me to hide,” as John Milton writes. If you’re doing this now, pouring life into the truest sentences you can make, you’re already famous.

woman writing journal