Idiosyncrasies of the English Language

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Don’t panic. I’m not going all-out academic linguistics on you, but we need to take a moment to consider the quirks of the American English language (as opposed to British). More to the point: what is said vs. what is meant.

When I say: “Wow, that garbage can is full.”

It means: “Get off your butt and lug out that Hefty bag, would ya?”

When my husband says: “Can I help with dinner?”

It means: “Have you been on Pinterest all day or what? Why isn’t the food on the table yet?”

When the sales clerk says: “Have a nice day.”

It means: “I don’t care a rat’s behind what kind of day you have as long as you fill out the survey on the bottom of the receipt and make me look good.”

When words are spoken face to face, it’s easier to decipher because of body language. But when the written word is your medium of choice, it’s all the harder to convey what a character actually means. On the up side, this can be used to an author’s advantage by choosing words that convey characterization via dialogue.

Or it can leave your reader scratching their head and relegating your book to the bottom of the stack on their nightstand.

What to do?

The best way to make each of your characters say what they really mean (and not give the reader a different expectation) is to know your character well before they speak. This requires some groundwork before you begin a new manuscript. Yes, this takes time, but in the long run it will pay off.

Know your characters. Know them well. Then use the words that flow out of their mouths to solidify who they are in your reader’s mind. Those are the kind of characters that stick with a reader long after they’ve closed the book.

But Don’t Overdo It

I love sarcasm. Give me a character who’s snappy and snippy with their dialogue and bam—instant like fest as far as I’m concerned. So it surprises me when my snarky personalities aren’t always well loved. What’s the deal?

Apparently I’m in the minority. Surprisingly, sarcasm doesn’t head the list of likeable traits, which can work against an author while crafting characters. It is your job as a writer to make your reader fall in love with your characters . . . or at least want to have coffee with them.

What authors do you know who have mastered the art of dialogue?

The Summer of Success: Michael Ehret

Facing a crossroads at the moment—what step to take next and all that. I’m not all angsty over it, but I have been thinking a lot about the late Donna Summer, as a result.

DonnaSummerDonna Summer? The Queen of Disco?

First of all, thinking about Donna Summer is not new for me. I’ve had a long time interest in her career and in the singer, herself. I’ve even been known to be a defender of Summer (she’s so much more than disco), because I think her talent was far overshadowed by her persona and by the Super Storm known as Disco that came in and tried, unsuccessfully, to obliterate the Rock and Roll shoreline.

Variety defined her career

Still, I’m more interested in Summer’s genre-hopping than in her music, per se. For instance, did you know she was nominated for 17 Grammy Awards in eight different categories (sort of like fiction genres)? Further, did you know she won five times in four different categories—twice in Inspirational? That’s right, Inspirational. The singer of 1975’s 17-minute+ disco moan-fest, “Love To Love You, Baby,” won two Grammy Awards for Best Inspirational song (1984 and 1985).

Conventional wisdom is to not genre hop in the publishing world. There’s greater freedom in music (Linda Ronstadt also played the field, musically). But in publishing, writers are often advised that if they start in romance (or speculative or historical or suspense) then they should stay in romance (or speculative or historical or suspense).

But, I must have a little Donna Summer in me because I don’t want to be constrained in that way. Before we get all crazy, let’s remember that no one is knocking down my door for my next book—or, for that matter, my first book.

But—again—we can look to the diva for guidance. Because “conventional wisdom” isn’t called “conventional-sort-of-good-advice,” you know?

Summer made her mark in one genre—disco. It was the red-hot genre of the time and she rode that horse for all it was worth.

But when the horse started to get hobbled, she made the smart move of wrapping up that era with a Greatest Hits collection, changing record labels, and then came roaring back in 1980 with a rock-pop disc without even a whiff of disco, The Wanderer. And a song from that project earned her one of her Grammy nominations.

DiscoBallWhat are the lessons for a writer?

  1. Do your homework. Summer worked in Germany and Europe in various touring companies of shows like “Hair” and “Godspell” before connecting with Giorgio Moroder for her first major album, Love To Love You Baby.
  2. Establish yourself as an excellent writer of (choose one: romance, historical, suspense, other) and then, like Summer, work your butt off to make your mark. She released seven disco albums from 1975 to 1979—that’s four years. Three of them in a row were blockbuster double albums.
  3. Keep your nose to the ground and your face forward. If you pay attention to the market and publishing trends, you’ll know when it’s time to change genres. If you’re a big enough success, you’ll get your opportunity. When you do, show the same quality, perseverance, and dedication to craft that got you where you are.

That’s the way to build a Hall of Fame career (Summer was inducted into the Rock and Roll Hall of Fame in 2013) and do all the things you want to do.

Summer died May 17, 2012, at age 63. At her death (from cancer) she was working on two albums simultaneously—a collection of standards and a new dance music collection.

For the record, Summer’s Grammy wins were for:

  1. Best R&B Female Performance, 1979, for “Last Dance.”
  2. Best Rock Female Performance, 1980, for “Hot Stuff.”
  3. Best Inspirational Performance, 1984, for “He’s A Rebel.”
  4. Best Inspirational Performance, 1985, for “Forgive Me.”
  5. Best Dance Music Performance, 1998, for “Carry On.”

Additionally, she was nominated four times for Best Pop Vocal, twice for Best R&B Vocal, twice for best Rock Vocal, once for Album of the Year, once for Best Disco Vocal, once for Best Inspirational, and once for Best Dance Music.

Not a bad career.

Your turn: So, do you have a little Donna Summer in you?
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MichaelMichael Ehret loves to play with words and as the editor of CHEFS Mix Blog for CHEFS Catalog he is enjoying his playground. Previous playgrounds include being the Managing Editor of the former ACFW Journal Magazine and the ezine Afictionado for seven years. He also plays with words as a freelance editor and has edited several nonfiction books, proofedited for Abingdon Press, worked in corporate communications, and reported for The Indianapolis Star. You can connect with Michael via his website, Facebook and Twitter.

Encouraging Aspiring Writers

Photo/CCWCAs a freelance writer and writing instructor, I’m often asked to edit the work of my peers and of aspiring writers. And I love to encourage others to tell the stories that matter most.

Grammar cops. I also appreciate the editing skills of my writing peers, as they wield their red pens and hack on my “shoddy” first drafts. But at times, I observe grammar cops attack insecure, fragile writers, who approach them for encouragement as they tiptoe into the waters of writing for publication.

Now, I’ve been known to whip out my red pen from time to time, when someone asks me to do that kind of editing. But I try to use a little discernment and discretion when a novice writer approaches me with their work.

Aspiring writers. Sensitive, aspiring writers need our empathy, since they trust us with some of their most intimate tales. These newer writers pour out their hearts and souls into their first pieces; we need to handle them with care.

I’ve seen writers spanning from late teens to senior citizens. And I’ve noticed many of them choose topics dealing with difficult life struggles—the death of loved ones, flashbacks of war experiences, or simply leaving home and beginning their own journey as adults. I’m able to empathize with their pain, confusion, doubts, and fears. I recognize their need to tell their stories, trying to make sense out of the rumblings of their minds and troubled hearts.

Levels of edit. I believe it’s vital to discern the needs of a writer, not always assuming they need a grammar cop to attack their work with a red pen. My unsolicited grammar cop comments tend to cause more harm than good. I find it helpful to ask writers to clarify their needs and their expectations of me as an editor. What level of editing do they want?

I also think it’s important to examine one aspect of editing at a time, since I don’t do well at multi-tasking. And although many professional editors may have different terms to describe their levels of editing, my editing checklist for my own work includes three—the panoramic, macroscopic, and microscopic viewpoints. But sometimes, I consider one more level editing, especially with writers who need encouragement—like students, wannabe writers, or hobby writers (i.e. not professional writers).

Peer responses. Some professional writers may not even consider the peer response a valid level of editing, but it can serve as an important phase of the writing process. For instance, this approach might be helpful for some critique groups.

In the classroom, I required my students to participate in peer groups where they would listen and respond to each other’s work. I preferred small groups, where students seemed to be a little less intimidated. I wanted to encourage their writing, not scare them off.

I provided every student several copies of a peer response form. Then, as each writer read their essay out loud, their peers would listen, read along, and record their responses. After each reading, the group would discuss the responses.

One of my favorite writing professors, Dr. Sally Crisp, encouraged me as she taught aspiring writing teachers the value of emphasizing meaning.

I believe that we write to communicate and connect with others, often others we don’t know and may never know. In responding to writers, I like to let them know how their message got through to me. In other words, whether I ‘got it’ or I didn’t. I teach the same principle when I teach collaboration. The right kind of collaboration can be an excellent means of fostering in writers a keen sense of audience.

Dr. Crisp also composed a list of peer response questions and comments that you might find helpful, too.

Peer Responses

  1. How has the writer introduced the essay?
  2. What is the main theme of the essay?
  3. Is there any information that you are wondering about? What might be added to develop the main point more fully?
  4. How did the author conclude the essay?
  5. What part of the essay do you find the most effective? Why?
  6. Suggest two or three things that would make the paper even better.

Who has encouraged you as a writer? 

WordServe News: August 2014

Exciting things have been happening at WordServe Literary!

On the final post of each month you’ll find a list of Water Cooler contributors’ books releasing in the upcoming month along with a recap of WordServe client news from the current month.

New Releases

Marcus Brotherton released his first novel with River North, Feast for Thieves. Marcus also released, with Alec Rowlands, a collaboration project titled The Presence in 9781414387246_p0_v1_s260x420association with Tyndale Momentum. 9780802412133_p0_v2_s260x420

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Jim Burns and Doug Fields released Getting Ready for Marriage with David C. Cook 9781434708113_p0_v1_s260x420publishers.

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Mindy Ferguson released Moses with AMG Publishers. 9780899579108_p0_v2_s260x420

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Rick Johnson released, with Revell publishers, Becoming the Dad Your Da9780800723354_p0_v2_s260x420ughter Needs.

 

 

 

 

 

 

 

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Jeremy Jones, collaborator with Kyle Idleman, released Praying for Your Prodigal with 9781434707710_p0_v1_s260x420David C. Cook publishers.

 

 

 

 

 

 

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Jennifer Strickland, with Harvest House Publishers, released More Beautiful Than You Know. 9780736956321_p0_v4_s260x420

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Sarah Varland released a new romantic suspense with Love Inspired, Tundra Threat.9780373446285_p0_v1_s260x420

 

 

 

 

 

 

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New Contracts

Jeremy Jones signed a work for hire agreement with David C. Cook for 40 Days to Lasting Change: A Devotional (tentative title). Greg Johnson, agent of record.

Jonathan McKee signed a contract with Group Publishing for Foundations–Volunteers (tentative title). Greg Johnson, agent of record.

What We’re Celebrating!!

Krista Phillips released her first self-published novella, A Side of Faith! Get your copy here.

Laurie Short was interviewed on The Harvest Show. Watch the clip here!

Barbara Stoefen’s memoir,  A Very Fine House, got an awesome review in Publisher’s Weekly. Read it here!

When the Bad Reviews Come {And They Will}

 

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“She needs to have more respect for the process . . . trying to claim that everyone should heal like her.”

The words pierced my heart.

Until then, I had enjoyed a couple good months of positive feedback, those heartwarming days after the release of my debut nonfiction book, When A Woman Finds Her Voice. The book hit #1 on Amazon’s Hot New Releases charts and then walked the Amazon {paid} bestseller list {in its genre} for a couple weeks in the top five. It also won some literary awards. But more importantly, my words were reaching the hearts of readers as comments like “inspiring,” “introspective,” “encouraging,” and even “life-changing” peppered online reviews.

That sort of feedback overwhelms a girl with God’s goodness, giving value to this shy writer’s words. To think He had somehow exchanged these primitive ramblings of one who simply longed to spread hope and had used them as encouragement for others, that’s humbling.

I’d finally felt the freedom to say it above a whisper: I am an author.

But then that two-star review hit my screen, attacking my sense of worth. It shouldn’t have, I know. Mentors warned me it was coming; they’d suggested I not even read it.

I didn’t listen.

I determined to mentally counter the negativity and then quickly return to my illusory sense of fulfillment. After all, I welcomed reviews—good or bad. Perpetual student that I am, I’m known to {relentlessly} solicit constructive criticism as an opportunity to learn. And here it sat, this chance for free education, this two-star review therapy.

But in a review-driven culture where we allow others to determine what we read, watch, eat, and even where we spend the night, how can we not be impacted when someone misunderstands our heart?

The judgement sliced soul deep, challenging insecurities I’d long ago buried.

This is the sort of vulnerability we open ourselves up to when we cast our words, our heart, into a public arena that holds potential for not just admiration and esteem but also misunderstanding.

You see, there’s nothing I’m more compassionate about than reaching the heart of a wounded woman and leading her to the restoring, redemptive feet of Jesus. But this particular reader didn’t know that, didn’t know me.

So how do we filter through these words when they come?

  1. We anchor. It’s crucial to anchor any negativity with perspective. We can’t allow disapproval to overtake our thoughts. For the one poor criticism, I had 49 positive reviews from folks who had been uplifted by my words. I worked hard to focus on those. {Very hard.}
  2. Bounce back. To feel defensive at first is natural, but if you find yourself wanting to respond negatively {as in hunt the person down on social media to blast them back}, walk away from the screen and refocus. Immediately.
  3. Consider truth. Ask yourself, “Is this true? Is the criticism valid? Did I somehow fall short?” If so, use this information in a positive manner and seek to write with excellence. However, if the negatives aren’t well-rounded and constructive, the point baseless, you simply have to let it go.

As word-weavers, this should become our default: in the face of bad reviews, let’s practice our ABCs to rebuild our confidence. Anchor. Bounce. Consider.

Okay, I’m curious now: How do you handle criticism?

What the Apostle Paul Might Have Said About Marketing

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Looking for marketing help, dear writer? Why, you’re in luck! Step right up to the Internet and tell old Google what you need, but be prepared to stay a while. A plethora of reading material and marketing advice abounds online, addressing the subject from every imaginable angle–and then some.

Except, perhaps for this one: Don’t overlook the value of marketing your neighbor’s work.

Hear me out before you write me off (weak pun apology). I’m convinced that this would be the type of advice the Apostle Paul might have offered had he ever taught a class in Marketing #101. In God’s School, the way up is down. Or, as Paul said in Philippians 2:3,”Do nothing out of selfish ambition or vain conceit. Rather, in humility value others above yourselves.”

Yes, it’s challenging to understand how to apply those holy words to our writing lives. Especially when we’re constantly reminded that our platforms are everything and publishers find us only as attractive as our last sales numbers. But if God’s word doesn’t apply to all of our lives, it applies to none of it.

Selfish ambition is building our platforms with tunnel vision to the work of everyone around us.

God’s way is to step away from my work long enough to value yours.

It’s a valuable principle of marketing. I once thought I stumbled across it accidentally, but I now believe it has been entirely by God’s design. He orchestrated it through my work as a radio talk show host when I began reserving a segment of time to interview other authors. In the early days of All Things Southern LIVE, these were authors I met during my travel– until publicists began discovering this new venue and pitching their clients’ work.

I need to say this: I don’t promote everything that comes across my desk. Sadly, this is often a matter of pure time constraints. I don’t have the air time to interview even half of the authors whose galleys find their way to my desk. At other times, it’s a matter of my personal reading preferences or my understanding of the reading habits of my listeners. However, for these very reasons, when I do read something that entertains me, challenges me, encourages me, or flat out stretches me, I’m able to bring it to my listeners with authentic excitement. My audience knows this, so they trust my recommendations.

So, how does this help my marketing efforts? Well, that’s the beautiful thing. God’s way is always a win-win. Over and over I’ve seen how celebrating the works of others rebounds to bless my own career.

We’ve all been told to build a reader base and encourage that connection by staying in touch. We also know how distasteful it is to promote our own work. Introducing other authors to our readers–when we’re genuine about their work–allows us opportunities to stay engaged and interact with our communities in a natural way. In turn, our relationship with those authors invariably leads to our introduction to their readers.

Now that is marketing we can all manage. Can I get a witness?

Hugs,
Shellie

7 Writing Tips We Learned From Our Dogs

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We have always loved dogs. Over the course of our lives together we have owned over 27 dogs. It is not surprising that some were our best teachers. Here’s what our four-legged friends have taught us about writing:

1. Sit and Stay. These are the two most important commands for writers! If you don’t sit down and begin, you will never get started. Staying is important, too. No, you don’t need another snack.

2. Dig!  Sometimes the facts that we need are buried deep, like a good old bone. The best writing requires some digging–in the library, on the internet, in your heart. Sniff it out. Then dig. If you don’t find it, dig another hole.

3. Know your territory. Writing takes good boundaries and good boundaries mean saying no. One important lesson for both of us was to protect and guard our writing time. We put the time on our schedule and then we protect it. Remember: Growl, don’t bite!

4. Expect treats. It is hope that keeps us going. Hope of touching a reader. Hope of one day holding your book in your hands. Excitement and anticipation is an important part of writing. Sit down to write expecting something good to happen.

5. Be kind to the postman. It’s not his fault. Rejection is an important part of the writing process. Keep it in perspective. Shake it off and start again.

6. Stay in the moment. Don’t get ahead of yourself and start worrying about the future.  Don’t stay stuck in the past. Worry is not your friend.

7. Play! Some of the best ideas come to us away from the desk. Stop work to chase a few ideas. Dogs love any distraction from a tennis ball to a squirrel. The work will still be waiting when you come back.

Has your pet taught you anything about writing?

Betsy Duffey and Laurie Myers  www.WritingSisters.com

 

Bio: The Writing Sisters, Betsy Duffey and Laurie Myers were born into a writing family, and began critiquing manuscripts at an early age for their mother, Newbery winner Betsy Byars.  They went on to become authors of more than thirty-five children’s novels. Their first book for adults is  The Shepherd’s Song,  Howard Books, March 2014.