About Kariss Lynch

Kariss Lynch writes contemporary fiction about characters with big dreams, hearts for adventure, and enduring hope. Shaken, her first book in the Heart of a Warrior series, released in 2014. The second book, Shadowed, releases March 3, 2015. A former freelance writer, she now works as the writer for a communications ministry in Dallas.

Making Connections

Publishing is a funny beast. The author wears many hats – writer, editor, marketer, publicist, sometimes frazzled human being (all right, maybe it’s most of the time). There are moments when the load seems overwhelming and I feel incapable of wearing every hat with excellence.

Kariss' teamMarketing tends to be my weakest link. I’m passionate about my books, love to talk about them, enjoy sharing the story of God’s faithfulness. But when it comes to selling the idea of why others should read them, I prefer to let people determine the quality on their own.

I know. I know. I’m still learning how to do this well. But the key is that I’m learning. Guest posts, social media, contests, etc. are all great tools that I am adding to my belt, but the most powerful tool in my arsenal is my network. These people fall into multiple categories, and every group is important

  1. Close friends and family.
    You’ve got to love this group. They are your biggest fans and cheerleaders. Occasionally they may be more biased than constructive with their feedback, but enjoy the affirmation. They’ve watched the journey, battled the insecurities and joy with you, and want to celebrate the finished product.
  2. Fringe friends and acquaintances.
    These are the people familiar enough with you to ask about the book every time they see you. They are also the ones who bought the book out of curiosity and support and are excited to watch the journey from a distance. If they love the story, you better believe they will share with their friends and family.
  3. Unknown readers.
    These are the people whose constructive opinion you can count on most. If they love the book, then job well done. They hail from all over the country, sometimes out of the country, and their word of mouth is powerful. They don’t know you, but love the heart in your books and will shout it from the mountaintops and anxiously wait for the next book. I love networking with this group. Their excitement fuels my own.
  4. Critics and commentators.
    These are your influencers, bloggers, Amazon comment critics, etc. I don’t necessarily advocate taking their opinions as gospel. But often, they have a powerful voice in their particular online spheres. Learn what they love and what they don’t, filter it to see if there is truth, and build on these admonitions in your next book.
  5. The unreached.
    The good news is that with all these other groups on board, the unreached are now reachable. Diligently work to add this group to the fold. Build relationships with your readers. Write stories that people can’t ignore. And don’t grow discouraged. This is a journey, not a short-distance sprint. Growth happens over time, and it’s exciting to see.

Shadowed_AUG 1 (1)But there is one connection that is the most important. Talking to the Master Storyteller. He knows your story intimately, and He alone can weave your network into something beautiful.

Prayer is powerful. In moments of frustrated marketing, I’ve prayed that the Lord will get Shaken and Shadowed into the hands of people who need to read them, despite my best efforts.

And He has.

Some of my favorite interactions from readers come from those who never heard about the book but wandered into a bookstore, loved the story, laughed, cried, and found hope in Christ. Every time I read one of these messages, I praise the Master Marketer. In spite of my best efforts, He is still placing these books in strategic places.

More than spinning a great story and growing my craft, I want to make an impact. And that only comes through surrendering my ideas in marketing to the One who knows best. I figure with Him at the wheel, I’ll do what I can and let Him do the rest.

The Power of Story

It was pitch black as my car slowly followed Micah’s along the winding mountain roads, our tires kicking up dust in our wake. My adrenaline sizzled, preparing both my mind and body for the next hours of our night hike up Pike’s Peak in Colorado Springs.

My friend Brad sat next to me in the passenger seat, keeping my mind occupied on our conversation. I shared with him about my last year – graduation, what the Lord had been teaching me at Focus on the Family that summer. As he thanked me for sharing, a response spilled from my mouth without my permission.

“It’s not my story to withhold. God’s writing it. I’m just living it.”

My mind froze as I replayed that comment over and over in my head, realizing both the truth and the responsibility that came with it. Have you ever had one of those thoughts? You know it didn’t come from you because there is no way that you are that brilliant. And it both hits you and spills out of your mouth in the same breath with the unmistakable ring of truth to it. I knew it was a Holy Spirit inspired response. Divinely inspired light bulbs are great, aren’t they?

Kariss mountains

In the few years since that night hike that changed so many things for me, I have come to understand and value the power of story. The more I read and watch, I realize that there are only two stories that matter in life and everything else is a cheap imitation.

1) The story of Jesus Christ

2) Your story

That’s right! Your story is the second most important story in history. Why?

There was a man in the Bible named Nicodemus. For those of you reading this who do not claim to be Christians, you are in good company. Nicodemus wasn’t either, at least he wasn’t at the time he talked with Jesus. He was curious and confused. He came to talk with Jesus in the middle of the night. In John 3:11, Jesus tells him, “I tell you the truth, we speak of what we know, and we testify to what we have seen…”

Never mistake that Jesus has the most powerful and influential story in history. But because He made you and gave you life, your story is the second most influential to people in your sphere of influence. Most people do not appreciate a know-it-all. However, your story automatically has credibility because you are standing before them and telling it, physically present and accessible to them. You lived it and they can relate to it, or at least ask questions.

Story is a powerful thing. We live in a culture where we want to hear what the next Hollywood star is up to or which politician created a national scandal. People want to know stories. No matter how nondescript you feel yours may be, you have the ability to influence people mightily for Jesus through a willingness to share what God has brought you through.

My mom has always told me, “Never forget from whence you came.” You don’t have to have a successful career or a story worthy of Lifetime. You simply have to be willing and open to share.

Let your writing imitate life in the best ways. In fiction, no one has to know where some of the intimate details come from, but I have learned that what some of my readers love the most came from experiences I had or watched.

What the Lord laid on my heart to share with Brad is very true. My story isn’t mine to withhold. Listen for His gentle whispers. He will give you the words to say when the time comes, and He will use your story, in writing and in life. The pressure is off of you! So share. You have a powerful story because it was and is being written by a mighty God!

How have you seen God use your story to impact others?

Kiss “I Can’t” Goodbye

In high school, my band director erased “can’t” from my vocabulary. It was a slow, sweaty, painful process. We had been a championship band, a finalist in the state for 4A high schools. But after two years of mediocre performances, we were left wondering if we were “has beens” that had become “wannabes.”Kariss - band 1

But Mr. C never settled for defeat. He delighted in giving us the most challenging routines and music while watching us rise to the occasion. And he tolerated nothing less than our absolute best, knowing that our greatest potential often lay just below our valid but weak excuses.

It took training. Sweltering hours on pavement in Texas weather, running the routine over and over again until clothes clung to sweaty frames. Then we hit the classroom, fingers meticulously skipping over the keys until we knew every note by heart and could play it standing or running at 160 beats per minute.

I remember trying and trying to get a note set correct and failing miserably (in front of fifty of my peers by the way). After the fifth time, I quit trying.

“I can’t do it.”

“I’m sorry, what?”

“I can’t do it, Mr. C.”

“I don’t understand that word. Try again.”

It’s amazing what I came up with in the absence of that word. I’m having trouble. This is hard. How in the world do I do this? I don’t know how. But not one of those gave me the option to stop trying. And every excuse carried with it the opportunity to discover a new journey in the struggle.

He never let me quit in the classroom or on the marching field. Slow down, sure. Take each note one finger at a time, yep. But NEVER quit. Because he knew I could if I set my mind to it, no matter the challenge.

Success lay just below the “I can’ts,” just waiting to come to fruition with the acknowledgment of “I can…somehow.” And that lesson has shaped my writing journey. Rejections became detours. “Can’ts” became other challenges to conquer.

There have been many moments when I have been tempted to say “I can’t” in the middle of writing or editing or even marketing (I might have even slipped and said it a few times). But somehow, I meet the deadline every time, proud of the finished product.

Much like with marching or learning music, I keep writing until the words become an Kariss - band 2extension and enhancement of the story instead of simply an exploration to jog my creativity. Every time I finish, I know I CAN. I just have to discover HOW. I finally determined that I wanted it much more than I feared it.

Talent and passion may come naturally to a point. But success as a result of those attributes NEVER comes without hard work and a willingness to push past rejection, defeat, and redirection. As soon as you purge the excuses, the story blooms, and it’s only a matter of time before others outside your circle begin to notice the beauty of the finished product.

By the way, when we purged the excuses, our band went on to place first in every competition that season and ended the semester and my high school career as 4A Texas State Champions.

This thing you keep attempting that you think is impossible? It’s possible. It just takes placing one foot in front of the other until you see the results.

Where do you need to erase “can’t” from your vocabulary?

How to Edit a Manuscript

You’ve edited a paragraph, a chapter, maybe a few chapters, but now your manuscript is Kariss editingready to go and your editor sent you back the first round of edits full of major content changes. Where do you begin?

Editing the manuscript as a whole can seem like a daunting task. Editing is a necessary evil to me. I prefer writing any day. But I’m always pleased with the end result after time spent editing.

The truth is that editing needs to be a matter of prayer before you feel tempted to knock your computer off the desk. (Kidding. Kind of.) It can feel frustrating and detailed and confining after a fluid writing process to finish your book.

Here’s the good news: If you crafted your story correctly, it should be frustrating. Just look at it as a challenge to overcome. Content edits often include tweaking details used in major story lines. You have to track each story line down and make sure your changes are consistent. If you tweak one detail, it may cause you to slightly amend a detail in another story line. I was thankful to see that my story lines were so interwoven that one change affected another but was terrified I would miss something. But don’t worry, that’s where your editor comes in to catch anything you missed. Just try to do your due diligence on the front end.

I just finished a round of edits for my second book, Shadowed. Here are some of my takeaways for a major content edit:

1) Start small.

Read through ALL of the suggestions from your editor. Weigh what she is asking. Then set the manuscript aside for a couple of days. Process the best way you can tackle the job. Pray that you will know the parts to keep and parts to cut, when to kill your darlings and when to fight.

2) Make a plan.

I found it difficult to keep scrolling through the manuscript to find all the places I needed to fix, especially when it came to juggling scenes and chapters for better time placement. Write down a knock list and cross out each item as your finish it. You will feel accomplished and know you are moving in the right direction. Even if the list is extensive, take it one step at a time. If something else comes to mind, write it down and come back to it. You can do this!

3) Take your first pass.

Start at the top and work through until THE END. Write down any questions you may have about research or editor comments. Make all the smaller changes you can make right away. For instance, I noticed I referred to an organization two different ways in my manuscript. For consistency’s sake, I used the “Find and Replace” feature in Word for an easy fix to ensure accuracy. Easy check mark on my list!

4) Attack the major problems with gusto.

It helped me to print my manuscript, make notes, and then get to work. My editor Kariss manuscriptssuggested some things that I struggled to pull off. However, when I looked at a clean, printed manuscript, I was able to take her suggestions with my preferences and style and make the changes something that fit the story better. I love to work with my hands, so it helped to have something to hold and mark up with a pen. It also got me time away from my computer screen, which gave me a great brain break.

5) Finish strong and pray.

Time for that final look. I try to make it my goal to tackle as many issues as possible so the next edit is easier. Send the editor any notes she may need to do her job well and help you. I learned on my last edit that sending an accompanying timeline saves LOADS of time for both you and the editor.

Finish by praying that God will use this for the process ahead and that the finished product will bring God glory. Take a deep breath, type that email, and click send. Your manuscript is changing, but so are you!

What lessons have you learned during editing? What process helps you?

Working with an Editor

Kariss manuscriptsThey say that all good things must come to an end. Sadly, the same holds true in writing. As you turn your manuscript in to the publisher, you abdicate your position as ruler of your own fictional kingdom in favor of an advisor who tells you all the wonderful things you did wrong and how you can fix them. (For example, my editor would have asked me who “they” is in that opening line.)

But this “bad” thing doesn’t actually have to be bad. In fact, think of it as iron sharpening iron. Who knows your story and characters better than you? And who better to help you improve than an unbiased person who likes to read and knows a whole lot about writing and how to craft a story?

I am by no means an expert, but as I edit my second book, I realize how much I learned while editing Shaken. As you prepare your book for the editing process, here are some ways to prepare yourself, as well.

1. Check your pride at the door.

First of all, realize your editor is there to HELP you, not hurt you. Don’t take it personally. I thought I understood that, but I didn’t really grasp it until I received my first round of notes. Then my pride took a nose dive and shattered in a very ugly pile around my feet. This process is meant to refine both you and your story. I tend to write in a steady stream of consciousness, wrapped up in my story world. It takes someone looking at it from the outside to show me where the issues are and help me to change them.

2. Kill your darlings.

In Texas, we call this “killin’ your darlin’.” Your editor believes in your story, too, or they wouldn’t spend countless hours helping you. They want to make it better, but sometimes that means cutting important characters or scenes you love. This is the part I hated in the editing process.

It is challenging to dig into your story, delete scenes, and create new ones where you originally imagined something different. There were times my editor suggested a line of copy or dialogue that made me cringe, not because she wasn’t right, but because it wasn’t in the exact voice my character would have said it. Here’s where camaraderie came into effect. She could see the holes. I could keep the story true. We made a great team. Killing my darlings made my story stronger.

3. Fight for your story.

This may seem to contradict the previous point, but trust me, it doesn’t. Like I’ve said before, NO ONE knows your story or characters better than you. Here’s where discernment comes into play. At the beginning of the editing process, my editor asked me to cut several characters. No matter how much I played with this request, something didn’t sit right. So I fought for these characters, explained the role they would play in future books, and stood my ground. I knew keeping them would benefit the story. Once I explained their importance (and not just my emotional attachment), my editor listened and immediately replied with ways I could make these characters even stronger than what I had in mind.

It turns out that the characters I fought to keep have been some of the favorites for readers. If you know in your gut something needs to stay, fight for it. Just make sure to check your emotional attachment at the door and identify exactly why this piece adds to the story.

So, take what I’ve learned. Add your own insight. And I’ll add to the list after I finish this round of edits. I never want to be a bratty author who says I know best. I do want to collaborate. Yes, I know my story, but I need people who will help me make it better. I’m pretty excited about the possibilities. Bring on the next challenge.

What lessons have you learned while working with your editor?

Travel to Write, Write to Travel

“The world is a book, and those who do not travel read only a page.” St. Augustine

I’m an Irish girl, both by heart and by blood. As a teenager, I remember dreaming of visiting Ireland and Scotland and seeing the hallowed halls of my ancestors’ castles. The idea is more romanticized than real – the Lynch castle in Ireland is now a bank and the Chisholm castle in Scotland is a renovated weekend getaway.

Kariss - IrelandAs a kid, I loved studying the old folk tales, imaginative stories of the tricks and heroism of the wee folk. I grew up on a steady dose of faith and fairy tales. One nursed my convictions, the other my creativity. Three years ago, my dream came true. I spent three weeks on the British Isles. I didn’t see any of the wee folk, though I walked through the fairy gardens at Blarney Castle.

But this rainy tour wasn’t the beginning of my adventures. The travel bug bit me in middle school, and since then I’ve tried to visit new states and new countries, fascinated by the culture. Nothing stimulates my creative side more than exploring new sights, scents, and scenery.

Over the years, I’ve learned this serves me in my writing. All the sensory details, the tiny quirks, the cultural differences influence my settings and characters. I’m learning to identify different textures, not just what they look like but how they feel. I identify different scents with different people and memories. Color takes on vibrancy all its own, enhancing character features, scenery, and what the character experiences.

My travel stimulation reached new heights when I visited Haiti a couple of years ago. I had written and finished my first book, Shaken, which is partially set in Haiti around the time of the earthquake. I researched, talked to those who experienced the earthquake and those who visited before and after, and watched documentaries and the news. But when I finally had the chance to experience this tiny island for myself, I walked away changed with a perspective that enhanced the editing of Shaken.

Kariss - HaitiI remember the stifling humidity and heat as I stepped off the plane. Haitian men stood waiting in the small hangar where they tried to take our luggage off the conveyor belt and then quickly exit to the street as we chased them, hoping we would pay them to get our luggage back. While corralling our luggage was a challenge, I silently cheered their ingenuity and resourcefulness in a poverty-ridden city.

I caught my first glimpse of Port-au-Prince as I hopped in the back of a pick-up and gripped the seat as we played chicken on a two-lane highway, winding past people walking less than two feet from the side of the road. An old man bathed in plain view. Women balanced enormous baskets or jugs on their heads as their daughters trailed behind them with smaller cargo. The air reeked of garbage and burning plastic. Plastic bags that used to hold water littered the street.

Kids ran past in oversized American hand-me-down clothes or no clothes at all. Buses called tap-taps, that looked like a skittle pack blew up, wove in and out of traffic, people hanging onto the back of the cab. The people are down-to-earth and friendly. Those that work, work hard, and the kids are curious and intelligent.

ShakenWhile travel shows me the differences in this wide world, it also shows me the similarities. I noticed that the cement block homes on this tiny island resembled the colored homes in Ireland. I learned that cultures are not as different as we think, that people are people, no matter where you go. I learned to look at the human condition, the driving motivations behind actions, the heart, the hurt, the dreams.

Travel shapes my writing. Haiti certainly shaped Shaken, and adventures I had years ago in Ukraine shaped a few scenes in Shadowed, book two in the Heart of a Warrior series.

So, let the travel bug bite hard, and choose one new city, state, or country to visit each year. What places, people groups, or cultures have influenced your stories?

Writing is a Team Sport

olympics

As I write this, the Olympics are in full swing, and I don’t know about you, but I am glued to my television every night, cheering on Team USA.

I am blown away by the dedication of these athletes. As I watch them compete, I see similarities in their job and mine, in their passion and in my passion. And of course as a writer, I see an analogy in EVERYTHING. So here are my take-aways from the Olympics:

1. Identify your team.

Kariss' teamWhat strikes me about so many of these Olympic events is that they are solo endeavors, meaning the athlete competes alone and is scored individually, even though they are part of a larger team for his/her particular discipline and country. But regardless of the individual scoring, each athlete also has a support system, usually consisting of coaches, trainers, and family and friends. Writing so often feels like an isolated career. Unless I sit down and place my fingers on the keyboard, it doesn’t happen. A month before my first book, Shaken, released, I panicked. I needed help, but not with the writing. I have a great publisher, editor, and agent, but I needed a local team. In January, I invited a group of my friends to participate with me in the dreaming and execution. I call them my “Creative Brain Trust.” And, man, did they have ideas. They are the reason for all the buzz leading up to release day. They not only encouraged, but jumped in to help.

2. Have the courage to share your passion.

One thing I LOVE about watching these incredible athletes is the pure joy they feel in participating in and sharing their sport with the watching world. Writing is a vulnerable career. We splash our hearts and thoughts across bound pages and put it into the hands of those who can criticize. That is the beauty and the struggle of art. These athletes are no different. There is something beautiful about watching a snowboarder catapult in the air on a jump, stick the landing, and grin from ear-to-ear as they coast to a stop. What a rush! Move past the possibility of criticism and fear of what people think. Find the joy in writing, and be unafraid to share that with others.

3. Dedication and training pay off.

KLshaken

What is your Olympic moment? What are you training for? For a couple of years, I wondered if my training would pay off. I flew to out-of-state conferences, bought training books, took classes, spent money on professional editing, joined associations. It didn’t seem to lead anywhere. But my Olympic moment just came February 4 with the release of Shaken, book one in the Heart of a Warrior series. I look back and see all the training and dedication coming down to this one moment. And I’m not done yet. I’m gearing up for my next Olympic moment next winter with the release of Shadowed. In the meantime, back to training.

4. Be innovative and take risks.

I heard a snowboarder from Canada say that his sport is always changing. In order to succeed and stay on top, he has to be willing to change with it. But change in itself isn’t enough. He has to be willing to blaze the trail for new tricks, new techniques, and new skill. That’s what I love about writing. It’s fluid. Though the rules are specific, they allow for personal style. Don’t be afraid to push the boundaries of this field and make it your own. There is value in following the rules of the market, but there is also value in standing apart. Find the balance. I’m still learning what this looks like, but I relish the challenge.

5. Celebrate the victories.

Whether or not they win a medal, at the end of the day these athletes are Olympians, and so many of them celebrate that fact alone. I loved watching a first time cross-country skier celebrate eighth place because it was a personal best for her. She even talked about where she could be four years from now in the next winter Olympics.

At the end of the day, you are a writer. Celebrate the success and release of your work. Take a break and rest. Then get back on the horse and crank out something even better for your next Olympics. You have accomplished something great. Now, set your sights on something greater.

What lessons are you learning during the Olympics? What would you add to this list? Happy writing, and Go USA!