About Jordyn Redwood

Pediatric ER nurse by day. Suspense novelist by night. Jordyn hosts Redwood's Medical Edge-- a medical blog for historical and contemporary authors to help them write medically accurate fiction. Both her medical thrillers, Proof and Poison, received starred reviews from Library Journal. Peril, the third novel in the Bloodline Trilogy, released September 2013.

WordServe News: October 2014

Exciting things have been happening at WordServe Literary!

On the final post of each month you’ll find a list of Water Cooler contributors’ books releasing in the upcoming month along with a recap of WordServe client news from the current month.

New Releases

Caesar Kalinowski released, with Zondervan publishers, his second book: Small is 9780310517016_p0_v1_s300xBig, Slow is Fast.

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Ema McKinley with Cheryl Ricker released her debut nonfiction, Rush of Heaven. A 9780310338901_p0_v1_s300xtrue accounting of her miraculous healing. Zondervan publishers.

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Tracie Miles of Proverbs 31 Ministries released her second book, Your Life Still 9780764211997_p0_v2_s300xCounts, with Bethany House Publishers.

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Christina M. H. Powell released her debut nonfiction title with IVP,Questioning Your 9780830836789_p0_v2_s300xDoubts.

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Stephanie Reed released her latest Amish fiction novel The Bachelor with Kregel 9780825442162_p0_v1_s300xpublishers.

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Tami Weissert released Off the Pages & Into Your Life with Authentic publishers.781167

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Bob Welch released a devotional with Thomas Nelson: 52 Little Lessons from Les 9781400206667_p0_v1_s300xMiserables.

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Joe Wheeler released the 23rd book in his Christmas in My Heart collection with Pacific Press.

New WordServe Clients

Emmanuel and Veronica Chan signed with Alice Crider.

Judy Joy Jones signed with Greg Johnson.

New Contracts

Steve Addison signed a contract with IVP for his next book Movement Pioneers. Greg Johnson, agent of record.

Dena Dyer signed a contract with Barbour Publishing for a Christmas devotional called “25 Christmas Blessings”. Greg Johnson, agent of record.

Linda Kuhar signed with Leafwood for her nonfiction book tentatively titled Worthy of a Miracle. Alice Crider, agent of record.

Melissa K. Norris signed a contract with Harvest House publishers for a nonfiction book to release next year. Sarah Freese, agent of record.

What We’re Celebrating!!

Julie Cantrell won the ACFW Carol Award in the Historical category for When Mountains Move!

Barbara Stoefen was interviewed by her local news station in Bend, Oregon regarding her debut nonfiction release A Very Fine House. Watch the interview here. 

ACFW 2014 Wrap-Up

Speaker at Business Conference and Presentation.Fall brings not only great weather (autumn is my favorite season!) but also several big-name writers conferences. The American Christian Fiction Writers (ACFW) gather every September to celebrate great inspirational fiction (in the culmination of the Carol Awards) but also to inspire and teach the craft of fiction writing.

Here are a few of the things I took away . . .

1. Indie is IN! It used to be the scourge of writing to even breathe that you might publish your own book either through a vanity press (paying a company to process your book) or indie publishing (or self-publishing) where you become your own publisher and own all aspects of book production while fronting the costs yourself. This can take several forms. Established authors indie publishing their backlist once rights revert back to them. Traditional authors using indie publishing to supplement their income. I even heard one indie author say her traditional publishing contracts offer her a “bonus” but she mostly depends on her indie books to meet living expenses. Then there are those going solely indie because they enjoy the process, the control, and/or may be using it to catch the eye of a traditional publisher if they can hit a certain number of sales. The only cautionary note was, if you have a traditional contract, to ensure that your publisher is okay with the content of the indie book and that release dates don’t compete.

2. Effective marketing campaigns may not be realized until later. Last year, my third novel Peril was a newborn. To ACFW, I brought full-size Hershey bars with a sticker attached to each one that had photos of all my books together and a link to my newsletter. I definitely got some additional newsletter subscribers but this year, several people commented to me about those chocolate bars. I think a good marketing campaign is something memorable that lasts long after the item is gone. Trust me, bookmarks get lost in a sea of other bookmarks and postcards. Take the time and maybe spend a little extra money for something unique. Honestly, this year, there weren’t a lot of interesting giveaways.

3. Networking is important. Even if you’re not pitching, you need a network of other writing peeps to help keep you sane. They understand that it’s normal to talk out loud while arguing with a character. They’ll help you in the writing valleys and celebrate those writing highs. Always go into a conversation open to the possibilities of new friendships. Sit with people you’ve never met before. Introduce yourself to those of the other gender (men might feel a little lost in a sea of mostly women they don’t know!). Make face-to-face contact with an editor who rejected you and say a sincere thanks for any feedback they offered.

4. Professionalism is key. Everything you put out there speaks about you as a writing professional. It’s probably not too far-fetched to say that you’re in one long job interview. The way you dress. The way you treat others waiting for appointments. Are you on time for your appointment? If you yell at an appointment coordinator over some perceived slight, it’s not going to come back to you in a positive way. When you submit your work for a paid critique, format it correctly with no typos. Always be helpful to someone else first; this reaps large rewards in the end.

What have you learned recently from a writers conference?

WordServe News: September 2014

Exciting things have been happening at WordServe Literary!

On the final post of each month you’ll find a list of Water Cooler contributors’ books releasing in the upcoming month along with a recap of WordServe client news from the current month.

New Releases

Deb Coty’s popular devotional Too Blessed to be Stressed with Barbour publishing 9781628369670_p0_v1_s260x420released a companion journal. Also released this month is Deb’s new devotional Too Loved to be Lost. 9781628369694_p0_v1_s300x

 

 

 

 

 

 

 

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Barbara Cofer Stoefen released her debut nonfiction title with Zondervan Publishers. A Very Fine House is now available. 9780310344414_p0_v2_s300x

 

 

 

 

 

 

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New WordServe Clients

Sue Detweiler signed with literary agent Alice Crider.

New Contracts

Sam Metcalf signed a contract with Intervarsity Press (IVP) for a project tentatively titled Unleashing Apostolic Movements: Missionality Beyond the Local Church. Greg Johnson, agent of record.

Bill Myers signed a contract with Barbour publishing for a nonfiction title tentatively titled Jesus Experience. Greg Johnson, agent of record.

What We’re Celebrating!!

Leslie Haskin and her 9/11 memoir Between Heaven and Ground Zero hit the New York Times bestseller list!

Rachel Phifer is a finalist in the 2014 ACFW Carol Awards along with Wordserve author Julie Cantrell. Winners were announced September 27th at the national conference in St. Louis. A list of the winners can be found here.

Sarah Varland’s Tundra Threat with Love Inspired Suspense has been printed in Large Print!

Can We Talk? Joan Rivers, Marketing Genius

Joan Rivers

Image via Wikipedia

Lately, it’s been a tough run of celebrity deaths. Robin Williams, Lauren Bacall, Richard Attenborough, and Phillip Seymour Hoffman, to name a few. The news media uses these events as a life review. Joan Rivers, the acerbic comedian, who recently died as the result of complications during a medical procedure, is one that has had a few “news specials” about her life.

I wasn’t a huge Joan Rivers fan but the pitiful side of my character did enjoy her taking down a celebrity or two when they dressed in something expensive and awful that might have been more fitting to clean up dog vomit (there’s my toast to you, Joan!). What I found interesting in these biographies on her life is just what a brand/marketing genius she was. We writers could learn some valuable lessons from her.

1. She triumphed through dark times. When her husband committed suicide, Joan was now not only a single mother but she was reportedly also left with quite a bit of debt. Yet we know she didn’t die penniless. She was a wealthy woman. In writing, there are definite valleys. Will I make any money with this novel? Will I make any money ever in publishing (indie or traditional)? Sometimes, we can only answer these questions by pushing forward through the next day and taking the next step even when we can’t see the answer in the distance. If you don’t try, the answer will definitely be no.

2. She didn’t hold public grudges. One of the pervasive stories of her life was when Johnny Carson chose never to speak to her again when she left being his “permanent guest host” for her own talk show. I don’t know what she said in private, but publicly, even though their friendship ended over this perceived slight (which really was a business decision), she always spoke very positively and gave him great credit for giving her a start. We all need to keep in mind publishing is a small industry. If you say something bad about an editor or agent, it will likely get back to that person. Keep in the forefront of your mind that a “no” is about your work and its fit for a company–it’s not a personal slight against you as a person.

3. She had a brand. Whether or not you like Joan Rivers, you knew what she was about. She had a clearly defined brand.

4. She branched out. Joan didn’t make her money doing only stand-up comedy. She also sold fashion items on QVC. What else? Reality TV. She authored several books. What can you do in publishing that maintains your brand but gives you additional income? Can you do non-fiction? Can you write in your genre for another age group? Consider not having all your eggs in one basket.

5. She was willing to try anything. In one interview, she compared herself to, putting it nicely, a lady of the night. “I’ll try anything at least once.” In publishing, there are so many things you can do but fear may be holding you back. Reconsider and take a chance at learning something new. Marketing definitely means stepping out of your comfort zone. M

Thanks for the laughs, Joan. Rest in peace.

The Summer of Success: Michael Ehret

Facing a crossroads at the moment—what step to take next and all that. I’m not all angsty over it, but I have been thinking a lot about the late Donna Summer, as a result.

DonnaSummerDonna Summer? The Queen of Disco?

First of all, thinking about Donna Summer is not new for me. I’ve had a long time interest in her career and in the singer, herself. I’ve even been known to be a defender of Summer (she’s so much more than disco), because I think her talent was far overshadowed by her persona and by the Super Storm known as Disco that came in and tried, unsuccessfully, to obliterate the Rock and Roll shoreline.

Variety defined her career

Still, I’m more interested in Summer’s genre-hopping than in her music, per se. For instance, did you know she was nominated for 17 Grammy Awards in eight different categories (sort of like fiction genres)? Further, did you know she won five times in four different categories—twice in Inspirational? That’s right, Inspirational. The singer of 1975′s 17-minute+ disco moan-fest, “Love To Love You, Baby,” won two Grammy Awards for Best Inspirational song (1984 and 1985).

Conventional wisdom is to not genre hop in the publishing world. There’s greater freedom in music (Linda Ronstadt also played the field, musically). But in publishing, writers are often advised that if they start in romance (or speculative or historical or suspense) then they should stay in romance (or speculative or historical or suspense).

But, I must have a little Donna Summer in me because I don’t want to be constrained in that way. Before we get all crazy, let’s remember that no one is knocking down my door for my next book—or, for that matter, my first book.

But—again—we can look to the diva for guidance. Because “conventional wisdom” isn’t called “conventional-sort-of-good-advice,” you know?

Summer made her mark in one genre—disco. It was the red-hot genre of the time and she rode that horse for all it was worth.

But when the horse started to get hobbled, she made the smart move of wrapping up that era with a Greatest Hits collection, changing record labels, and then came roaring back in 1980 with a rock-pop disc without even a whiff of disco, The Wanderer. And a song from that project earned her one of her Grammy nominations.

DiscoBallWhat are the lessons for a writer?

  1. Do your homework. Summer worked in Germany and Europe in various touring companies of shows like “Hair” and “Godspell” before connecting with Giorgio Moroder for her first major album, Love To Love You Baby.
  2. Establish yourself as an excellent writer of (choose one: romance, historical, suspense, other) and then, like Summer, work your butt off to make your mark. She released seven disco albums from 1975 to 1979—that’s four years. Three of them in a row were blockbuster double albums.
  3. Keep your nose to the ground and your face forward. If you pay attention to the market and publishing trends, you’ll know when it’s time to change genres. If you’re a big enough success, you’ll get your opportunity. When you do, show the same quality, perseverance, and dedication to craft that got you where you are.

That’s the way to build a Hall of Fame career (Summer was inducted into the Rock and Roll Hall of Fame in 2013) and do all the things you want to do.

Summer died May 17, 2012, at age 63. At her death (from cancer) she was working on two albums simultaneously—a collection of standards and a new dance music collection.

For the record, Summer’s Grammy wins were for:

  1. Best R&B Female Performance, 1979, for “Last Dance.”
  2. Best Rock Female Performance, 1980, for “Hot Stuff.”
  3. Best Inspirational Performance, 1984, for “He’s A Rebel.”
  4. Best Inspirational Performance, 1985, for “Forgive Me.”
  5. Best Dance Music Performance, 1998, for “Carry On.”

Additionally, she was nominated four times for Best Pop Vocal, twice for Best R&B Vocal, twice for best Rock Vocal, once for Album of the Year, once for Best Disco Vocal, once for Best Inspirational, and once for Best Dance Music.

Not a bad career.

Your turn: So, do you have a little Donna Summer in you?
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MichaelMichael Ehret loves to play with words and as the editor of CHEFS Mix Blog for CHEFS Catalog he is enjoying his playground. Previous playgrounds include being the Managing Editor of the former ACFW Journal Magazine and the ezine Afictionado for seven years. He also plays with words as a freelance editor and has edited several nonfiction books, proofedited for Abingdon Press, worked in corporate communications, and reported for The Indianapolis Star. You can connect with Michael via his website, Facebook and Twitter.

WordServe News: August 2014

Exciting things have been happening at WordServe Literary!

On the final post of each month you’ll find a list of Water Cooler contributors’ books releasing in the upcoming month along with a recap of WordServe client news from the current month.

New Releases

Marcus Brotherton released his first novel with River North, Feast for Thieves. Marcus also released, with Alec Rowlands, a collaboration project titled The Presence in 9781414387246_p0_v1_s260x420association with Tyndale Momentum. 9780802412133_p0_v2_s260x420

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Jim Burns and Doug Fields released Getting Ready for Marriage with David C. Cook 9781434708113_p0_v1_s260x420publishers.

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Mindy Ferguson released Moses with AMG Publishers. 9780899579108_p0_v2_s260x420

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Rick Johnson released, with Revell publishers, Becoming the Dad Your Da9780800723354_p0_v2_s260x420ughter Needs.

 

 

 

 

 

 

 

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Jeremy Jones, collaborator with Kyle Idleman, released Praying for Your Prodigal with 9781434707710_p0_v1_s260x420David C. Cook publishers.

 

 

 

 

 

 

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Jennifer Strickland, with Harvest House Publishers, released More Beautiful Than You Know. 9780736956321_p0_v4_s260x420

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Sarah Varland released a new romantic suspense with Love Inspired, Tundra Threat.9780373446285_p0_v1_s260x420

 

 

 

 

 

 

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New Contracts

Jeremy Jones signed a work for hire agreement with David C. Cook for 40 Days to Lasting Change: A Devotional (tentative title). Greg Johnson, agent of record.

Jonathan McKee signed a contract with Group Publishing for Foundations–Volunteers (tentative title). Greg Johnson, agent of record.

What We’re Celebrating!!

Krista Phillips released her first self-published novella, A Side of Faith! Get your copy here.

Laurie Short was interviewed on The Harvest Show. Watch the clip here!

Barbara Stoefen’s memoir,  A Very Fine House, got an awesome review in Publisher’s Weekly. Read it here!

How to Create Walk-On Characters Who Are Memorable (But Not Too Memorable)

The Water Cooler is pleased to host guest blogger K.M. Weiland.

Every character is the hero of his own story.

V8374c_JaneEyre.inddThat bit of popular advice is a marvelously evocative reminder to breathe life into even minor characters. However, chances are you’ve also had the sometimes-charming, sometimes-frustrating experience of a minor character who decides he’s not just the hero of his own story, but the hero of the story. He tries to take over, usually with mixed results.

So how can you go about hero-izing your minor characters into memorable and realistic personalities without letting them derail your story? Charlotte Brontë’s masterful novel Jane Eyre (which I analyze in-depth in my book Jane Eyre: The Writer’s Digest Annotated Classic) offers some excellent examples on how to deftly bring to life any type of character—without letting them run away with you.

The Four Types of Characters
First, take a moment to consider the various types of characters you might find in your story. Which category your character falls into will determine how he should be introduced.

1. Main Characters
Main characters are protagonists. They will be on stage in all or most of your scenes and will probably be given the primary point-of-view narration. Their goals and character arcs power the plot. Without them, there is no conflict and no story. To find Jane Eyre’s main character, we need look no further than the title.

2. Major Characters
Major characters are those who figure in the story almost as prominently as the protagonist. However, they act in roles that support the protagonist. They drive the story only in ancillary ways. Antagonists, sidekicks, love interests, and mentors are all examples of common major characters. In Jane Eyre, St. John Rivers acts as one of the antagonists, Helen Burns appears briefly as a sidekick, Edward Rochester is the love interest, and the housekeeper Mrs. Fairfax sometimes functions as a mentor.

3. Minor Characters
Minor characters fill out the rest of the cast. They are characters who recur throughout the story—sometimes only once or twice, sometimes frequently. They fill in the gaps in the story world, allowing readers to believe the setting is populated with the multitudinous faces we find in our own world. Minor characters may dramatically affect the plot, but only in comparatively small ways. They are not as integral as major characters. In Jane Eyre, her cousins the Reeds, the nasty Blanche Ingram, and St. John’s would-be wife Miss Oliver are all important, but decidedly minor characters.

4. Walk-On Characters
Walk-on characters are those who appear only once, fulfill a necessary role, and exit the story, probably never to be mentioned again. They are rarely named and exist only for background color or plot functionality. The many servants at Thornfield Hall and Jane’s fellow students at Lowood School are all walk-on characters.

Use Your Character’s Introduction to Signal His Importance (or Lack Thereof)

Identifying which group a character belongs in will help you understand how to introduce him. No matter his role, you want to bring him to life in your readers’ minds. You want them to clearly visualize him—and not just visualize him, but see him as a unique and vibrant human being.

This is where we sometimes get tripped up. We don’t want readers to dismiss our walk-on taxi driver as a cardboard cutout, or, worse, a cliché. So we spend several paragraphs describing his appearance, his accent, his personal tics, maybe even a little of his backstory. There! Now, he’s three-dimensional!

Problem is he’s also now giving readers the wrong signal. The more time you spend introducing a character, the more you foreshadow his importance within the story. A walk-on character who gets three paragraphs of intro, only to never show up again, will be at best a niggling loose end in readers’ minds. At worst, he’s a gaping plot hole.

Save your paragraphs of description for main and major characters. Weigh carefully how much attention you give to minor characters. The time you spend on them should never outweigh their roles in the story. As for walks-on, you’ve already guessed it: they deserve only a sentence or two of your attention.

How to Bring Characters to Life With No More Than Three Details

So riddle me this: If you’re not allowed to give walk-on characters (and some minor characters) more than a sentence or two, how in heaven’s name can you be expected to bring them to life?

Details are the key. Choose the right details, and you won’t need more than a few. Choose the perfect detail, and you might not even need more than one. Charlotte Brontë offers a fabulous example of this in her introduction of a walk-on postal lady early in the book.

The character appears only in this scene and affects the plot only because Jane needs to get her hands on that fateful letter from Thornfield Hall. Brontë expends just three sentences on the old lady, which introduce a sum total of three important characterizing details (see bold phrases below). But that’s more than enough to bring her to life without implying she plays a larger role in the story than she does.

“[The post office] was kept by an old dame, who wore horn spectacles on her nose, and black mittens on her hands…. She peered at me over her spectacles, and then she opened a drawer and fumbled among its contents for a long time, so long that my hopes began to falter. At last, having held a document before her glasses for nearly five minutes, she presented it across the counter, accompanying the act by another inquisitive and mistrustful glance….”

The next time you write a walk-on character, challenge yourself to come up with three—no more, no less—precise, pertinent, and enlivening details with which to describe him. Then evaluate the effect and see if your brief description hasn’t provided your story with an unobtrusively vivid new character.

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K.M. Weiland lives in make-believe worlds, talks to imaginary friends, and survives primarily on chocolate truffles and espresso. She is the IPPY and NIEA Award-winning and internationally published author of the Amazon bestsellers Outlining Your Novel and Structuring Your Novel. She writes historical and speculative fiction from her home in western Nebraska and mentors authors on her award-winning website Helping Writers Become Authors.